Renaissance Sketches

Preliminary drawings capturing movement and form, displaying the artistic process of ideas exploring themes of life and human experience.

Equestrian combat, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, counterproof, h 112 mm × w 189 mm

Equestrian combat, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, counterproof, h 112 mm × w 189 mm

Landscape with Lord and his dog, in the background a few loved ones, c. 1659 drawing Zwolle paper. pencil

Study magazine, among other things with a kneeling woman. Also studies of a running and sitting man. Leaf 13 Verso from a sketchbook with 19 sheets.

Two Angels (recto); Male Nude(verso). Artist, possibly by: Eustache Le Sueur, French, 1616-1655

Design for a cloth as place of an inscription, Carlo Marchionni, Italian, 1702-1786, Graphite, brush and gray watercolor on laid paper, Genii are supporting a cloth; they are winged with heads of fallen warriors with a helmet and laurel wreath respectively. The center is Saturn pointing with the handle of the scythe in his right hand at the intended inscription, and raising with the left hand the hourglass. As counterweight for his right hand serves a skull and a garland at the upper right edge of the cloth. A trophy of weapons in background., Italy, 1750-86, ornament, Drawing, Drawing

Design for a ceiling painting with the robbery of ganymedes.

Purgatorio VI, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

The Virgin sits upon clouds, with outstretched arms, conveyed to Heaven by angels; two cherubim looking on. Below is the sarcophagus into which two apostles look. Saint Peter is kneeling at left, two apostles standing at right. Framing line. Graphite on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Couverture pour L'Exemple de Ninon de Lenclos Amoureuse , Dogs. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

$Chalk drawing of Zeus and Juno by Girolamo Brusaferro, with feather details and laved areas; middle section shows a frayed fracture.$

George Romney, 1734-1802, British, Hell, undated. Graphite on medium, slightly textured, cream wove paper.

Resurrection of Christ, c. 1841 Drawing in a frame. Leaf 32 Recto from a sketchbook with 33 sheets. paper. pencil head of Christ with crown of thorns

Seated dog, Cornelis Brouwer, Cornelis Ploos van Amstel, After Frans van Mieris, 1795 - 1828 print Sitting dog, at the bottom of the letter A. Amsterdam paper etching dog

Giovanni Battista Cipriani, Angelica and Medoro Angelica and Medoro

Pen and pencil drawing by Daniel Gran showing Saint Hippolyte as a holy warrior and nun, created in 1746, emphasizing figure and religious attributes.

Allegory on history. Design for a painting.

Men's heads and a cow, George Hendrik Breitner, 1880 - 1882 Page 3 from a sketchbook with 23 magazines. The Hague paper. chalk. pencil head (human). cow

Brown ink and pencil drawing by Paul Troger depicting John the Baptist, David, and other saints in clouds with figures and composition.

Saint Hieronymus in the wilderness ..

Etching by Lovis Corinth from 1918 depicting the Circle of Heinrich V, showing figures, gestures, and composition on Japanese paper.

Two young people raised with beer - a vignette project; Scholtz, Julius (1825-1893); around 1850 (1845-00-00-1855-00-00);

Study sheet by Baldassare Franceschini showing an angel striking a sound and the same figure as a half-figure, executed in chalk with white highlights on gray paper with water edges, 1653-1661.

Design for a Cameo, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and brown ink, brush and wash on paper, Vertical rectangle. Design for a cameo. A figure in full armor, posibly Mars, holding a sword in his right hand. Partially superimposed over sections of another figure. Enclosed in oval frame., Netherlands, ca. 1590, figures, Drawing, Drawing

Various pencil sketches by Emerich Alexius Swoboda depicting human figures in different poses and forms.

Drawing, Putti and Winged Figure; Italy; graphite, pen and ink, brush and wash on paper

Feather and lead handle drawing by Amico Aspertini depicting the Grablegung, showing the entombment scene with compositional and figure details.

Putti Carrying Organ Pipes 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Putti Carrying Organ Pipes 340142

Calvary Skirmish with Four Horsemen; Théodore Géricault (French, 1791 - 1824); 1812 - 1814; Graphite; 15.2 x 10.6 cm (6 x 4 3,16 in.)

Print, Plate, from Le Jugement Universal; After Michelangelo Buonarroti (Italian, 1475-1564); etching on paper; 1896-31-92-8

A Hunting Party. Date/Period: Ca. 1860 - 1866. Drawing. Pencil and pen and black Indian ink. Height: 275 mm (10.82 in); Width: 190 mm (7.48 in). Author: Albert Venus.

Studies for the Death of Empedokles. Date/Period: After 1666. Pen. Pen, brown ink. Height: 127 mm (5 in); Width: 183 mm (7.20 in). Author: SALVATOR ROSA.

Drawing, Figure Crowned by Angel with Putti; Italy; red chalk on paper

A Diablerie. Artist: Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591-1666 Bologna). Dimensions: sheet: 10 1/2 x 7 13/16 in. (26.7 x 19.9 cm). Date: 1591-1666. Museum: Metropolitan Museum of Art, New York, USA.

Studies of Arabian warriors - tracing from the composition Moors in the times of Philip III" (verso); Study of galloping horse (recto). Chlebowski, Stanisław (1835-1884), draughtsman, cartoonist

Allegory in honor of Pope Innocent X. An allegorical representation with the top right the portrait of Pope Innocentius X. Bottom assignment.

This work by Christian Wilhelm Ernst Dietrich, created around 1738-1740 with lead pencil, depicts a Harlekin figure alongside a young woman and a child, highlighting character interaction and costume details.

Sketches of two sitting figures and a landscape with people on horseback, Jurriaan Andriessen, after Jan Havicksz. Steen, After Paulus Potter, 1789 drawing In the context at the top of two sitting figures and in the frame at the bottom and landscape with people on horseback. paper. ink. graphite (mineral) pen / brush picture, painting

Two Sketches of an Officer, Winslow Homer, American, 1836-1910, Graphite on paper, Two vertical sketches of an officer on horseback, with additional sketches of heads., USA, 1862, figures, Drawing, Drawing

Unidentified Subject: Scene of Martyrdom . Artist: Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10-1675 Naples ()). Dimensions: 9-1/2 x 7-1/2 in. (24.2 x 19.1 cm). Date: 1609/10-1675. Museum: Metropolitan Museum of Art, New York, USA.

Saul throws his spear to David; Biblical performances for Matthijs Balen album.

Figure Studies after Rembrandt Etchings (from Sketchbook). Artist: Thomas Sully (American, Horncastle, Lincolnshire 1783-1872 Philadelphia, Pennsylvania). Dimensions: 9 x 11 1/2 in. (22.9 x 29.2 cm). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA.

Study sheet by an anonymous artist including a framed brazen snake and a repeated group of figures in red chalk and feather with partial gall apple ink, showing composition, figures, and framing.

Design for Allegory of Sculpture, Black and white crayon on paper, Vertical rectangle with a tab at bottom edge, showing a seated woman working on a bust with a chisel and hammer. A completed bust beside her., Italy, 1775-1800, figures, Drawing, Drawing

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Birth of Christ. Leaf 14 Recto from a sketchbook with 33 sheets.

Drawing, Sketches for Scenes Four and Five of Cartoon for Cotton Printing: L'Histoire de Henri IV; Manufactured by Hartmann et Fils (France); France; graphite on cream-colored paper, mounted; 28.1 x 86.1 cm (11 1/16 x 33 7/8 in.)

Sketch for a Wall Painting, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink on paper, A flying woman raising an urn with her right arm, and putting the left upon a book which is supported in front of her buy a putto., Italy, early 19th century, figures, Drawing, Drawing

Drawing, Sketches for scene 1 and 2 of the cartoon for cotton printing: The History of Henry IV L'Histoire de Henri IV; Manufactured by Hartmann et Fils (France); France; graphite on cream-colored paper; 29.1 × 87.3 cm (11 7/16 × 34 3/8 in.)

James Seymour, 1702-1752, British, A Rider in Armor, and Two Horses Lying Down, undated. Graphite on medium, slightly textured, cream laid paper.

George Romney, 1734-1802, British, Group of Figures, Possibly Women and Children Playing, undated. Graphite on medium, slightly textured, cream laid paper.

The solar car of Apollo. Draughtsman: Jacob van Campen. Draughtsman: Daniel Stalpaert (rejected attribution). Dating: 1625 - 1676. Measurements: h 224 mm × w 375 mm. Museum: Rijksmuseum, Amsterdam.

Brown ink and pencil drawing by Paul Troger depicting the martyrdom of St. Blasius, including figures, expressions, and setting.

Fantasage animals that depict the seven deadly sins; Les Sept Peches Capitaux. Fantasy animals on branches, from left to right and from top to bottom: wrath, voosity, pride, lust, gluttony, envy and laziness; The root stands for unbelief. Top left: 1RE partie, top right: A. n ° 29., Bottom right: 120.

Items in a Roman military, c. 1650 - c. 1799 Composition study in a framework. Also studies of a lying naked woman and figures. Page 18 from a sketchbook with 72 pages. Italy (possibly) paper. pencil. ink pen / brush the soldier; the soldier's life. kneeling figure. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Group of Figures Surrounding Seated Figure. Dimensions: overall: 5.5 x 10.9 cm (2 3/16 x 4 5/16 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.

A pencil drawing on gray-blue paper by Josef Danhauser depicting the biblical figures Samson and Delia, showing figures and composition.

Sheet of Sketches: Greyhounds; A Male and a Female Head in. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 173 × 230 mm. Graphite with brush and brown wash, on cream wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Festoon of shells and marine animals; Aerdighe festons. Copy to Festoon from the Prima Pars Praecipuarum series ... / the first part of the precursor status and cieraten ... / La Premier Partie ....

Design for Trade Card The Sun Life Assurance Society. Artist: Walter Crane (British, Liverpool 1845-1915 Horsham). Dimensions: sheet: 10 3/8 x 7 1/16 in. (26.4 x 18 cm). Date: 1880-89. Museum: Metropolitan Museum of Art, New York, USA.

Rubens erected painting; Waliszewski, Zygmunt (1897-1936); 1915 (1915-00-00-1915-00-00);Artists, gift (provenance), figural scenes

Sketch magazine with many figures, Jan van Ravenswaay, 1799 - 1869 drawing paper. ink. pencil pen

Artwork depicting two cups alongside two male heads, emphasizing still life elements and human portraiture.

The Q A loaded with the spoils of India and Britain, March 6, 1788 ca. 1788 Attributed to Thomas Rowlandson British. The Q A loaded with the spoils of India and Britain, March 6, 1788 364022

Biblical Scene verso. Dated: 1720/1730. Dimensions: overall: 28.3 x 18.2 cm (11 1/8 x 7 3/16 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: SEBASTIANO RICCI.

Etching by Giovanni Battista Franco depicting four elephants, a lion, and a wild boar, created between 1530 and 1561, illustrating wildlife and animal studies.

Bliżej Kultury Michałowski, Piotr (1800 1855)

Hunters, riders, horses and men's heads.Also a Study of a tree trunk. Leaf 56 verso from a sketchbook with 63 sheets.

John Flaxman, Group of Female Figures Group of Female Figures

A pencil sketch by Rudolf Weyr on a sketch sheet, depicting figures and compositional elements with preliminary details.

Noah's Children Rejoicing, George Romney, 1734-1802, British, undated, Graphite; verso: brown wash on medium, slightly textured, creamn wove paper, Sheet: 5 x 5 5/8 inches (12.7 x 14.3 cm), children, figure study, religious and mythological subject

Peintre en Plein Air; Jasi Ski, Feliks Stanis AW (1862-1901), Bracquemond, Félix (1833-1914); 1885 (1885-00-00-1885-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, French (culture), women, painters, gardens, Poland (culture), purchase (provenance)

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Northern Netherlands paper engraving the meeting between Esau and Jacob

Ink and feather drawing by Raymond Lafage depicting the mythological fall of Phaeton, showing figures, motion, and dynamic composition, late 17th century.

Study magazine, among others with figures in historical costume, girls and dogs. Also studies of fishing people overlooking the sea and a putto. Leaf 23 Recto from a sketchbook with 51 sheets.

Sketches of Classical or Biblical Figures Rodolphe Bresdin French. Sketches of Classical or Biblical Figures 343474

A Chariot Procession, Graphite, pen and black ink on paper, Horizontal rectangle showing a procession of a chariot with four horses, all with raised hoofs. In the chariot is the blindfolded Cupid. Beside it walks and old man and an eagle., Italy, ca. 1800, transportation, Drawing, Drawing

'Conversion of Saul'. France, 1649/1650. Dimensions: 11,2x18,4 cm. Museum: State Hermitage, St. Petersburg. Author: NICOLAS POUSSIN.

Drawing by Stefano della Bella depicting Death overturning and seizing a wagon, executed with pen technique around 1633-1634.

Bliżej Kultury Lingée, Éléonore (CA 1753 1806/1820), Le Sueur, Eustache (1616 1655)

Depiction of the tomb of Archduchess Marie Christine designed by Antonio Canova, showing architectural features and sculptural elements, created with gray-black feather over pencil in 1805.

The Sparrow of Lesbie (Le moineau de Lesbie). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Félicien Rops.

A series of sketches by Alexander Rothaug around 1928 using pencil and ink, depicting figures and forms with attention to line and composition.

Various pencil sketches by Anton Romako including multiple figure studies and exploratory compositions, emphasizing form and line work.

This is how they will go to immortality. (IT)

Ernst Ludwig Kirchner, Girl with Flowers, 1923 Girl with Flowers

Kain kills Abel; Biblical performances for Matthijs Balen album.

Studies of nude men in combat. Théodore Géricault (French, 1791 - 1824)

Studies of different figures, Jan Symonsz Pynas, 1608 drawing Studies of two men who carry a basket or bag between them, a fleeing Adam and Eva, and the head of a man with beard, and Profil. paper. ink. pencil pen head (human). God expels Adam and Eve from paradise and has the tree of life guarded by an angel with a flaming sword. Adam and Eve hide from God. carrying something

Lithography by Bernhard Hasler from 1918 depicting a scene from Shakespeare's 'The Tempest' (Sturm), showing characters, composition, and dramatic elements on Japanese paper.

Pencil and ink sketches by Moritz von Schwind from spring 1859-1860 illustrating the Way of the Cross, highlighting figures, gestures, and composition for each stage.

Officers on horseback, a town in the distance, draughtsman: Peter Snayers, (possibly), 1602 - 1666, paper, pen, h 182 mm × w 286 mm

Schneider Hugo (1841-1925), figures and ornaments (without date): View. Pencil on transparent, 32.7 x 21.4 cm (including scan edges) Schneider Hugo (1841-1925): Figuren und Ornamente

Six floating angels with garlands of flowers, draughtsman: Giuseppe Bernardino Bison, 1772 - 1844, paper, pen, h 193 mm × w 256 mm

Philosophers Instructing Pupils by an Antique Sarcophagus mid-18th century Lorenzo Baldiserra Tiepolo. Philosophers Instructing Pupils by an Antique Sarcophagus. Lorenzo Baldiserra Tiepolo (Venice 1736-Madrid 1776). mid-18th century. Pen and brown ink, brown wash, over black chalk. Drawings

Rider and walker; Sketchbook "A.S.FE", 1587, leaf 3r (12). .

The Way to Emmaus 1527-85 After Luca Cambiaso Italian. The Way to Emmaus 338341

The slaughter of a pig, Hendrik Abraham Klinkhamer, after Adriaen van Ostade, 1820 - 1872 drawing paper. ink. pencil pen slaughtered ox or pig. pig

Persée délivre Andromède: plate 61. Mongez, Madame. 1812. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

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