Renaissance Narrative Art

Frescoes and tapestries illustrating biblical and mythological themes, showcasing rich colors and detailed figures in various narrative settings.

The Adoration of the Shepherds between Saints Augustine and Galgano by Pietro di Giovanni d'Ambrogio (ca 1410-1449) / Museo Civico Archeologico e d'Arte Sacra Palazzo Corboli Asciano / 1440-1449 / Italy, School of Siena / Tempera on panel / Bible / 219x2

'St Martin is Knighted', 1312-1317. Artist: Simone Martini

Susanna and the Elders in the Garden, and the Trial of Susanna before the Elders 1495-1505 Florence. Tempera on panel . Master of Apollo and Daphne

Weavers at work, Triumph of Minerva, scenes from Month of March, ca 1470, by Francesco del Cossa (ca 1435-1477), fresco, east wall, Hall of the Months, Palazzo Schifanoia, Ferrara (UNESCO World Heritage Site, 1995), Emilia-Romagna, Italy, detail.

David and Bathsheba. unknown c. 1490-1500 Tapestry Dimensions: H 15' x W 29'9" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: Dunbar Wright coll., Boston. French & Co. purchased from Clarence Hungerford Mackay 4/23/1948; sold to Foreningen Nationotmussi Vanner 4/28/1964. Scene divided by columns, creating several scenes; 2 scenes in upper L, David, from his palace, sees Bathsheba bathing in fountain; lower L, Bathsheba comes to David's palace; center, David enthroned, Bathsheba stands before him, surrounded by group of attendants; Bathsheba attended by servants as David arrives; lower R, David & Bathsheba enthroned, surrounded by attendants (2 Samuel 11-12) (BRD) foliage encased by curving line French & Co. stock sheet in archive, 79767

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and ""dry"" tempera. Italy, Lombardy, Mantua, Ducal Palace. Whole artwork. Northern wall or wall of the fireplace. The Court courtiers around lord and lady behind curtains hanging in arch-shape trees sprouting up behind.

The Adoration of the Magi, 1440-45. Giovanni di Paolo (Italian, c. 1403-1482). Tempera and gold on wood panel; framed: 52.5 x 59 x 7.5 cm (20 11/16 x 23 1/4 x 2 15/16 in.); unframed: 38.4 x 44.3 cm (15 1/8 x 17 7/16 in.).

Pius II convened in Mantova for the diet organized to plan the Crusade against the Turks, detail of the the Stories of Pius II, 1503-1508, by Bernardino Pinturicchio (ca 1452-1513), fresco. Piccolomini Library, Siena Cathedral.

The Adoration of the Shepherds between Saints Augustine and Galgano by Pietro di Giovanni d'Ambrogio (ca 1410-1449) / Museo Civico Archeologico e d'Arte Sacra Palazzo Corboli Asciano / 1440-1449 / Italy, School of Siena / Tempera on panel / Bible / 219x2

National art gallery:, ferrara, italy

Salome bringing the head of John the Baptist to Herod's banquet, detail from the predella of an altarpiece from the Vic Cathedral, by Bernat Martorell (ca 1400-1452), painted on wood. Catalan Gothic art.

fragment of predella from the altarpiece of Santa Ursula, 15th century, tempera on panel, cathedral of Mallorca, possibly work of Guillem Arnau, master of Montesion,, Balearic Islands, Spain.

Belforte del Chienti (Italia, Marche - provincia di Macerata), chiesa di Sant'Eustachio. Giovanni Boccati, Polittico, XV secolo. (dettaglio laterale destro, San Venanzio), 1468

'Redemption Triptych: Adam and Eve Expulsed from Paradise', 1455-1460, Flemish School, Oil on panel, 195 cm x 77 cm, P01889. Author: VRANCKE VAN DER STOCKT. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

The Legend of Theodelinda, by Zavattari (brothers), 1430 - 1448, 15th Century, fresco. Italy. Lombardy. Monza Brianza. Monza. Cathedral. Theodelinda Legend of at the request of Theodelinda, her son Adaloald offers gifts to the church. Scene 37 green gold yellow

Christ at the Column. Artist: Delli brothers (Florentine, active Spain, 1430s-60s). Dimensions: sheet: 15 7/8 x 11 15/16 in. (40.3 x 30.4 cm)mount: 16 3/8 x 12 5/16 in. (41.6 x 31.3 cm). Date: ca. 1440-70.Dating from around 1440-70, this large, well preserved, delicately rendered drawing on fine vellum is of great rarity and historical significance. The drawing embodies the unique mixture of Italian and Spanish elements that prominently defined painting in early to mid-15th century Spain, particularly in the regions of Castilla and Leon. It was produced in Spain, in the workshop of the Delli brothers (Dello Delli, Niccolò Delli, and Sansone Delli), Florentine artists who established themselves in the region of Salamanca and Avila in Spain, between 1433 and 1445. Their most famous work is the monumental main altarpiece (retablo mayor) of the Old Cathedral of Salamanca, from 1437-45. Born in Florence around 1403, the eldest brother, Dello Delli, who was called "Daniel Florentino" in S

Rofeno Abbey Poliptych. Saint Michael the Archangel slaying the Dragon between Saints Bartholomew and Benedict; Madonna with Child, Saint John the Evangelist and Saint Ludwig of Tolouse (in the cusps);. Date/Period: 1330 - 1335. Tempera on Panel. Height: 258 mm (10.15 in); Width: 230 mm (9.05 in). Author: Ambrogio Lorenzetti.

Italy - Tuscany Region - Monte Oliveto Maggiore (Siena province). Abbey of Monte Oliveto Maggiore, cloister. Fresco by Giovanni Antonio Bazzi (known as Il Sodoma 1477-1549). Life of St. Benedict, the Saint saves a monk from the devil (1505)

Louis XIV visiting the Gobelins Factory, 1673, by Charles Le Brun (1619-1690), tapestry, 370x576 cm.

England, Kent, Hever, Hever Castle, Tapestry Showing the Marriage of Henry's Sister, Princess Mary Rose to Louis XII of France

Scenes from "Faust" by Goethe. Museum: PALAZZO PITTI, FLORENCIA, ITALIA. Author: Carl Vogel von Vogelstein. FAUSTO. JOHANN WOLFANG VAN GOETHE.

The Resurrection, from an Altar Frontal, 1375-1400. Italy, Florence, 14th century. Silk, gold and cotton thread, linen; raised work, embroidery: split, stem, and couching stitches; overall: 29.2 x 41.9 cm (11 1/2 x 16 1/2 in.); mounted: 38.7 x 51.4 cm (15 1/4 x 20 1/4 in.).

Michael Pacher (1435-1498). Austrian painter. Altarpiece of the Church Fathers, 1483 for Neustift Monastery. Jerome with lion, Agustine with child, Pope Gregory the Great with Emperor Trajan, and Ambrose with child. Alte Pinakothek. Munich. Germany.

Judas's Suicide / Lorenzetti / 1325/30

MUS TAPICES - TAPIZ DE LOS PECADOS CAPITALES- DET DE MUSICO CON FLAUTA. Location: SEO MUSEO DE TAPICES Y CAPITULAR, LA. SARAGOSSA. Saragossa Zaragoza. SPAIN.

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and dry tempera. Italy. Lombardy. Mantua. Ducal Palace. Western wall, right-hand episode/scene of Ludovico Gonzaga meets his sons Federico and Francesco. A landscape with a fortified city can be seen in the background

Four Scenes from the Life of Christ. Dated: in or before 1870. Dimensions: overall (rounded top edge): 15.9 x 18.3 cm (6 1/4 x 7 3/16 in.). Medium: pen and black ink with black wash, heightened with white and gold, on gray prepared paper (grisaille). Museum: National Gallery of Art, Washington DC. Author: Georges Hurtrel.

Frescoes in the cloister of Novacella Abbey, Vahrn, Eisack Valley, Trentino-Alto Adige, Italy, 12th century.

Matilda of Canossa meets the Bishop of Modena, Matilda of Canossa assists in the identification of the body of Saint Geminianus, miniature from the Innovative Relation of Saint Geminianus with the Church, miniature from a manuscript, Italy 12th Century.

Gothic Art. Spain. Lluis Dalmau (flourished between 1431-1460). Virgin of the Consellers (Councillors) (c.1443-1445). It depicts the five councilors of the city of Barcelona in adoration. Oil on oak wood. National Art Museum of Catalonia (MNAC). Barcelona. Spain.

Life of St John the Baptist, by Ghirlandaio, 1485, Tornabuoni Chapel, Church of Santa Maria Novella, Florence, Tuscany, Italy, Europe

PRIAMO DELLA QUERCIA (c. 1374-1438). Investiture of the Rector of the Hospital. 1442. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital). Renaissance art. Quattrocento. Fresco.

Roman fresco, Circa.60-50 BC, Italy, Pompeii, Villa of the Mysteries

Stories from St Agnes' life, 15th century painting in the Flemish Hall of the Royal Palace (Palazzo Reale) (UNESCO World Heritage List, 2006), Genoa. Italy, 15th century.

The inauguration of the Vatican Library by Pope Sixtus IV: Platina (kneeling) is appointed librarian. Chromolithograph after Melozzo da Forli.

MARTIRIO DE SAN ANDRES - DETALLE. Author: LLUIS BORRASA (1360-1426). Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Beheading of St Maurilius, by Karcher Giovanni, 1553, 16th Century, arazzo tessuto a Ferrara. Italy, Emilia Romagna, Ferrara, Cathedral Museum. Whole artwork. Beheading St Maurilius martyrdom Edessa decapitated body executioner sword wrapping grass ivy cell jail bars grating bricks creased worn out trousers soldier shield: armor flap mantle: cloak helmet lance: spear tort.

Unknown Aragonese Artist. The Adoration of the Kings, ca.1490. National Gallery. Oslo. Norway.

Judith at the banquet of Holofernes, Cranach, Lucas, the Elder (1472-1553)

Case detail from 1733, petit point embroidery, goldsmithing and textile art from the 16th to the 20th century, St., Saint, Saint

Giulio Romano (c. 1499Ð1546). Italian painter and architect. Workshop of Raphael. High Renaissance. The Fire in the Borgo, 1514. Fresco. Raphael's Rooms. The Room of the Fire in the Borgo. Apostolic Palace. Vatican City.

EL CALVARIO - SIGLO XIII-XIV- PINTURA GOTICA-ESCUELA FLORENTINA. Author: BERNARDO DADDI (1280-1348). Location: LOUVRE MUSEUM-PAINTINGS. France. BUEN LADRON. MAL LADRON.

Albert Besnard (Paul Albert Besnard, dit, 1849-1934). "The Ball in the City". Sketch for the town hall of the 4th arrondissement. Oil on canvas, 1884. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, ball, sketch, town hall, worldly reception, silhouette, 19th 19th 19th 19th 19th 19th 19th century, oil on canvas

Saint Apollonia Destroys a Pagan Idol. Dated: c. 1442/1445. Dimensions: overall: 59.4 x 34.7 cm (23 3/8 x 13 11/16 in.) framed: 63.8 x 40.8 x 5.4 cm (25 1/8 x 16 1/16 x 2 1/8 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI D'ALEMAGNA.

The Adoration of the Magi' (1495). Perugino (Pietro Vannucci - c1450-1523) Italian painter. Oil on wood. Musee des Beaux Arts, Rouen.

Scenes from the Life of Saint John the Baptist ca. 1506-7 Francesco Granacci (Francesco di Andrea di Marco) Italian This picture and its companion panel (also in this gallery) illustrate episodes from the life of Saint John the Baptist, who preached about the coming of Jesus. Architecture and landscape are used to frame and divide the individual scenes, enabling the viewer to follow the story from the miraculous annunciation of his conception to his father Zacharias (far left) to his birth. Painted to decorate a room in the Tornabuoni family palace in Florence, the panels are by more than one artist. Figures in the scene of Saint John bearing witness have reminded some scholars of the work of Michelangelo, who was a friend of Granaccis (they had been fellow pupils in the workshop of Domenico Ghirlandaio), and he may have been involved in some capacity.. Scenes from the Life of Saint John the Baptist. Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469-1543 Flor

Massacre of Innocents / Illumin. 1490

Lluís Borrassà / Detalle de un retablo de las iglesias de San Pedro de Tarrassa. Siglo XV.

The Dispute in the Temple; Simon Bening (Flemish, about 1483 - 1561); Bruges, Belgium; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5,8 x 4 1,2 in.)

Decapitation of Saint Catherine, fresco by Bernardino Luini in the church of Saint Maurice at the Maggiore Monastery, Milan, Lombardy, Italy, 16th century.

Italy - Tuscany Region - San Gimignano - Church of St. Augustine. Benozzo Gozzoli (c. 1421-1497). Histories of St. Augustine, the Saint giving a lecture in history and philosophy in Rome. Fresco (1465)

Flemish baroque tapestry Flemish baroque tapestry Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 23026738

Landscape with the Episcopal Church, detail from Flight into Egypt, altarpiece from Verdu, 1432-34, by Jaume Ferrer II known as The Younger (active between 1430 and 1460-1470), oil on canvas, 159x93 cm.

The Seven Liberal Arts. Date/Period: Ca. 1460. Painting. Tempera on wood with gold finishes. Height: 500 mm (19.68 in); Width: 1,590 mm (62.59 in). Author: Giovanni di ser Giovanni Guidi.

Putti by Mantegna, Camera Sposi, Ducal Palace, Mantua.

Saint Roch between Saints Anthony Abbot and Catherine of Alexandria. Dated: c. 1485/1495. Dimensions: image: 15.3 x 15.6 cm (6 x 6 1/8 in.) sheet: 29.9 x 25.6 cm (11 3/4 x 10 1/16 in.). Medium: gouache and brown wash heightened with white on laid paper. Museum: National Gallery of Art, Washington DC. Author: Raffaellino del Garbo.

Benedict striding on the water while saving Placidius, Come Mauro mandato a salvare Placido cammina sopra l'acqua, fresco by Giovanni Antonio Bazzi called Sodoma, fresco cycle on the life of Benedict of Nursia, Benedetto da Norcia, cloister, Olivetans, Monastery of Monte Olivetro Maggiore, Abbazia di Monte Oliveto Maggiore, Crete Senesi, Tuscany, Italy, Europe

Artist, possibly by: Liberale da Verona, Italian, Verona, ca. 1445-ca.1526, TheNativity, ca.1473, Tempera on panel transferred to canvas, 66 × 42.2 cm (26 × 16 5/8in.), Italian,Verona, 15thcentury, Paintings

St. Roch, 12th century fresco in the church of San Giorgio, Zone, Province of Brescia, Italy, Europe

Girolamo Galizzi da Santacroce (ca. 1480-1556). Italian Renaissance painter, active in Venice by 1503. The Trinity, 1533. Tempera on canvas (140 x 90,5 cm). Pinacoteca Castello Sforzesco, Milan, Italy. Author: Girolamo Galizzi da Santacroce (ca. 1480-1556). Italian painter.

Allegory of April of Triumph of Venus, by Cossa Francesco del, 1466 - 1470, 15th Century, fresco. Italy: Emilia Romagna: Ferrara: Palazzo Schifanoia: salone dei Mesi parete est fascia superiore. Detail. Three Graces naked women apples column volute group ladies gentlemen flutes lute

Adoration of Shepherds / F. di Lorenzo

The Adoration of the Magi 1495 Pietro Perugino (ca.1450-1523 Italian) Oil on wood Musee des Beaux Arts, Rouen

The Healing of the Cripple, fresco by Masolino da Panicale (1383-1440). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

St. Lawrence before the Tribunal (Judgement of St. Lawrence) 1447-1449 Fra Angelico (1400-1455 Italian) Fresco Chapel of Nicholas V, Vatican Palace

Saint Jerome in the Wilderness. Dated: c. 1475. Dimensions: painted surface: 78.4 x 53 cm (30 7/8 x 20 7/8 in.) support: 80.7 x 55 cm (31 3/4 x 21 5/8 in.) framed: 102.6 x 76.2 cm (40 3/8 x 30 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Follower of Andrea Mantegna.

Italy - Tuscany Region - Siena. Piccolomini Library at Siena Cathedral. Pinturicchio, Scenes from The Life of Pius II. Enea Silvio Piccolomini delivers address before King of Scotland James I, fresco, 1503-08

The Nativity. Artist: Bernardino Fungai (Italian, Sienese, 1460-1516 or later). Dimensions: Overall 55 3/8 x 40 1/2 in. (140.7 x 102.9 cm); painted surface 54 7/8 x 39 3/4 in. (139.4 x 101 cm). Date: probably after 1500.Fungai's mature style reflects his awareness of the work of Umbrian artists active in Siena in the last decade of the fifteenth century. The present picture seems to date after 1500 and repeats features of an altarpeice in the cathedral at Chiusi. The landscape, however, is more elaborate. A good deal of Fungai's work depends for its effect on his skillful handling of gilt ornament and delicately rendered details. In the present picture these passages have been sadly compromised by abrasion and over-cleaning. Museum: Metropolitan Museum of Art, New York, USA.

INTERROGATORIO DE CHIRINOS - LEYENDA DE LA SANTA CRUZ - 1521 - RENACIMIENTO ESPAÑOL - PINTURA DEL ANTIGUO RETABLO DE LA IGLESIA DE LA SANTA CRUZ. Author: FERNANDO LLANOS (1480-1525). Location: BASILICA SANTUARIO DE LA SANTA CRUZ-MUSEO. CARAVACA DE LA CRUZ. MURCIA. SPAIN. ABU ZEIT / ABU-ZEIT. CEYT ABU CEYT. CHIRINOS / SACERDOTE GINES PEREZ CHIRINOS.

Allegory of Italy, detail from the Screen of Nations, by an unknown 18th century artist.

Pietà 1476 Carlo Crivelli Italian Remarkable for its expressive intensity, this image of the Pietà belonged to an elaborate Gothic altarpiece widely considered Crivelli's masterpiece (National Gallery, London). Crivelli contrasts ornamental effects with details of extreme realism (or surrealism)such as the hand with swollen wound and pronounced veins that hangs over the tomb’s edge into the viewer’s space. In the seventeenth century the picture belonged to the Barberini family in Rome: the frame is decorated with their emblem, the bee.. Pietà. Carlo Crivelli (Italian, Venice (?), active by 1457-died 1494/95 Ascoli Piceno). 1476. Tempera on wood, gold ground. Paintings

Scenes from the Life of the Virgin of Annunciation, by Ferrari Gaudenzio, 1539, 16th Century, fresco transferred to canvas, wooden frame. Italy, Lombardy, Milan, Brera Art Gallery. Two semi-lunettes announcing angel Virgin Announced Mary kneeling Annunciation.

Deruta (Umbria - PG), Municipal Art Gallery. Perugino, Eternal Father with Saints Rocco and Romano (at the feet of the saints the view of the city of Deruta), detached fresco, datable to 1477-78

'Adoration of the Magi; Stained-Glass Panel with the Scene of Charity; The Martyrdom of St Vitus;The Assumption of the Madonna; Two Donors with Halberds;The rescue of Jonah from the Belly of the Fish'. Workshop of the Nüschelers. Switzerland, Zurich (1-2,5-6); Switzerland, Lucern (3-4), 1629 (1). Dimensions: 32,5x21,9 cm.; 32,8x22,4 cm.; 31,9x21,4 cm.; 31,8x20,6 cm.; 33,2x22,3 cm.; 32,2x21,5 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown master of Zurich (Glass 5). Müller, Paul, workshop of (Glass 1). Anonymous master (Glass 4). Unknown master from Lucerne (Glass 3).

Wars of the Roses - Edward IV, Henry VI, St George with Allegory. Date/Period: 1862/1864. Painting. Watercolour with pen and ink over pencil on paper. Width: 662 mm. Height: 354 mm. Author: Edward Burne-Jones.

Foligno (Italy, Umbria, province of Perugia), Oratory of the Nunziatella. Perugino, Baptism and the Eternal Adored by two angels, fresco. Detail

Anonymous German Artist active in Konstanz ca. 1430 (Active in Konstanz, ca. 1430). The Birth of the Virgin (ca. 1430). panel. 84.5 x 34.7 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Renaissance art. Castel of Issogne. Murals. c. 1500. Representation of a market. Aosta Vallery. Italy.

DOMENICO DI BARTOLO (1400-1447). Pope Celestine III Grants Autonomy to the Hospital of Siena in 1192. 1441-1444. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital). Work placed at the Pilgrim Hall. Renaissance art. Quattrocento. Fresco.

Saint Rocco Chapel and Frescoes by Romanino. Villongo. Lombardy. Italy. Europe

Giovanni di Paolo, Italian (c. 1403-1482), The Annunciation and Expulsion from Paradise, c. 1435, tempera on panel

Joos van Cleve (h.1485-1540/1541). Flemish painter. Triptych with the Death of Mary, 1515. Side panel. Wallraf-Richartz Museum. Cologne. Germany.

Chaucer's 'Legend of Good Women' - Hypsiphile And Medea. Date/Period: 1864. Pencil, pen and brown wash on toned paper, laid down. Width: 490 mm. Height: 462 mm. Author: Edward Burne-Jones.

April - lovers in a garden, 15th century, (1939). Creator: Robinet Testard.

St Francis of Assisi fresco by Giotto. Part of the series that shows the life of St Francis. Assisi. ITALY.

Framed together with 1962P53, 1962P54, 1962P55, 1962P56. Judith with the Head of Holofernes, 1530. Unknown Artist, North Italian School .

Roundel with Saints Barbara and Catherine ca. 1500-1510 German The artist who painted this roundel, probably from Swabia in southwestern Germany, had a sure command of multiple techniques including point of brush, stylus and stick work, badger brushing and other reductive means of texturing unfired mattes as well as of silver stain. Another roundel of exactly the same size and subject is now in the Bayerisches Nationalmuseum, Munich. When one scale image is overlaid with the other the outlines correspond precisely indicating that both were executed from the same design. The only difference was that the individual painters aligned the like-sized blank roundel over the same or duplicate drawing in slightly different positions. In this case the haloes of both saints were slightly trimmed, whereas in the Munich example, the halos are intact but the lower folds of their robes are abridged.. Roundel with Saints Barbara and Catherine 479798

The Seven Works of Mercy. Paneel van een veelluik met de zeven werken van barmhartigheid: het kleden van de naakten. Dating: 1504. Measurements: support: h 103.5 cm × w 56.8 cm. Museum: Rijksmuseum, Amsterdam. Author: MASTER OF ALKMAAR.

Allegory of the Good Government', 1338-1340, Artist: Ambrogio Lorenzetti. Lorenzetti frescoed the side walls of the Council Room (Sala dei Nove) of the City Hall (Palazzo Pubblico) of Siena. The subject of the frescoes are Good and Bad Government.

Two Panels depicting the Annunciation, Baptism of Christ and Crucifixion from the Antwerp-Baltimore Quadriptych. Date/Period: Ca. 1400 (Late Medieval). Altarpieces; paintings. Oil and tempera () with gold leaf on panel oil and tempera () with gold leaf on panel. Height: 32.20 mm (1.26 in); Width: 26 mm (1.02 in). Author: Netherlandish.

Joachim's Sacrifice Giotto (ca.1266-1337 Italian) Fresco Arena Chapel, Padua, Italy

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

REENCUENTRO DE SAN FRANCISCO Y DE SANTO DOMINGO - (REENCUENTRO IMAGINARIO) - 1452 - FRESCO. Author: BENOZZO GOZZOLI 1420-97 BENOZZO DI LESE DI SANDRO. Location: MUSEO DE MONTEFALCO. Umbria. ITALIA. SAN FRANCISCO DE ASIS. SANTO DOMINGO DE GUZMÁN (1170-1221).

Saint Martin Announcing to His Parents That He Will Become a Christian 1430-35 Flemish This roundel, together with three others in the Lehman Collection (1975.1.1906, 1975.1.1907, and 1975.1.1908), and two in The Cloisters Collection (47.101.63 and 47.101.64), form part of the same series of early fifteenth-century Franco-Flemish embroideries depicting scenes from the life of Saint Martin. Originally part of a much larger ensemble (thirty-six roundels and panels are now dispersed among public and private collections), the embroideries may have decorated a liturgical vestment, an altar frontal, or possibly a combination thereof, constituting a set of vestments. This roundel represents the earliest episode in the life of Saint Martin in the series. The young Martin is portrayed announcing to his family that, against their wishes, he will become a catechumen (a Christian convert under instruction before baptism). The scene reveals the artists interest in narrative detail as Martins male

Plaque. Avelli, Francesco Xanto (1481-1546), painter

Weyden, Rogier, van der (ca. 1399-1464) Museo del Prado, Madrid Painting 47x31 Bible The Crucifixion

Bouts, Dirck. The Adoration of the Magi. ca. 1445. Central panel. Flemish art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Ugolino di Nerio (ca 1280-1349) National Gallery, London Painting 40,5x58,5 Bible The Deposition (From the Basilica of Santa Croce, Florence)

Altarbild von Santa Barbara Altarbild von Santa Barbara LicenseRF Copyright: xZoonar.com/Tolox 23160298

Empedkoles, Fresko v. Luca Signorelli - -

Horae Beatae Mariae Virginis Flemish. Horae Beatae Mariae Virginis, ca. 1510-1530. Manuscript with opaque watercolor and ink with gold, 6 3/8 × 4 7/8 × 1 5/8 in. (16.2 × 12.4 × 4.1 cm). European Art ca. 1510-1530

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