Renaissance Religious Plaques

Bronze and metal plaques depicting religious scenes, including the Holy Family and Saint Jerome, characterized by intricate details and elongation.

Holy Family, Paulus Willemsz. Van Vianen (After), After 1610 Elongated, bronze plaque. Left in the foreground Maria with the child. For her, Elisabeth kneels the left arm to the young John, who shows the child a bird in the right hand, he clamps a crosswood under the left arm. Behind this greeting is Joseph, a pointed hat on the head. Above them a Velum is stretched between the trees. On the right, on the second plan a gnarled tree stump. unknown bronze (metal) casting Elongated, bronze plaque. Left in the foreground Maria with the child. For her, Elisabeth kneels the left arm to the young John, who shows the child a bird in the right hand, he clamps a crosswood under the left arm. Behind this greeting is Joseph, a pointed hat on the head. Above them a Velum is stretched between the trees. On the right, on the second plan a gnarled tree stump. unknown bronze (metal) casting

Master IFP, The Resurrection, c 1500 The Resurrection

Holy Family, Paulus Willemsz. Van Vianen (After), After 1610 Elongated, bronze plaque. Left in the foreground Maria with the child. For her, Elisabeth kneels the left arm to the young John, who shows the child a bird in the right hand, he clamps a crosswood under the left arm. Behind this greeting is Joseph, a pointed hat on the head. Above them a Velum is stretched between the trees. On the right, on the second plan a gnarled tree stump. unknown bronze (metal) casting Elongated, bronze plaque. Left in the foreground Maria with the child. For her, Elisabeth kneels the left arm to the young John, who shows the child a bird in the right hand, he clamps a crosswood under the left arm. Behind this greeting is Joseph, a pointed hat on the head. Above them a Velum is stretched between the trees. On the right, on the second plan a gnarled tree stump. unknown bronze (metal) casting

Paduan 16th Century, Lid of a Box, c 1500 Lid of a Box

Italian 16th Century, Saint Jerome, 16th century Saint Jerome

Three children playing, c. 1700 - c. 1899 wood (plant material)

Léopold Morice (1846-1920). "September 20, 1792, Valmye". Patinated plaster on wooden frame. 1879. Museum of Fine Arts of the City of Paris, Petit Palais. 144755-16

Victory Celebration Panel; silver

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Holy Family. Elongated, bronze plaque. Left in the foreground Mary with the child. For her kneelt Elisabeth, the left arm beaten to the young John, who shows the child in the right hand, he clips a cruise under the left arm. Behind this greeting is Joseph, a pointed hat on the head. Above them a velum is span between the trees. On the right, on the second plan a gnarled tree stump.

Panel from a Box, c. 1700. India, North East Deccan, Visakhapatnam district, Mughal Dynasty (1526-1756). Ivory; overall: 29.8 x 10.2 cm (11 3/4 x 4 in.).

Design for a gravestone with the Viemende Maria on the left.

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Part of a Relief of the Buddha's Death (Parinirvana) 100-300 - Kushan period. The four disciples by the Buddha's bedside are grieving. A water bottle hangs on a tripod next to the bed. Such overt expressions of demotion derive from the late Hellenistic tradition, which strongly influenced Gandharan art.

Caritas fireplace, Anonymous, c. 1650 - c. 1700 Cast iron fireplace, with a semicircular top. Central the personification of Caritas, a sitting woman with a child standing against her. To the left of her is a child with a branch with leaves lifted in hand, with a flying bird above it. On the right is a boy with a spherical object in the hands. The right side of the scene is closed with a tree. The whole is framed with an edge, decorated with leaf vines and a maskaron at the top. The top is crowned with three buds with an ascending dolphin on either side. Germany iron (metal) casting Cast iron fireplace, with a semicircular top. Central the personification of Caritas, a sitting woman with a child standing against her. To the left of her is a child with a branch with leaves lifted in hand, with a flying bird above it. On the right is a boy with a spherical object in the hands. The right side of the scene is closed with a tree. The whole is framed with an edge, decorated with leaf vines a

The Head of Medusa. Dated: 16th century. Dimensions: overall: 3 x 5.7 cm (1 3/16 x 2 1/4 in.) gross weight: 44 gr. Medium: silvered bronze. Museum: National Gallery of Art, Washington DC. Author: Paduan 16th Century.

NINOS DIBUJANTES EN MARMOL. Author: MARIANO BENLLIURE. Location: BANCO URQUIJO (PAL PEÑALBA. Valencia. SPAIN.

Molde para estampación, siglo XIX. Museu Català de les Arts i Tradicions Populars.

Stove plate with an offering king David and the Prophet Gad, Anonymous, c. 1575 - c. 1625 Stove plate made of cast iron, divided into two zones. The upper zone has a representation of a kneeling king David with sword in the sheath for an altar on which a calf or cow is sacrificed. Behind him the prophet Gad stands with a book in his hands, looking up to an angel with a sword in the air. In the outstretched hand, the angel keeps three objects, including a skull and a scythe, referring to the three penalties from which David could choose. The lower zone has a representation of an angel's head in the midst of garlands. The stove plate is marked on the altar with the initials MR. Germany iron (metal) casting Stove plate made of cast iron, divided into two zones. The upper zone has a representation of a kneeling king David with sword in the sheath for an altar on which a calf or cow is sacrificed. Behind him the prophet Gad stands with a book in his hands, looking up to an angel with a swor

Józef Piłsudski. Bohdanowicz, Jadwiga (-1943), sculptor

Moderno, The Continence of Scipio, late 15th early 16th century The Continence of Scipio

Cambodia Angkor Bayon Unpublished image 1. Swaan, Wim. 1966 or earlier Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, Angkor Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, A

The Adoration of the Magi. Dimensions: overall: 6.6 x 5.6 cm (2 5/8 x 2 3/16 in.) gross weight: 33 gr. Medium: lead. Museum: National Gallery of Art, Washington DC. Author: Attributed to Valerio Belli.

Relief depicting Circus Maximus during games

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Blaise, Gabriel, Oak relief, depicting a scene from the Siege of Vienna in 1683, photomechanical print, page, photographs, photographically illustrated books, height 65 mm, width 91 mm, French, 1827 - 1897-09-04, maker, producer, 1868 - 1873, paper, papier, Woodburytypie

Highstone with the representation of the suzanna, who is sentenced to death, who is approached by Daniël, c. 1875 - c. 1900 Hearing stone with the representation of the Suzanna, who is sentenced to death, who is approached by Daniël. On the right a boy is wearing a basket with stones. Netherlands earthenware Hearing stone with the representation of the Suzanna, who is sentenced to death, who is approached by Daniël. On the right a boy is wearing a basket with stones. Netherlands earthenware

Double -sided plate - N.M.P. Departing a snake on the globe and a bust of N.M.P. in a decorative frame.; Balcewicz, Franciszek Wacław (Fl. Ca 1748-1760), Czapliński, Mikołaj (fl. Ca 1710-1750); 1740-1760 (1740-00-00-1760-00-00);

Italy, Milan, Parabiago, Patera of Parabiago in silver gilt portraying Triumph of Cybele and Attis

Jean-Baptiste Carpeaux (1827-1875). The triumph of Flore. Patinated terracotta, 1863. Museum of Fine Arts of the City of Paris, Petit Palais. 79393-13 Allegory, allegorical figure, model, allegorical character, plaster, 19th 19th 19th 19th 19th 19th century

Pictured here is the victory stele (made of pink limestone) celebrating the triumph of the Akkadian king Naram-Sin over a mountain people, the Lullubi. Naram-Sin led his troops over the steep slopes of the enemy territory, crushing all resistance. His victory march is coupled with the ascension of a sovereign who believed he now had the right to claim equal footing with the gods. This stele, which dates to c. 2250 B.C., illustrates the imperial art of the Akkadian Dynasty. Naram Sin was the grandson of Sargon, the founder of the Akkadian Dynasty.

Fireback Adam and Eve in paradise, the Fall, date 1665, hob plate cast iron, cast Rectangular with two notches on each side. High frame that also divides the plate into two parts: high part with picture at the top and low part with cartouche and year at the bottom. Image of Adam and Eve at the apple tree Eva raises the left arm and receives an apple from the snake On both sides of the pair rabbit and dog In cartouche: 1665 living environment interior heating biblical representation bible Christianity fall evasion paradise religion Adam Eve tree-der- knowledge

Metal relief prepared during the exhibition Rétrospective of 1873 in Tours, France, depicted The crucifixion of Christ, Gabriel Blaise, 1873 photomechanical print Tours paper dish, plate, saucer. temporary exhibition, 'Salon' Tours

Design for a corner piece of a ceiling with sitting figures, putti and bust of wife, Mattheus Terwest, after Augustine Terwest (I), 1680 - 1757 drawing paper. chalk cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland. sitting figure. sitting figure - AA - female human figure. (decorated) ceiling

Bliżej Kultury

Frisian with a triumphal wagon in which the young Bacchus is, 1510 - 1550 print The triumph wagon is pulled and pushed by children. Shaded background. Germany (possibly) paper engraving

The Killing of Three Warriors with Two Peaches, 202 BC-AD 220. China, Han dynasty (202 BC-AD 220). Painted tile, black and red color on slip over gray earthenware; overall: 47 x 102.2 cm (18 1/2 x 40 1/4 in.).

Removal of sabines Louis F�lix Delarue. "Removal of sabines" (overview). Paris, Cognacq-Jay Museum.

Metal plaque with Fud My and attendants Seitaka Dji and Kongara Dji 16th century Mychin Nobuie Japanese. Metal plaque with Fud My and attendants Seitaka Dji and Kongara Dji. Mychin Nobuie (Japanese,). Japan. 16th century. Iron. Muromachi period (1392-1573). Metalwork

Andrea Briosco, called Riccio (Italian, 1470 - 1532), The Entombment, bronze

Decraeur. Ivory sculpted, engraved and guilloche, on the place and on the back. Galliera, fashion museum of the city of Paris. Accessory, decrastor, feminine, woman, grave, ivory sculpt, comb

Hearing stone with the representation of Daniël, who submits the two elders from the history of Suzanna individually to an interrogation, c. 1875 - c. 1900 Fireplace with the representation of Daniël, who submits the two elders from the history of Suzanna separately to an interrogation Netherlands earthenware Fireplace with the representation of Daniël, who submits the two elders from the history of Suzanna separately to an interrogation Netherlands earthenware

Marine Scene. Dimensions: overall: 5 x 4.9 cm (1 15/16 x 1 15/16 in.). Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Caradosso Foppa.

Entrance to Vienna Prater, Austria 19th Century.

Abruzzo Chieti Chieti Museo Nazionale di Antichita77. Hutzel, Max 1960-1990 Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita. Views also of the gardens, fountain (17th century) and the restored interior. The so-called "Capestrano Warrior" (5th century B.C.) is found in the Antiquities core collection under Men, Youths, Warriors--Stone--Etruscan, Italic. Hutzel views include statues, funerary monuments, portrait busts and mosaics, many of which were excavated from Alba Fucens. Hutzel paid particular attention to the colossal statue of Hercules (late Hellenistic); the funerary temple reliefs of Lucius Storax; various nudes, torsos and heads, including the portrait bust of Agrippina Minore and the sepulchral portrait relief of Lucius Poditius (1st century A.D.); gravestones with inscriptions and bas-reliefs; Roman coins; bronze figurines (mainly warriors); and bronze vessels, utensils, helmets and ornaments

Apollo, Marsyas, and Midas. Artist: Anonymous, Netherlandish, 16th century. Dimensions: 14 7/8 x 10 1/8 in. (37.8 x 25.7 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Base for a Seated Buddha with Figures of Ascetics, c. AD late 100s. Pakistan, Gandhara, Kushan Period (1st century-320). Gray schist; overall: 38 x 36.2 x 9 cm (14 15/16 x 14 1/4 x 3 9/16 in.).

Cover for the book; 2nd half 19th century (1801-00-00-1900-00-00);

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Cambodia Angkor Angkor Wat Unpublished image 8. Swaan, Wim. 1966 or earlier Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, Angkor Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Lost Cities of Asia: Ceylon, Pag

Illustration of Kings Godfrey of Bouillon, John of Portugal, Arthur, and Odobert of Provence in the Triumphal Procession of Emperor Maximilian I by Hans Springinklee on wooden stick, 1516-1518.

Workers (The Holy Workers) Lenartowicz, Teofil Aleksander (1822 1893)

Mount; brass

Deraisme, Pierre-Georges (n.1859-D.1932), Moustache comb decor (main title), 1900. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for a corner piece of a ceiling with figures, putti and bust of a man; Four parts of a ceiling design. Corner piece of a ceiling with seated figures, putti and bust of a man with cloth and laurel wreath around his neck.

Design for a wall covering with two putti. Draughtsman: Jacob de Wit (follower of). Dating: 1705 - 1804. Measurements: h 284 mm × w 132 mm. Museum: Rijksmuseum, Amsterdam.

Campania Napoli Naples S. Lorenzo Maggiore52. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Donatello (and Atelier). Pulpit with the passion of Christ Detail: Lekuiten of Christ

Sarcophagus, Imperial Ottoman Museum, Constantinople , Antiquities, Sarcophagi, Lycian Sarcophagus Sidon, Lebanon. Nicholas Catsimpoolas Collection

Jacobs dream. In a landscape, Jacob lies to the left with his head on his right arm on a stone for two trees and a natural stone wall. At his feet, diagonally towards the cloudy sky a ladder; Two angels are below, a climbs up and the fourth seems to descend. At the top of the ladder, Christ emerges from the clouds; Totally right a city. The underside of the relief goes into a slanted cartouche.

Stove plate with Judith and Holofernes, Faith, Hope and Love, Anonymous, c. 1550 - c. 1600 Stove plate made of cast iron. The show is divided into two zones. In the top you can see a tent on the top with Judith who puts the head of Holofernes in a bag. To the right of that cannons and an army camp with Achior in the middle at a tree. In the bottom zone there is a man with a crown on the left (King David), With four women who look at him, Judith, respectively with the head of Holofernes in her hands and the allegories believe (fides), hope (spes) and love (Caritas). Between the two zones an edge with inscription. On the rim on the far right you can read the number 40, which is experienced. Germany iron (metal) casting Stove plate made of cast iron. The show is divided into two zones. In the top you can see a tent on the top with Judith who puts the head of Holofernes in a bag. To the right of that cannons and an army camp with Achior in the middle at a tree. In the bottom zone there is

Kneeling angel, half round, Eugène Lacomblé, 1800 - 1950 clay clay

Panel (Dessus de porte). Culture: French. Dimensions: Overall: 17 3/4 × 30 3/4 in. (45.1 × 78.1 cm). Date: second half 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Stair Riser: Dionysian Scene with Musicians and Dancers ca. 1st century Pakistan (ancient region of Gandhara). Stair Riser: Dionysian Scene with Musicians and Dancers. Pakistan (ancient region of Gandhara). ca. 1st century. Schist. Sculpture

One -sided gingerbread form with the image of Adam and Ewa in paradise; 19th century (1801-00-00-1900-00-00);

Triumphal Scene. Artist: Lelio Orsi (called Lelio da Novellara) (Italian, Novellara 1508/11-1587 Novellara). Dimensions: 5 5/16 x 12 1/16in. (13.5 x 30.6cm). Date: 1511-87. Museum: Metropolitan Museum of Art, New York, USA.

Mountain Scene. Culture: China. Dimensions: H. 9 5/8 in. (24.4 cm); W. 10 7/16 in. (26.5 cm); L. 2 3/16 in. (5.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Story from Ovid's Metamorphoses 16th-17th century Guglielmo della Porta Italian. Story from Ovid's Metamorphoses 202453

Solomon's judgment. Round, Lead layer, cut off from above. In the middle Solomon on his throne, the back to a fantastic palace facade. He turns his head to the standing wife's entire right, who mistakenly relieved the living child as hers. In the foreground the real mother, kneeling and in the mighty attitude. Between them lies the dead child of the first woman. Left for the king a soldier who, at 's konings command, must hew the controversial child in two, as a result of which was a true mother recognized. Buildings in a mountain landscape in the background.

The Visitation. Dated: c. 1520. Dimensions: sheet: 17.5 x 22.8 cm (6 7/8 x 9 in.). Medium: black chalk, heightened with white, on prepared paper washed purple. Museum: National Gallery of Art, Washington DC. Author: Italian (Florentine).

The Flight into Egypt late 16th-early 17th century German, Augsburg. The Flight into Egypt 198310

Hans Baldung Grien, The Lamentation, c 1515 The Lamentation

Hymn to Venus, c. 1760-65. Louis Felix de la Rue (French, 1731-1765). Pen and brown ink over red chalk () on antique laid paper; sheet: 38.8 x 44.2 cm (15 1/4 x 17 3/8 in.). Louis Félix de La Rue came from a family of artists and was best known for creating designs for decorative arts, such as ceramics. This sheet—which features putti and bacchantes, the artist’s preferred subjects—likely served such a purpose, given its allover composition and focus on patterning and symmetry.

Hercules and the Hydra. Dated: c. 1570/1587. Dimensions: overall: 9.1 x 13.6 cm (3 9/16 x 5 3/8 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: ANNIBALE FONTANA.

The Descent from the Cross. Dated: c. 1560. Dimensions: overall: 44.5 x 47.8 cm (17 1/2 x 18 13/16 in.) framed: 75 x 72 x 4.76 cm (29 1/2 x 28 3/8 x 1 7/8 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: VINCENZO DANTI.

Bas relief of reclining figure. Hippolyte Bayard (French, 1801 - 1887)

Model for a bracket of a book lock with a lady with mirror, anonymous, c. 1775 - c. 1800 The model -driven model for a mold is decorated with a medallion, in which a woman with a mirror. The medallion hangs on a bow, two of which go out of garlands that are applied to a pilaster. Amsterdam copper (metal) The model -driven model for a mold is decorated with a medallion, in which a woman with a mirror. The medallion hangs on a bow, two of which go out of garlands that are applied to a pilaster. Amsterdam copper (metal)

Przeszo Przyszoci unknown

Reliek jet of Sint-Catharina relief with five apostles

Bas-relief on the side of the ancient Roman sarcophagus.

Allegory of Dreams.

Relief of 'Pope Liberius Baptizing the Neophytes' by Alessandro Algardi. circa 1645-1648. Bronze.

Florence cathedral, Baptistry of Saint John, Gates of Paradise, Joshua, Florence, Italy Florence cathedral, Baptistry of Saint John, Gates of Paradise, Joshua, Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20661218

Education of the Infant Bacchus first half 19th century Niccolò Amastini Freely adapting antique compositions, Niccolò Amastini described with elegant linearity the contours of the baby god and his wild attendants under a vine-wrapped tree.. Education of the Infant Bacchus. Niccolò Amastini (born Rome 1780-1851). Italian, Rome. first half 19th century. Onyx, gold frame. Lapidary Work-Gems

Master of the Martelli Mirror, A Bacchante, late 15th or early 16th century A Bacchante

Horsemen Fighting. Dated: c. 1480. Dimensions: overall: 6.4 x 10.1 cm (2 1/2 x 4 in.) gross weight: 239 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century.

Sarcophagus with pastorial scenes. 270 Ad. Marble. National Roman Museum (Baths of Diocletian). Rome. Italy.

Plaquette of a woman with a basket full of Amors, Johann Friedrich Stiehm, c. 1855 - c. 1890 stereograph Sculpture of the Danish-Icelandic sculptor Bertel Thorvaldsen. photographic support. cardboard albumen print sculpture. angel(s) represented as child(ren)

METOPA-TRABAJOS DE HERCULES-RELIEVE. Location: MUSEO ARQUEOLOGICO-COLECCION. Sevilla. Seville. SPAIN.

Gothic relief with stone foundation deed with prince bishop and figures by Hans Rodlein 1576, scene, foundation, deed, gothic, princely building, Juliasspital, Wuerzburg, Lower Franconia, Franconia, Bavaria, Germany, Europe

High crest morrion, Decorated with scene from the Battle of Pavia, 16th century, Álava Armory Museum, Vitoria, Basque Country, Spain

Medallion. Jules Dupré (French, 1811-1889). Bronze; overall: 5.1 x 7 cm (2 x 2 3/4 in.).

Campania Caserta Caserta Palazzo Reale40. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Sculptural Ornamentation'. France. Dimensions: 23,3x34,2 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Luffer Table of Softwood Lijmed with Ebony and Silver, Anonymous, 1600 Single table made of softwood with ebony and silver. The trestles show down lying dazed silver strips with continuous vines, which are also applied to the sides of the leaf. Trestles with iron pull rods. The leaf is completely covered with silver, in the middle with four reliefs with mythological representations, around which a wide frieze between narrow strips with tendrils between which putti. The Frisian shows all -around centaeures with women on the back between dragons and leaf work. Spain wood (plant material). softwood. ebony (wood). silver (metal). iron (metal) Single table made of softwood with ebony and silver. The trestles show down lying dazed silver strips with continuous vines, which are also applied to the sides of the leaf. Trestles with iron pull rods. The leaf is completely covered with silver, in the middle with four reliefs with mythological representations, around which a wide frieze between nar

Madonna and Child 17th century Italian. Madonna and Child 198311

Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot 16th century Anonymous, Italian, 16th century Italian. Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot 341856

'Relief: Madonna and Child'. Italy, Second half of the 15th century. Dimensions: 48,0x35,0 cm. Museum: State Hermitage, St. Petersburg.

Georges-Henri Prud'homme (1873-1947). "Medal plaque. Musical competition". Metal, silver bronze. Museum of Fine Arts of the City of Paris, Petit Palais. 57551-4 Avers, silver bronze, musical competition, flute, music instrument, young man, playing, lyre, numismatics, medal plate

The Triumph of Bacchus 1780s Piat Joseph Sauvage Sauvages name was synonymous with trompe loeil (fool the eye) paintings that imitated low relief ancient sculpture and became hugely popular for Neoclassical room decoration. The present painting is meant to imitate bronze. Sauvage exhibited a slightly larger version of this subject at the Salon of 1781. Another version is also at The Met.. The Triumph of Bacchus. Piat Joseph Sauvage (Flemish, Tournai 1744-1818 Tournai). 1780s. Oil on canvas. Paintings

Plaque Fragment. Central Asia, 1st-4th century A.D.. Sculpture; plaques. Gilt bronze, cast

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