Renaissance Female Studies

Drawings and etchings of women and children, displaying tenderness and emotion, illustrating styles and compositions from the Renaissance period.

Italy, Parmigianino, Angolo del Moro, Battista, Maria with child, verso - stamped, Maria with the Christ child on her arm., print, prent, prints, height 116 mm, width 85 mm, Italian, 1514 - 1575, print maker, printmaker, 1524 - 1575, paper, papier, etching, etchings, Work conception, 1503-01-11 - 1540-08-24

Drawing, Woman with Child; Italy; graphite, white heightening on paper

Italy, Parmigianino, Angolo del Moro, Battista, Maria with child, verso - stamped, Maria with the Christ child on her arm., print, prent, prints, height 116 mm, width 85 mm, Italian, 1514 - 1575, print maker, printmaker, 1524 - 1575, paper, papier, etching, etchings, Work conception, 1503-01-11 - 1540-08-24

Study for a statue of Diana, Cornelis Schut (I) (Possible), 1607 - 1655 drawing Design for a sculpture. paper. chalk piece of sculpture, reproduction of a piece of sculpture. (story of) Diana (Artemis)

A drawing by Simon Vouet depicting two young women or nymphs with extended arms, executed in stone chalk with traces of white highlights on brownish paper.

Allegorical edge for two oval portraits.design for a print.

Virgin of the Immaculate Conception Standing on Clouds ca. 1700-1750 Attributed to Pedro Duque Cornejo For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 2.. Virgin of the Immaculate Conception Standing on Clouds 336546

Drawing, A Young Woman (St. Mary Magdalene under the Cross); Marco dal Pino (Italian, ca. 1525-ca. 1587); Italy; red chalk on thin brown paper; 29.4 x 18.9 cm (11 9/16 x 7 7/16 in.)

Kneeling Man, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Black chalk, pen and ink on paper, A man in the act of kneeling, seen from the back, his arms outstretched, possibly carrying a large object., Italy, 1635-1650, figures, Drawing, Drawing

Study of a kneeling angel preaching to the left, executed in black chalk, gray wash, and white highlights on brown paper.

After Perugino (Pietro di Cristoforo Vannucci), Mercury, 1466-1600, metalpoint, brush and gray ink, heightened with white, on light grayish-brown prepared paper.

Evangelist Looking Upward. Luca Giordano; Italian, 1632-1705. Date: 1652-1705. Dimensions: 243 × 249 mm. Red chalk on ivory laid paper, prepared with a red chalk wash on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Sitting male nude, draughtsman: Giuseppe Bernardino Bison, 1772 - 1844, paper, h 236 mm × w 185 mm

Seated Draped Male Figure (recto); Rough Studies of Putti (verso) 1582-1647 attributed to Giovanni Lanfranco Italian. Seated Draped Male Figure (recto); Rough Studies of Putti (verso) 339106

Studies of Women; Peter Paul Rubens (Flemish, 1577 - 1640); 1628; Black, red, and white chalk, lower right corner replaced; 44.9 x 28.9 cm (17 11,16 x 11 3,8 in.)

Standing youngman. Artist: Jacopo Zucchi, Italian, Florence, ca. 1540-1596

Jacopo di Giovanni di Francesco, Allegorical Figure with a Cat and a Pig, c 1530 Allegorical Figure with a Cat and a Pig

Daman, Italy, Biscaino, Bartolomeo, Holy Family with the Young John the Baptist, verso - stamped, Mary, Joseph and the Christ Child together with the young John the Baptist and his lamb before a temple., print, prent, prints, height 239 mm, width 180 mm, 1632 - 1657, print maker, printmaker, 1642 - 1657, paper, papier, etching, etchings, Publication (Event), Publication, Italian, publisher, uitgever

Seated muse with Harp, Charles Le Brun, 1630 - 1690 drawing Sitting muse with harp in the left hand, which is stopped by a standing putto. paper. chalk brush single Muses

Carlo Maratta drawing of a seated cloaked figure seen from the front, head resting on the right hand, left hand holding an open book, executed in chalk.

Male Nude Reclining on a Bed. Dated: c. 1745. Dimensions: sheet: 20.5 x 15 cm (8 1/16 x 5 7/8 in.). Medium: red chalk on laid paper washed ocher. Museum: National Gallery of Art, Washington DC. Author: Pompeo Batoni.

Servants Filling Urns 18th century Francisco Vieira de Mattos (Il Lusitano) Portuguese. Servants Filling Urns 393586

Original sin (Adam and Ewa); Spranger, Bartholomeus (1546-1611); around 1590-1611 (1585-00-00-1611-00-00);Adam (Bible), Bible, Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Ewa (Bible), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, devil (devil ( iconogr.), Original sin (iconogr.), Flemish drawings, biblical scenes

Nude Figure (Saint Sebastian) 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Nude Figure (Saint Sebastian) 340007

Andrea Bertanza (Attributed to) / 'St. John the Baptist between St. Jerome and St. Benedict'. Early XVII century. Wash, Pencil ground, Grey-brown ink on paper. Museum: Museo del Prado, Madrid, España.

Justice Holding Scales 1503-40 Parmigianino (Girolamo Francesco Maria Mazzola) Italian. Justice Holding Scales 340439

Decapitation of Johannes de Baptist, Carlo Saraceni, c. 1589 - 1620 print John the Baptist kneeling for a executioner who is about to pull his sword. On the left, Salome is on an elevation with the dish in her hands on which she will bring John's head to Herod and Herodias. Prisoners watching on the right behind bars. Italy paper etching the beheading of John the Baptist

A Sibyl 1540-45 Antonio Fantuzzi Italian. A Sibyl 336760

Seated Putto Holding a Basket of Fruit. Artist: Anonymous, Spanish, School of Seville, 17th century. Dimensions: 5-1/2 x 3-9/16 in. (14.0 x 9.0 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Beggar leaning against a wall, Jacob Roos (Possible), 1600 - 1760 drawing Standing beggar leaning against a wall, the hands in the pockets. paper. ink pen / brush Begin

Standing Nude Putto and Study of a Helmeted Head. Artist: Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10-1675 Naples ()). Dimensions: 7-5/8 x 4-1/2 in. (19.3 x 11.5 cm). Date: 1609/10-1675. Museum: Metropolitan Museum of Art, New York, USA.

Saint John the Baptist in the desert. Artist: Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet: 6 9/16 × 6 9/16 in. (16.6 × 16.6 cm). Date: ca. 1637-1639. Museum: Metropolitan Museum of Art, New York, USA.

Study for a figure in the clouds, Pietro Bernardi (attributed to), 1610 - 1630 drawing Verona paper. chalk lower angel(s). lower angel(s)

Feder and black chalk drawing by Francesco Mazzola showing Mary enthroned with the Christ child on clouds, lavated brown and whitewashed, created 1526-1527.

Anton Raphael Mengs' brown pen drawing depicts Madonna with child around 1750/5, emphasizing figure, composition, and devotional theme.

Two Boys with a Puppy. Artist: Cornelis Visscher (Dutch, Haarlem () 1629-1658 Amsterdam). Dimensions: sheet: 6 9/16 x 4 15/16 in. (16.7 x 12.6 cm). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Preliminary study for ''Apollo and Clytie'', the ninth part of the series of tapestries ''Les Amours des Dieux'', Study of a woman (Clytia), preparatory study for ''Apollo and Clytia'', the ninth piece of tapestry from the series ''Les Amours des Dieux' (1747-1750), draughtsman: François Boucher, (workshop of), c. 1740 - c. 1750, paper, h 416 mm × w 303 mm

Temperance (from the Tarocchi, series B: Cosmic Principles & Virtues, #34), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving;

Kneeling Monastic Saint with Raised Arms 1500-1525 Italy. Black chalk heightened with traces of white chalk, on tan laid paper, tipped onto cream wove card . Circle of Giovanni Antonio di Francesco Sogliani

Photo production of a drawing of a bacchante, c. 1880 - c. 1900 photograph Part of French artists' album. paper. photographic support albumen print Dancing. Maenad (s), Female Bacchant (ES)

Youth with two old Men 16th century Anonymous, Italian, 16th century Italian. Youth with two old Men 391594

Standing Sibyl, Pen and black ink, brush and grey and brown wash on cream paper, A turbaned and heavily draped elderly female figure stands in contrapposto. A sleeping dog lies at her feet. Black framing lines surround the picture, and the top corners are chamfered., Italy, 1800-20, figures, Drawing, Drawing

After the Antique: Roman Officiant at a Sacrificial Altar. Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1510-1564. Dimensions: 162 x 102 mm. Red chalk on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Study of a male nude model, Francesco Montelatii, 1617 - 1661 drawing paper. chalk sitting figure

A red chalk study by Fabrizio Boschi showing a figure pulling a skirt over the head, emphasizing body posture and motion.

Group of two caryatides. Carrier-Belleuse, Albert Ernst (1824-1887), draughtsman, cartoonist

Simone Cantarini's red chalk drawing depicts the Holy Family under trees, showing figures, gestures, and natural surroundings.

Allegorical Figure of a Woman ca. 1745-55 Pietro Antonio Novelli Italian. Allegorical Figure of a Woman. Pietro Antonio Novelli (Italian, Venice 1729-1804 Venice). ca. 1745-55. Pen and light brown wash, heightened with white, on paper covered with light brown wash. Drawings

Sitting young woman. Draughtsman: anonymous. Dating: 1580 - 1620. Place: Italy. Measurements: h 180 mm × w 144 mm. Museum: Rijksmuseum, Amsterdam.

Seated female figure in niche, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Seated female figure in a niche. She looks up to her right and her right arm is crossed over her body., France, ca. 1759-70, figures, Drawing, Drawing

Standing dwarf. Draughtsman: anonymous. Dating: 1600 - 1699. Place: Southern Netherlands. Museum: Rijksmuseum, Amsterdam.

Dead Christ Supported by Holy Women and Angels. Circle of Lelio Orsi; Italian, c. 1511-1587. Date: 1531-1587. Dimensions: 140 x 100 mm. Pen and brown ink on blue laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Theodor van der Schuur depicts a sitting Madonna caressing the child, drawn in red, with a horizontal folding trace.

Pompeo Batoni, Two Nude Children Lifting a Cudgel, c 1748 Two Nude Children Lifting a Cudgel

Red chalk drawing by Nicolò dell Abate depicting two boys leaning on the back of a base supporting an indicated load, whitewashed.

Two Nude Children Lifting a Cudgel. Dated: c. 1748. Dimensions: sheet: 28 x 21 cm (11 x 8 1/4 in.). Medium: red chalk heightened with white chalk on paper washed ocher, partially squared for transfer in red chalk. Museum: National Gallery of Art, Washington DC. Author: Pompeo Batoni.

Study of a Kneeling Man; verso: Cropped Study of a Standing Man in a Cloak 1788-1853 Ludwig Ferdinand Schnorr von Carolsfeld Austrian. Study of a Kneeling Man; verso: Cropped Study of a Standing Man in a Cloak 385245

Man with Staff Seen from Behind. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Seated woman with her hand kept her eyes.

Statue of a woman with a pillar and an empty coat of arms, François Roëttiers (I), 1695 - 1743 print paper etching monument, statue. armorial bearing, heraldry

Hubert Robert, Statue of Jupiter, Seated (recto), 1754 1765 Statue of Jupiter, Seated recto

Four heads of men in succession. Four men's heads, one of which sticks out his tongue.

Design for Sculpture: Angel Blowing Serpentine Horn, Leonardo Scaglia, French, active Italy, 1640 - 1650, Pen and brown ink, brush and brown wash, black chalk on white laid paper, laid down, An angel stands contrapposto atop a plinth, head turned to the left while blowing into a serpentine horn terminating in the head of a beast., Italy, France, late 17th century, sculpture, Drawing, Drawing

Jupiter and Antiope: The Larger Plate, Rembrandt van Rijn, 1659 print paper etching / drypoint Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

A study of three characters (helena in the company of the ones); Elsheimer, Adam (1578-1610); 1603-1605 (1603-00-00-1605-00-00);Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Helena (Saint - Ca 249 -Ca 330), Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Magdalenaea - collection , Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Stadtbibliothek (Wrocław - 1865-1945) - collections, Säbisch (Sebisch), Albrecht (Albertus) von (1685-1748), Säbisch (Sebisch), Albrecht ( Albertus) von (1685-1748) - collections, albums "Dessins Originaux", apocrypha, German drawings, studies for paintings

Carlo Maratta produced a study sheet with sketches of a figure kneeling to the right in red chalk with whitewashed areas.

Blessing Christ, Anonymous, After Polidoro Da Caravaggio, 1510 - 1600 drawing paper. chalk

Sitting woman with a scale in hand, to classical example. Leaf 17 Recto from a sketchbook with 91 sheets.

Kneeling young woman; 15 small figures.

Study for Saint Gervasius ca. 1652 Eustache Le Sueur French One of the founders of French classicism, Le Sueurs contemporaries considered him on par with Nicolas Poussin and Charles Le Brun. He did not make the traditional trip to Italy, but was trained in the busy studio of Simon Vouet, whose pleasing decorative style he assimilated. He went on, in his independent work, to absorb the lessons of Raphael and Poussin, moving towards a greater simplicity and monumentality. The Metropolitans drawing dates to Le Sueurs late years when he sought to unite severity and refinement in his work. This draped study prepares the central figure of Saint Gervasius in Saint Gervasius and Saint Protasius Led before Astasius (Musée du Louvre, Paris), the first cartoon from a projected series of six commissioned from Le Sueur in 1652 by the church wardens of Saint-Gervais-Saint-Protais, Paris. Le Sueurs early death prevented him from completing the project. A second cartoon, depicting the Flagellation

Seated Boy. Artist: Girolamo Macchietti (Italian, Florence () ca. 1535-1592 Florence). Dimensions: Overall: 6 3/4 x 5 3/8 in. (17.2 x 13.7 cm). Date: 1535-92. Museum: Metropolitan Museum of Art, New York, USA.

A red chalk half-figure drawing of the repentant David by an anonymous artist.

Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) Isidore Pils French 19th century

Full-length Figure of a Standing Boy. Artist: Bartolomeo Schedoni (Italian, Formigine 1578-1615 Parma). Dimensions: Sheet: 7 1/4 × 5 3/4 in. (18.4 × 14.6 cm). Date: ca. 1595-1615. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Andrea Mantegna depicting the Virgin Mary with the Christ child, created in the second half of the 15th century.

Martyr with an Angel. Dimensions: overall: 17.8 x 13 cm (7 x 5 1/8 in.). Medium: pen and brown ink with brown-gray wash over black chalk. Museum: National Gallery of Art, Washington DC. Author: Jacob Matham.

Drawing, Study of the Back of a Young Man's Head and Raised Right Hand; Manufactured by The Baltimore Museum of Art; Italy; red crayon on paper

A Youthful Attendant ofBacchus. Artist: Unknown

Three Maria's. A line of text in the undermarge.

Study of the Martyrdom of Saint Peter Martyr; Pordenone (Giovanni Antonio de'Sacchis), Italian, about 1483/1484 - 1539; Italy, Europe; 1526 - 1528; Red chalk; 24.4 x 20.6 cm (9 5/8 x 8 1/8 in.)

Martyrdom of Saint Bartholomew. Engraving after J. Ribera.

Print, Portrait of a Woman, ca. 1760-1770; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 20.2 × 26.2 cm (7 15/16 × 10 5/16 in.); Bequest of George Campbell Cooper; 1896-3-271

Two heads of men beside a woman with children, Raphael, 1500 - 1620, Walking woman with a child on the right hand, a second on the left shoulder. On the left, two heads of men., Rafaël, draughtsman: anonymous, 1500 - 1620, paper, pen, h 214 mm × w 138 mm

Study of a Reclining Nude. François Boucher (French, 1703 - 1770)

A drawing by Christoph Schwarz depicting a loud angel, executed in blond brown ink with gray wash and delicate lead hatching.

An Elderly Man in Classical Drapery. Dated: 18th century. Dimensions: overall: 30 x 43.2 cm (11 13/16 x 17 in.). Medium: black and white chalk with stumping on oatmeal paper, squared for transfer. Museum: National Gallery of Art, Washington DC. Author: Roman 18th Century.

Angel of the Annunciation, Anonymous, 1500 - 1600 drawing North-Italy paper. ink. chalk pen / brush the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Maria Magdalena met zalfpot, 1813 Leaf 35 Recto from a sketchbook with 91 sheets. paper. pencil. ink pen the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Margareta van Antioch is the dragon. Satan in the form of a dragon is about to devour Margareta from Antioch. By showing the dragon a crucifix, she knows him to beat.

Angel Holding Flowers and Scourge 1751-1761 Italy. Black chalk, heightened with white chalk, on blue laid paper, tipped onto cream wove paper . Stefano Pozzi

The Sower, Alfred Stevens, 1817-1875, British, ca. 1860, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 4 1/8 inches (12.7 × 10.5 cm), agriculture, figure study, man, planting, seeds, turban

Child murder in Betlehem. A soldier of Herod with drawn sword steps down with his foot on a child who lies on the floor for him. A desperate mother tries to stop him.

Mascaron with men's head, Christian Bernhard Rode, After Andreas Schlüter, 1759 print paper etching mask, mascaron ~ ornament Armory

Sheet of Studies: A Seated Nude Man, A Youthful Head and a Caricature Head of a Man Playing a Pipe; Domenico Maria Canuti, Italian, 1620 - 1684; about 1669 - 1671; Red chalk; 39.5 x 27.6 cm (15 9/16 x 10 7/8 in. )

Feather drawing by Raffaello Santi depicting three male figures in choral shirts, study for the Coronation of Charlemagne in the Stanza dell'Incendio, with white highlights on brownish paper.

A red chalk drawing by Anton Kern depicting Eleasar at a fountain, showing figure, fountain structure, and surrounding environment.

Domenico Puligo chalk drawing of Madonna with a child seated on a stone block, including red chalk traces, white heightening, and a rectangular format continuation, showing posture and composition.

of 3