Religious Renaissance Art

This cluster features 14th-century altarpieces and frescoes depicting biblical scenes, with rich colors, intricate details, and religious themes.

"Pinnacle from an altarpiece showing the prophet C. 1325 Tempera and tooled gold on panel by Ugolino di Nerio, Italian (active Siena and Florence), documented 1317 - 1327"

Anonymous / 'Altarpiece of Saint Christopher', 14th century, Spanish School, Tempera on panel, 266 cm x 184 cm, P03150. Museum: MUSEO DEL PRADO, MADRID, SPAIN. SAINT CHRISTOPHER.

Majesty, Christ in Glory, 1861-62. Artist: Dante Gabriel Rossetti

Deposition, 14th-century fresco of the apse, Basilica of Sant'Abbondio Como, Italy, 11th-16th century.

Adoration of the Kings / T.Gaddi

Maesta by Memmi, Lippo (1291-1356) / Palazzo Comunale, San Gimignano / 1317 / Italy, School of Siena / Fresco / Bible /

TRIPTICO DE SAN MATEO - SIGLO XIV - GOTICO ITALIANO - ESCUELA FLORENTINA. Author: ANDREA ORCAGNA (1308-1368). Location: GALERIA DE LOS UFFIZI. Florenz. ITALIA. SAN MATEO APOSTOL Y EVANGELISTA.

A Louis XIV Gobelins Armorial Tapestry from the Renommes series, woven in wools, silks and metal thread, commissioned by Jean Baptiste Colbert (d.1683). 297 x 214cm.

San Zeno Altarpiece (Holy Conversation), by Mantegna Andrea, 1456 - 1459, 15th Century, tempera on panel, polyptych, gilded frame. Italy. Veneto. Verona. San Zeno Maggiore basilica. altar. Whole artwork. Polyptych, wooden golden frame/cornice, only the triptych of the Sacred Conversation is original, predella with copies of of Prayer in the Garden, The Crucifixion, The Resurrection

"Pinnacle from an altarpiece showing the prophet C. 1325 Tempera and tooled gold on panel by Ugolino di Nerio, Italian (active Siena and Florence), documented 1317 - 1327"

The Miracle of the Honeybee, 16th century French tapestry from the series Choir, from the Abbey of Ronceray at Angers, kept in the Langeais Castle, France.

TAPIZ DE LA BUENA VIDA. S.XV. MUSEO DE LA CATEDRAL DE TARRAGONA.

FRESCOS 1340-FRANCESES PIDEN AL REY TRASLADO CUERPO DEL STO A TOLOSA-PROC S SATURNINO ARTAJONA. Author: ARTAJONA ROQUE DE. Location: MUSEO DE NAVARRA. Pamplona. NAVARRA. SPAIN. SAN SATURNINO. FRANCIA CARLOS DE. CARLOS DE FRANCIA.

Massacre of the Innocents. (Degollación de Inocentes). Salamanca, Old Cathedral. Author: FLORENTINO NICOLAS O DELLI NICOLO. Location: CATEDRAL VIEJA. SALAMANCA. SPAIN.

England, London, Trafalgar Square, National Gallery, Altarpiece of The Virgin and Child with Saints by Carlo Crivelli dated 1476

EL BESO DE JUDAS-ESMALTE RUSO DEL SIGLO XVI. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. JUDAS ISCARIOTE (3 ac-30 dc).

Bernardino Pinturicchio, Fresco, 1490s, 1454-1513, Italy, Vatican, Appartamenti Borgia

Lothair I, Frankish Emperor, 9th century. Artist: Unknown

Expedition of the Argonauts, 15th century, Florentine Illustrated chest, Bargello, Florence, Tuscany, Italy, Europe

GSELL-Laurent workshop. Album n ° 3; Stained glass project for Saint-Dizier: Saint Nicolas resuscitates the 3 children. Black stone, pencil on layer. Paris, Carnavalet museum. Pencil on layer, child, bishop, black stone, project, resurection, resuscitate, saint, three, stained glass

FRONTAL ROMANICO-PROCEDE DE ESPINELVES-S XII. Location: MUSEO EPISCOPAL. VIC. Barcelona. SPAIN.

The Meeting of Anna and Joachim at the Golden Gate. Date/Period: 1370/1390. Painting. Tempera and gold leaf on wood. Width: 34.8 cm. Height: 30.2 cm (without frame). Author: Master of the Golden Gate.

Allegory of the Scuola di San Teodoro, by Robusti Jacopo known as Tintoretto, 1564 - 1567, 16th Century, oil on canvas. Italy, Veneto, Venice, Scuola Grande di San Rocco, Sala dell'Albergo, ceiling. Whole artwork. Oval frame figure St Theodore flag standard.

Cutting from an antiphonal. Master B.F. (Italian, active about 1495 - 1510)

St. Francis of Assisi Receiving the Stigmata, c. 1430. Bicci di Lorenzo (Italian, 1373-1452). Tempera and gold on wood; framed: 21.7 x 32 cm (8 9/16 x 12 5/8 in.); unframed: 17.9 x 27 cm (7 1/16 x 10 5/8 in.).

Leaf of a Writing Tablet. Culture: French. Dimensions: Overall: 4 9/16 x 3 1/16 x 3/16 in. (11.7 x 7.8 x 0.6 cm). Date: 14th century.It is probable that this leaf from a writing tablet, as with many extant writing tablets, was intended for letter writing. The decoration of the exterior of many of these ivory tablets, carved with scenes of courtship and chivalric romances, suggests that they were used by noble men and women for love poems or secret letters. Though this particular tablet is its fragmentary state, complete tablets are known. A similar, complete writing box was designed to hold not only the leaves, but also the stylus and a sunken receptacle for wax. Writing tablets of wood, metal, or ivory, which had been in use from the days of ancient Egypt, were not medieval inventions. They were, however, important writing implements in a period when paper and parchment were both scarce and expensive. The value of the writing tablets lay in their reusable character. A brief message

Diptych of Winterfeld Family, ca. 1430-1435. Detail of the panel on the right. Mary Magdalene raised by angels (right). From Our Lady Church, Gdansk (Poland). National Museum. Warsaw. Poland.

Retablo mayor de la Catedral de Vic. 'Nacimiento' (detalle) por Pere Oller, 1420-1428.

Tuscany Siena Poggibonsi S. Lucchese25. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Tondo with St Matthew Evangelist angel book writing halo: aureole green red leaves decoration.

triptych of Santiago, 16th century - Renaissance, tempera with oil touches on panel, hermitage of Santiago de Ruesta, Diocesan Museum of Jaca, Huesca, Spain.

St. Peter Sinking in the Sea of Tiberias. Edward Burne-Jones (1833-1898). Gouache, watercolour, pen and black and brown ink over traces of chalk. 107.9 x 35.5cm. Design for a window for glass firm, James Powell & Sons.

The Marriage of the Virgin, by Karcher Luigi, 1569, 16th Century, arazzo tessuto a Ferrara. Italy, Lombardy, Como, Cathedral. Detail. Young Atlas Telamon volutes drapery: draping drapes: clothes garlands wreaths: festoons flowers fruit orange green yellow red light blue: azure.

Czech Republic. Prague. St. Vitus Cathedral. The Golden Gate. The Mosaic of the Last Judgement (1372), by Niccoletto Semitecolo, Italian painter of the early-Renaissance. 14th century. Castle complex.

The Conversion of Saint Paul. Artist: Spinello Aretino (Spinello di Luca Spinelli) (Italian, born Arezzo 1345-52, died 1410 Arezzo). Dimensions: 11 7/8 x 11 5/8 in. (30.2 x 29.5 cm). Date: ca. 1391-92. Museum: Metropolitan Museum of Art, New York, USA.

The Duchess invites William to her Castle, Frescoes of the Legend of the Chatelaine of Vergy, Bedroom of the Landlady, Palazzo Davanzati, Florence, Tuscany, Italy, Europe

DETALLE RELIEVE DE LA CATEDRAL DE SEVILLA - RETABLO MAYOR DE LA CATEDRAL DE SEVILLA CONSTRUIDO ENTRE 1482 Y 1564. Author: JORGE FERNANDEZ ALEMAN (SIGLO XV-1535). Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN.

The Angels of the Hierarchy - Potentates, 1873. Artist: Sir Edward Burne-Jones (d.1898). Assistant: Charles Fairfax Murray (d.1919).. Angel seen holding model of a domed building, and in his right hand a crozier. Design for Jesus College, Cambridge .

Apocalypse medieval tapestry, Angers castle, france ANGERS, FRANCE, MARCH 23, 2024 : Apocalypse medieval tapestry, by Jean Bandol and Nicholas Bataille, 14 th century, Angers castle, france Copyright: xZoonar.com/patrickxmichelettix 22206230

Polyptych of Perugia, by Pietro di Benedetto dei Franceschi known as Piero della Francesca, 1478 - 1485, 15th Century, poplar panels. Italy: Umbria: Perugia: The National Gallery of Umbria: gia in Sant'Antonio delle Monache. Whole artwork. Annunciation angel dove rays Holy Ghost/Holy Spirit palace arches columns frame/cornice gold cusp

Romanesque art in the National Art Museum of Catalonia,Barcrelona,paintings of Sant Climent de Taüll (1123 BC).Boí valley.

Saints John the Baptist and John the Evangelist; Mariotto di Nardo, Italian (Florentine), active 1394 - 1424; 1408; Tempera and gold leaf on panel; Unframed: 99.1 x 76.2 cm (39 x 30 in.), Framed: 138.4 x 84.1 x 10.8 cm (54 1/2 x 33 1/8 x 4 1/4 in.)

Noli me tangere (Touch me not), fresco by Giovanni da Milano (active from 1346 to 1369), detail. Rinuccini Chapel, Santa Croce, Florence. Italy, 14th century.

The Dream of Pope Sergius. Workshop of Rogier van der Weyden (Netherlandish, 1399/1400 - 1464)

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost. French (Picardy). Date: 1490-1500. Dimensions: Panel: 117 × 51.1 cm (46 1/16 × 20 1/8 in.); Painted Surface: 115.1 × 49.4 cm (45 5/16 × 19 7/16 in.). Oil on panel. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA. Author: French school.

The Resurrection and the Three Maries at the Tomb, anonymous, c. 1440 Bake consisting of chapel -like niche and a layer of bottom with openwork Frisian. Niche at the front bordered with two columns with capital on which pinacles enclose that accolade arch with a low window tracing above. Back wall with gothic windows separated by columns with capitals on which rib vault. Southern Netherlands oak (wood). wood (plant material). paint (coating) sawing / cutting / gilding Bake consisting of chapel -like niche and a layer of bottom with openwork Frisian. Niche at the front bordered with two columns with capital on which pinacles enclose that accolade arch with a low window tracing above. Back wall with gothic windows separated by columns with capitals on which rib vault. Southern Netherlands oak (wood). wood (plant material). paint (coating) sawing / cutting / gilding

ESCULTURA-MUJER FUERTE DE LA BIBLIA"RUTH"MADERA Y OTROS MATERIALES POLICROMADOS 1736. Author: ATRIBUIDO MARCELINO ROLDAN o PEDRO DUQUE CORNEJO. Location: MONASTERIO-INTERIOR. GUADALUPE. CACERES. SPAIN.

The Legend of Theodelinda, by Zavattari (brothers), 1430 - 1448, 15th Century, fresco. Italy. Lombardy. Monza Brianza. Monza. Cathedral. Theodelinda Legend of Agilulf already a follower of the Arian heresy, is baptized. Scene 27 gold yellow

Saint Louis of Toulouse. Artist: Cosmè Tura (Cosimo di Domenico di Bonaventura) (Italian, Ferrara ca. 1433-1495 Ferrara). Dimensions: Overall 28 1/2 x 15 5/8 in. (72.4 x 39.7 cm); original size 28 1/4 x 12 5/8 in. (71.8 x 32.1 cm). Date: 1484.This picture, unfortunately not in good condition, is from an altarpiece, the reconstruction of which has been much debated; a companion panel of Saint Nicholas of Bari is also known. The saint is shown from a low viewpoint, as though standing on the edge of the frame. The elaborate pose and expressive, corrugated drapery are hallmarks of Tura's style. Tura worked for the Este court in Ferrara and was a painter of enormous originality. Museum: Metropolitan Museum of Art, New York, USA.

Hannah, Samuel's mother, mosaic, segment of the side portal of the facade of Orvieto cathedral, Umbria, Italy, 14th-16th century.

Fra Giovanni da Fiesole, called Beato Angelico, and Camaldolese of the Angeli. 15th century Italian miniature.

The Majesty, by copy from Martini Simone, 1344, 14th Century, panel. Italy, Tuscany, Siena, Palazzo Pubblico. Copy of the Majesty, as the originally one, carried out by the restorer Caesar Olmestrini..

the epiphany, gothic mural painting, 15th century, second master of Gallipienzo, from the apse of the church of Gallipienzo, Museum of Navarra, Pamplona, Navarra,Spain.

Pala d'Oro (Golden Pall) altarpiece, St Mark's Basilica, Venice. Goldsmith art, Italy, 12th-14th century. Detail.

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Grünewald, Matthias (1480/1483 1528)

Album n � 4; Stained glass project for Mr. Candecoste: Figure of Saint in Gothic architecture Gsell-Laurent workshop. Album n � 4; Stained glass project for Mr. Candecoste: Figure of Saint in a Gothic architecture. Pencil, watercolor.

Hans Suess Kulmbach (Kulmbach (), ca. 1485 -Nuremberg, 1522). Triptych of the Rosary (ca. 1510). Oil on panel. Central panel: 117.2 x 84.3 cm; left wing: 122.5 x 37.8 cm; right wing: 122.5 x 38.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Hans Suess Kulmbach.

frieze with apostles, master of Santa Eulalia, 1410, tempera on wood, pollensa museum, Majorca, Balearic Islands, Spain.

ORACION EN EL HUERTO-S XIV-PINTURA GOTICA-ESCUELA CATALANA-PINTURA SOBRE TABLA. Author: MAESTRO DE RUBIO. Location: MUSEO EPISCOPAL. VIC. Barcelona. SPAIN.

The Madonna of Humility, the Annunciation, the Nativity, and the Pietà. Artist: Bartolomeo Vivarini (Italian, active Venice 1450-91). Dimensions: Central panel, overall 23 x 18 in. (58.4 x 45.7 cm); left panel, overall 22 3/8 x 9 1/2 in. (56.8 x 24.1 cm); right panel, overall 22 1/4 x 9 3/8 in. (56.5 x 23.8 cm);. Date: ca. 1465.The Vivarini were a family of Venetian painters whose prolific workshop specialized in large multi-tiered altarpieces for churches throughout the Veneto region. This relatively small triptych was likely intended for private devotion. The kneeling nun, dressed as a member of the Dominican Order, probably represents the patron. Bartolomeo's debt to the Paduan master Andrea Mantegna is especially evident in the rendering of the landscape and the figure of the Madonna in the Nativity scene. Although the frame is not original, it conveys the decorative ornamentation typical of the Vivarini. Museum: Metropolitan Museum of Art, New York, USA.

Roundel with the Betrayal 1480-90 German. Roundel with the Betrayal. German. 1480-90. Colorless glass, vitreous paint and silver stain. Made in Upper Rhineland, Germany. Glass-Stained

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Face of an angel on the left side of the throne gold halo: aureole.

RETABLO DE SAN VICENTE MARTIR - PREDELA - SIGLO XV - GOTICO INTERNACIONAL. Author: BERNAT MARTORELL (1390-1452). Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Italy, Apulia, Troia, San Basilio Church, Fresco XI Century

Florentius tries Benedict and his confreres with seven maidens of pleasure, Come Florenzo manda male femmine al monastero, fresco by Giovanni Antonio Bazzi called Sodoma, fresco cycle on the life of Benedict of Nursia, Benedetto da Norcia, cloister, Olivetans, Monastery of Monte Olivetro Maggiore, Abbazia di Monte Oliveto Maggiore, Crete Senesi, Tuscany, Italy, Europe

The Archangel Raphael and Tobias possibly 1457-63 Neri di Bicci Italian. The Archangel Raphael and Tobias 459014

Frescoes in the town church, former minster, Stein at the Rhine, Lake of Constance, Thurgau, Switzerland

Lluis Borrassà. Painter active in Catalonia between 1380 and 1425, representative of the international style. Saint Barbara, 1380-1420. Tempera on poplar panel. National Museum of Ancient Art. Lisbon, Portugal. Author: Lluis Borrassà (fl.1380-1425). Catalan painter.

La Martorana, v. 1143, with 12th century gold ground mosaics, Palermo, Sicily, Palermo, Sicily, Italy, Europe

Polyptych of the Beata Michelina (Polittico della Beata Michelina), by Jacobello del Fiore, 1400, 15th Century, tempera on board, 129 x 245 cm

Two Angels, 1862. Sir Edward Burne-Jones (d.1898). Design for St Michael and All Angels Church, Brighton, Sussex, England

Roundel with the Betrayal. Culture: German. Dimensions: Overall Diam.: 7 7/8 in. (20 cm). Date: 1480-90. Museum: Metropolitan Museum of Art, New York, USA.

Painting of Mary Magdalene, said to have travelled with Jesus as one of his followers. Painted by Carlo Crivelli (1430-1495). Dated 15th Century

Decoration depicting a king with a crown adorned with a crescent, glazed and painted ceramic. Iran, 19th century.

Right Wing of a Diptych with Crucifixion. Culture: French (). Dimensions: Overall: 3 11/16 x 2 11/16 x 1/4 in. (9.3 x 6.8 x 0.6 cm). Date: first half 14th century. Museum: Metropolitan Museum of Art, New York, USA.

"NACIMIENTO". Relieve en madera policromada. Escuela Catalana. Colección particular.

EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. Exterior of Left and Right Panels f the Ghent Altarpiece. Flemish art. Oil on wood.

Empress Theodora and her court. Byzantine mosaic, S. Vitale, Ravenna. 6th cent. AD. ITALY.

Sankt Martin von Tous und die Armenhilfe Saint Martin of Tous and the poor relief, fifteenth century, Catalan work, Girona art museum, Girona, Catalonia, Spain Copyright: xZoonar.com/Tolox 22283229

CERAMICA DE VENDRELL - PREDICACION DE SAN PABLO. Location: HOSPITAL DE SAN PABLO. Barcelona. SPAIN. SAN PABLO APOSTOL-PABLO DE TARSO.

St Sebastian and St John the Baptist, Polyptych of the Misericordia, Piero della Francesca, 1445-1462, Museo Civico, Sansepolcro,Tuscany, Italy

The Crucifixion. Dated: c. 1520. Dimensions: overall: 369.6 x 354.3 cm (145 1/2 x 139 1/2 in.). Medium: tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft. Museum: National Gallery of Art, Washington DC. Author: Pieter Pannemaker I after Bernard van Orley.

Painting of Our Lady of the Gate of Dawn with a view of the Ostrobramska Street during a litany. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Giniez, Jean Etienne Frederic (1813-1867), graphic artist, Zawadzki, Fr. (fl. ca 1850), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Print made by James Basire, 1769-1822, British, Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger, after 1819. Hand colored engraving on thick, white, smooth wove paper.

Engaged cassetta frame on a polyptych panel ca. 1380 Siena Siena Information on Niccolò di Buonaccorso (active 1356, d. 1388) is sparse, but this 'Coronation of the Virgin' is thought to be part of a portable altarpiece he painted circa1380. Two other panels with scenes from the life of the Virgin in a similar style and size and with similar frames are in the Uffizi, Florence and the National Gallery, London. The engaged frame on the Lehman panel has an intact patina. The London frame, unfortunately, no longer has its original surface. On all three frames there is no frieze between the ogee on the top edge and the cavetto on the sight edge of the principal molding, though the pastiglia spandrel give the sense of one. The outer molding supports the cusped pastiglia arch with a strength usually seen in tabernacle frames with pilasters. On the Florence and London panels the arch reflects the architecture depicted in the painting. On the Lehman panel the cusps repeat the curves of the conc

Europe, Italy, Lombardy, Milan, museum at Castle Sforzesco, stained glass window

Spain, Barcelona, the Epiphany of Andrea della Robbia in the Pedralbes Monastery museum.

Ikona: Matka Boska Kazańska. nieznany warsztat rosyjski (1700-1970), factory

SAN JUAN - ALTORRELIEVE POLICROMADO - S XVII - BARROCO ESPAÑOL. Author: GREGORIO FERNANDEZ. Location: MONASTERIO DE LAS HUELGAS REALES. Valladolid. SPAIN. SAN JUAN EVANGELISTA Y APOSTOL.

Doors of the Altarpiece of Saint Eligius. Date/Period: From 1526 until 1529. Painting. Tempera, oil and gold leaf on wood. Height: 4,930 mm (16.17 ft); Width: 2,800 mm (110.23 in). Author: Pedro Nunyes D.

The Trinity with Saints Mary Magdalen and John the Baptist, Sandro Botticelli, 1491-94, Courtauld Gallery, London, England, UK,

Predella panel showing a scene from the legend of Saint Sylvester C. Tempera and tooled gold on panel by Agnolo Gaddi

Design for Old Testament Window. Artist: Attributed to Dante Gabriel Rossetti (British, London 1828-1882 Birchington-on-Sea). Dimensions: sheet: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm). Date: ca. 1870. Museum: Metropolitan Museum of Art, New York, USA.

Christ among the Doctors. Dated: c. 1495/1497. Dimensions: overall (original painted surface): 136.2 x 93 cm (53 5/8 x 36 5/8 in.) overall (with addition at bottom): 155.2 x 93 cm (61 1/8 x 36 5/8 in.) framed: 183.5 x 128.9 x 12.1 cm (72 1/4 x 50 3/4 x 4 3/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Master of the Catholic Kings.

Panel with mosaic, central nave, Basilica of Santa Maria Maggiore, Rome. Italy, 5th century.

An Allegorical Wedding: Sketch for a carpet dedicated to Mr. and Mrs. David Wolffsohn Triptych (from right to left): Exile, Marriage, Redemption. Date/Period: 1906. Painting. Oil, charcoal and pencil on canvas Oil, charcoal and pencil on canvas. Author: Ephraim Moses Lilien.

Frescoes of the vault in Francesco Taverna's studio, count of Landriano, by Andrea Tibaldi, Landriano Castle, Lombardy. Italy, late 16th century. Detail.

The Adoration of the Child. Dated: after 1477. Dimensions: overall: 127.8 × 77.4 cm (50 5/16 × 30 1/2 in.) framed: 104.1 x 77.5 x 13.8 cm (41 x 30 1/2 x 5 7/16 in.) gross weight: 90.719 kg (200 lb.). Medium: glazed terracotta. Museum: National Gallery of Art, Washington DC. Author: ANDREA DELLA ROBBIA.

Pala d'Oro (Golden Pall) altarpiece, St Mark's Basilica, Venice. Goldsmith art, Italy, 12th-14th century. Detail.

11/22/2013 Madrid. Masaveu Collection in Centro Centro, Madrid city hall. photo, Isabel Permuy ARCHDC.

Altarpiece of San Bernabe, unknown author, 14th-15th centuries, painting on board, Diocesan Museum of Salamanca, Old Cathedral, Salamanca, autonomous community of Castilla y León, Spain.

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