Renaissance Engravings and Prints

Historical engravings and prints depicting biblical themes, mythological stories, and heraldic symbols, emphasizing intricate line work and rich narratives.

The Adoration of the Shepherds, Antonio de' Dominici, Italian, ca. 1730-after 1800, Red chalk on cream laid paper, In a rustic shelter, Mary is semi-reclining on a bed of straw, watching over the infant Christ in a cradle, surrounded by marvelling shepherds., Italy, ca. 1730, figures, Drawing, Drawing

Etching by Antonio Tempesta depicting a frontispiece featuring the coat of arms of the Medici family, created in 1613, illustrating heraldic design and Renaissance engraving.

Archangel Gabriël, Crispijn van de Passe (I), 1670 - 1726 print Archangel Gabriël. Numbered in the caption: 7. In this album is part of a series of twelve performances of Aartsengelen and other angels. Part of an album with mainly Christian performances. paper engraving the Archangel Gabriel

Photo production from an engraving of the departure from King Henry IV to Germany by Jean-Marc Nattier, to the painting by Peter Paul Rubens, Descamps, etc., After Jean-Marc Nattier, After Peter Paul Rubens, c. 1859 - in or before c. 1864 photograph photographic support albumen print departure ~ travelling

Hippomenes wins the running match against Atalanta, Virgilius Solis, 1569 print The running match between Atalanta and her worshiper Hippomenes. Hippomenes drops three golden apples, on which Atalanta cannot resist the temptation to pick them up and loses the competition. In the background, Hippomenes receives the three golden apples from Venus. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. during the foot-race Hippomenes drops the three golden apples; Atalante stops to pick them up, and is thus beaten. Venus presents Hippomenes with three golden apples

The Adoration of the Shepherds, Antonio de' Dominici, Italian, ca. 1730-after 1800, Red chalk on cream laid paper, In a rustic shelter, Mary is semi-reclining on a bed of straw, watching over the infant Christ in a cradle, surrounded by marvelling shepherds., Italy, ca. 1730, figures, Drawing, Drawing

Grotesque with Deities. Plate 03 Jupiter,” 2nd state, René Boyvin, French, 1525 - 1625, Léonard Thiry, Flemish, 1550, Engraving on white laid paper., Grotesque panel with Jupiter on his eagle framed by two caryatids, segmental arch, tendrils. etc. in a grotesque design., France, ca. 1540, grotesques, Engraving, Engraving

Rocaille Met Jong Paar, Antoine Aveline, After François-Thomas Mondon, 1736 print This series is numbered in the top left with a letter F. print is part of an album. paper etching rocaille ornament. lovers; courting, flirting

Print (France)

Print (France)

Cartouche with Chinoiserie Motifs, Alexis Peyrotte, French, 1699-1769, Engraving on paper, Cartouche with Chinoiserie Motifs, France, ca. 1740, Print, Print

Copper engraving by Bartolomeus Willemsz Dolendo showing various scenes, created between 1580 and 1629, depicting multiple figures and settings with detailed line work.

La complaisance, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 1/4 x 8 7/8 in. (15.88 x 22.54 cm) (image)7 7/8 x 9 3/4 in. (20 x 24.77 cm) (plate)9 1/8 x 11 in. (23.18 x 27.94 cm) (sheet), Etching, France, 18th century

Print (France)

Copper engraving and etching from 1650 by Cornelis Visscher depicting a coat of arms with decorative hair motifs.

Disastrous consequences of the action trade, 1720, 1720 The disastrous consequences of the action trade. Several men commit self -murder after having lost everything in the action trade, others have gone crazy or commit a robbery. In the foreground the crying Heraclitus, in the background the carriage of the Rijkaard ranging on the wide road. In the caption the statement of the figures 1-9. Print cut out and pasted. Belongs to the group of imprints in the bound first edition (304 B 11) of the scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching The disastrous consequences of the action trade. Several men commit self -murder after having lost everything in the action trade, others have gone crazy or commit a robbery. In the foreground the crying Heraclitus, in the background the carriage of the Rijkaard ranging on the wide road. In the caption the statement of the figures 1-9. Print cut out and pasted. Belongs to the group of i

Relief with three bustes, 1636 - 1647 print Relief with three busts of a man and two women. In the middle of the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture

Cartouche with Garden Scene, Livre dornements (Book of Ornaments), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720-1790, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for upright symmetrical cartouche, with a mask at upper center. Within the frame, a garden landscape scene. A vase or urn upon a pediment at left, an obelisk behind two trees at center, and a building at right., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Jonah / Jona's calling thrown into the sea; Jonah's story; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Two performances on an album leaf over the Prophet Jona. Left Jonah is called by God to go to Nineve. Some angels in the air. On the right, Jonah is thrown from a boat to be swallowed up by a large fish. The magazine is part of an album.

Inname Van Trarbach, 1704, 1712 - 1715 Siege of the castle of Trarbach by the Allies from November 14, intake on December 18, 1704. Presentation of the siege in a richly decorated ornamental frame with a cartouche at the top with a map of the location of the castle, awarded the German Adelaar and Bannels . At the bottom a cartouche with the description of the fight in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Traben-Trarbach Siege of the castle of Trarbach by the Allies from November 14, intake on December 18, 1704. Presentation of the siege in a richly decorated ornamental frame with a cartouche at the top with a map of the location of the castle, awarded the German Adelaar and Bannels . At the bottom a cartouche with the description of the fight in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of

139. Creation 140. Biblical scene; 141. Biblical scene; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

The Little Mens Dronkneussius van Wynkar-Bach, 1716, 1716 The little man drunk-noseius of Wynkar-Bach as an inspector in Vienna. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with samples and a harlequin. Numbered right in the middle: 46. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The little man drunk-noseius of Wynkar-Bach as an inspector in Vienna. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with samples and a harlequin. Numbered right in the middle: 46. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandsp

Allegory of the partition of Poland (Circonism á Stanislaus); unknown, Chodowiecki, Daniel Nicolaus (1726-1801); around 1795 (1794-00-00-1796-00-00);Fryderyk II the Great (King of Prussia-1712-1786), Fryderyk II the Great (King of Prussia-1712-1786)-iconography, Józef II (Roman-German emperor-1741-1790), Józef II (Roman-German emperor-1741-1790 ) - iconography, Katarzyna II (Empress Russia - 1729-1796), Katarzyna II (Empress Russia - 1729-1796) - iconography, partitions of Poland (1772-1795), Delivery of Poland (1772), Justice (Allegory), Stanisław August Poniatowski (Polish King-1732-1798), Stanisław August Poniatowski (Polish King-1732-1798)-iconography, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, allegories, sword (attribute), tents, satire, weight (attribute), city views, army, rulers

13. Józef refused to do Putyfara; 14. Józef, Dreams of Pharaoh; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Print (Italy)

Print (Germany)

Print (France)

Henrietta Maria en Minerva, 1639 Portrait of Henrietta Maria, wife of King Charles I of England, sitting on a throne under a canopy. In front of her is Minerva with shield and spear. In the lower margin four verse rules in two columns, in French. The print is part of a book about the reception of the French king mother Maria de 'Medici to England. London paper etching Portrait of Henrietta Maria, wife of King Charles I of England, sitting on a throne under a canopy. In front of her is Minerva with shield and spear. In the lower margin four verse rules in two columns, in French. The print is part of a book about the reception of the French king mother Maria de 'Medici to England. London paper etching

Etching depicting an allegory on the peace of Crépy by Gerard de Lairesse, created in 1675.

Wie König Salomo zu Astharoth und Milcom von seinen heijdnischen weibern geführt wird. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Achan buries the loot in his tent; You won't steal; The ten Commandments; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Achan buries the war bounce, which was intended for God, in his tent. In the background, Achan and his family are stoned for this sin. Completely in the background the destruction of Jericho. Print is part of a series of ten commandments and gives a violation of the seventh commandment again: You will not steal. At the bottom of the margin a reference to the Bible text in Latin. Print is part of an album.

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Blanchon, Jean Andre

Photo production of (presumably) a print by Louise de Coligny, wife of Prince William I, Anonymous, c. 1860 - c. 1880 Photograph. visit card Part of photo album with 29 photos of Dutch princes. cardboard. paper. photographic support albumen print historical persons. clothing for the upper part of the body. neck-gear: collar. styles of hairdress - AA - ~ women

50. Kings of Judah and Israeli venom for war; 51. Elijah took to heaven on a fiery car; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Various Ornaments, Pierre-Nicolas Beauvallet, 1820 Ornament print with a helmet, shield and two figures. Part (14th CAH. F.LE 9) of the Prentalbum with two series of a total of 138 ornament prints by Beauvallet and Normand, 'Fragmens d'Ortuens dance le style antique'. paper etching ornaments ~ art. protective weapons: shield. helmet

Engel takes child at hand. An angel takes a child by the arm and points him to heaven. Print is part of an album.

Fragment of a frieze with putto and leaf ornament; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. A fragment of a frieze with leaf ornament and a putto. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Photo production of (presumably) a print of Prince Willem V, Prince of Orange-Nassau, as a child. Part of photo album with 29 photos of Dutch princes.

Sibille from Frygia / Sibille from Amalthea; S: Phrigia / S: Amalthea; Twelve sibilles; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Two performances on an album magazine. On the left the Sibille of Frygia with long hair and a kind of turban. She has crossed her hands. On the right the Sibille of Amalthea with veil and flowers. Next to her are some books. In the bottom margin of both performances a text line in Latin and Dutch. The magazine is part of an album.

Cartouche in the Shape of a Snail on Top of a Ship, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques-Gabriel Huquier, French, 1725 - 1805, Etching on white laid paper, Design for a title page in the form of a ship. The prow of a ship is supported by two mer-creatures on either side. Above, the sail of the ship functions as a rectangular cartouche where text would be placed. A variety of shells, coral and seaweed adorn the area above the sail., France, 1700-1775, ornament, Print, Print

Nicolas Prévost's woodcut from 1590-1600 depicts biblical scenes with multiple figures, narrative action, and detailed composition in a religious context.

Photo production of (presumably) a print of Prince Willem V, Prince of Oranje-Nassau, and his sister Princess Carolina, Anonymous, c. 1860 - c. 1880 Photograph. visit card Part of photo album with 29 photos of Dutch princes. cardboard. paper. photographic support albumen print historical persons. stadtholder. princess. child. brothers or sisters (second degree family relationships). helmet. styles of hairdress - AA - ~ women. mantle, gown, dress (symbol of sovereignty)

Print (France)

Cartouche in a frame of rolling and fittings with two putti and human bones and skulls such as trophies, 1563 Title print with a cartouche in a frame of rolling and fitting work. At the top two putti and around human bones and skulls such as trophies. At the bottom of two coffins. In the lower margin four lines of text, in two columns, in Latin. The print is part of an album. Antwerp paper etching Title print with a cartouche in a frame of rolling and fitting work. At the top two putti and around human bones and skulls such as trophies. At the bottom of two coffins. In the lower margin four lines of text, in two columns, in Latin. The print is part of an album. Antwerp paper etching

Martyrdom of Saint Sebastiaan, 1660 print The H. Sebastiaan is tied to a column. He is shot at with arrows. A boy watches. This print is part of an album. paper etching St. Sebastian pierced by arrows, the archers visible

Print, Arabesque Design; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Published by Jacques Chéreau (French, 1688-1776); France; etching on cream laid paper

Two winged putti next to a cartouche, Anonymous, Gabriel Weyer, 1571 - 1635 paper engraving / etching monsters of the sea

51. Conversion of Zachaleus Archcycelnik; 52. My yoke is off, and Brzemi light; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Monument with a landscape with sundial, François Morellon La Cave, 1733 print On a stone monument is the image of a landscape with a star in the sky. In the foreground a sundial. At the bottom of a cartouche with a five -line text in French. Amsterdam paper etching / engraving sundial. stars. landscapes in the temperate zone

Print (France)

Bliżej Kultury unknown

La Vera Perfettione del Disegno di varie sorti di recami, page 22 (recto) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with 4 trees and in between each tree are a woman, man, and another woman. Bottom register is decorated in the center with a classical ornamented fountain from which 2 birds drink; flanking both sides of the fountain are a seated figure and a pot of flowers.. La Vera Perfettione del Disegno di varie sorti di recami, page 22 (recto) 662393

Atlas by Perseus turned into a mountain, Virgilius Solis, 1569 print Perseus petrified Atlas by showing him the severed head of Medusa. As a result, Atlas turned into the mountain range that bears its name. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Atlas turned into a mountain as punishment for his inhospitality

Print (France)

Trachten derer, desz Persischen Hoffs Dames, underschidlicher Kleidungen. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Album magazine with six prints with a jug, Alexander the Great, the holy Elisabet van Hungary and Ornament, Virgilius Solis, After Cornelis Floris (II), After Cornelis Bos, 1500 - 1599 print Album magazine with six cut out prints: an ornamental can, Alexander the Great, the holy Elisabet van Hungary and ornaments. paper engraving / etching the wife and widow of the Landgrave of Thuringia, and Franciscan Tertiary, Elisabeth of Hungary; possible attributes: beggar, cripple, fish, loaves, leper, model of church, pitcher, roses in lap, scald-head, three crowns. (story of) Alexander the Great. ornaments ~ art. kitchen-utensils: cauldron

Two decorations for school blades for the publication 'Art and Society'. Decoration with a spider in a web and a decoration for a bract with sea horses. On the back of the slotted leaf a pencil study of a plant. Leaf 12 recto from an album with 17 sheets.

Blazon of the Lelikens Uten Dale (Zoutleeuw), 1561; Sout lions. Blazon of the Lelikens Uten Dale, Rederijkerskamer van Zoutleeuw. For the land jewel of Antwerp in 1561.

Judah orders Chira to find the prostitute; From Iuda and Thamar; History of Judah and Tamar; Den Grooten Figuer Bibel (...). Judah commissioned his friend Chira to give a goat babe as a payment to the prostitute, while pointing at the leaving Tamar. Chira keeps the box under the arm and will find the prostitute, but don't find it. At the bottom of the margin a reference in Latin to the Bible text in Gen. 38:20. This print is part of an album.

Bound Print, Illustration for the Poem Ode on a Distant Prospect of Eton College’; Written by Thomas Gray (British, 1716 - 1771); Richard Bentley (British, 1708 - 1782); Published by James Dodlsey (British, 1724 - 1797); Print Maker: Johann Sebastian Müller (German, ca. 1715 - 1792); England; etching on laid paper

Sketchbook of ornamental and decorative designs, 18th century, pencil, pen, and wash drawings, Late 18th century, The sketchbook of an unidentified artist, French school, likely dating to the late eighteenth century, contains ornamental and decorative designs for friezes, grotesques, paneling, sections of chimneys, and vases.

Christ sleeps during a storm at sea, Adriaen Collaert, After Cornelis Galle (I), After Maerten de Vos, c. 1580 - c. 1590 print Christ sleeps during a storm at sea. Part of the press series about the life of Christ: Vita iesu Salvatoris Varijs Iconibus Ab Adriano Collaert Expressa. In Prentalbum with two series of 34 and 25 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving story of Christ stilling the storm on the Sea of Galilee (Matthew 8:23-27; Mark 4:35-41; Luke 8:22-25)

Titelpagina met allegorische omlijsting. Historia Naturalis (title on object). Draughtsman: anonymous. Dating: 1809 - 1814. Place: Southern Netherlands. Measurements: h 328 mm × w 207 mm. Museum: Rijksmuseum, Amsterdam.

Copper engraving by Étienne Baudet showing Maria and Elisabeth surrounded by Jesus and John, created between 1658 and 1706, with detailed figures and composition.

Traveler with knapsack, Jacob Hoolaart, 1728 - 1789 print Dordrecht paper etching Knapsack, backpack

Various Ornaments, Pierre-Nicolas Beauvallet, 1820 Ornament print with various objects. Part (13th CAH. F.LE 2) of the Prentalbum with two series of a total of 138 ornament prints by Beauvallet and Normand, 'Fragmens d'Ortuens dance le style antique'. paper etching ornaments ~ art

Various Ornaments, Pierre-Nicolas Beauvallet, 1820 Ornament print with various ornaments. Part (3rd CAH. N. 17) of the Prentalbum with two series of a total of 138 ornament prints by Beauvallet and Normand, 'Fragmens d'Ortuens Dans Le Style Antique'. paper etching ornaments ~ art. decorative furniture

Woodcut by Sebald Beham, first half of the 16th century, showing a scene of the 'Nose Dance' at Hümpelsbrunn with human figures and gestures.

Phaëthon drives the solar car, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Phaethon drives the chariot of the sun; the earth is threatened with conflagration

Photo production of an engraving, representing the power; La Force ..

The Adoration of the Magi. Artist: Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510-1563 Venice). Date: ca. 1542-46 ().In Mariette Album, folio 16, bottom. Museum: Metropolitan Museum of Art, New York, USA.

Dedication plate, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian,1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving on paper, At center, an oval reserve with a dedication to Aubin de Carnoy. Surrounding this, a singerie and strapwork design., France, ca. 1570, albums (bound) & books, Print, Print

La Vera Perfettione del Disegno di varie sorti di recami, page 22 (recto). Dimensions: Overall: 6 5/16 x 8 7/16 in. (16 x 21.5 cm). Illustrator: Woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Publisher: Giovanni Ostaus (Italian, active Venice ca. 1554-91) , Venice. Date: 1567.Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with 4 trees and in between each tree are a woman, man, and another woman. Bottom register is decorated in the center with a classical ornamented fountain from which 2 birds drink; flanking both sides of the fountain are a seated figure and a pot of flowers. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Pierre François Basan (1723-1797) 1790 Pierre Philippe Choffard. Portrait of Pierre François Basan (1723-1797). Pierre Philippe Choffard (French, Paris 1730-1809 Paris). 1790. Engraving. Prints

Etching and copper engraving by Michel Dorigny showing a frieze featuring a water deity, created between 1635 and 1665.

Photo production of an engraving of the festival of Herod by Schelte Adamsz. Bolswert, to the painting by Peter Paul Rubens, Jean Louis Bargignac, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print Herodias desecrates the head of John the Baptist by piercing the tongue

De Kleine Mens Robbert Allemmarkt, 1716, 1716 Calling little man Robbert Allemarkt from Savoye with a viewing box on the back. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with Chinese heads and a mask. Numbered right in the middle: 2. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprinter: Amsterdam paper etching Calling little man Robbert Allemarkt from Savoye with a viewing box on the back. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with Chinese heads and a mask. Numbered right in the middle: 2. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprinter: Amsterdam paper etching

Carpi intake in Italy, 1701; Action Bey Carpi. Carpi intake in Italy by the imperial army among Eugenius from Savoye, 10 June 1701. Oval performance of the battle in a rich ornamental frame with weapons and banners. At the bottom of a cartouche with a description of the battles in German. Leaf in the bound set of plates released under the title: RepraesTatio Belli ... of the Spanish Successions-Krieg CA. 1720.

Peasant Woman, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 1/16 x 3 1/2 in. (12.86 x 8.89 cm) (image)6 3/4 x 3 7/8 in. (17.15 x 9.84 cm) (plate)7 3/4 x 4 3/4 in. (19.69 x 12.07 cm) (sheet), Etching, France, 18th century

Print (France)

Detached grave monument for a prince, 1563 Detached burial monument with the image of a horizontal prince in armor (a gisant). Around it four burning candles and four angels with two blank coats of arms each. A plaque at the man's feet. The sarcophagus has a pedestal with four carved lions and four balusters. In the lower margin, eight lines of text, in two columns, in Latin. The print is part of an album. Antwerp paper etching Detached burial monument with the image of a horizontal prince in armor (a gisant). Around it four burning candles and four angels with two blank coats of arms each. A plaque at the man's feet. The sarcophagus has a pedestal with four carved lions and four balusters. In the lower margin, eight lines of text, in two columns, in Latin. The print is part of an album. Antwerp paper etching

Print (France)

Sketch book for "Voyage for the Eternity": Project not retained for the frontispiece of the "Voyage for the Eternity Jean-Jacques Grandville (1803-1847). Sketch book for Voyage for Eternity: Project not retained for the frontispiece of the Voyage for Eternity. Feather, brown ink and rehaught in Chine ink on pencil features. Around 1830.

Print (France)

Bliżej Kultury unknown

This post-1822 etching by Joseph Fischer includes works by multiple artists, documenting collaborative contributions and the variety of subjects explored in early 19th-century etchings.

Blazoen van den Vierighen Doorn ('s-Hertogenbosch), 1561; Tshertoghenbosch. Blazoen van den Vierighen Doorn ('s-Hertogenbosch), 1561. For the land jewel of Antwerp in 1561.

Print, Title Page; Print Maker: Marie-Jeanne Renard Du Bos (French, active early 18th century); Published by Gaspard Duchange; France; etching on laid paper

Delaune, Etienne, Suite des Vertus, Personifications of the Virtues, Personification of Temperance (Temperantia), verso - stamped, print, prints, height 54 mm, width 40 mm, French, 1519 - 1583, print maker, printmaker, 1569 - 1569, paper, papier, engraving, engraving (printing process), stipple work

Flegmatic temperament, 1566 print Luna, the moon, sits on a cloud and holds the crescent in her hand. Above her are three signs of the zodiac: Scorpio, fish and lobster, which match the element of water. Under her, on earth, the people with a phlegmatic temperament that are ruled by her. On the right there are duck hunters and in the background fishermen and sailors are working. At the bottom of the margin a text in Latin over the phlegmaticians and Luna. This print is part of an album. paper engraving phlegmatic temperament. Diana as moon-goddess, i.e. Luna (Selene). fresh-water fishery. bird hunting. ships (in general)

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III is bound in contemporary vellum and dated 14 February 1741. dedicated to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara. Two recipes, one for varnish and the other for acid for etching

Rocaille puts Drie Goden, Antoine Aveline, After François-Thomas Mondon, 1736 print According to the caption, this is Horus as a child, possibly with his mother Isis who has characteristics of Hathor. This series is numbered in the top left with a letter E. print is part of an album. paper etching rocaille ornament. Horus, son of Osiris and Isis

Bliżej Kultury Filipowicz, Jan Józef (CA 1710 Ca 1767/1770)

Project for a Sculptural Monument, Pen and ink, brush and wash on paper, Center and left side of design shown. An octagonal base with knobs as feet stand upon a wider one. Above this rises a column supporting an escutcheon topped by two putti holding the papal keys and tiara. Beside the escutcheon is the allegorical figure of Prudence, seated. Cornucopias rise from the bases., Italy, ca. 1650, sculpture, Drawing, Drawing

Jakob is struggling with the angel, 1653 - 1654 print Boot -rich landscape. In the middle, Jakob struggles with the angel at the river Jabbok. In the background are caravan (Gen. 32:23). The print is part of an album. paper etching Old Testament. Jacob wrestles with the angel (or man) till daybreak; Jacob's thigh is put out of joint

Print, Ornamental Vase Design; Designed by L.N. Percenet (French, born 1736); Published by Geneviève-Marguerite Chéreau (French, active 1755-1768); France; etching on paper

Print (France)

Depiction of the title page to the legend of the Three Kings as an allegory, showing figures, trees, and decorative frieze, created with pencil in 1857.

Art of the Lithograph: Albanian, Plate XVIII, 1819. Alois Senefelder (German, 1771-1834). Lithograph; sheet: 30.1 x 23.2 cm (11 7/8 x 9 1/8 in.); image: 7.2 x 11.2 cm (2 13/16 x 4 7/16 in.).

Print, Arabesque Design; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Published by Jacques Chéreau (French, 1688-1776); France; etching on cream laid paper

Lago Albano , Archaeological sites, Architectural decorations & ornaments, Lakes & ponds. The Antonio Cardinal Tosti Collection

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