Religious Narratives

Artworks illustrating biblical and mythological stories, showcasing intense emotions and intricate details in engraving.

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Portrait of Alvise Barbarigo and the personifications of Generosity, Wealth and Assistance, verso - stamped, Pedestal in the form of a cartouche. On it a medallion with on the front a portrait of Alvise Barbarigo in armor. On the back the female personification of Generosity (Liberalitas). On the left of the pedestal the female personification of Generosity. Next to it a woman on a throne with a scepter and crown. At her legs a sheep. She is the personification of Wealth or Luxury. On the right the personification of Assistance or Help: an armed man with a sword and an oak branch with fruits. The print is part of an album., print, prent, albumblad, prints, prenten, height 220 mm, width 237 mm, 1663 - 1743, print maker, prentmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Italian, 1658-04-29 - 1730-01-27, client

The Story ofJonah. Artist: Jan van de Velde II, Dutch, 1593-1641 After: Willem Pietersz. Buytewech, Dutch, 1590/91-1624

King with two women, Pierre Lombard, 1654 print London paper engraving ruler, sovereign. archer's weapons: bow and arrow

Print at the top right numbered: 708.

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Portrait of Alvise Barbarigo and the personifications of Generosity, Wealth and Assistance, verso - stamped, Pedestal in the form of a cartouche. On it a medallion with on the front a portrait of Alvise Barbarigo in armor. On the back the female personification of Generosity (Liberalitas). On the left of the pedestal the female personification of Generosity. Next to it a woman on a throne with a scepter and crown. At her legs a sheep. She is the personification of Wealth or Luxury. On the right the personification of Assistance or Help: an armed man with a sword and an oak branch with fruits. The print is part of an album., print, prent, albumblad, prints, prenten, height 220 mm, width 237 mm, 1663 - 1743, print maker, prentmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Italian, 1658-04-29 - 1730-01-27, client

Caesar refuses Pompeus's head, Gerard de Lairesse, 1670 print Upon arrival in Alexandria, two kneeling figures Caesar offer the head of Pompey. Caesar shows his aversion to this gift by turning off his head and covering his face with his hand. Scene described in "parallel lives" of Plutarch. paper etching the severed head of Pompey is brought to Caesar

Buys, Jacobus, Noordelijke Nederlanden, Vinkeles, Reinier (I), De Nederlandse Maagd bericht over degevechtde, 1781, Northern Netherlands, verso - gestempeld, Allegory of the Battle of the Doggersbank between the Dutch and British fleets on 5 August 1781. De Nederlandse Maagd reports to the seated female personification of the World about the victory in the battle. In the caption a four-line verse and the reference to p. 217., print, engraving, book illustration, prints, Frederik Muller Historical Plates, height 187 mm, width 112 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1782 - 1782, paper, papier, etching, etchings, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

Bible prints 12 pieces. To J. Buys, Reinier Vinkeles (I), After Jacobus Buys, 1751 - 1816 print paper etching / engraving

Allegory on nature, Cornelis Huyberts, 1720 print Mother nature with a horn of abundance is sitting in the middle. To the left of her is a winged man with flowers in his hand. In the rich interior in the background is a cupboard filled with glass jars. At the feet of Mother Nature are similar pots, in which stuffed animals. Also at her feet a frog and framed butterflies and flowers. The scene is flanked by two allegorical figures on pedestals. Amsterdam paper etching / engraving 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa). 'Cornucopia', Horn of Plenty

Esther before King Ahasuerus, Jacob de Wit, 1705 - 1754

Prokne shows Tereus the head of his son Itys, Cornelis Galle (I), after Peter Paul Rubens, 1630 - 1650 print Prokne and her sister Philomena show Koning Tereus the head of his dead son Itys to prove that he has just eaten the flesh of his own son. Tereus is furious throws the table over and pulls his sword. Southern Netherlands paper engraving the banquet of Tereus; when the sisters show the head of Itys, to convince Tereus he is feasting on his flesh, he draws his sword to slay them

Rotterdam, Groenewoud Jansz, Johannes, Berg, Gijsbertus Johannus van den, Snoek, Jeremias, Symbolic Art Print on the National Assembly representing the People of the Netherlands, Allegory of the National Assembly, 1796, verso - stamped, Allegory of the First National Assembly, opened in The Hague on 1 March 1796. Temple in which a councilor in Roman clothing sitting on his throne holds a baton with a ribbon with the inscription 'Vox Populi, Vox Dei' receives from the hands of the Dutch virgin. Prudence and Wisdom (Minerva) look on. On the pillars of the temple portraits of Hendrik D. Hooft, Johan van Oldenbarnevelt and Hugo de Groot. On the left in the background the meeting room. An explanation belongs to the print., print, prent, prints, Frederik Muller Historieplaten, height 503 mm, width 575 mm, print maker, prentmaker, 1797 - 1797, fourth quarter 18th century, paper, stippelets, Work conception, after own design of, 1769-11-01 - 1817-09-04, intermediary draughtsman, after drawing

Italian landscape with mourning women. Five women in classical robes mourning at a tomb. One of them points to the left. Soldiers in the background.

Oeuvres de Jean Racine 1801 Written by Jean Racine French This is the first volume of Didot's three-volume The Works of Racine. It inaugurated the third part of his suite of luxury volumes known as the "Louvre editions." Along with the first installment in the project, The Works of Virgil (1798), it features full-page illustrations instead of headpieces. The illustrations were designed by six painters and two sculptors, and engraved by a host of printmakers. Each play was illustrated wholly by one artist, so that a continuity of style and interpretation was established within each unit of the book. This consistency was not extended to the printmakers, however, which perhaps resulted in more variation than Didot had intended for the images.. Oeuvres de Jean Racine 381619

Citizens / Patrie / is in danger (IT)

Decapitation of two kings commissioned by a Roman emperor, Gerard de Lairesse, 1670 print From his throne, a Roman emperor instructs a executioner to behead a blindfolded king. The head of the second king is already cut off on the ground. In addition to the emperor, a begging man is stopped by a number of soldiers. This print illustrates the second part of the basic principle of Roman politics included by Vergilius: "Parcere Subiectis, Sed Debellare Superbos" (Vergilius, Aeneis 6.853). According to this principle, the subjects would be saved, but those who persisted were stubbornly destroyed. Pendant of a print about the first part of this rule. Amsterdam paper etching violent death by beheading. emperor

Amsterdam, Luyken, Caspar, Jakob gets to see the bloody garment of Jozef, verso - manuscript in brown ink, print, prints, verso - stamped, 35, height 111 mm, width 147 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

unknown, Soutman, Pieter Claesz., Raphael, Rubens, Peter Paul, Christ gives the keys of the kingdom of heaven to Peter, verso lower left - stamped, Christ hands over the keys of the kingdom of heaven to Peter, who is kneeling before him. The other disciples look on. Below the representation the Bible verse Mat. 16:18 in Latin., print, prints, height 333 mm, width 490 mm, Northern Netherlands, 1601 - 1657-08-16, print maker, printmaker, 1616 - 1657, paper, papier, etching, etchings, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, intermediary draughtsman, after a drawing by, 1483-04-07 - 1520-04-07, after, after a painting by, Publication (Event), Publication, publisher, uitgever, "granter of privilege

Manius Curius Dentatus Refusing the Presents of the Samnite Ambassadors 1732-92 Fedele Fischetti Italian. Manius Curius Dentatus Refusing the Presents of the Samnite Ambassadors 338727

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Minerva, Hercules, Mercury, Jupiter, and Hera, with a Youth with a Cup on a Plate, 1788. Engraving.

Oude man omarmt een jonge man.An old man has hit his arm around a young man and leads him towards a company. The young man makes a wondering gesture. Under the show a quote from two lines in Dutch from the book.

Ovid is accompanied by two muses. The poet Publius Ovidius Naso has been hit by an arrow of Amor flying above him. He is accompanied by the Muzen Melpomene (Horn in hand) and Erato (Lier on the feet). Two swans on the water in the foreground. In the background on a tree a blank board.

Ahasveros geeft de ring aan Mordechai.King Ahasveros did the signet ring that he had taken from Haman, enemy of the Jews and gives it to Mordecai. Ester stands in between them and gives Mordechai management about Hamans possessions. Illustration of the Bible text EST. 8: 2. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

The Boasting Traveler. Dimensions: overall: 5.5 x 7.2 cm (2 3/16 x 2 13/16 in.). Medium: metalcut. Museum: National Gallery of Art, Washington DC. Author: Elisha Kirkall.

Party meal from Cleopatra; Quem Mars Nunquam, Vicit Vénus. The party from Cleopatra in a palace interior. On the left is Cleopatra with bare breasts at the table, right is Marcus Antonius. There are several guests and members of court at the table. Proposed is the moment at which Lucius Planancus prevents Cleopatra to take a second pearl from her earring to let it dissolve in her wine. As a result, Marcus Antonius loses the bet to whom the most expensive banquet could give. There is a hunting dog on the floor for the table.

Allegorial Composition with Figures Working According to an Architectural Plan. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 11 1/2 × 14 7/16 in. (29.2 × 36.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, Count Ugolino della Gherardesca with his Sons and Grandsons in Prison; Designed by Felice Giani (Italian, 1758-1823); Italy; etching and aquatint on paper; 27.1 × 34.4 cm (10 11/16 × 13 9/16 in.)

Alexander and Aristobulus account for Emperor Augustus, Jan Luyken, 1704 print Amsterdam paper etching emperor. audition; ruler giving audience

Red chalk drawing by Anton Kern, circa 1740, illustrating Polyxena at the grave of Achilles, a classical scene from Greek mythology.

Scene from Roman history: a man kills a soldier with his sword in a temple. Design for a book illustration., Geta or Antoninus, draughtsman: Jan Goeree, 1680 - 1731, paper, pen, brush, h 142 mm × w 84 mm

Allegorical show with Lodewijk, Dauphin van France, Bernard Picart, After Antoine Coypel, 1709 print Lodewijk, Dauphin van France, tramples a man and looks up to religion. She points him to a triangle surrounded by rays in heaven (symbol for the trinity). Left caution () With mirror and snake in the hands. A fox runs away from her. On the right a woman, accompanied by a lion. Paris paper etching / engraving allegorical representations ~ religion; 'Religione', 'Religione de SS. Mauritio e Lazaro', 'Religione vera christiana' (Ripa). symbols of the Trinity ~ circular and/or triangular forms or arrangements. beasts of prey, predatory animals: fox. beasts of prey, predatory animals: lion

Germanicus is awakened at night in the army camp, Tommaso Piroli, After Jean Grandjean, 1779 print print maker: Italyafter design by: Romepublisher: Amsterdam paper engraving / etching (story of) Germanicus

Weigel, Christoph, Amsterdam, Luyken, Jan, King Jehoiakim burns the scroll of Jeremiah, verso - stamped, print, prints, height mm, width mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Meeting of David and Abigaïl, Reinier Vinkeles (I), After Jacobus Buys, 1797 print When a stingy farmer refuses to help David and his men, they threaten to punish him. Abigaïl, the farmer's wife, kneels for David and offers him and his soldiers eat and drink. With that she was satisfied with David. Amsterdam paper etching / engraving meeting of David and Abigail, who kneels before him

De Engelen lead Lot and his wife and daughters from Sodom, Philips Galle, After Anthonie Blocklandt, 1557 - 1570 print The two angels guide Lot and his family out of the city. In the background a hilly landscape with a river. Haarlem paper engraving the angels urge Lot to hurry in leaving the city

Judgment of Solomon, Caspar Luyken, 1708 print Nuremberg paper etching the judgement of Solomon (1 Kings 3:16-28)

. Prince Willem V rewards on November 30 schout-at-night Johan Zoutman with a memorial tennis on a gold chain, after his victory in the sea battle at Doggersbank between the Dutch and the British fleet on August 5, 1781.

A drawing by Pietro Antonio Novelli depicting an allegory: a dog led by a genius toward a sacrificial altar, with a genius seated on a lion on the right, executed in pen with sepia and gray lavated tones.

A Banquet. A Banquet; Morazzone (Pier Francesco Mazzuchelli) (Italian, 1573 - 1626); about 1623; Gray and brown wash over black chalk, heightened with white gouache, lightly squared in black chalk, on two sheets of paper; 35.6 × 84.5 cm (14 × 33 1/4 in.); 90.GG.117;

The renovation of Philip II by the States, 1581; Flips the Iide. If his arms, stamps, etc. On the Ground the Broken Arms and Stamps from Philip II.

WILLIAM AUGUSTUS DUKE OF CUMBERLAND 3rd son of George II, he fought in the Battle of Culloden. Date: 1721 - 1765

Allegory with a woman on a loom, anonymous, 1650 - 1750 print A woman is behind a loom. Behind her is Mercury, the god of trade. In the foreground a woman with wings in the hair that points to the woven material that father keeps in his hands. Possibly a trade label for a company of woven substances. paper etching (story of) Mercury (Hermes). Father Time, man with wings and scythe. weaving

Jozef's Dreams, Hans Collaert (I) (attributed to), after Michiel Coxie (I), 1585 print Joseph explains his dreams to his parents and his brothers. At the top left the dream of the Korenschoven, where the corn sheaves of his brothers bend for Joseph's Korenschoof. At the top right of the dream, in which the sun, man and eleven stars bow to Joseph. Under the performance a reference in Latin to the Bible text in Gen. 37. This print is part of an album. paper engraving Joseph relating his dreams (the two dreams combined)

The God Mercury kneels before the personification of nature and holds her hand. Minerva stands beside the two and makes a consenting gesture, Minerva reunites Mercury and the personification of nature, print maker: Louis Fabritius Dubourg, (mentioned on object), Louis Fabritius Dubourg, (mentioned on object), Amsterdam, 1720, paper, etching, h 160 mm × w 112 mm

Painting depicting Hippocrates refusing the presents of Artaxerxes I of Persia

'The Death of Caesar', tragedy by Voltaire written in 1736. Illustration (1791). Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Minerva reunited Mercury and the personification of nature. The god Mercury kneels for the personification of nature and holds her hand. Minerva stands next to the two and makes an appropriate gesture.

Prokne shows the head of his son Itys. Prokne and her sister Philomena show King Teere's head of his dead son Itys to prove him that he has just eaten the meat from his own son. Tereus is furious throws the table and pulls his sword.

An Allegory of the Arts with Isis and Geometry Attending the Three-headed Figure of Painting and Sculpture, a Putto Crowning her with Laurels. Artist: Erasmus Quellinus (Flemish, Antwerp 1607-1678 Antwerp). Dimensions: sheet: 8 7/16 x 10 15/16 in. (21.5 x 27.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Oppius saved by his son.Marlcus Oppius Carries His Father On His Back the City of Rome out.

Portrait of Marco Barbarigo and the Spirit of the Roman people, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Marco Barbarigo with Dogehoed on the front. On the back three soldiers who hold each other's hand. In addition, the text: Concordia Ducum. On the pedestal lies the genius or spirit of the Roman people, surrounded by soldiers. She has a bowl in her right hand and a horn of abundance in her left hand. In addition, a burning altar. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). Genii (Roman tutelary spirits); 'Genio' (Ripa). 'Cornucopia', Horn of Plenty. Agreement, Unity; 'Concordia', 'Concordia insuperabile', 'Concordia militare', 'Concordia di Pace', 'Unione civile' (Ripa)

Amadeus Berutti with a rigidity (austeritas) and friendship (amicitia) and love (amor). Legal advisor Amadeus Berutti with strictness personifications (Austeritas), friendship (amicitia) and love (amor). The figures are identified with their names: Amadevs / Avsteritas / Amititia / Amor

Lucas van Leyden (Netherlandish, 1489-1494-1533), Solomon's Idolatry, 1514, engraving

Lazio Viterbo Bagnaia Villa Lante20. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

After 18 centuries, the honour of France is avenged, as Napoleon conquers Italy as once Caesar conquered Gaul ! Now, all nations pay homage to the mighty conqueror ! Date: 1769 - 1821

Joseph's dreams; History of Joseph; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Joseph explains his dreams to his parents and his brothers. Top left the dream of the corn sheaves, where the corners of his brothers bend for Joseph's corn sheaf. At the top right the dream, in which the sun, man and eleven stars are bending for Joseph. Under the show a reference in Latin to the Bible text in Gen. 37. This print is part of an album.

Depicts the story of Ananias, created as a clair-obscur woodcut in four plates by Ugo da Carpi in brown in 1518.

Scipio and Bride of Numantia; Hy, how very the beautiful virgin (...). The Roman General Publius Cornelius Scipio Africanus Maior returns a clean war prisoner after the conquest of Carthago to her fiancé. At the top right: II.d.pl.ii. Bottom right: Bladz.293.

Allegorical portrait of Felipe el Bueno (Philip the Good Duke of Burgundy) founder of the Order of the Golden Fleece. Artist: Manuel Salvador Carmona (Spanish, 1734-1820); After Antonio Vázquez (Spanish, active 1792-1836). Dimensions: Sheet: 12 5/8 × 8 1/4 in. (32 × 21 cm). Date: 1778. Museum: Metropolitan Museum of Art, New York, USA. Author: Manuel Salvador Carmona. After Antonio Vázquez.

Flight of Lot and his family from Sodom, Ferdinand Leenhoff, after Peter Paul Rubens, 1851 - 1893 print Two angels lead Lot and his family through the city gate from Sodom. A donkey is packed with their belongings. Fire -spitting devilish figures fly towards the city in the air. Paris paper etching Lot and the two angels (Genesis 19:1-23)

Mars offering a floral wreath to Venus 1760-90 Stefano Mulinari. Mars offering a floral wreath to Venus. Stefano Mulinari (Italian, Florence ca. 1741-90). 1760-90. Etching and aquatint. Prints

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Classical Scene of Soldier carrying Child with Two Women, 1786. Engraving.

Tobias and Sara(?). Artist: Jan Sebastiaen Loybos, Flemish, active 1653, died before 1703

Bernards, Balthasar, Rotterdam, Brasser, Leendert, Title page for: The trade from Amsterdam, to all regions of the world, Amsterdam, Allegory with Mercury, print, prints, height 141 mm, width 89 mm, 1727-11-19 - 1793-06-14, print maker, printmaker, 1776 - 1776, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Northern Netherlands

Hanna brings the little Samuel to Eli.

Allegory on the dolphin of France. (TF)

Kaulbach, Wilhelm von, Iphigenie. Iphigenie auf Tauris, Photo reproduction of a drawing of Iphigenia and Orestes from Goethe's Iphigenia auf Tauris by Wilhelm von Kaulbach, This photo is part of a cover with 22 photos., photograph, foto, reproduction, photos, photographically illustrated books, height 211 mm, width 178 mm, height 125 mm, width 98 mm, photographer, 1850 - 1900, cardboard, photographic paper, photo paper, albumen print, German, 1805-10-15 - 1874-04-07, intermediary draftsman

Italy, Dijck, Daniël van den, Suzanna and the Elders, verso - stamped, Suzanna is attacked by two elders during her bath. She is sitting on the edge of a basin. One of the men pulls her dress from her body., print, prent, prints, prenten, height 149 mm, width 221 mm, 1610 - 1658, print maker, prentmaker, 1635 - 1670, second quarter 17th century, paper, papier, etching, etsen

Marriage of Francesco I the 'Medici and Johanna of Austria; Festivities in the visit by Maria de 'Medici to Amsterdam in 1638. Tableau Vivant of the marriage of the parents of Maria de' Medici - Francesco I the 'Medici and Johanna of Austria - in 1565. Left Emperor Ferdinand I. Performance used in it Water theater on the Rokin. Plate 7 of the illustrations in the description of the festivities around Maria de 'Medici to Amsterdam from 31 August to 5 September 1638.

Umbria Terni Amelia Cathedral7. Hutzel, Max 1960-1990 Medieval: Tombstones, baptismal font. Post-medieval: Original romanesque church completely remodelled 1640. Architecture, architectural sculpture, views of interior including altar and organ, baptismal font, tombs, pavement by Sangallo, paintings, frescoes. Extensive coverage of exterior, interior naves and altars, tombs, burial chapel and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Remi-Henri-Joseph Delvaux, Proculus, à la mort que l'on mêne mon fils, c. 1805, engraving on paper.

Allegories ter ere van het college Romano, Claude Mellan, After Pietro da Cortona, 1624 - 1636 print Rome paper engraving Piety, 'Pietas', 'Timor Dei' ~ the Three Theological Virtues. statues, sculptures in garden Roman college

Antwerpen, Jode, Gerard de, Snellinck, Jan (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Twelve prophets, Amos, Zechariah and Malachi, Antwerp, The prophets Amos, Zechariah and Malachi stand next to each other in a landscape. Amos with a shepherd's staff and sheep, Zechariah looks at the landscape in which the temple is being rebuilt, Malachi with an angel. Explanations in Latin below the representation. This print is part of an album., print, prent, albumblad, prints, prenten, height 215 mm, width 278 mm, Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, 1585 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Manuel Salvador Carmona (Engraver) (After Velázquez, Diego Rodríguez de Silva y); Manuel de la Cruz Vázquez (Drafstman); Imprenta Real (Printer) / 'The Feast of Bacchus'. 1793. Taille douce: etching and engraving on laid paper. Museum: Museo del Prado, Madrid, España.

Timocleia Before Alexander. Artist: Léon Davent (French, active 1540-56); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet (trimmed/oval): 12 15/16 × 8 1/2 in. (32.8 × 21.6 cm). Date: ca. 1540-45. Museum: Metropolitan Museum of Art, New York, USA.

Deucalion and Pyrrha. Deucalion and Pyrrha are throwing stones behind with raised arms. On the ground the stones change into men and women. The Temple of the Oracle can be seen in the background.

Saint Peter Nolasque. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 18 15/16 x 13 9/16 in. (48.1 x 34.4 cm). Date: 1627. Museum: Metropolitan Museum of Art, New York, USA.

Italy, Two women by an urn and two women on a bed, verso - handwritten in brown ink, Above two young women, both kneeling towards an urn that stands on a plinth in the middle. Below a young woman and an older woman sitting on a bed. On the right stands another young woman, leaning on a column., print, prent, prints, engravings, verso - stamped, 27.ag. 40. - a., height 202 mm, width 257 mm, print maker, printmaker, 1650 - 1749, paper, papier, etching

Diogenes asked Alexander not to stand in his light, Elias van Nijmegen, 1677 - 1755

Astarbé arrested in the palace of Pygmalion. Astarbé at the top of a staircase in the palace of Pygmalion, is arrested by two soldiers next to her. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. II.

Hero and Leander, Lambertus Antonius Claessens, 1800

A drawing by an anonymous artist showing Augustus and the Tiburtine Sibyl, with a city background, Madonna appearing on clouds accompanied by angels, executed in brown ink and white highlights on green paper.

Lot and his two remaining daughters rest while the two cities burn in the background

Lazio Roma Castel Fusano Castello Chigi3. Hutzel, Max 1960-1990 Architecture: exterior views of the castle and interior views of entrance hall and main salon. Detailed shots of: maps, salon fresco cycle of New Testament, allegorical and mythological scenes, chapel altarpiece, and other works all by Pietro da Cortona. 3 marble busts. Antiquities: Roman sarcophagus in garden Object Notes: 4 negatives of an ancient Roman statue in a niche (of a goddess missing head and arms) that are catalogued with Castello Chigi may be misidentified. General Notes: Hutzel made 2 separate photo campaigns in Castel Fusano; new numbers have been assigned to the photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

The Covenant of the Nobles, 1565, Reinier Vinkeles (I), After Jacobus Buys, 1787 print The Association of Nobles on the castle of Hendrik van Brederode in Vianen, 1565. Amsterdam paper etching alliance, league, union, foedus Netherlands. Spain

Frankfurt, Ritzsch, Timotheus, Title page for: Wigand Möller, Repertorium rerum, verborum, et notabilium, 1676, Wigand Molleri Repertorium Carpzovianum, Benedikt Carpzov with the enthroned queen, verso - handwritten, Lawyer Benedikt Carpzov stands next to a queen sitting on a throne. Both show their right lower leg under their clothing. On the right is an open book on a lectern. In the left foreground sits a putto with a branch. At the top are two putti flying with a scale and drapery with title., print, engraving, title page, prints, engravings, verso - stamped, 28-11-85, 1+2, height 307 mm, width 193 mm, print maker, printmaker, 1676 - 1676, paper, engraving (printing process), Publication (Event), Publication, 1614-01-24 - 1678-02-01, publisher

Helena reads a love letter from Paris. Design for a painting.

Chalk drawing by Carlo Coltellini depicting an unidentified mythological scene on brownish paper with white highlights.

The Death of Socrates (469-399 BC) Greek philosopher, Ancient Greece. Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881

Vida de San Juan de la Cruz (1542-1591). Un cirujano cura las úlceras de sus piernas. Grabado de 1890.

Almanach / Muses / Year 3rd (IT)

Engraving by Adolphe Francois Pannemaker (1822-1900) a Belgium wood engraver. Dated 19th Century

Title page for: 'contemporary history of the Spaniards, part 2', 1765, Reinier Vinkeles (I), 1765 print Title page with a personification of peace with an olive branch and a Spanish coat of arms in hand. The personifications of violence and murder are chained on her pedestal. In the background a personification of sea shipping and symbols of prosperity, such as the horn of abundance. print maker: Amsterdampublisher: Leidenpublisher: Amsterdampublisher: Amsterdam paper etching / engraving Pax as Roman personification. 'Cornucopia', Horn of Plenty. ships (in general) - CC - more than one ship

Esther beforeAhasuerus. Artist: Georg Pencz, German, ca. 1500-1550

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile41. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

A decorative leaf draft by Bernard Picart, executed in gray ink with brush, gray wash, and reddish details.

Antony and Cleopatra, Act I, Scene II, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), And X Liparoli, active 1790s, after Henry Tresham, 1751-1814, British, 1794, Engraving

Niobe grieving over the loss of her fourteen children while holding some of their dead bodies. Etching by B. Pinelli after F. Rehberg, 1810.

Dido Excoriates Aeneas, from Book IV of the "Aeneid". Jean-Michel Moreau le jeune (French, 1741 - 1814)

Cornelis II Bloemaert, said the young (1603-1692). Antiochus fleeing the attacks of love according to Pierre de Cortone, (Dutuit p. 36, Le Blanc 76). Cure, 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. Cake, Catholic, Christian Chretian, biblical character, religious scene, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Bonaparte Donnant the Peam to Europe (ti)

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