Renaissance Relief Sculptures

Bronze and silver reliefs depicting biblical and historical narratives, showcasing detailed craftsmanship and narrative depth.

Don Quixote and Sancho Pansa; B Bnowski, Wac Aw (1865-1945); 1936 (1936-00-00-1936-00-00);

Saint Jerome. Dated: 16th century. Dimensions: overall (pear-shaped): 7.3 x 4.7 cm (2 7/8 x 1 7/8 in.) gross weight: 43 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.

Box with Episodes from the Life of the Spinola Family, Mattheus Melijn, 1636 A bass relief of driven silver that is elongated and square with rounded corners, with the presentation of the general A. Spinola during the Battle of Casale against the French General de Toiras in 1630 during the struggle for the succession to Mantua. Signed: .m.m.f. Southern Netherlands silver (metal) A bass relief of driven silver that is elongated and square with rounded corners, with the presentation of the general A. Spinola during the Battle of Casale against the French General de Toiras in 1630 during the struggle for the succession to Mantua. Signed: .m.m.f. Southern Netherlands silver (metal)

Entombment of Christ. Artist: Moderno (Galeazzo Mondella) (Italian, Verona 1467-1528 Verona). Dimensions: 9.7 x 6.2 cm, wt. 117.2 g.. Date: model ca. 1498-1500 (possibly cast 17th century).The composition, in particular the body of Christ, is derived from a gilt-bronze Entombment relief from Mantua, possibly after a design by Andrea Mantegna. This piece is an old aftercast with considerable loss of detail, possibly from the seventeenth century. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo Teramo Teramo S. Berardo, Cathedral2. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Lazio Viterbo Tarquinia Palazzo Vitelleschi26. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the hig

Don Quixote and Sancho Pansa; B Bnowski, Wac Aw (1865-1945); 1936 (1936-00-00-1936-00-00);

Autumn, Jacob de Wit, 1746 Grisaille. Three putti with grapes and thyrsus staff who depict the autumn season. Coming from the house on Keizersgracht 293 in Amsterdam. Northern Netherlands wood (plant material). linen (material). oil paint (paint) Grisaille. Three putti with grapes and thyrsus staff who depict the autumn season. Coming from the house on Keizersgracht 293 in Amsterdam. Northern Netherlands wood (plant material). linen (material). oil paint (paint)

Florentine 16th Century, The Incredulity of Saint Thomas, 16th century The Incredulity of Saint Thomas

Christ as a gardener. Rectangular, silver plaque. The Christ's figure carries a loincloth and one over the shoulders hanging, widely pleated cloak. With a shovel in his left hand, he moves to the left while turning down the right of him kneeling Maria-Magdalena. A heavy tree group behind her. Left, behind a braided fence, a mountain landscape with buildings.

Campania Salerno Salerno-S. Matteo, Cathedral99. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Christ Attended in the Tomb by Four Angels. Dated: c. 1500. Dimensions: overall (silhouetted contour): 9.4 x 11.8 cm (3 11/16 x 4 5/8 in.) gross weight: 405 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: North Italian (Veneto) 16th Century.

Lazio Roma Grottaferrata Museo51. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pallez, Lucien (n.1853-05-22-d.), The apotheosis of Victor Hugo (registered title (letter)), 1886. Houses of Victor Hugo Paris-Guernsey.

Christ Carrying the Cross. Dimensions: overall (trapezoidal): 7.6 x 11.8 cm (3 x 4 5/8 in.) gross weight: 282 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Valerio Belli.

Roman 15th Century, Infant Bacchants with Pipes, a Vase, and a Mask of Silenus, c 1465 1471 Infant Bacchants with Pipes, a Vase, and a Mask of Silenus

Lazio Roma Frascati Villa Mondragone. Hutzel, Max 1960-1990 Exterior views of outer and courtyard facades of the 16th c. villa, now a Jesuit school. Detailed coverage of Portico del Vignola (17th c.). Views of fountain and obelisk. Interior views of guest room, Salone degli Svizzeri, Sala dei Cariati, Chapel of S. Gregorio. _ Antiquities: Roman Ninfeo, sarcophagi and fragments in Garden of the Popes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pierre Roche (1855-1922). "Medal plaque. Dancers". Metal, bronze. Museum of Fine Arts of the City of Paris, Petit Palais. 57551-11 Bronze, dancing, dancer, metal, numismatics, medal plate

Apollo and Artemis slaying the children of Niobe. Roman art. 1st century BC. From italy. British Museum. London. England. United Kingdom.

Moderno, Hercules Triumphant over Antaeus, late 15th early 16th century Hercules Triumphant over Antaeus

Pen and brush drawing by Hans Baldung, depicting two witches sabbaths on red-brown primed paper, 1514. Emphasizes figures and composition.

Alabaster frieze of 16th century fireplace in Alderman's chamber at Brugse Vrije, former law court, courthouse in the city Bruges, Flanders, Belgium, Europe

Italian 16th Century, The Holy Women at the Tomb, 16th century The Holy Women at the Tomb

Francis III of Lorraine Triumphing over the Turks. Frans Janssens (Netherlands, 1702-circa 1765). Netherlands, 1739-circa 1747. Sculpture. Patinated earthenware with painted and gilded wood frame

The Continence of Scipio. Dated: late 15th - early 16th century. Dimensions: overall: 5.8 x 7.5 cm (2 5/16 x 2 15/16 in.) gross weight: 59 gr. Medium: bronze//Dark lacquer (much rubbed) over light brown bronze. Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Assoneption of the Virgin. (Pierre Puget; Marseille 1620-I694 Marseille; Genua; 1664/65 Marmor)

Ulocrino, Hercules and Antaeus, early 16th century Hercules and Antaeus

Hearing stone with the representation of the two elders from the history of Suzanna, who are stoned by two soldiers, c. 1875 - c. 1900 Hearing stone with the representation of the two elders from the history of Suzanna, who are stoned by two soldiers. In the background a basket with stones and a tree. Netherlands earthenware Hearing stone with the representation of the two elders from the history of Suzanna, who are stoned by two soldiers. In the background a basket with stones and a tree. Netherlands earthenware

Adore Engorende Engel ,, 1550 - 1600 Italy bronze (metal) Italy bronze (metal)

Lviv (Lviv, Ukraine). Boimów chapel - ascore in the dome: Jerzy fighting with the dragon (early 17th century),; Jaworski, Józef Ko Ciecza- (Fl. Ca 1911-Ca 1929); 1912 (negative); 1912-OK. 1922 (print) (1912-00-00-1927-00-00);

DETALLE DE LAS PUERTAS DEL PARAISO CON ESCENA DE MOISES RECOGIENDO LAS TABLAS DE LA LEY,1424/1452. Author: LORENZO GHIBERTI (1378-1455). Location: BAPTISTERIO. Florenz. ITALIA.

Campania Salerno Salerno-S. Matteo, Cathedral03. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Lady of the Lake. Sir George Frampton (England, active London, 1860-1928). designed 1895, made 1895-1896. Furnishings; Accessories. Cast bronze, reproduction frame

Ornamental Frieze 1511-87 Lelio Orsi (called Lelio da Novellara) Italian. Ornamental Frieze 339167

Saint Ignatius Loyola with Saints and Martyrs of the Jesuit Order 17th century Alessandro Algardi Italian This is a variant of the relief on the reliquary urn of Saint Ignatius on that saint's altar in the church of the Gesù, Rome. The urn was cast in 1629.. Saint Ignatius Loyola with Saints and Martyrs of the Jesuit Order. Alessandro Algardi (Italian, Bologna 1598-1654 Rome). Italian, Rome. 17th century. Bronze. Sculpture-Bronze

Gifts Presented to a Seated Prelate. Netherlands (), 17th century (). Drawings. Black chalk, wash, and white gouache on green paper

Lazio Roma Rome Palazzo Corsetti9. Hutzel, Max 1960-1990 Views of 17th c. simple facade and courtyard withdetail views of mounted architectural and sculptural fragments. Interior views of coffers, painting, fresco painting, silver icon. Antiquities: Sculptural fragments General Notes: Views 111-152 are extracted from via di Monserrato sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

RELIEVE EN MADERA DE LA SILLERIA DEL PARRAL. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Mars and Victory, with Three Warriors. Dated: 16th century. Dimensions: overall: 6.9 x 9.5 cm (2 11/16 x 3 3/4 in.) gross weight: 375 gr. Medium: gilt bronze. Museum: National Gallery of Art, Washington DC. Author: North Italian 16th Century.

Master IOFF, Allegory of Union (), second half 15th century Allegory of Union ()

Mary, Joseph and three angels, Adriaen van Wesel, c. 1475 - c. 1477

Giovanni di Balduccio, Charity, c 1330 Charity

Sculptures on the Arch of Triumph, Paris. Attributed to Frederick Langenheim (American, born Germany, 1809 - 1879)

Fragment from the Lid of a Sarcophagus. Unknown

Sarcophagus Lid (2 fragments). Unknown

Paris (1st arr.), France La Dance de Carpeaux, Louvre museum , (French - Paris ( Ier arr. ) , France La Danse de Carpeaux , musée du Louvre). Statue, museum, dance, music, sculpture, Art, France, Paris, without legend

Lazio Roma Velletri Museo Civico di Velletri18. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Ecce Homo ca. 1600 Spanish. Ecce Homo. Spanish. ca. 1600. Bronze, light brown patina. Medals and Plaquettes

Antoine Coysevox (1640-1720). "Louis XVI receiving homage to the city of Paris". Marble. Paris, Carnavalet museum. 100625-26 KING OF FRANCE

Medal: Lafayette , 1911. Jules Edouard Roiné (French, 1857-1916). Bronze; overall: 7.8 x 7.4 cm (3 1/16 x 2 15/16 in.).

. Lady Europe is sitting at a seat on the left-hand trailer drawn by two horses. She is wearing a crown and holds the right arm forward Enn has a scepter in the left. An eagle in front of and back on the car. In the background a landscape with river and structures. The underside of net relief is chamfered to an elongated panel.

Johannes de Evangelist, anonymous, c. 1475 - c. 1500 In a study trait, Johannes sits to the left for a bookcase and a lesson -filled desk, on which an open book is located. His left hand rests on the book, he keeps the right hand in front of the right eye. The eagle is next to the seat. North-Italy marble (rock) In a study trait, Johannes sits to the left for a bookcase and a lesson -filled desk, on which an open book is located. His left hand rests on the book, he keeps the right hand in front of the right eye. The eagle is next to the seat. North-Italy marble (rock)

Frieze with Satyr, Nymph, and Putti 1503-1539 Italy. Brush and brown ink and brown wash, heightened with lead white (partially oxidized), on blue laid paper pieced in center, edge mounted to cream laid paper with ornamental border in brush and gold paint . Circle of Giovanni Antonio da Pordenone

The Triumph of the Church (one of a series) last quarter 16th century Netherlandish. The Triumph of the Church (one of a series) 195383

Terracotta tondo from a phiale (libation bowl). Culture: Greek, South Italian, Campanian, Calenian. Dimensions: diameter 3 7/8in. (9.8cm). Date: late 4th-3rd century B.C..The medallion shows Herakles and Iolaos fighting the Lernaean hydra. Museum: Metropolitan Museum of Art, New York, USA.

RELIEVE EN ESTUCO DE LA BATALLA DE GARCIA JIMENEZ EN AINSA - PANTEON DE REYES- S XVIII. Author: PASCUAL DE IPAS (1748-1810). Location: MONASTERIO DE SAN JUAN DE LA PEÑA. BOTAYA. HUESCA. SPAIN.

SILLERIA BAJA DE LA CATEDRAL DE TOLEDO - TOMA DEL REINO DE GRANADA - 1489-1495 - GOTICO ESPAÑOL. Author: Rodrigo Aleman. Location: CATEDRAL-CORO BAJO. Toledo. SPAIN. FERNANDO EL CATOLICO (1452-1516) FERNANDO II ARAGO. FERNANDO II DE ARAGON (1452/1516) REY CATOLICO.

Drawing, Design for the Cover of a Snuff Box; France; pen, brush and chinese ink on sepia paper; 9.3 × 5.3 cm (3 11/16 × 2 1/16 in.); 1896-14-5

Anonymous. Piochant minor. Plaster. Paris, Carnavalet museum.

Emilia-Romagna Modena Nonantola Abbazia di Nonantola07. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Przeszo Przyszoci unknown

The Florence Baptistry or Battistero di San Giovanni (Baptistry of St. John) in Florence, Italy. The octagonal Baptistry stands in the Piazza del Duomo and was built between 1059 and 1128. The architecture is in Florentine Romanesque style. The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures.

The Rest on the Flight into Egypt late 17th century Alessandro Algardi Italian. The Rest on the Flight into Egypt. Alessandro Algardi (Italian, Bologna 1598-1654 Rome). Italian, Rome. late 17th century. Bronze. Sculpture-Bronze

Cameo with the Triumph of Bacchus second quarter 19th century probably Austrian or Italian. Cameo with the Triumph of Bacchus 460535

Gilded wooden shrine with depictions of Tutankhamun and Ankhesenamun. From the tomb of King Tutankhamun. 1326 BC

Paduan 16th Century, Cupid and Stags, c 1500 Cupid and Stags

The Flagellation. Dated: c. 1480. Dimensions: overall: 12.3 x 13.4 cm (4 13/16 x 5 1/4 in.). Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Sperandio.

Style of Peter Flötner, Minerva Minerva

Dead Christ Supported by the Virgin and Saint John. Dimensions: overall: 8.1 x 5.9 cm (3 3/16 x 2 5/16 in.) gross weight: 87 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Style of Moderno.

Corner piece of a ceiling with seated figures, putti and bust of a man with cloth and laurel wreath around his neck, Design for a corner piece of a ceiling with figures, putti and bust of a man Four parts of a ceiling design (series title), draughtsman: Mattheus Terwesten, intermediary draughtsman: Augustinus Terwesten (I), 1680 - 1757, paper, h 623 mm × w 518 mm

Two Standing Draped Male Figures. Pietro di Cristoforo Vannucci, called Perugino, after; Italian, c. 1445-1523. Date: 1501-1600. Dimensions: 284 x 219 mm (max.). Pen and brush and brown ink, with lead white, on tan laid paper with light green wash. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Cameo with the Triumph of Bacchus. Culture: probably Austrian or Italian. Dimensions: H. 4.5 cm, L. 5 cm.. Date: second quarter 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Prudentia (wisdom); Seven virtues. Elongated, rounded from above, Loden plaque with symbols figured woman's figure with attribute presenting prudentia (wisdom). For a tree-gravior river landscape, a woman with Januskop with surrounded robe, which is stopped with the left arm, turned to the left and looks at the two-headed snake in her right hand.

Pen handed: Gothic wooden sculptures in the Kreuzgesang. .

Bliej Kultury unknown

Bartolomé Ordóñez / Detail of the screens of the access to the set of chairs, Barcelona Cathedral, 1517.

Gregorio Carnicero / 'Grammar'. 1753 - 1761. Marble. Museum: Museo del Prado, Madrid, España.

, Himmelportgasse - detailed view - relief at the portal, Bruno Reiffenstein -, photographer

Rhombus with the triumph of the war (Bellum). Rhombus with the triumph of the war. Bellum in a triumph cart.

Autumnal Sacrifice 18th century Attributed to Piat Joseph Sauvage Flemish. Autumnal Sacrifice. Attributed to Piat Joseph Sauvage (Flemish, Tournai 1744-1818 Tournai). French. 18th century. Oil on canvas; wood frame. Paintings-Decorative

Lycian sarcophagus of Sidon. 430-420 BC. Reliefs depicting two centaurs fighting. In the tympanum, two sphinxes. Parian marble. Chamber IV. Royal Necropolis of Sidon, Lebanon. Istanbul Archaeological Museums. Turkey.

Hearthstone, from Antwerp Belgium, with narrow frame, with the history of Susanna, hearth stone fireplace soil foundry ceramic brick, baked Hearthstone of the Antwerp type with narrow list of Susanna depicted by two elders in court (Daniel 13: 28v) archeology Rotterdam building history heating bible old testament religion Susanna elders judge archaeological find in the soil Rotterdam.

GSELL-Laurent workshop. Album n ° 3; Stained glass project for Nancy: Christ in the Garden of Oliviers. Black stone, pencil. Paris, Carnavalet museum. Album n ° 3, Catholic, Christian, pencil, Christ, son God, olive garden, black stone, project, biblical scene, stained glass

Fresco depicting putti and a classical deity, inside the Magnificent Community of Fiemme Palace, Cavalese, Fiemme Valley, Trentino-Alto Adige, Italy, 15th century.

Glass diapositiv photograph by Bruno Meyer showing a Greek scene or artwork, produced in 1883 in stereo format.

Carlos Salas Viraseca; Manuel Bergaz / 'The Battle of Covadonga'. 1753 - 1761. Marble. Museum: Museo del Prado, Madrid, España.

. The beheading of John the Baptist. The beheading Johannes is on the floor. His head is laid by the executioner on a dish that stops Salomé. The image is a high relief.

A Triumph. Dated: late 15th - early 16th century. Dimensions: overall (trapezoidal): 4.7 x 6.2 cm (1 7/8 x 2 7/16 in.) gross weight: 60 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: North Italian 15th or 16th Century.

Relief from the Frieze of the Temple of Victory Apteros William Sharp British After William Pars British 1787-1824 View more. Relief from the Frieze of the Temple of Victory Apteros. William Sharp (British, London 1749-1824 London). 1787-1824. Engraving. Prints

Part of the Frisian of the Parthenon in Athens, depicted two riders, G. Arosa et Cie, c. 1863 - in or before 1868 photomechanical print This print is part of a cover with 22 prints and 3 text magazines. Paris paper collotype mouldings ~ architecture. riding a horse, ass, or mule; rider, horseman (+ two persons ~ traffic and transport) Parthenon

abstracció, 1960, tecnica mixta sobre tela, Juli Ramis, museo modernista de Can Prunera, siglo XX, Soller, Sierra de Tramuntana, Mallorca, balearic islands, spain, europe.

Narcissus; Glicenstein, Henryk (1870-1942); before 1899 (1874-00-00-1899-00-00);

Kneeling angel, half round.

A Bacchante. Dated: late 15th or early 16th century. Dimensions: overall (oval, without suspension loop): 10.4 x 8.3 cm (4 1/16 x 3 1/4 in.) height (with suspension loop): 10.9 cm (4 1/4 in.) gross weight: 201 gr (0.443 lb.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Master of the Martelli Mirror.

La Pensée 1895-1905 France. Bronze . Henri Chapu (Sculptor)

Plaque, Ebony, carved, France, early 17th century, Decorative Arts, Plaque

Education of the Infant Bacchus. Artist: Niccolò Amastini (born Rome 1780-1851). Culture: Italian, Rome. Dimensions: Overall (in setting): 2 9/16 x 1 7/8 in. (6.5 x 4.8 cm); visible cameo, overall: 2 1/16 x 1 7/16 in. (5.2 x 3.6 cm), 52.3 x 36.3 mm. Date: first half 19th century.Freely adapting antique compositions, Niccolò Amastini described with elegant linearity the contours of the baby god and his wild attendants under a vine-wrapped tree. Museum: Metropolitan Museum of Art, New York, USA.

Battle Scene, silver, 1880, metalwork, Decorative Arts, Panel, Panel

Fame (one of a pair) ca. 1835 Pierre Jean David d'Angers French These are models (see also 1992.49.2) for the spandrels of the monumental Roman-style Porte d'Aix in Marseille, unveiled in 1835.. Fame (one of a pair). Pierre Jean David d'Angers (French, Angers 1788-1856 Paris). French. ca. 1835. Terracotta. Sculpture

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