Renaissance Mythological Scenes

Intricate engravings depicting mythological themes, featuring figures like Apollo, Cupid, and Christ in dramatic poses, surrounded by lush landscapes and allegorical elements.

Saint Jerome, anonymous, after Albrecht Dürer, 1512 - 1600, Albrecht Dürer, draughtsman: anonymous, 1512 - 1600, paper, pen, h 177 mm × w 125 mm

The Death of Adonis. Artist: Jean Mignon (French, active 1535-ca. 1555); After Luca Penni (Italian, Florence 1500/1504-1557 Paris). Dimensions: 11 1/4 x 9 1/2 in. (28.5 x 24.2 cm). Date: 1544. Museum: Metropolitan Museum of Art, New York, USA.

Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the 'Story of Apollo and Daphne'. Artist: Master of the Die (Italian, active Rome, ca. 1530-60); After Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481-1536 Rome). Dimensions: sheet: 7 1/8 x 9 5/8 in. (18.1 x 24.4 cm) approximately. Series/Portfolio: Story of Apollo and Daphne. Date: 1530-60.According to Ovid (Metamorphoses 1.253-444), Jupiter destroyed the violent race that arose from the blood of the Giants with a universal flood. When the waters receded, the monstrous Python emerged and was slain by Apollo, as seen in the foreground of this engraving. In the background, Apollo, in the pride of his victory, mocks Cupid (the Greek Eros) for attempting to wield the bow, a weapon unsuited to his diminutive stature. To the left, Cupid exacts his revenge, aiming at Apollo's heart the golden arrow that inflicts love. Cupid has already shot the ny

"Woodcut by Albrecht Dürer from around 1508/09 depicting Christ on the Mount of Olives (Ölberg), showing figures, gestures, and landscape elements as part of the small passion series."

Apollo en marsyas, Girolamo Fagiuoli (attributed to), after Nicolas Beatrizet, after Francesco Salviati, 1530 - 1573 print Apollo is about to skin Marsyas. In the foreground on the right is a violin and there is a river god. In the background a temple with a dead body dangling on the ceiling. paper engraving punishment of Marsyas: he is flayed by Apollo

The Holy Family with John the Baptist in a landscape 1583 Bernardino Passeri. The Holy Family with John the Baptist in a landscape 688538

Saint Jerome, anonymous, after Albrecht Dürer, 1512 - 1600, Albrecht Dürer, draughtsman: anonymous, 1512 - 1600, paper, pen, h 177 mm × w 125 mm

St. Christopher, c. 1509. Lucas Cranach (German, 1472-1553). Chiaroscuro woodcut;

Winter; Hiems Aeolo S.; The four Seasons. In the foreground Aeolus, God of the wind. He sits on a cloud with the four wind directions. There are winter fruits around him. In the background winter scenes: skating people, wood gathering, cattle of cattle for winter and winter storms. Above in the air The three astrological signs of the winter: Capricorn, Aquarius and Fish. The print has a Latin caption and is part of a four-part series over the four seasons.

Rest on the Flight into Egypt 1509 Lucas Cranach the Elder German. Rest on the Flight into Egypt 434207

The Crucifixion, from The Fall and Salvation of Mankind Through the Life and Passion of Christ. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm). Date: ca. 1513. Museum: Metropolitan Museum of Art, New York, USA.

Sleeping Man and Nymph Haired by Amor, Marcantonio Raimondi, After Rafaël, 1510 - 1527 print Sleeping man with pan flute lying between reeds at the foot of tree. NIMF is chased by putto, possibly with torch. paper engraving sleeping; unconsciousness. nymphs (in general); 'Ninfe in commune' (Ripa). cupids: 'amores', 'amoretti', 'putti'

Albrecht Dürer, The Apocalypse: The Beast with Two Horns Like a Lamb, 1496-1497, woodcut on paper.

Gabriele Giolito de' Ferrara, Mars, 1534 Mars

This 1517 woodcut by Hans Schäufelin depicts Theuerdank's horse falling into a roadside ditch, illustrating movement and risk in a street scene.

Verleiding Van Eva, Virgil, 1552 print Nuremberg paper Eve takes the fruit from the serpent (or the tree) in the presence of Adam (who may be trying to stop her)

Agony in the Garden. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 9 3/16 × 6 9/16 in. (23.4 × 16.6 cm). Date: 1515. Museum: Metropolitan Museum of Art, New York, USA.

Expulsion from Paradise, Hans Holbein (II), 1538 print Adam and Eva are driven out of paradise after their sins. Above them an angel floats with a flaming sword that monitors the tree of knowledge. Death witnesses this event. In the margin above the print is the text Gen. III. paper God expels Adam and Eve from paradise and has the tree of life guarded by an angel with a flaming sword. dance of Death; Death together with one or more human beings

Noli Me Tangere, from The Fall and Salvation of Mankind Through the Life and Passion of Christ ca. 1513 Albrecht Altdorfer German. Noli Me Tangere, from The Fall and Salvation of Mankind Through the Life and Passion of Christ. Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). ca. 1513. Woodcut. Prints

Pyramus and Thisbe; Metamorphoses from Ovid. Pyramus put himself down with his sword after he meant that Thisbe was killed by a lion. ThisBe discovers her dying loved one, on which she also stated himself. In the background the lion with the veil of thisbe. In the margin a four-line caption, in two columns, in Latin.

Samson and Delilah, 1519. Hans Burgkmair (German, 1473-1531). Woodcut;

Antwerp, Woons, Cornelis, Sallaert, Antoine, Jegher, Jan Christoffel, Capture of Christ, verso lower left - stamped, Christ is captured by soldiers. Judas kisses him on the cheek. In the background Peter raises his sword to cut off Malchus' ear., print, book illustration, prints, verso - stamped, height 87 mm, width 64 mm, 1618-11-03 - 1667-09-18, print maker, printmaker, 1649 - 1649, paper, woodcut, letterpress printing, Work conception, Southern Netherlands, 1585 - 1650, after a design by, Publication (Event), Publication, publisher

Betrayal of Christ Albrecht Dürer German n.d.

Merciful Samaritan and the wounded traveler; Dominica XII. Post Pentec. The merciful Samaritan offers help to the injured traveler. The Samaritan connects his wounds. In the background the other scenes from the story. At different elements from the show are letters that correspond to the legend in the margin.

The Death of Adonis 1535-55 Jean Mignon French. The Death of Adonis 336911

Illustration for part 2 of 'Wilhem the third, by God's grace, Koyal of England, Scotland, Vrankrijk and Ireland, protector of faith' by Lukas Rotgans. Stadholder Willem III and his wife Maria II are hand in hand in the midst of mythical figures, such as Prometheus (chained to the foreground), the envy (with hose hair), Ceres (with cornucopia), Bacchus (with grape vines) and Mercury ( with caduceus). Left at the bottom of soldiers at a gun.

Italy, Tempesta, Antonio, Parasole, Geronima Cagnaccia, Crowned saint on a chariot, verso - stamped, A crowned male saint, seated on a chariot drawn by horses and surrounded by angels. In the right foreground stands a bearded man with a stick., print, prent, prints, prenten, height 199 mm, width 124 mm, Italian, 1569 - 1622, print maker, prentmaker, 1579 - 1622, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, paper, papier, houtsnede, Work conception, 1555 - 1630-08-05

The Wilde. A naked wild man with arrow and bow, behind him his wife with a child in the arms.

Germany, Cranach, Lucas (I), Rest on the Flight into Egypt, verso lower left - stamped, Mary sits with the child on her lap by a tree resting during the flight into Egypt. Joseph stands behind them and leans against the tree trunk. Putti are dancing around the seated Mary and the Christ child. Two putti are sitting in the tree and catching young crows from a nest. A mountainous landscape is depicted in the background. Two shields with the electoral and ducal arms of Saxony are depicted at the top left and right, print, prints, height 338 mm, width 236 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1509 - 1510, first quarter 16th century, paper, woodcut

Cain Killing Abel. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: JAN GOSSAERT.

Etching by Hieronymus Hopfer, 1528-1563, depicting a fight between nude male figures with gestures and action in the composition.

After his death, Christ descends into limbo. At the gates of hell, he reaches out to anonymous figures. Three devils look on. The scene is framed in an ornamental frame decorated with several devils. Christ in Limbo Passion of Christ , print maker: Antonie Wierix (II), (mentioned on object), Maerten de Vos, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Antwerp, publisher: Amsterdam, 1582 - 1586, paper, engraving, h 190 mm × w 149 mm

A fashionably dressed young man and woman are seated at a set table, outdoors. The man plays the lute. The woman extends a glass of wine to him. Behind her stands Death in the guise of a skeleton. With caption referring to death always lurking, Couple at a Table, print maker: Nicolaes van Geelkercken, (mentioned on object), Pieter Feddes van Harlingen, (mentioned on object), publisher: Jan Jansz Starter, (mentioned on object), 1614, paper, engraving, w 119 mm × h 160 mm

Satyr family with male and woman with child, Benedetto Montagna, 1515 - 1520 print Satyr family with satyr man blowing on a horn and satyr woman sitting on a rock with a twig in her hand as if she wants to punish her child. On the floor is a feline animal that eats from a bowl. paper engraving satyr(s) (in general)

Leda and her children playing with the swan, with a Roman temple in the background. Artist: Giovanni Battista Palumba (Italian, active ca. 1500-1520). Dimensions: Sheet (Trimmed): 6 1/4 in. × 5 in. (15.8 × 12.7 cm). Date: 1500-1510. Museum: Metropolitan Museum of Art, New York, USA.

The lame leads the blind; Mutua Si Fuerint Studia, Hic Servatur et Illa; Emblemata Saecularia, 1596. The lame leads the blind: a lame man is sitting on the shoulders of a blind man, who walks with a stick. The lame shows him the way. At the left behind a dead tree around which grape vines grow. For this representation of mutual friendship, the Bry has merged two emblems: 'Mutuum Auxilium' or "mutual helpfulness", represented by the blind person who leads the lame, and 'Amicitia Etiam Post Mortem Durans', or "friendship until after death", In the form of the tree whining around grape drinks.

Amsterdam, Borstius, Gerardus, Goeree, Jan, The church and world history from the Aal-old earth description, Title page for Willem Goeree, The church and world history. 1729, Allegory of church and world history, In the clouds the personification Truth. In her hands a globe and a pen. Next to her two putti hold up a medallion with the title of the book. Other putti hold medallions of people from world history. The winged Time and the personification Faith among them. Father Time hands a hat (symbol of loyalty) to Faith. In the background a battle., print, title page, prints, width 147 mm, height, 182 mm, 1670-10-20 - 1731-01-04, print maker, printmaker, 1705 - 1705, paper, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Woodcut from 1517 by Hans Schäufelin showing Theuerdank in a boat with oversized sails leading to trouble, with two panicked crew members on the right, depicting the figures, boat, and water.

Samson and Delilah. Dimensions: sheet: 12.3 x 10 cm (4 13/16 x 3 15/16 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Burgkmair I.

Saint Filippo Benizzi Healing a Beggar. Dated: c. 1510/1520. Dimensions: sheet: 33.1 x 22.5 cm (13 1/16 x 8 7/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: after Andrea del Sarto.

The Passion: The Lamentation, 1509. Lucas Cranach (German, 1472-1553). Woodcut; paper: 25 x 17.1 cm (9 13/16 x 6 3/4 in.).

Gabriele Giolito de' Ferrara, Saturn, 1534 Saturn

Lucas Cranach the Elder (German, 1472-1553), Saint Bartholomew, woodcut

Roof Van Proserpina, Giuseppe Scolari, 1550 - 1600 print Proserpina is abducted by Pluto to the underworld. After Pluto dragged her on his car, he had a big gap in the earth. Italy paper. ink pen the rape of Proserpina (by Pluto in his chariot); possibly with Diana and Minerva trying to rescue her

Nuremberg, Solis, Virgilius, Landsknechts, Landsknecht with a stick by a tree, verso - handwritten in brown ink, print, prints, verso - stamped, 147, height 108 mm, width 89 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching

Copper engraving by Hendrick Goltzius from around 1586 depicting an angel announcing to Manoah and his wife the future birth of Samson, showing figures, gestures, and domestic interior.

Vorsterman, Lucas, inventor: Henrik Goltzius, work, Judas' kiss, (1000 - 2000), copper engraving, graphics, 20.2 cm x 13.2 cm

After Albrecht Altdorfer, Saint Christopher, 1500-1800, engraving on paper.

The Opening of the Fifth and Sixth Seals, from the Apocalypse 1498 Albrecht Dürer German. The Opening of the Fifth and Sixth Seals, from the Apocalypse 388120

Revelation of St. John: The Four Destroying Angels, 1511. Albrecht Dürer (German, 1471-1528). Woodcut;

The Rich Man Transported to Hell. 1554. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Hercules and the cattle of Geryon, Gabriel Salmon, c. 1528 print paper Hercules, driving Geryon's cattle, has to fight the Ligurians; Jupiter assists Hercules by sending a shower of stones

Woodcut by Hans Burgkmair the Elder, 1523, depicting an angel on fiery columns offering a book to John, showing figures, flames, and symbolic elements of Revelation.

Saint Christopher. Lucas Cranach I (1472-1553). Woodcut. Executed 1506-9. 28.6 x 20.1cm.

Saturn. Dated: 1534. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Gabriele Giolito de' Ferrara.

Psyche on the way to the underworld, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print Venus is wearing Psyche to descend to the underworld and from there to bring a jug filled with the beauty of Proserpina, the queen of underworld. On the left psyche at the tower that gives her advice. Italian text in two cartouches in STUDMARGE. Numbered bottom left: 24. Italy paper engraving the tower, from which Psyche had intended to throw herself, tells her how to accomplish her task in the underworld

Lamech and Cain, Lucas van Leyden, 1524 print Blind Lamech takes his bow, his son Tubal-Kain with an arrow in the left hand points to the sleeping Cain under a tree. paper engraving Lamech kills Cain: Cain is accidentally shot dead by an arrow of the blind Lamech, who is assisted in the hunt by his son Tubalcain

Fighters in a landscape, Jacobus Schijnvoet, 1713 print Strijder in a landscape near a wall on which is an allegorical female figure with map. print maker: Amsterdampublisher: The Hague paper etching the soldier; the soldier's life. maps of separate countries or regions

Bacchanale 1610-42 Pierre Brebiette French. Bacchanale 333894

French 17th Century, A King and His Retinue Confronting Ladies under a Celestial Battle, c 1600 A King and His Retinue Confronting Ladies under a Celestial Battle

Woodcut from 1517 by Hans Schäufelin showing Theuerdank stumbling with a crossbow caught in bushes while riding, illustrating the figure, horse, and vegetation.

Depicts the liberation of a priest from Neunhofen from captivity, created as a woodcut around 1520 by Meister der Wunder von Mariazell, showing figures and gestures.

Heemskerck, Maarten van, Netherlands, Coornhert, Dirck Volckertsz., History of Tobias, Farewell to the Archangel Raphael, verso lower left - stamped, Tobit and Tobias kneel on the ground after the Archangel Raphael has made himself known. Raphael flies away., print, engraving, prints, engravings, height 238 mm, width 190 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1548 - 1548, paper, papier, houtsnede, 1498 - 1574, intermediary draughtsman

Hero plunges into the sea for despair after her beloved Leander has drowned in the Hellespont, François van Bleyswijck, 1737 print Hero jumps out of the window and plunges into the sea out of despair after her beloved Leander has drowned in the Hellespont. The torch with which she pointed him in the direction is extinguished and is held by a putto. paper etching / engraving the drowned Leander is borne away, usually by Nereids, towards Hero; the latter possibly jumps to her death into the sea

Nicoletto da Modena's copper engraving 'Saint Georg' (c. 1500-1512) depicts Saint George, emphasizing chivalric themes and Renaissance artistic style.

Two fishermen with a trap, Jonas Umbach, 1634 - 1693 print Two fishermen standing in a river, one with a trap in his hands, the other with the bag where the fish can be taken. paper etching sports, games ~ animals (+ live-basket). fisherman

Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, History of Judah and Tamar, Juda gives Tamar his signet ring, verso - stamped, Under a tree sits the veiled Tamar with her father-in-law Juda, who does not recognize her and thinks that she is a prostitute. He gives her his signet ring and staff as a pledge for the kid with which he will pay her. On the right in the background the sheep and shepherds of Judah and on the left a city. At the bottom in the margin a verse in Latin., print, prent, prints, prenten, height 209 mm, width 262 mm, Nederlands, 1540 - 1617-10-07, print maker, prentmaker, 1564 - 1568, paper, papier, engraving, graveren (drukprocedé), Work conception, Noord-Nederlands, 1498 - 1574

Michael and His Angels Fight with the Dragon, 1498 (1511 edition), Albrecht Dürer, German, 1471-1528, 15 1/2 x 11 1/8 in. (39.37 x 28.26 cm) (image), Woodcut, Germany, 16th century

Elia fed by Raven, Pieter Jalhea Furnius, 1550 - 1625 print During a long -term drought, Elia went to live on the Kerit Beek, in which water was still flowing. The ravens brought him bread and meat in the morning and evening. Elijah is sitting under a tree on the waterfront and takes on a piece of bread from a raven. Under the show is a rule of text in Latin. paper engraving Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Ilustration from Sebastian Brandt, Das Narrenschriff n.d. Albrecht Dürer German. Ilustration from Sebastian Brandt, Das Narrenschriff 388464

This circa 1518-1520 woodcut by Wolfgang Huber depicts Saint Christopher carrying the Christ Child, emphasizing figures, gestures, and compositional arrangement.

The Creation of Eve, from The Power of Death (Allegory of Original Sin and Death). Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest); After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 2 15/16 × 1 7/8 in. (7.5 × 4.7 cm). Date: 1541. Museum: Metropolitan Museum of Art, New York, USA.

Mercury sits on a platform and reads a scripture to the personification of Abundance, Mars, a triton and Ceres. The latter points to a relief depicting a flood., Mercury reads a writing to Title page: Le Mercure hollandois, dl X, 1683, print maker: Jan Luyken, publisher: Hendrick Boom, (mentioned on object), publisher: weduwe Dirk I Boom, (mentioned on object), Amsterdam, 1681 and/or 1683, paper, etching, h 117 mm × w 68 mm

Albrecht Altdorfer, Saint George Slaying the Dragon, 1511 Saint George Slaying the Dragon

Work of Adam and Ewa, Sixth Figure from the series: History of Adam and Ewa; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1540 (1st edition) (1540-00-00-1561-00-00);

Apollo and the Muses 1540-1583 France. Engraving on paper . Étienne Delaune

The Martyrdom of St. John, from The Apocalypse. Albrecht Dürer; German, 1471-1528. Date: 1496-1498. Dimensions: 395 x 280 mm (image); 431 x 305 mm (sheet). Woodcut in black on tan laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: ALBRECHT DÜRER.

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Parysa; Altdorfer, Albrecht (CA 1480-1538); 1511 (1st edition) (1511-00-00-1538-00-00);

Samson Rending the Lion Made 1491-1501 Germany. One of his earliest woodblocks, the intricate and sinuous lines of Samson and the Lion have generally been assumed to have been carved by D¸rer himself.. Woodcut in black on ivory laid paper . Albrecht Dürer

Drunkenness of Noah, Crispijn van de Passe (I), 1700 - 1750 print Noah is drunk and half undressed in front of his tent. His son Cham points to him and mock him. Sem and Jafet shield their father with a rug. In the background, Noah's vineyard. In the margin a two -way caption in Dutch. print maker: Utrechtpublisher: Amsterdam paper engraving Shem and Japheth cover their father Noah; Ham usually stands nearby deriding him

Marc Antoine Raimondi (1480-Vers1534). Love and the three children (Bartsch 320). Etching, chisel. 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. Love, drawing, children, naked male, nudite, three boys, 16th 16th 16th 16th 16th 16th century, nature

Alcon Slaying the Serpent. Hans Wechtlin, I; German, 1480/85-after 1526. Date: 1510-1515. Dimensions: 274 x 183 mm (image/block/sheet). Chiaroscuro woodcut printed from two blocks in black and olive green on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Hans Wechtlin, I.

The Ascension of Christ, from Speculum passionis domini nostri Ihesu Christi. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Ulrich Pinder (German, active 1493-before 1519). Dimensions: Sheet: 9 3/8 × 6 7/16 in. (23.8 × 16.4 cm). Publisher: Published for Ulrich Pinder, by Friedrich Peypus (Geman). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA.

Man with a flute and drum and man with a string instrument; Music, dancing, playing and drinking figures. Numbered at the top left: 7.

Monogrammist ANDL, Burgkmair, Hans (I), Seven planets, Mercvrivs, Mercury with constellations Virgo and Gemini in an architectural frame, verso lower left - stamped, The god Mercury as a personification of the planet Mercury with various attributes. He is blowing a trumpet and holding a winged staff with two snakes (caduceus). On his head he wears a winged helmet and behind him stands a rooster. The constellations Virgo and Gemini, at his feet on the right, are the children of the planets. He stands on a pedestal in an architectural frame decorated with ornaments. In the frieze at the bottom a star is depicted in a medallion, flanked by playing putti. The print is printed with multiple wood blocks., print, copy after print, prints, height 305 mm, width 170 mm, Work conception, German, 1473 - 1531, after print by, 1483 - 1581, fourth quarter 15th century, 16th century, paper, woodcut, print maker, printmaker

Jupiter and his planet children, Anonymous, After Hans Sebald Beham, After Georg Pencz, 1531 print Jupiter drives his triumphal wagon in the sky, pulled by two peacocks. On the car the signs of the zodiac fish and archer. The people on earth are secular or ecclesiastical rulers. An emperor is crowned by the Pope, surrounded by cardinals and bishops. On the left a judge on his throne. The background is hunted. At the top a four -line verse in German. paper Jupiter and his children ('Planetenkinder'). Jupiter and his children ('Planetenkinder') ~ Pisces and Sagittarius. Pisces (zodiacal sign of February). Sagittarius (zodiacal sign of November)

The Four Angels Holding the Winds, from The Apocalypse 1498 Albrecht Dürer German. The Four Angels Holding the Winds, from The Apocalypse 388121

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The Little Passion, Crucifixion of Christ, Cornelisz van Oostsanen, Christ is being nailed to the cross. In the foreground a man is pouring sour wine into a bowl to soak a sponge. Mary looks on, supported by John. The print is part of a book., print, book illustration, prints, height 113 mm, width 78 mm, height 141 mm, width 101 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

Copper engraving by Jean Duvet depicting the apocalyptic woman, created between 1546 and 1555.

Agony in the Garden, c.1490-1500. Francesco Rosselli (Italian, 1448-before 1513). Engraving;

Nicolas Beatrizet's copper engraving (1540-1566) depicts the fall of Phaethon from Greek mythology, showing dramatic movement, classical figures, and 16th-century engraving techniques.

Woodcut by Albrecht Dürer, circa 1503, illustrating the birth of Mary, part of Marienleben series, with figures and interior architectural details.

Cybele in her chariot drawn by two lions 1530-60 Master of the Die Italian. Cybele in her chariot drawn by two lions 396171

The parable of the sower. 1500 - 1550. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Rape of Persephone with Pluto on horseback at right 1590-1607 Giuseppe Scolari Italian Smitten by love for Proserpina, Pluto (also known as Hades), lord of the Underworld, carried her off violently in his infernal chariot, plunging through the Bay of Cyane into his subterranean realm. Scolari, who was also a painter, is best known today for his technically inventive and highly expressive woodcuts, which he both designed and cut. In his only depiction of a mythological subject, the artist captures the moment when the earth splits open, the waters of the bay pour into the void, and the fires of Hades issue forth, while the maiden struggles to free herself from her captor.. Rape of Persephone with Pluto on horseback at right 361899

Rome, Panzera, Battista, Italy, Tempesta, Antonio, S. Hieronymus, H. Hieronymus in the wilderness contemplating the Last Judgement, verso - stamped, H. Hieronymus with book and quill in the wilderness contemplating the Last Judgement. On the right a Last Judgement scene with Christ, Mary and saints on clouds and the damned being dragged into hell by demons. Above Hieronymus floats an angel blowing a trumpet. On the right the lion. Title and caption in Latin in bottom margin., print, prints, height 475 mm, width 368 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1592 - 1592, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Banner; National ferns.

Triumphal of Willem van Oranje, plate c; Currus Triumphalis Illustris / Triumphal of Willem van Oranje. Sodcomber representation of the virtues of Prince Willem van Oranje. Sunner trailer in which the prince is sitting, driving through a hairprint of loomed work, drawn by 3 elephants. On the elephant the personification love; In addition to them other personnifications of virtues. Explanation in Latin above figures, Dutch translation at the bottom.

Saint Jerome. Engraving by Agostino Carracci, 1588, after Tintoretto.

Nuremberg, Solis, Virgil, Personifications of the Seven Planets Surrounded by Clouds, Saturn, verso - handwritten in brown ink, print, prints, verso - stamped, 5..., height 83 mm, width 57 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching

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