Renaissance Prints

Prints from the Renaissance period depicting religious figures, emotions, and biblical narratives, characterized by dramatic compositions.

Personification of generosity (Liberalitas) Title page for: Johannes de Mediolano, Schola Salernitana, 1649, print maker: Matthias van Sommer, (mentioned on object), publisher: Arnout Leers (I), Rotterdam, 1649, paper, engraving, h 126 mm - w 69 mm

Albrecht Dürer's 'The Resurrection' (c. 1512) is a copper engraving from the Passion series depicting Christ rising from the tomb, emphasizing figures, posture, and narrative composition.

Sebastiaan tied up and with arrows in his body, Hans Baldung Grien, 1514 print Saint Sebastiaan is tied to a tree with ropes and he has several arrows in his body. In a landscape he is surrounded by small angels who come to him. Freiburg paper St. Sebastian succoured by angels, who untie him from the tree or pillar and remove the arrows

Anger; Seven deadly sins. Personification of anger. Woman moving on a bear, a bow with three arrows stretched, and a banner with an image of a bird with a fly. At the top right a coat of arms with a boar, above a chicken with a hose tail. Under the show a two-legged text in Latin. Third print from a series of seven.

Conversion of Paul ca. 1508 Hans Baldung (called Hans Baldung Grien) German. Conversion of Paul 416622

Personification of generosity (Liberalitas) Title page for: Johannes de Mediolano, Schola Salernitana, 1649, print maker: Matthias van Sommer, (mentioned on object), publisher: Arnout Leers (I), Rotterdam, 1649, paper, engraving, h 126 mm - w 69 mm

The Big Wedding Dancers: Couple Dancing (Hollstein 168) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). The big wedding dancers: couple dancing (Hollstein 168). Burin, 1538. Museum of Fine Arts in the city of Paris, small palace.

The Labors of Hercules: Bringing Cerberus from the Lower World. Gabriel Salmon; French, active 1504-1542. Date: 1523-1533. Dimensions: 198 × 147 mm (image/plate); 254 × 175 mm (sheet). Woodcut on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Woodcut by Hans Brosamer depicting the creation of Eve, created in 1550.

Woodcut by Lucas Cranach the Elder depicting Saint Bernard praying for a suffering man, showing devotional and narrative elements.

Two Turkish riders, Anonymous, Jost Amman, 1580 print paper riding a horse, ass, or mule; rider, horseman. Asiatic races and peoples: Turks

Sebald Beham, Mercury Mercury

St. George on Horseback Slaying the Dragon Lucas Cranach the Elder German. St. George on Horseback Slaying the Dragon 623494

Ban support with a winged hose.

Mars; The seven planets. Mars standing with harness, in the left hand a torch and two rope to which he holds a beef and a horse. From a series of seven prints with gods that depict the planets.

Abraham de Bruyn, Hermes Hermes

Soldoid gambling game.

Albrecht Altdorfer (German, 1480 or before-1538), Judith with the Head of Holofernes, c. 1520-1530, engraving

Two Boys with a Helmet and Standard 1527 Lucas van Leyden Netherlandish. Two Boys with a Helmet and Standard 364750

Marcus Curtius on horseback, Anonymous, Hendrick Goltzius, Franco Estius, 1645 - 1706

Woodcut by Hans Baldung Grien from around 1505-1507 depicting Saint Katharina of Alexandria.

The Angel shows Saint John the New Jerusalem, from the Apocalypse. Artist: Jean Duvet (French, ca. 1485-after 1561). Dimensions: plate: 11 7/8 x 8 5/8 in. (30.2 x 21.9 cm)sheet: 12 1/8 x 9 in. (30.8 x 22.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Andreess en thomas, Hans Sebald Beham, 1520 print Print from a series of seven prints paper engraving the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll. the apostle Thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones

Hercules in fight with the Hydra van Lerna, Virgilius Solis, 1524 - 1562 print Nuremberg paper engraving / etching (2) the Hydra of Lerna is killed by Hercules

Germany, Altdorfer, Albrecht, The Fall and Redemption of Mankind, Resurrection of Christ, verso bottom center - handwritten, Christ standing on the edge of his tomb. In his left hand a banner, with his right hand he makes a gesture of blessing. On the left a soldier is waking up. Thirty-fifth print from a series of forty., print, prent, prints, prenten, 58, height 72 mm, width 48 mm, 1480 - 1538, print maker, prentmaker, 1506 - 1538, first quarter 16th century, second quarter 16th century, paper, papier, houtsnede

Music. 1500 - 1550. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Copper engraving 'The Kite Struggle of Saint Georg' by Meister IAM von Zwolle, 1460-1490, showing Saint Georg engaged in a struggle with detailed figures and composition.

Graf, Urs, Nuremberg, Solis, Virgilius, Swiss standard bearers, Und Walde, Standard bearer with banner of Unterwalden, verso - handwritten in brown ink, print, prints, verso - stamped, 145, height 95 mm, width 65 mm, German, 1514 - 1562-08-01, print maker, 1524 - 1562, paper, engraving, engraving (printing process), etching, plate tone, Work conception, Swiss, 1485 - 1528

Marcus Curtius; The Roman heroes. The hero Marcus Curtius on horseback, a captain's staff in the right hand. In the background you can see how he jumps with horse and already in a gap, to satisfy the gods. Under the show twice two fresh rules in Latin.

Copper engraving by Marcantonio Raimondi, 1515-1527, depicting Christ in the atrium with figures and architectural details, emphasizing composition, gesture, and expression.

Ban bearer on horseback with foot servant.

. The Personification Wisdom (Sapientia), with in hand a mirror where two hoses are turned around. She sits on a throne and reads a book titled truth (Veritas). Above her head, the Holy Spirit flies like pigeon. Wisdom tramples the personification of human bewilderment (Caligo Humana), a woman with a blindfold and a broken staff, stumbled over a globe with the name volatile fame (vana gloria).

Standing bearer on horseback with a footmeg, Barthel Beham (School of), 1521 print paper engraving (military) standard-bearer. riding a horse, ass, or mule; rider, horseman

Ecce Homo with Ornamental Border showing the Triumph of Bacchus. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 9 7/16 × 6 15/16 in. (24 × 17.6 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

Nuremberg, Solis, Virgil, Personifications of Virtues, Prudence, Prudence (Prudentia), verso - handwritten in brown ink, print, prints, verso - stamped, 58, height 79 mm, width 59 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching

Sebald Beham's 'Venus' is a copper engraving depicting the Roman goddess Venus, emphasizing posture, anatomy, and symbolic attributes.

Attributed to Zacharias Dolendo after Jacques de Gheyn II, Three Dancing Mummers, Including a Jester, 1595 1596 Three Dancing Mummers, Including a Jester

Rest on the Flight into Egypt. Artist: Martin Schongauer (German, Colmar ca. 1435/50-1491 Breisach). Dimensions: 9-15/16 x 6-5/8 in. Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Roman rider on horseback; Roman riders on horseback.A Roman Soldier on Horseback, Moving to the right.

Saint George Standing. Dated: 1533. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master H. L.

Justice. Beham, Sebald (1500-1550), graphic artist

Impossibility, Hans Sebald Beham, 1549 print Man as personification of the impossibility tries to pull a tree out of the ground with his hands. In the margin is the German inscription Niment Vnder Stesich Groser Ding, which svns in this vnmvglich. This refers to coming up with things that can be carried out in practice. paper engraving Impossibility

Lucas Cranach the Elder (German, 1472-1553), Saint George Standing, with Two Angels, 1506, woodcut

Giuseppe Scolari, The Rape of Proserpina, 1590 1607 The Rape of Proserpina

Dido Killing Herself Artist's working dates 1515-1535 Germany. Engraving in black on ivory laid paper . Albrecht Altdorfer

Aldegrever, Heinrich, Germany, Flat decoration with grotesques, verso bottom center - handwritten, Flat decoration with a mask in the middle between two men who are both standing on a horn. On the mask sits a crouching satyr with the head of a ram on either side. At the bottom sit a woman and a satyr with a lower body of leaf tendrils. They each have a child on their shoulders., print, engraving, ornament print, prints, engravings, 23, height 67 mm, width 49 mm, German, 1502 - 1561, print maker, printmaker, 1549 - 1549, second quarter 16th century, paper, engraving (printing process), Work conception, after own design by

A copper engraving by Monogrammist AC from the first half of the 16th century showing a warrior with his family, including spouse and children, in a domestic or military setting.

Martyrdom of St. Sebastian 1500-1545 Hans Baldung (called Hans Baldung Grien) German. Martyrdom of St. Sebastian 416664

The Entry into Jerusalem. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Witch, Albrecht Dürer, German, 1471-1528, Engraving on laid paper, ca. 1500, print, print

Knight with bread and wine (Melchizedek)., 1520-1526, Germany, by Albrecht Altdorfer. Gift of Bishop Monrad, 1869.

Silver Statuette of St. Simon, from the Wittenberg Reliquaries Lucas Cranach the Elder German. Silver Statuette of St. Simon, from the Wittenberg Reliquaries 624242

Het Wonder Van Giovanni Fieschi, Jacques Callot, After Matteo Rosselli, 1614 print A rider is put in the face by another rider with a sword. In the background a junk spear riders. Under the show two lines of Latin text. Florence paper engraving hacking and thrusting weapons: sword. warfare; military affairs (+ cavalry, horsemen)

This 1490 copper engraving by Lucantonio Degli Uberti depicts a woman sitting with two children in a landscape, showing figures, gestures, attire, and early Renaissance composition.

Saint Christopher Made 1506 Germany. Woodcut in black on ivory laid paper . Lucas Cranach, the Elder

Emperor Maximilian I on Horseback. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Dimensions: Sheet: 12 11/16 × 8 15/16 in. (32.3 × 22.7 cm). Date: 1518. Museum: Metropolitan Museum of Art, New York, USA.

The Virgin, a Holy Woman and Joseph of Arimathea with the Body of Christ, Michelangelo Buonarroti, Historical, digitally restored reproduction from a 19th century original.

Sebastiaan is shot at with arrows by Beulen, Albrecht Dürer (workshop of), 1505 - 1509 print Saint Sebastiaan is tied to a tree. He is shot with arrows by two men or executioners. Nuremberg paper St. Sebastian, tied to a tree or a pillar, is pierced by arrows

This copper engraving by Marcantonio Raimondi from the first half of the 16th century depicts pilgrims, showing figures, posture, clothing, gestures, group arrangement, and travel context.

Coat of arms of the Bakenes family, Jan Philipsz. Van Bouckhorst, 1624 print With the right hand, an angel holds the coat of arms and the ribbon attached to it with the other hand. On the weapon three crosses on a diagonal band. Family crest of the Haarlem regent family Bakenes. Haarlem paper etching armorial bearing, heraldry Haarlem

Saint Christopher Carrying the Christ Child Artist's working dates 1510-1525 Germany. Engraving in black on ivory laid paper . Albrecht Altdorfer

Intellect; Attributen van de ziel; Attributi dell'Anima.Personification of the intellect (intellectus) as a woman with a scepter and a burning crown. A eagle to her feet.

Dancer with Dog, from the large cycle Wedding Dancers. Aldegrever, Heinrich (1502-1555/1561), graphic artist

A 1517 woodcut by Hans Schäufelin depicting a young man confronting death, showing detailed figures and early 16th-century German printmaking techniques.

Depicts the Robbery of Europe, created as a copper engraving around 1500-1510 by an anonymous artist, showing mythological figures and allegorical elements.

Copper engraving by Marcantonio Raimondi depicting Orpheus seated and playing the violin, created around 1506, illustrating the mythological musician.

In. Hieronim; Beham, Sebald (1500-1550); 1519 (1st edition) (1519-00-00-1550-00-00);

The French Admiral, 1702; L'Amiral de France / de France Admiraal. The French Admiral. Cartoon on the burning of French and Spanish ships by the Dutch and English after the victory in the sea battle in the Bay of Vigo, October 23, 1702. Phaëthon falls into the sea with the solar car in the sea. Two verses in French and Dutch in the caption. Part of a group of individual cartrents at Louis XIV during the Spanish Succession War, ca. 1701-1713.

Ferdinand I., Roman-German Kaiser.

Emperor Nero on horseback; The first twelve Roman emperors on horseback; XII Caesares in Equestri. .

Drummer; Military figures standing in landscapes.

Equestrian portrait of Ottavio farnese. Ottaviano farnese, duke of Piacenza (1520-1586), in decorated harness on a hatched triggering horse. His right arm with staff raised in the air. Above left a cartouche with text, at the top right of a coat of arms with order of the order of the golden membrane. Down tiled floor. Presentation faced in a decorative frame.

Mars, from The Seven Planets. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 3 7/8 × 2 9/16 in. (9.8 × 6.5 cm). Series/Portfolio: The Seven Planets. Date: 1533. Museum: Metropolitan Museum of Art, New York, USA.

CONQUISTADORE DE CHILE - PEDRO DE VALDIVIA, FRANCISCO DE VILLAGRA Y JERONIMO ALDERETE ADELANTADO - GRABADO SIGLO XVII. Author: ALONSO DE OVALLE. Location: ACADEMIA DE LA HISTORIA-COLECCION. MADRID. SPAIN.

The choleric temperament (the element fire); The four temperaments (connected to the four elements). Presentation of the choleric temperament in the form of a middle-aged man in festty attitude (a warrior), with a helmet on the head, a shield in the left hand, a dagger in the right hand. A drum behind him, on his right aocket stick with a burning wick and a musket, for his feet a sword and a glove. In the background a number of burning buildings. Under the show two lines text in Latin. This print is part of a series of four temperaments, each represented by a figure for feet, engaged in an action and sitting / standing in an environment associated with one of the four elements. Each performance has a two-legged Latin caption.

The Infant Christ as Redeemer. Lucas Cranach the Elder; German, 1472-1553. Date: 1510-1520. Dimensions: 245 x 170 mm (image/block/sheet). Woodcut in black on tan laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Hans Sebald Beham (1500-1550). "The seven liberal arts: La Grammar, n ° 1. (Hollstein (Volume 3, page 76); Bartsch 121)". Chisel. 1550. Museum of Fine Arts of the City of Paris, Petit Palais. 123049-24 Chisel, 16th 16th XVI 16th 16th 16 Center

A black chalk drawing by Abraham van Diepenbeeck depicting Ulysses at the helm of his ship.

Jacques Callot after Matteo Rosselli, Giovanni Fieschi, 1619 Giovanni Fieschi

Master of the Amsterdam Cabinet, Germany, Saint Sebastian in a niche, verso under - stamped, Sebastian tied to a pole and pierced with arrows, in a niche., print, prints, height 95 mm, width 42 mm, print maker, printmaker, 1488 - 1492, fourth quarter 15th century, paper, drypoint, dry needle, Work conception, after own design by

Mars. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, circa 1588-1590. Prints; woodcuts. Chiaroscuro woodcut from three blocks (in ocher, brown, and black)

Greed; Design drawings for the PRESENTERING THE SEVEN POWER SUPPLY.Design for a Print.

Mars. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Saint Catherine of Alexandria ca. 1620 Peter Paul Rubens Flemish. Saint Catherine of Alexandria 338472

Angel chained to the world; Pia Desideria. An angel on earth reaches to an angel in heaven but is stopped by the globe who chained to his foot. In the landscape is a child who plays with a bird flying in the air to a string. The print is part of an album.

Consecration of an Eagle. Dated: c. 1500/1525. Dimensions: sheet (trimmed to plate mark): 7.5 x 5.5 cm (2 15/16 x 2 3/16 in.). Medium: niello print. Museum: National Gallery of Art, Washington DC. Author: after Peregrino da Cesena.

The Wise and Foolish Virgins: The Fifth Foolish Virgin, 1518. Nikolaus Manuel Deutsch (Swiss, c. 1484-1530). Woodcut; image: 18.5 x 10.6 cm (7 5/16 x 4 3/16 in.).

Drummer, standard carrier and flutist. Copy in mirror image to a print of Barthel Beham

Baronius, Caesar.

Virgil Solis, Dialectica (Dialectics) Dialectica (Dialectics)

Dancing Boerpaar, Albrecht Dürer, 1514 print A farmer and a farmer's wife dance hand in hand. Nuremberg paper engraving farmers. one pair dancing; man and woman dancing as a couple

Mars between Victoria and Minerva, 1551 - 1580 print At the bottom is a Latin text. From series of 16 partly numbered sheets with flat decorations of gods and goddesses in a frame of grotesken with fantastic creatures, animals, garlands and mascarons. France (possibly) paper engraving (story of) Mars (Ares)

Personification of the Old Testament, Anonymous, After Lucas Van Leyden, 1528 - 1583 print Copy to woodcut, in mirror image. Woman with broken lance and tablet with the ten commandments. Low Countries paper engraving The Old Testament, Old Law; 'Old law', 'Law of fear' (Ripa)

Hans Baldung Grien, The Three Fates Lachesis, Atropos and Clotho, 1513 The Three Fates: Lachesis, Atropos and Clotho

Artist: Albrecht Dürer, German, 1471-1528, The Resurrection, from The EngravedPassion, Engraving, 11.7 × 7.5 cm (4 5/8 × 2 15/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Figure of St. James the Great Seated in a Landscape 1616-68 Antonio del Castillo y Saavedra Spanish. Figure of St. James the Great Seated in a Landscape 335350

Soldier with an ax, Virgilius Solis, 1524 - 1562 print Nuremberg paper engraving / etching tools, aids, implements ~ crafts and industries: axe. the soldier; the soldier's life. ranks in the army

Woodcut by Albrecht Dürer showing Christ appearing to Mary Magdalene in the small passion series, sheet curtailed with remnants from the edge of the plate, created around 1510, depicting figures and narrative gestures.

Mars, Virgil, 1524 - 1562 print Nuremberg paper engraving / etching (story of) Mars (Ares). Mars (planet). clouds

Abraham de Bruyn, Jupiter, 1569 Jupiter

Alexander Mastering Bucephalus ca. 1540-45 Léon Davent French. Alexander Mastering Bucephalus 337380

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