Renaissance Garden Scenes

A collection of prints depicting lush Renaissance gardens featuring fountains, statues, and figures in formal attire. The scenes reflect courtly life and artistry from the 16th to 18th centuries.

View of the Park of Enghien (Edingen), Romeyn de Hooghe, 1685 - 1724 print View of a park with fountain, statues and low vegetation. In the foreground a distinguished gentleman and lady on a hourglass -shaped staircase, which leads to a lower Lusthof suffered. Netherlands paper etching / engraving public gardens, park. park Park of Enghien. Edingen

David and Batseba, Pieter van der Borcht (I), 1545 - 1608 print A court garden. Batseba can be seen in the middle of the print, which is bathing at a fountain. King David (top left) sees her from his roof terrace (2 Samuel 11: 2). He sends a messenger (bottom left) with the assignment to bring Batseba to the palace (2 Samuel 11: 4). The messenger then brings the message to the still bathing Batseba. A monkey (sinfulness) and two peacocks (pride) watch the events. Two dogs on the left front soil again images. The series shows various aspects of courtship and some examples from the Old Testament. Antwerp (possibly) paper etching garden of Love, court of Love, 'fíªte galante'. David, from the roof (or balcony) of his palace, sees Bathsheba bathing. Bathsheba receives a letter from David. ornamental birds: peacock. monkeys, apes. French or architectonic garden; formal garden. garden fountain

Second act of 'Mirame' with four people; Performance of 'mirame' in the large room of the Palace of the Cardinal; Overture du Theater de la Grande Salle du Palais Cardinal Mirame Tragicomedie. View of a stage where the second deed from 'Mirame' is increased by four actors. The decor is a garden with images by the sea, at night.

Square in front of a Renaissance Palace, Daniël De Blieck, 1662 drawing Square in front of a Renaissance Palace with a Neptune fountain on the left. paper. graphite (mineral). ink. chalk pen / brush ideal and visionary architecture. palace

View of the Park of Enghien (Edingen), Romeyn de Hooghe, 1685 - 1724 print View of a park with fountain, statues and low vegetation. In the foreground a distinguished gentleman and lady on a hourglass -shaped staircase, which leads to a lower Lusthof suffered. Netherlands paper etching / engraving public gardens, park. park Park of Enghien. Edingen

Artist: Jacob Gottlieb Thelot, German, 1708-1760, After: Salomon Kleiner, German, 1703-1761, Garden scene: Boulingraine mit Italien-Baeumenbesetzt, Engraving, platemark: 24 × 34.9 cm (9 7/16 × 133/4in.), Made in Germany, German, 18thcentury, Works on Paper -Prints

View of the Brussel Brussel. View of the Brussel Brussel from the Grote Markt. Left and right a few buildings. A coach and a few riders are running across the market square. The show has an ornamental picture frame with a garland.

Looting of the house of A.M. Van Arsssen in Amsterdam, 1748. Plundering the home of the taxpachter A.M. From Arssen on the Singel in Amsterdam, on 24 or 25 June 1748 during the tenant rudder. Household goods are thrown on the street and in the canal. The looters are doing well to the wine that is stored in the cellars, the wine is also glared in the canal.

The Fountains of Rome (Le fontane di Roma), Book IV, plate 7: Fountain of the Tiburtine Sibyl (Fontana della Sibilla Tiburtina), 1676-1700. Giovanni Francesco Venturini (Italian, 1650-1710), Stamperia Giovanni Giacomo de Rossi (Italian, 1600-1750). Etching; sheet: 33.1 x 47.7 cm (13 1/16 x 18 3/4 in.); image: 24.6 x 34.1 cm (9 11/16 x 13 7/16 in.).

Arnold von Westerhout, Il Greco in Troia Plate 1 Il Greco in Troia: Plate 1

Enter the house to the / terrace.

Reconstruction of the Mausoleum of Hadrian (above) and a View of the Castel S. Angelo (below). Artist: Jan Goeree (Dutch, Middelburg 1670-1731 Amsterdam). Dimensions: 13 x 8 in. (33.0 x 20.3 cm). Date: before 1704. Museum: Metropolitan Museum of Art, New York, USA.

View of a garden from a porch, 1650 - 1690 print In the middle, water flows through a channel, in the foreground, bathing people. From series of 6 magazines. Paris paper etching garden

Hoftuin with David and Batseba; Hortorum viridariorumque elegantes et multiplicis formae; Gardens of Minne. A Hoftuin. Batseba can be seen in the middle of the print, which is bathing at a fountain. King David (top left) looks her from his roof terrace (2 Samuel 11: 2). He sends a messenger (bottom left) with the Batseba command to get to the palace (2 Samuel 11: 4). The Bode then brings the message to the still bathing Batseba. A monkey (sin) and two peacocks (pride) gade the events. The print is part of an album.

Fontana Dell'Ovato in the gardens of the villa d'Este in Tivoli; Fontana della Sibilla Tiburtina Overo Albunea Detta Il Fontanone CON Le Statue (...); Le Fontane del Giardino Estense in Tivoli; Fountains in the gardens of Villa d'Este in Tivoli. Fountain with an oval-shaped basin. Above the fountain a sculpture of the Tiburtine Sibille. Numbered at the bottom right: 7. The print is part of an album.

Gallery and pond in the park of Enghien; Enghien Park (Edingen). Hikers when accessing a gallery around a pond. Under the show a Dutch-speaking and a French-speaking legend. This print is part of a series of 16 prints (17 incl. Title Print) of the park of Enghien (Enghien), where a leaflet belongs.

Fontana della DEA at the Capitol in Rome; Faces on Rome; La Galerie Agreeable du Mouth (...) Divisée and LXVI Tomes ... Cette Partie comprising Le Rome Moderne; MAGESYN DER ITALIAN BUILDINGS.View of the Fontana della Dea at the Capitol in Rome. The Print is part of an al album.

2e Intermède (2nd Interlude), from Les Intermèdes (The Interludes) early 17th century Jacques Callot French. 2e Intermède (2nd Interlude), from Les Intermèdes (The Interludes). Les Intermèdes. Jacques Callot (French, Nancy 1592-1635 Nancy). early 17th century. Etching. Prints

Face locked Rosersberg, garden side, Willem Swidde, 1695 The print is part of an album. Stockholm paper etching Slot Rosersberg The print is part of an album. Stockholm paper etching Slot Rosersberg

Triumphoog on site, 1691, 1691 print The triumphog on the site, founded by the city council for the entry of Stadholder-King Willem III in The Hague, 5 February 1691. The arch is decorated with historical representations. On top of a equestrian statue of Willem III. Northern Netherlands paper etching triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. coat of arms (as symbol of the state, etc.) (+ province; provincial). coat of arms (as symbol of the state, etc.) (+ city; municipal) Place

Fountain, with palace at rightrear. Artist: Jean Le Pautre, French, 1618-1682 After: Jean-Baptiste-Alexandre Le Blond, French, 1679-1719

Garden of Palace Honselaarsdijk with Fontein, Carel Allard (Attributed to), 1689 - 1702 print Baroque garden with statues. There is a fountain in the middle of the performance. Groups of walkers stroll on the avenues. A stone gate in the background. Print from a series of seventeen prints from Palace Honselaarsdijk. Amsterdam paper etching / engraving garden fountain Palace Honselaarsdijk

Fountain awarded around temple on square; Artis Perspectivae (...). A round fountain is awarded a round fountain on a round fountain of two floors. There is a statue of a woman in the temple. The basin is supported by four naked water-breathing men. Figures with jars are at the fountain. Around the square a corridor of railing. This print is part of an album.

Print, Plate in Nouveaux Livre de Paysages (New Book of Landscapes); Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 26 x 17.5 cm (10 1/4 x 6 7/8 in.)

Garden wall with Nissen, Anonymous, After Jean Lepautre, 1667 print In the middle is a pavilion with a fountain of stones on which polyphemus is sitting, playing on a flute. From series of 12 magazines, second edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

'T huys too heemed

Gates with a cook and a woman; Cartouches Modernes a Compagnés Par des Enfans. Left under a rocaille gate with a grape roos is a cook, stir in a plate with food. Right under a Rocaille gate with beer kan is a woman with a key forest. The name of the café, Georg Gutbier, can be read on the signboard. In the underwear two columns with two-legged German text. Publisher number VII.

Drawing, Garden Wall; Italy; pen and brown ink, brown wash, black chalk, ruled border in pen and brown on white laid paper; 44 x 29.1 cm (17 5/16 x 11 7/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)

Stage Design: Garden Scene with Fountain, plate 8, part 5, from 'Architetture e Prospettive dedicate alla Maestà di Carlo Sesto', Johann Andréas Pfeffel, German, 1674-1748, Giuseppe Galli Bibiena, Italian, 1696-1756, Etching with engraving on white laid paper, Stage design with a fountain surmounted by figure of Neptune as centerpiece. On left and right are ornamented colonnades with statues, trees, and urns. Beyond colonnade in background is elaborate villa/palace. Male (left) and female (right) figures occupy the foreground in front of the fountain., Augsburg, Germany, 1740-44, theater, Print, Print

Print (France)

Landscape in Rocaille cartouche. Figures in landscape with a portal with four columns. In Rocaille frame. Publisher number 114.

Print (France)

The times, pl. 2 , Fountains, Gardens, Sculpture, Rulers. William Hogarth (1697-1764). Prints

Print (France)

Amsterdam, Greve, Barent, Isaac, Moucheron, Isaac de, Park landscape with two dogs, verso - stamped, View of a garden flanked by columns. Two dogs in the foreground. In the background seated figures and a figure seen from the back at a water basin., print, prints, height 253 mm, width 335 mm, 1667-11-23 - 1744-07-20, print maker, printmaker, 1677 - 1744, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1677-11-17 - 1757-10-04, publisher, uitgever, Publicatie, Nederlands, 1707 - 1766-06-24

Piazza della Liberta, Marco Sebastiano Giampiccoli, etching, 18th century, Galeria d'Arte Antica, Castello di Udine, seat of the State Museums, Udine, most important historical city of Friuli, Italy, Udine, Friuli, Italy, Europe

Wood engraving, England, by Thomas Bewick.

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Plan of burial chambers and the Torre degli Schiavi, verso - stamped, Plan of a complex of burial chambers and a view of the Torre degli Schiavi on the Via Praenestina. Numbered top left: Tom. II. Numbered top right: XXIX. Explanatory list with letters in the bottom margin., print, prent, prints, prenten, height 349 mm, width 237 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, Work conception, after own design by

MonimuleMale Fontainin In Bassin of Canaal, Anonymous, After Jean Lepautre, 1667 print On the fountain, Hercules fights against Hydra. From series of 12 magazines, second edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

. View of the landscaped garden with walking figures on the south side of Palace Soestdijk. The print is part of a series with sixteen faces at Soestdijk Palace and the associated estate.

Illuminated triumph gate at the celebration of the Alliance with France in Utrecht, 1786, Anonymous, 1786 print Illuminated triumph gate The allegorical representations, at the celebration of the Alliance with France, commissioned by the Citizen's Society Concordia or the Eendracht in Utrecht, at the Mariaplaats in Utrecht on February 23, 1786. print maker: Northern Netherlandspublisher: Utrecht paper etching / engraving festivities on events of national importance (+ illumination, fire-works ~ festive activities) Maria plateau

Erpoort on the Markt, 1691, Romeyn de Hooghe, 1691 print View of the Erpoort on the Markt, founded for the arrival of Stadholder-King Willem III in The Hague, 5 February 1691. For the gate two obelisks and two semicircular wings, everything decorated with historical and mythological representations with inscriptions in Latin. paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Coat of arms (as symbol of the state, etc.) (+ city; municipal) Large market

Niche with statue and basin; Troisime Liure the perspectives. A man creates water from the basin. In the background a building with ionic columns is visible. Copy to print from series Troisième Lieure the perspectives.

Face of the Colosseum; Coliseum Romanum; Ruinarum Varii Prospectus. View of the ruin of the Colosseum, from above. In the foreground some artists who are sketching the environment. The print is part of a series that depicts different places in the Mediterranean.

Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square.... Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, 1761-mid 1780s. Prints; engravings. Etching, engraving and drypoint

Etching by Stefano della Bella depicting an imperial festival with horse ballet in 1652, showing horses, riders, ceremonial formations, and spectators.

Illustration at the fourth act of the tragedy 'Il Solimano'. On a square or wide street with large buildings, six orientally dressed figures with short indications of their names are at their feet (characters in the tragedy 'il solimano'), surrounded by many other actors, prepared in four blocks and a small semicircle.

Fountain crowned with round temple on square, 1568 print A round fountain is crowned on a square with a two -storey round temple. There is a statue of a woman in the temple. The basin is supported by four naked water -spying men. At the fountain there are figures with jugs. A corridor of grille work around the square. This print is part of an album. paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture. village square, place

Presentation in the Temple. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Henri Mauperche.

Design for a decorative panel with a view of a garden between statues, Daniël Marot (II), 1731 drawing Design for a decorative panel (wall decoration) With a view of an ornamental garden between two statues. paper. ink. pencil pen / brush wall-covering. piece of sculpture, reproduction of a piece of sculpture

Tongerloo. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1659. Museum: Metropolitan Museum of Art, New York, USA.

Ballo I Titani,' Act VI. Setting in Olympus featuring a summit of rocks piled by the Titans, reaching above the clouds to the celestial sphere. Engraved by Stucchi, with design by Sanquirico, 1821. Published in Milan by the engraver Stanislao Stucchi

Print (France)

Genoels, Abraham, work, Swimming pool, (1000 - 2000), line etching, graphics, image width 20.3 cm, image height 14 cm

View of Amstel Lust, Matthijs Pool, 1696 - 1727 print View on the outside Amstel, seen from the Hogesuis in a southerly direction. On the left the Weesperzijde with, among other things, the outer tidal De IJsbreker, on the right the Amsteldijk with the spans De Berebijt and the Pauwentuin. In the air four putti with the coat of arms of the city of Amsterdam and a banderole on which: Amstel Lust. In the margin the title in French and in Dutch and a coat of arms with an assignment in French. Amsterdam paper etching / engraving armorial bearing, heraldry. symbols of particular nations, states, districts, etc.. river Amstel (river)

Print (France)

Arrival of procession with Maria de 'Medici at the Triumph gate on the Varkens Sluis, 1638, Salomon Savery, After Jan Martszen de Jonge, 1638 print Arrival of the procession at the triumph gate on the pig lock at the Oudezijds Voorburgwal. Above the gate a painting by Maria de 'Medici as Cybele in her chariot. Plate 4 of the illustrations in the description of the festivities around the visit of Maria de 'Medici to Amsterdam from 31 August to 5 September 1638. paper etching triumphal arch. triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. four-wheeled vehicle drawn by more than three animals (6). coat of arms (as symbol of the state, etc.) (+ city; municipal) Amsterdam. Oudezijds Voorburgwal

I. SILVESTRE - The pleasures of the island enchanted or the holidays and entertainment of the king A Versailles Israel Silvestre (1621-1691). "The pleasures of the king's enchanted island or festivals and entertainment in Versailles, divided into three days and started on May 7 of the year 1664: first day, compared with the four seasons with their sequence of concerters and carriers present, and the machine of Pan and Diane ". Engraving.

Title print for the Hollantsche Mercury of 1651, 1652 print Title print for the Hollantsche Mercury of 1651. Four strips with the most important events of the year in small. Centrally the sitting Mercury with Coat of Arms of Holland. print maker: Northern Netherlandspublisher: Haarlem paper etching warfare; military affairs. specific aspects, allegorical aspects of Mercury; Mercury as patron

Column of San Antonio In the background a church Italian text in lower margin, Column of San Antonio Colonna a S Antonio Modern and ancient monuments and buildings in Rome Ornamenti di fabriche antichi et moderni dell' alma citta di Roma , print maker: Giovanni Maggi, intermediary draughtsman: Giovanni Maggi, publisher: Andrea Vaccari, print maker: Rome, intermediary draughtsman: Rome, publisher: Italy, Vaticaanstad, Italy, Rome, 1576 - 1618 and/or 1600, paper, etching, h 215 mm × w 157 mm

Print made by Jacob Bonneau, 1741-1786, British, One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens, 1751. Etching and drypoint print on moderately thick, textured, cream laid paper.

Print (France)

The kick of the old age, of the people, 1806 - 1830 print A staircase of the old age: a woman's staircase. On the steps of the stairs, in the form of a bridge, are women between the ages of 0 and 100. Under the bridge a representation of the Last Judgment. Left front a putto and front right. A tree on either side of the show. Numbered at the top right: No. 79. Publisher: Zaltbommelprint Maker: Netherlands paper letterpress printing the ages of man represented by a staircase. Last Judgement

Fountain with image of Neptune; Fountains. In the background the wall of a garden with a balustrade is visible. From series of 6 unnumbered sheets.

Deukalion and Pyrrha; Metamorphoses from Ovid. Deucalion and Pyrrha are in the water of a large flood, which has destroyed the earth. In the middle they kneel down for an oracle in a temple. They get from the oracle to throw stones behind. Left in the foreground they do that. The stones turn into children. Under the show the text from the metamorphoses of Ovid, book 1, fresh rules 411-414.

Amsterdam, Greve, Barent, Isaac, Moucheron, Isaac de, Hall pieces in the house of Mr. DB Mezquita, Hall pieces in the house of Mr. Mesquita, Landscape with fountains and a palace, Landscape with two ornamental fountains in the foreground and a statue of a man and a woman. In the background water and on the other side a palace. After the painted wall panel in the hall of the house of the merchant David Bueno de Mesquita., print, ornamental print, prints, ornamental prints, height 341 mm, width 239 mm, 1667-11-23 - 1744-07-20, print maker, printmaker, 1677 - 1744, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, after, after painting by, Publication (Event), Publication, 1677-11-17 - 1757-10-04, publisher, uitgever, Publicatie, Nederlands, 1707 - 1766-06-24

Design for a Funerary Monument 18th century Anonymous, German, 18th century German. Design for a Funerary Monument 335794

Bacchusfontein in de tuinen van Versailles, Maurice Baquoy, after Girard, in or after 1714 - 1747 print Numbered 30. print maker: Francepublisher: Paris paper etching French or architectonic garden; formal garden. garden fountain. (story of) Bacchus (Dionysus), Liber Versailles

the Huys in Amerongen with his Voorhof, according to a marking, on November 28, 1725 by the Hoogwelgebit Reinhart, Baron van Reede, Ginkel, LijNkhten, Zuilenburg, etc. etc. / den A .. Brouërius van Niedek, and checked by J Stijnse.

Façade of the church of San Lorenzo in Florence, decorated with the emperor's arms, four figures of death flanking the three entrances, the two in center on horseback, a large angel above central door, from 'Ceremonies for the Funeral of Emperor Ferdinand II' (Funérailles de l'empereur Ferdinand II). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 9 9/16 x 8 9/16 in. (24.3 x 21.7 cm). Series/Portfolio: 'Ceremonies for the Funeral of Emperor Ferdinand II' (Funérailles de l'empereur Ferdinand II). Date: 1637. Museum: Metropolitan Museum of Art, New York, USA.

Print, Celebration on the Terrace of Versaille on the marriage of Elizabeth of France to Philip theSecond of Spain; France; engraving

View of Palace Honselaarsdijk, Cornelis Elandts, 1681 - 1728 print View of Palace Honselaarsdijk. In the foreground tree part and a path with three walkers, a rider with servant and a carriage. On the right in the background the palace. The show is framed by a border with oak leaf motifs and a banderole with the title on it. The Hague paper etching palace Palace Honselaarsdijk

Allegory on the unreliability of Spain and the freedom and wealth of the seven provinces: the Dutch garden; Songress on distrust against the Spaniards and at Maurits' Care for the welfare of the 7 provinces..Algory on the Unreliability of Spain and the Freedom and Wealth of the Seven Provinces, Proposed with the Dutch Garden. Print Used for a Pamphlet Morte de Wysheyt Vermaert Vantt Hollantsche Huyshouwen and Siet des Luypaerts Aert Who is not to trust. Two Fragments Of The Leaflet Are Stuck On The Mounting Card.

Petersburgs Gesigt; From the house over / the great pond, backwards. // Veue de Petersbourg de la Maison Au / Dessus du Grand Vivier Vers Le Derriere.

Sheet with ten performances of the arrival of the Cardinal Infant Ferdinand in Antwerp, 1635; Specimina Magnificentiorum in Civitate Antverpiensi LocoRum et Operum. Leaf with ten performances of the arrival of the Cardinal Infant Ferdinand of Austria as the new governor for the Spanish Netherlands, in Antwerp on April 17, 1635. Several famous buildings in Antwerp and the triumph ports specially established for this event.

Jacques Rigaud depiction of Cardinal Gualtiero traveling between Ancona and Florence, executed with black pen, gray brush, and wash.

Schouwburg with theater decor: the mountain of Parnas, Jan Punt (attributed to), after Hendrik de Leth, 1760 - 1765 print Theater show in the Amsterdamse Schouwburg on the Keizersgracht with the scenes of Parnas with scene from: the century of the Amsteldamschen Schouwburg. The decor printed of a separate (worn) plate within a passe-partout with the room, side slices, orchestra box and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Seeing, the huys over the Kaskade / and opening to the Vecht.

Face Slot Zeist, Hendrik Spilman, after Jan de Beijer, 1742 - 1784 print Two riders and two men before Slot Zeist. Haarlem paper etching riding a horse, ass, or mule; rider, horseman. palace Slot Zeist

Jean Le Paultre (1618-1682). "Arc de Triomphe du Carrefour de la Fontaine Saint-Gervais erected for the entrance to August 26, 1660". Etching. 1660. Paris, Carnavalet museum. 72911-6 Arc Triomphe, crossroads, etching, Entree, Fontaine Saint-Gervais

Design for a room painting with stone arches with a fountain and view of a garden, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 425 mm × w 364 mm

De Riddermaetige Hoffstad Voorn. Draughtsman: Jan de Beijer. Dating: 27-Jul-1749. Measurements: h 160 mm × w 426 mm. Museum: Rijksmuseum, Amsterdam.

Fountain with hydraulic organ in the gardens of the villa d'Este in Tivoli; Fontana Dell'Organo Dal Lato Destro Nel Piano del Vialone Delle Fontanelle; Le Fontane del Giardino Estense in Tivoli; Fountains in the gardens of Villa d'Este in Tivoli. Numbered at the bottom right: 13. The print is part of an album.

Ice Entertainment on the frozen Maas in Rotterdam, 1776, Robbert Muys, 1776 print Weides' face on the frozen river De Maas in Rotterdam at the beginning of 1776 with all kinds of ice entertainment. Landscape south of the old head gate, along the houses of the Haringvliet, with carriages on the ice, skating, sledes, cake and zopie etc. at the bottom of the titles in Dutch and French on either side of a vignette with the weapon of Rotterdam and River gods. Northern Netherlands paper etching / engraving winter sports Rotterdam. Mesh

Print (France)

Catafalque for Rudolf II of Austria. Designer: Giovanni Maria Filippi (Italian, Trentino ca. 1565-ca. 1630). Dimensions: Sheet (Trimmed): 11 7/16 × 7 9/16 in. (29 × 19.2 cm). Date: 1612 or after.Top corners trimmed. Museum: Metropolitan Museum of Art, New York, USA.

View of a part of the water game in Karlsberg, Giovanni Girolamo Frezza, after Giovanni Francesco Guerniero, 1706 print Print is part of an album. paper etching garden fountain. city-view, and landscape with man-made constructions Karlsberg. Bergpark Wilhelmshöhe

Image of a float in the parade on the occasion of the commemoration of the liberation of the Netherlands on April 1, 1572.

Netherlands, Letter of greetings with the shooting in of the new year, verso - stamped, Letter of greetings with blank cartouche within a decorative frame with representations of the shooting in of the new year and of people sledding. Numbered lower right: No. 27., print, folk print, letter of greetings, prints, folk prints, height 429 mm, width 324 mm, height 393 mm, width 315 mm, print maker, printmaker, 1700 - 1899, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651). Dated: 1866. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

Canaletto, Piazza di San Marco, Philip Henry Delamotte, 1855 - 1858 Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 19. paper. photographic support. cardboard albumen print San Marcoplein Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 19. paper. photographic support. cardboard albumen print San Marcoplein

'Het Groote Doolhof', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld n.d. Carel Allard Depiction of the large maze in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.. 'Het Groote Doolhof', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. n.d.. Color engraving (à la poupée). Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Engraved by Lorenz Scherm (Dutch, active 1619-1707)

Eighteen Views of Rome: The Piazza del Popolo (recto), 1664. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink; sheet: 38.9 x 49.6 cm (15 5/16 x 19 1/2 in.).

Two vases for the Orangerie of Zorgvliet; Garden vases. The vases are decorated with oval medallions. From series of 7 sheets with two vases on a balustrade on every leaf with a view of the gardens of Zorgvliet in the background.

Antike Fragment; Architecture fantasy with antique elements .. Remnants of antique sculptures. In the middle a gate including a herme with two pitchers.

Design for Fountain with Venus, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Georg Siegmond Roesch, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print

View of a palace; Title page for Jean-Baptiste Morvan de Bellegarde, reflexions sur ce qui peut plaire, ou déplaire dance le Commerce du Monde. View of a palace with baroque garden. In the foreground two walkers who point to a just arriving carriage.

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Veduta del Mausoleo dElio Adriano (ora chiamato Castello S. Angelo) [View of the Mausoleum of the Emperor Hadrian (Now called Castel S. Angelo), from Vedute di Roma, Engraving, platemark: 43.8 × 55.8 cm (17 1/4 × 21 15/16 in.), Made in Italy, Italian, 18th century, Works on Paper - Prints

Festa della sensa (third part); AnkeFt und Herkvommen der Weitberümbten Herrlichen Statt Screw Sambt Derselben Waident Herrschafft. Procession of the Doge on Ascension Day over the San Marco Square in Venice. The procession leads to the Bucintoro, the galei of the Doge. Once a year 'married the Doge during the DELLA SENLA Sensa festa with the Adriatic Sea by throwing a ring in the water from this galei.

Print (France)

Fontein OP Piazza del Popolo Te Rome, Giovanni Battista Fonda, 1653 - 1691 Fontein originally at Piazza del Popolo and was later moved to Piazza Nicosia. Numbered below: 14. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Fountain of Piazza Nicosia. Piazza del Popolo. Rome Fontein originally at Piazza del Popolo and was later moved to Piazza Nicosia. Numbered below: 14. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Fountain of Piazza Nicosia. Piazza del Popolo. Rome

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