Rembrandt Inspired Etchings

Etchings influenced by Rembrandt's style, featuring biblical scenes and daily life moments, rich in detail and dramatic lighting.

Man in front of the store of a painter, Vincent Laurensz. van der Vinne (II), 1758 print A man with a leashed dog looks at a painting that is hung on the outside facade of a painter's shop. A walking pair in the background. Haarlem paper etching shop-window, show-window. workshop, studio ~ painter. picture, painting

Peter and John Healing the Cripple at the Gate of the Temple Made 1659 Holland. Etching with drypoint in black on ivory laid paper . Rembrandt van Rijn

Bliżej Kultury H. Kleinmann & Co Haarlem, Fabritius (Fabricius), Barent (1624 1673)

Man is brought to the execution place, Gillis van Scheyndel (I), 1603 - 1653 print Man is brought to the execution place. To the left of him the executioner with a blindfold in his hand. His sword is on the ground. On the right three men, one of whom holds a spear. A crowd is watching in the background. paper etching death penalty, execution

Abraham and Izaac; Recueil De Quatre-Vingt-Cinq Estampes Originales. The print is part of an album.

Farmer's wife in a barn runs up a staircase, Willem Linnig (II), 1852 - 1889 print paper etching barn. farmers - AA - female farmer, farmer's wife

Louis Adolphe Hervier, Interieur de Ferme, 1854, etching, aquatint, drypoint and roulette on wove paper.

Man in front of the store of a painter, Vincent Laurensz. van der Vinne (II), 1758 print A man with a leashed dog looks at a painting that is hung on the outside facade of a painter's shop. A walking pair in the background. Haarlem paper etching shop-window, show-window. workshop, studio ~ painter. picture, painting

After Claes Jansz. Visscher, The Rat Catcher, After c. 1632, etching on paper.

The Triumph of Mordecai. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 6 15/16 x 8 11/16 in. (17.6 x 22 cm). Date: ca. 1641. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

Rembrandt van Rijn (1606-1669), Peter and John Heals a Wearbrouse, 1659

Bombance.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Harps

The Strolling Musicians. Dated: c. 1635. Dimensions: plate: 14 x 11.7 cm (5 1/2 x 4 5/8 in.) sheet: 14.3 x 12.2 cm (5 5/8 x 4 13/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.

Four figures in a ruin, Gerrit Groenewegen, after Pieter Bodding van Laer, 1764 - 1826 print Four figures, two of which suffer from leprosy, with a ruin. One of the two men in the foreground has a wooden leg and wears a sling. paper etching leprosy (+ number of persons)

Entrance to the Kasbah in Tetuan, figures sitting on the ground, others on horseback. Artist: Mariano Fortuny, 1838-1874 (Spanish, 1838-1874). Dimensions: Sheet: 18 7/8 in. × 14 in. (48 × 35.5 cm)Plate: 8 11/16 × 6 11/16 in. (22 × 17 cm). Date: ca. 1873. Museum: Metropolitan Museum of Art, New York, USA. Author: 1838-1874 Mariano Fortuny.

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, The Arrival of the Holy Family at the Gate of a Town, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 18.9 × 25.2 cm (7 7/16 × 9 15/16 in.), Italian, 18thcentury, Works on Paper -Prints

The Tax Collectors (Les traitants). Dated: 1778. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

Scene from the Bartholomeus night, 1572. Possible design for a print.

Peasants assembled under a trifle (from Van Ostade) (Dutuit, Suppl. No. 4) Adriaen van Ostade (1610-1685). Joseph of Longueil (1730-1792). Peasants assembled under a trifle (from Van Ostade) (Dutuit, Suppl. No. 4). Forte, in 1676

A group of people are having a celebration inside a cottage. Etching by J. Jacquemart after Adrien van Ostade.

The glasses merchant Adriaen van Ostade (1610-1685). The glasses merchant (B 29, 3rd state).

The Last In, Print made by John T. Smyth, 1819-1851, British, after William Mulready, 1786-1863, Irish, 1850, Etching, line engraving, and stipple engraving on medium, smooth, cream wove paper, Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm) and Image: 7 3/8 × 8 7/8 inches (18.7 × 22.6 cm)

William Strang, 1859-1921, British, Tinkers, 1882. Etching.

Five Children with Dancing Dog. Artist: After François Boucher (French, Paris 1703-1770 Paris); Anonymous, French, 18th century. Dimensions: Sheet: 12 13/16 x 14 9/16 in. (32.5 x 37 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

The Rat Catcher, Anonymous, After Rembrandt van Rijn, After 1632 print paper etching rat exterminator

Lazarillo Stealing Grapes from the Poor Blind Beggar 17th century Thomas Wijck Dutch. Lazarillo Stealing Grapes from the Poor Blind Beggar 373726

The Good Samaritan, Salomon Savery, Rembrandt van Rijn, 1633 - 1683 print paper etching / engraving the good Samaritan (Luke 10:30-37)

Two Gentlemen Helping a Drunk. Frederick Barnard; English, 1846-1896. Date: 1880-1896. Dimensions: 230 × 224 mm. Pen and brown ink over graphite, heightened with white gouache, on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Brilling bolrors, Jean Thioodore Joseph Line, After Adriaes Van Eastern Sgaster, 1840 print paper etching eyeglasses, spectacles. merchant, salesman

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to Raphael (1483-1520), La Vierge a la longue cuisse ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographique. Delessert, Benjamin (1817-1868), photographer, Blanquart-Évrard, Louis-Désiré (1802-1872), reproduction atelier, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Maximilian I., Roman-German Emperor.

De Smaek (Taste). Dimensions: plate: 22.3 x 17.6 cm (8 3/4 x 6 15/16 in.) sheet: 23 x 18.3 cm (9 1/16 x 7 3/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jan Both after Andries Both.

Group of four kneeling and praying figures, in an album with prints after Guercino's drawings. Bartolozzi, Francesco (1727-1815), graphic artist, Guercino (1591-1666), draughtsman, cartoonist, Piranesi, Giovanni Battista (1720-1792), publisher, Salomoni, Giovanni Generoso (1714-1779), printer

Leiden, Vliet, Jan Georg van, Songtext seller, verso lower left - stamped, Villagers gather at a seller of song texts on loose sheets, standing on a platform. On the right in the foreground a pickpocket is at work., print, prent, prints, height 343 mm, width 219 mm, Noord-Nederlands, 1610 - 1668, print maker, printmaker, 1632 - 1634, paper, papier, etching, etchings, engraving, engraving (printing process)

Winter, Frederick Bloemaert, after Abraham Bloemaert, 1632 - 1670 print An old man stands in a shed and warms his hands on a fire. His left arm supports a stick. There is a branch forest on the ground. paper engraving / etching winter ~ human activities (the four seasons of the year). warming oneself at a fire (or hearth, stove, fire-pan, brazier)

The quack standing on a platform, a group of people sitting and standing around him, Quack, print maker: Constantijn à Renesse, (mentioned on object), print maker: Rembrandt van Rijn, (manner of), Netherlands, 1636 - 1654, paper, etching, drypoint, h 70 mm × w 84 mm

Man writing graffiti on a tower wall from a staircase, watched by two peasants near a large stone tomb, 17th century. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Five legless men moving with the aid of crutches in a yard. Etching by F.D. Hillemacher after P. Bruegel, 1871.

The Triumph ofMordecai. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Hearing; Nouveau Cahier De Six Feuilles De Différents Sujets Chinois Historiés, Representant Les Cinq Sens the Natures. Personification of the sense. On the right is seen a figure on the back and plays on a stellage with bubbles, three children and two figures left. One of the two figures on the left has a wind instrument. There is a string instrument in the foreground in the landscape.

Farmer's fight in an interior, Jean Charles Le Vasseur, After Adriaen Brouwer, 1744 - 1797 print Paris paper etching / engraving drunken brawl (usually peasants fighting in an inn). farmers

Farmer with horse at a cave house. A farmer is standing with a boy with a team of tensioning horse in a cave. There is a dog for the horse. A woman gets out of a well with a bucket of water. A staircase leads to a higher part of the cave, where a woman hangs a shirt over a wooden shot. Behind her an outstanding door. The cave offers a view of a mountainous landscape. In the margin down a French-speaking poem.

A public bath-house at Dulcigno. Wood engraving by E. Froment after R.C. Woodville.

Hiding the "louis". Dated: c. 1914/1919. Dimensions: overall: 45.9 x 57.3 cm (18 1/16 x 22 9/16 in.). Medium: brush and black ink and black crayon on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Saint Jerome and the lion, Moses ter Borch, after Jan Gillisz. van Vliet, after Rembrandt van Rijn, 1660, draughtsman: Moses ter Borch, Jan Gillisz. van Vliet, Rembrandt van Rijn, Zwolle, 1660, paper, brush, h 378 mm × w 294 mm

The Good Samaritan 1845-1885 France. Etching on ivory chine, mounted on cream laid paper . Rodolphe Bresdin

The Seated Violinist Cornelis Dusart (Dutch, 1660-1704). The Seated Violinist, 18th century. Etching on laid paper, Plate: 11 5/16 x 10 in. (28.7 x 25.4 cm). European Art 18th century

A group of urchins have caused havoc in a farmyard and killed a cockerel but they are pursued by the dog and a man with a birch stick. Engraved by Charles Rolls after Alexander Fraser.

ROMAN PEASANTS

A dilapidated building with eight peasants engaged in various activities ca. 1640-70 Jacques Dassonville. A dilapidated building with eight peasants engaged in various activities. Jacques Dassonville (French, ca. 1619-ca. 1670). ca. 1640-70. Etching. Prints

Health committee, 1795; Il Comitato della Sanita; Hollandia Regenerata (Italian copy). Cartoon at the (non-existent) Committee of Health, 1795. A group of Dutch and French quacks around the Dutch Virgin of the Batavian Republic, represented as an old ugly woman with bare breasts. One of the charlatans has opened her vein and blood syringe in a dish in her lap. The standing citizen right is probably the Surgijn Willem Leurs who wrote a treatise about lets.

Who hits the piggy banks, his pen has lost, before he knows it, 1590 - 1594 print Two boys are about to break their piggy bank with a hammer. A poor old man who leans on a stick points out to them that they might be able to keep saving even better. Otherwise it is going to them as him. The man makes a gesture with three vast fingers. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving Poverty; 'Povertè', 'Poor of Doni', 'Poor in one who had a good ingenuity' (Ripa). The Rich. Contrast BETWEEN Rich and Poor. Wealth, Opulence; 'Opulence', 'Richezza' (Ripa). Money-Chest, Treasure-Chest, Money-Box

Russian peasants. Engraving by Lemaitre, Vernier and Monnin. History of Russia by Jean Marie Chopin (1796-1870). Panorama Universal, Spanish edition, 1839.

Fisherman; Payne, Albert Henry (1812-1902), Hicks, Lilburg (Ca 1814-1861), Payne, Albert Henry (Leipzig, Dresden; Publisher; 1838-1920); 1840-1860 (1840-00-00-1860-00-00);

Moritz von Schwind's pen and pencil drawing depicts a Crusader train, showing armed figures in movement, executed in brown ink and pencil between 1834 and 1835.

Autumn; The four Seasons. The different stages of wine production; , among other things, picking and pressing the grapes and making wine barrels. This print is part of an album.

June, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after William Hamilton, 1751-1801, British, 1789, Engraving

Michał Elwiro Andriolli, illustration for the novel `Pamiątki starego szlachcica litewskiego` Memories of an old Lithuanian nobleman by H. Rzewuski, 1883. unknown, photographer

The Adoration of the Magi, from the series The Life of the Virgin. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Date: ca. 1502. Museum: Metropolitan Museum of Art, New York, USA.

A man stands at the corner of the street selling macaroni to the passers by. Wood engraving by J. Jackson after M. Gaiel.

Scenen , from the , Italian campaign , sheet , Franz Gerasch -, Lithographic, Johann Rauh -, Printer, Leopold Theodor Neumann , publisher

Rijn, Rembrandt van, Smith of Chichester, John, Christ and the woman of Samaria among ruins, verso - stamped, print, prints, height 118 mm, width 107 mm, English, 1717 - 1764-07-29, print maker, printmaker, 1727 - 1764, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

JUDA A TAMAR, LEONAED BRAMER, 1606 - 1674 drawing paper. ink pen / brush story of Judah and Tamar (Genesis 38)

Caricature on the evacuation of the spectator gallery of the Frankfurt National Assembly on May , Eduard Steinfeld, Drawer, Christian Becker, Lithographer, Wagner, publishing house

Reverse Copy of L'Auberge (The Inn), from Les Caprices Series A, The Florence Set 17th century Anonymous. Reverse Copy of L'Auberge (The Inn), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Anonymous. 17th century. Etching. Prints

The Adoration of the Magi, from The Life of the Virgin Made 1503 Germany. Woodcut in black on tan laid paper . Albrecht Dürer

Paris, Cathelin, Louis Jacques, Loo, Louis Michel van, Joseph Vernet, Portrait of Claude Joseph Vernet, verso - stamped, print, prints, height 413 mm, width 304 mm, 1738 - 1804, print maker, printmaker, 1770 - 1770, paper, engraving, engraving (printing process), 1707-03-02 - 1771-03-20, after, after painting by, Publication (Event), Publication, publisher

Giovanni Domenico Tiepolo (Italian, 1727 - 1804). The Holy Family Arriving at a City Gate, 1750-1753. From Picturesque Ideas on the Flight Into Egypt. Etching on laid paper. Plate: 190 mm x 245 mm (7.48 in. x 9.65 in.).

Hector and Andromache Maignan, Albert, 1845-1908. still image. Art reproductions. 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Arrivals & departures, Chariots , To 499, Warriors , To 499, Trojans, Andromache (Legendary character), Hector (Legendary character)

Rijn, Rembrandt van, The rat poison seller, The rat catcher, verso - stamped, print, prints, height 136 mm, width 124 mm, print maker, printmaker, 1632 - 1632, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Merson, Luc-Olivier (n.1846-05-21-D.1920-11-14), "Besos para golpes", Illustration for the title vignette in chapter III of the book Second (dummy title), 1888. Plume and Ink wash with white gouache enhancement on paper. Houses of Victor Hugo Paris - Guernsey.

Islamic Galace slaves get soup while a sheep is boned, M. Schaep, After Cornelis de Wael, 1649 print A cook hand out soup to Islamic Galace slaves, he is also a Galacelave himself. In the middle are two of them at a tub. On the right a sheep is boned, a dog eats the remains. These men made as a slave can be recognized as Muslims by the typical haircut (head except for a bare shaved) that they were obliged to have. Print Maker: North Dutch Print by: Genoa paper etching slavery; serfs and the enslaved. seaman: sailor. harbour. wooden container: barrel, cask, bucket. kitchen-utensils: cauldron. broth, soup. sheep. dog

Rijn, Rembrandt van, Three men in oriental clothing, Three oriental figures (Jacob and Laban), verso - stamped, Possibly a passage from the story of Jacob and Laban., print, prints, height 146 mm, width 108 mm, print maker, printmaker, 1816 - 1816, paper, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Summer 1860-1870 France. Etching, engraving and roulette on cream China paper laid down on ivory wove paper . Charles Émile Jacque

The strolling musicians., circa 1635, Netherlands, by Rembrandt van Rijn. Gift of Bishop Monrad, 1869.

Varkenslacht, Cornelis Ploos van Amstel, after Jan Saenredam, 1778 - 1787 print A man and a woman slaughter a pig in a courtyard. Amsterdam paper etching slaughtered ox or pig. butcher, slaughterman

Give the widow of the brave, dead for his homeland (IT)

Reuk, Jean Jacques Avril (i), after Jean Baptiste Pillement, 1773 print Personification of the sense of smell. In a landscape under a roof is a woman with flowers in her hand, she leans on a wooden fence and looks at a vase with flowers. Next to her is a man, he looks at her. Children stand at the vase and behind the man and the woman. Paris paper etching smell, smelling (one of the five senses)

James Gillray, 1757-1815, British, Pillars of the Constitution, Published 1835. Etching.

From your obedient subjects receive on your day of honor these two modest bunches of flowers They will make you rejoice, since the people of France alone has taken over the costs, plate 486 1835 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Plate 4: a street brawl, from the series of customs and pastimes of the Spanish people Francisco Lameyer y Berenguer Spanish 1850 View more. Plate 4: a street brawl, from the series of customs and pastimes of the Spanish people. Francisco Lameyer y Berenguer (Spanish, 1825-1877). 1850. Etching. Prints

Netherlands, Buys, Jacobus, Jonxis, Pieter Hendrik, Citizen freed from the chains of captivity, 1795, verso - stamped, Allegory in which the Citizen is freed from the chains of captivity by French soldiers, 1795. On the left a putto with a shield with Liberty, Equality, Brotherhood., print, title page, prints, Frederik Muller Historieplaten, height 108 mm, width 98 mm, 1757-07-03 - 1843-05-31, print maker, printmaker, 1795 - 1796, paper, papier, etching, engraving, engraving (printing process), Noord-Nederlands, 1724-11-19 - 1801-04-07, intermediary draughtsman

Poelenburch, Cornelis van, Prenner, Anton Joseph von, Lady kneeling before a judge who is having her belongings searched, verso - stamped, print, prints, height 158 mm, width 227 mm, German, 1683-03-07 - 1761, print maker, printmaker, 1728 - 1728, paper, papier, etching, etchings, Noord-Nederlands, 1595 - 1667-08-12

Rudolf I of Habsburg, King.

Dry Arenda; Bank Polski (Warsaw; Litographic Plant; 1829-1862); 1841 (1840-00-00-1841-00-00);

Gehoor, Jean Jacques Avril (i), after Jean Baptiste Pilitment, 1773 print Personification of the sense of hearing. On the right a figure is seen on the back and plays on a scaffold with bubbles, three children and two figures on the left. One of the two figures on the left has a wind instrument. There is a string instrument in the foreground in the landscape. Paris paper etching hearing, listening (one of the five senses)

Bad weather for cats and signs. (Title Title) | Travel in Touraine, 24 hours of stop in Saumur. (Title of all)

Warning against the cunningness of the Spaniards during the file, 1618, Anonymous, 1618 print Allegorical representation in which people warn against the deception of the Spaniards. 'Lichtgeloov' lets himself be cheated by the Spanish magician with his monkey, but 'Vrye' is reminded by 'Memoria' of the Spanish tyranny of the past. Centrally in the foreground the sheep 'Onnoosel', on the ground the gun 'Delff', a reference to the murder of Willem van Oranje, in the background a gallows field with executions. Northern Netherlands paper etching illusionist, conjurer, juggler, 'legerdemain'

The Cijntning.

Peasants Carousing in a Barn late 1630s Style of Adriaen van Ostade Dutch. Peasants Carousing in a Barn. Style of Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). late 1630s. Pen and brown ink and brown, gray, and reddish brown wash over black chalk.. Drawings

Rembrandt van Rijn (1606-1669), the surrounding Musikere, About 1635

Interior of a Farm with Lovers 1787 Anonymous, French, early 19th century French. Interior of a Farm with Lovers. Anonymous, French, early 19th century. 1787. Etching. Prints

Ostade, Adriaen van, work, Juomingit, (1000 - 2000), line etching, graphics, image width 25.7 cm, image height 20 cm

Beggar. Alexandre Gabriel Decamps; French, 1803-1860. Date: 1830-1840. Dimensions: 88 × 66 mm (image); 155 × 109 mm (primary support); 180 × 120 mm (plate); 288 × 210 mm (secondary support). Etching on white China paper, laid down on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Street Cleaners. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Gottfried Engelmann (French, 1788-1839). Date: 1823. Dimensions: 196 × 243 mm (image); 211 × 259 mm (chine); 295 × 415 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A representative of the young France. (IT)

The introduction of Heracles to Olympus still image. 1922. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Greek temples, Marble sculpture, Greek, Relief (Sculpture), Greek, Tympana, Heracles (Greek mythology)

Amsterdam, Jonghe, Clement de, Visscher, Cornelis (II), Haarlem, The Pied Piper with his Servant, verso - stamped, A rat poison seller with his dog and servant. The boy is holding a staff with a rat cage. The seller carries a bag and tools, a rat walks on his cloak. The coats of arms of Leiden and Amsterdam are on a chest that he carries on his hip., print, prints, height 372 mm, width 312 mm, Noord-Nederlands, 1629 - 1658-01-16, print maker, printmaker, 1655 - 1670, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1624 - 1677, publisher

Russian farmer with keg on the back, Charles Echard, 1758 - 1810 drawing Russian farmer with keg on the back; In the background a cityscape at Winter, with figures and sleds. paper. chalk farmers. Europeans (with NAME)

SOCIEDAD SIGLO XIX. ESPAÑA. "EL HERRADERO" en la ribera del Guadalquivir. Grabado del s. XIX.

Statio VII by Giovanni Domenico Tiepolo, created between 1723 and 1797. This etching features a plate mark measuring 5 5/16 x 3 5/8 inches (13.5 x 9.2 cm) on cream laid paper of the same dimensions

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