Revolutionary Scenes

Prints illustrate historical moments of revolution, featuring crowds and distinctive buildings in chaotic yet dynamic arrangements.

Annual market in Impruneta near Florence, Salomon Savery, After Jacques Callot, in or after 1620 - 1683 print Annual market on October 18 in Impruneta, a village near Florence: a large crowd of stalls, traders and visitors on a square in front of a church. At the bottom right the coat of arms of the Santa Mariakerk in Impruneta, below the coat of arms of the Buondelmonti family (who founded the church), in the middle of the coat of arms of Michael Blondo. Under the show a four -line caption with an assignment in Latin. Amsterdam paper etching / engraving (annual) fair, trade fair. village square, place. armorial bearing, heraldry Florence

The favorite line on October , Franz Werner, publisher

The Mardi-Gras and the looting of Saint-Germain the Auxerrois after the 1830 revolution

SCENE ON THE ESPLANADE DES INVALIDES, THE IMPERIAL FETES AT PARIS

Paul Sandby RA, 1731-1809, British, The Opening of the Carnival at Rome, ca. 1781. Aquatint and etching on medium, moderately textured, cream laid paper.

Corpse of Princess Anna, 1759, plate 10; Slates of Princess Anna van Hannover in Delft; Lycstation of Hair Royal Highness Anna, Crown-Princesse of England, Customs of Willem Carel Hendrik Frisso, Prince of Orange. Held on Vrydag den 23 February 1759, byposed in Delft.Prince Willem V With Family Followed by States-General Staff. Part of a Series of 16 Plates Plus a Printed Description of the Corpse of the Princess Anna of Hanover in Delft on 23 February 1759. Numbered at the bottom right: 10.

Volunteer Refreshment Saloon, Supported Gratuitously by the Citizens of Philadelphia,Pa.. Artist: William Boell, American

Markt en handel in Bantam; Commerce et Marchandises à Bantam / Koophandel en waeren; Les Indes Orientales et Occidentales et autres lieux.Market in Bantam. The toll house is on wooden posts in the water of the harbor. Right in the foreground is traded by Chinese and Javanese. There is a scales on the ground. In the background De Hofstraat with all kinds of stalls. Fabrics, fruits and spices are sold. On the left is a man on an elephant. With a legend in French and Dutch. The print is part of an album.

Annual market in Impruneta near Florence, Salomon Savery, After Jacques Callot, in or after 1620 - 1683 print Annual market on October 18 in Impruneta, a village near Florence: a large crowd of stalls, traders and visitors on a square in front of a church. At the bottom right the coat of arms of the Santa Mariakerk in Impruneta, below the coat of arms of the Buondelmonti family (who founded the church), in the middle of the coat of arms of Michael Blondo. Under the show a four -line caption with an assignment in Latin. Amsterdam paper etching / engraving (annual) fair, trade fair. village square, place. armorial bearing, heraldry Florence

Parade of Louis XIV on the Pont Neuf, Paris, Johann van Huchtenburgh, 1646 - 1733, Adam Frans van der Meulen, Flemish, 1631 - 1690, Engraving on paper, One of three plates joined vertically. Scene shows a large crowd witnessing Louis XIV crossing the Pont Neuf with his entourage. In the background appears the palace of the Louvre., Paris, France, ca. 1670-1680, Print, Print

The Riot in Broad Street on the Seventh of June 1780, James Heath, 1757-1834, British, after Francis Wheatley, 1747-1801, British, 1790, Engraving, Sheet: 18 7/8 x 24 7/8in. (47.9 x 63.2cm)

The favorite = line on October , Franz Werner, publisher

Portraits of Carlotta Grisi and M. Perrot from a scene in the ballet 'Le rossignol,' performed at the King's Theatre in London on June 1, 1836. The artwork was created by T. H. Jones and published by Bell. It features etchings and aquatints, measuring 15.6 x 22 cm. Carlotta Grisi (1819-1899) and Jules Perrot (1810-1892) are depicted in this 19th-century ballet scene

Johann Hieronymus Lo¨schenkohl (aka Johann Hieronymus) (Austrian, 1753-1807). Pabst Pius am Ostersonntag auf dem Hofe zu Wien 1782, ca. 1782. Engraving and etching. Sheet: 559 mm x 711 mm (22.01 in. x 27.99 in.).

Plate 12, The Industrious 'Prentice Lord-Mayor of London, Print made by F. F. Walker, active 1805-1836, British, after William Hogarth, 1697-1764, British, 1833, Line engraving on medium, slightly textured, cream wove paper, Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm) and Image: 4 3/8 × 6 1/8 inches (11.1 × 15.6 cm)

Procession of the famous league hanger Henri IV in 1593. (IT)

Feast of freedom on Dam Square in Amsterdam, March 4, 1795; Feast of freedom, celebrated, on the occasion of the initiation of the freedom tree, in Amsterdam, on the Square of the Revolution on the 4th March, 1795. The first year of Batavian Freedom / Fête de la Liberté, Cèlebrée (...). Feest of freedom, celebrated with the initiation of the freedom tree on Dam Dam in Amsterdam, 4 March 1795. View of the dam with a large crowd dancing to the freedom tree. In the caption the titles in Dutch and French and the three allegorical emblems of freedom, equality and brotherhood that hung on the tree.

Exit Ferdinand I, on March , in front of the Ertls foundation house, Rotenturmstraße , Ferdinand Hofbauer -, Lithofrapher, Eduard Sieger -, Printer, Matthäus Trentsensky -, publishers

Regattas in Richmond during the festival put on for the commissioners of the universal exposition in London, United Kingdom, illustration from L'Illustration, Journal Universel, No 431, Volume XVII, May 29-June 5, 1851.

PeniSionomies of Paris / Industry Palace / (Champs-Elysées)

Doctor Syntax rides on his horse with a Charivari, Thomas Rowlandson, 1820 print The mocking people are in the front on a donkey. The right is syntax on his horse. paper etching mocking, insulting; teasing. public ridicule, scorn. riding a horse, ass, or mule; rider, horseman

Farewell to Willem V and wife at the Buitenamstel, 1768. Draughtsman: Simon Fokke (mentioned on object). Dating: 1768. Place: Northern Netherlands. Measurements: h 250 mm × w 362 mm. Museum: Rijksmuseum, Amsterdam.

The Market on the Molo, from the series Vedute(Views). Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768

The Hague, Visser en Zoon, S. de, Netherlands, Last, Carel Christiaan Antony, Visser, Salomon de, The Maas before Rotterdam in 1838, verso - stamped, Ice print on the frozen Maas near Rotterdam, January 1838. A separate notice of subscription belongs to the print., print, prent, prints, Frederik Muller Historieplaten, height 268 mm, width 366 mm, Dutch, 1794 - 1839, print maker, printmaker, 1838-01 - 1838-01, paper, papier, lithografie (techniek), 1808-12-11 - 1876-12-17, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

CARRO DE LA TIERRA-proclamacion de Fernando VI y Barbara de Braganza-1746-mascara o procesion alegor. Author: DOMINGO MARTINEZ (1688-1749). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. BARBARA DE BRAGANZA. FERNANDO VII (1784-1833).

Following Prince Albert's death, the people of Wolverhampton raised money to erect a statue in his honour. It was completed in 1866, and unveiled by Queen Victoria. Date: 30 November 1866

Picart, Bernard, The Great Scene of Folly (additional pieces), Lottery on a stage, ca. 1720, recto lower left - handwritten in brown ink, A lottery on a stage on a town square with the tickets being drawn from boxes by two boys. Fights break out among the audience in the foreground. Belongs to the group of additional prints added to the series The Scene of Folly with cartoons on the Wind Trade or Action Trade of 1720., print, engraving, prints, engravings, verso lower center - stamped, B. Picart inv. et fec., height 238 mm, width 377 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1733, paper, etching, engraving (printing process), Work conception

An Italian City with a Crowd Watching Actors in an Outdoor Theater. Artist: Hendrick Verschuring (Dutch, Gorinchem 1627-1690 near Dordrecht). Dimensions: sheet: 10 13/16 x 14 3/8 in. (27.4 x 36.5 cm). Date: 1642-90. Museum: Metropolitan Museum of Art, New York, USA.

Inauguration of the memorial statue to mr, Herbert Ingram, In The Market-Place, Boston,

Revolution in Haarlem, January 19, 1795, Vincent Jansz. van der Vinne, 1795 drawing Dancing and jubilant many on the Grote Markt in Haarlem at the Vrijheidsboom, in the background the town hall. Haarlem paper brush / pen townhall. dancing around the tree of liberty Large market. Town hall

Destruction of a Convent. Dated: c. 1633. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Fair on the Botermarkt in Amsterdam, 1810, Jan Anthonie Langendijk Dzn, 1810, draughtsman: Jan Anthonie Langendijk Dzn, Netherlands, 1810, paper, brush, pen, h 265 mm × w 372 mm

LACH the wethat you Janvier and Madrid, - OCCUPATION THE LA PLACE Anton-Martin Parrope you would like to be Grandpia, State of Marital Pacs Die , Unknown

Ice Entertainment: the month of January and the element Air, Pieter Nolpe, 1623 - 1653 print On the ice, people entertain themselves with pumping, sledding and ice sailing. On the left, people gather with a relaxation. At the bottom of the margin a two -way verse in Dutch and a two -way verse in French. Print from a series of different months, which also depict an element or season. Amsterdam paper etching / engraving landscape symbolizing January. air (one of the four elements). 'kolf' on the ice. horse-sleigh

Corpse of Princess Anna, 1759, plate 6, 1759 print Members of the Stadholder Court. Part of a series of 16 plates plus a printed description of the corpse of the Princess Anna van Hannover buried in Delft on 23 February 1759. Numbered below: 6. Northern Netherlands paper etching / engraving cortege, funeral procession Delft

Elsevier photo collection. Drawing entry Queen Wilhelmina Queen-Mother Emma Amsterdam Hoogesluis September 5, 1898. 1898. Amsterdam, Noord-Holland

An engraving depicting Regent Street, London, during the Season. Dated 19th century

Fireworks at the entry of Leopold I in Brussels, 1686, Romeyn de Hooghe, 1686 - 1687 print Fireworks at the entry of Leopold I in Brussels, 1686. On a packed square near the Onze-Lieve-Vrouw Ten Zavel, fireworks are set off from a pole on the right and a monument on the left. A carriage drives through the crowd in the middle of it. Haarlem paper etching Festivities (+ illumination, Fire-Works ~ festive Activities). Crowd, Mob. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Brussels. Zavel

French Revolution: Day of August 26, 1792: Celebration in honor of the victims of August 10, 1792. Tuileries Court. 1st arrondissement. Nº164, p.369, August 1792, the Journal Revolutions of Paris Prud'homme (Title)

Toma de la ciudad de Valencia, 1812, anónimo. Colección Particular.

Ecclesiastical and secular leaders in the field of Anna van Hannover in Delft, 1759; Slates of Princess Anna van Hanover in Delft.Magistrate from The Hague and Pastors of Delft and The Hague. Part of a series of 16 plates in ince printing of the corpse of the Princess Anna van Hannover in Delft on 23 February 1759.

Party at the entry of Leopold I in Brussels, 1686, Romeyn de Hooghe, 1686 - 1687 print Party at the entry of Leopold I in Brussels, 1686. The square is full of people and in the background the Onze-Lieve-Vrouw to Zavel can be seen. Three high posts with fireworks have been installed. Drive on the right of carriages towards the palace. They are greeted by the crowd. A text is written with pen under the show. Haarlem paper etching Festivities (+ illumination, Fire-Works ~ festive Activities). Crowd, Mob. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Brussels

Winter. Draughtsman: Reinier Vinkeles (I). Dating: 1769. Measurements: h 175 mm × w 110 mm. Museum: Rijksmuseum, Amsterdam.

The Rubbish Cart 1902 France. Etching from a zinc plate on ivory laid paper . Théophile-Alexandre Pierre Steinlen

View of Prizes Taken by Lord Howe Coming in Portsmouth 1794 England. Pen and gray and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on ivory wove paper . Thomas Rowlandson

March th , great jubilation on Josefsplatz, because of the cancellation of the censors, Th, Kratschmer, publishing house

The monument Friedrich Wilhelm III, in Cologne , Friedrich Wilhelm III, King of Prussia, the monument Friedrich Wilhelm III in Cologne from The Book for All , Franz Kollarz Kolá -, Artist, Richard Brendamour , Wood Engraver

Giovanni Battista Brustolon after Giovanni Battista Moretti, Christmas Eve Procession to San Giorgio Maggiore, 1779 Christmas Eve Procession to San Giorgio Maggiore

Follower of Canaletto, 1697-1768, Venetian, active in Britain (1746-55), Capriccio of a Venetian Courtyard, undated. Pen and brown ink, gray wash and graphite on thick, slightly textured, cream wove paper.

Engraving depicting the Fountain of Regeneration built out of the rubble of the Bastille. Dated 18th century

Gustave Doré, The Legend of the Wandering Jew, 1: Since thou art pitiless..., 1856, wood engraving on wove paper.

DETALLE DEL BORRADOR DEL RECIBIMIENTO DE LOS OFICIALES EN BAHIA BOTANICA - DIBUJO - SIGLO XVIII - EXPEDICION MALASPINA - PAPEL VERJURAD. Author: JUAN RAVENET (1766-1821). Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Spain. Catalonia. Barcelona. Inauguration of construction of the first neighborhood to working families. Engraving by Llonch, 1887. "La Ilustracion".

The County Election. Dated: 1854. Dimensions: image: 56.5 x 76 cm (22 1/4 x 29 15/16 in.) sheet: 60.3 x 81 cm (23 3/4 x 31 7/8 in.). Medium: hand-colored etching, stipple, line engraving, and mezzotint on wove paper. Museum: National Gallery of Art, Washington DC. Author: John Sartain after George Caleb Bingham.

Utrecht, Dannenfelser, WF, Weijer, Pieter Wilhelmus van de, Hoevenaar, Willem Pieter, Netherlands, Our fatherland around the middle of the 17th century, presented by HH students, members of Mutua Fides, in celebration of the 220th anniversary of Utrecht University, on 25 June 1856, On the street, Utrecht masquerade of 1856, plate 1, Two carriages drawn by horses are driving on a square. Citizens of various ranks are standing around them. Part of the group of seven plates with an explanation of the historical procession in masquerade performed by the students of the Mutua Fides association of the Utrecht University on 25 June 1856 on the occasion of the celebration of its 220th anniversary., print, prent, prints, Frederik Muller Historieplaten, height 500 mm, width 662 mm, print maker, printmaker, 1856 - 1856, paper, papier, lithografie (technique), met de handkleuren, Nederlands, 1808-03-07 - 1863-10-31, intermediary draughtsman, after a drawing by, 1816-04-05 - 1880-06-02, printer, dr

Like what the great knight of the July sun defeats in a singular fight the knight of the sad figure that wanted to delight her freedom. (The 4th year of the revolution of 3 days.) Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Like what the big knight of the July sun defeats into a singular fight the knight of the sad figure that wanted to delight her freedom. (The 4th year of the revolution of 3 days.)". Board published in "caricature" of August 8, 1833. Lithography. Paris, House of Balzac.

MADRID. MERCADO DE LOS MOSTENSES. LOS MARTIRES DE LA NAVIDAD , LOS PAVOS. GRABADO DE JUAN COMBA EN LA ILUSTRACION ESPAÑOLA Y AMERICANA , AÑO 1895. MADRID PINTADO.

Juliusz Kossak (1824-1899), St. Jura market in Lviv; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Holewiński, Józef (1848-1917), woodcutter

Werden, Jacques van, Southern Netherlands, Vorsterman, Lucas (II), Proclamation in Ghent of Charles II of Spain as Count of Flanders (sheet 5), 1666, Ceremony on the Vrijdagmarkt in Ghent at the proclamation of the Spanish king Charles II as Count of Flanders, 2 May 1666. Sheet 5 in an unmounted ensemble of 12 plates of the ceremony and cavalcade on the square and 118 portraits of the dignitaries who attended the ceremony., print, prints, Frederik Muller Historieplaten, height 354 mm, width 444 mm, 1624-05-27, print maker, printmaker, 1666 - 1667, third quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Guttenberg, Carl, inventor: Leonard Defrance, work, Josef II gallops monks and nuns, 1786, copper engraving, graphics, sheet width 62, 7 cm, leaf height 48.5 cm, image width 59.5 cm, image height 42.4 cm

Arrival of Hertog Jan van Bavaria in Leiden on August 18, 1420 brought forward by Leiden students on 8 February 1840; Optogt van H.H. Students of the Leijdsche Hooge School, held in the 8th February 1840 / representative Denogt van Hertog Jan van Beijeren, within Lelijden on 18th August 1420. Historical costumed procession by the students of Leiden Hogeschool on 8 February 1840, to celebrate the 265th anniversary of the University. The subject of the historic procession and Masquerade is the arrival of Hertog Jan van Bavaria in Leiden on August 18, 1420. Imaginary representation of Leiden in 1420 with the procession swinging over a city square. Within a picture frame with festans, weapons and at the top Minerva.

Félix Hilaire Buhot, La Place des Martyrs et la Taverne du Bagne, 1885 La Place des Martyrs et la Taverne du Bagne

View of the fire of the Arts High School.

Amusement park in Copenhagen Denmark drawing, 1795. Museum: CITY MUSEUM, KOPENHAGEN, DENMARK. Author: C. F. STANLEY.

Night of May 12, 1839, Square du Carrousel Anonymous. Night of May 12, 1839, Square du Carrousel. Feather, Watercolor, 1839.

William Johnstone White, active 1804-died c.1870, British, Representation of the Festival for the Return of Peace, 1814. Aquatint on moderately thick, slightly textured, cream, wove paper.

Netherlands, Tollenaar, Dirk Wijbrand, January 1865, The Ash Cart Man to Amstel's Residents, New Year's greeting from the Amsterdam ash cart men for the year 1865, verso - stamped, New Year's greeting from the ash cart men (cart man or garbage man) in Amsterdam for the year 1865. View of the Dam in Amsterdam with the Zocher Stock Exchange and the Commandant's House. The garbage men with their cart among the public. At the bottom a poem in two columns. On behalf of H. Sluiters, the cartman of district no. 30., print, picture, New Year's greeting, prints, pictures, Frederik Muller History plates, height 339 mm, width 218 mm, Dutch, 1808-06-03 - 1858-02-05, print maker, printmaker, 1864 - 1865, paper, papier, letterpress printing, wood engraving

Robert Wallis, 1794-1878, British, Havre, 1833. Line engraving on moderately thick, slightly textured, beige, wove paper, with cream, chine colle.

The Bourbon Restoration. Madrid, Spain. King Alfonso XII (1857-1885). Entrance of the king in the city of Pamplona (Navarre) on February 28, 1876. Engraving by Bernardo Rico. La Ilustracion Espa-ola y Americana, March 15, 1876.

Theatre audience at a performance of Hamlet in 1788, England, Historical, digitally restored reproduction from a 19th century original

Revolt of the Cheese and Breadfolk and murder of Claes van Ruyven in Haarlem, 1492. Draughtsman: Jacobus Buys. Dating: 1778 - 1795. Measurements: h 82 mm × w 56 mm. Museum: Rijksmuseum, Amsterdam.

ISABEL II PONE LA PRIMERA PIEDRA DEL EDIFICIO DE LA BIBLIOTECA NACIONAL EN 1886 PROYECTO DE FRANCISCO JAREÑO DE ALARCON. Location: MUSEO DE HISTORIA DE MADRID-GRABADOS ByN. MADRID. SPAIN. ISABEL II REINA DE ESPAÑA (1830-1904).

Thomas Rowlandson, 1756-1827, British, Greenwich, 1795 to 1800. Watercolor with pen in brown ink over graphite on medium, slightly textured, blued white, laid paper.

Creditor and poverty mower, 1720, 1720 drawing Extended leaf with the signed design for the presentation of the crowd of victims of the Windhandel collected on Dam Square at the Kalverstraat creditor, part of the print with the up and downs of the Actionists. Design for a part of print 7 in the series The Great Scene of Foolishness with cartoons on the wind trade or action trade of 1720. Design for a print. Northern Netherlands paper financial panic Dam. Kalverstraat

Ministry of Marine in The Hague, during the fire of 1844, Anonymous, 1844 print View of the Ministry of Marine on Lange Voorhout in The Hague, during the fire of January 8, 1844. See also the other two corresponding plates and a fragment of the cover. print maker: Netherlandsprinter: The Haguepublisher: The Hague paper on fire, ablaze Ministry of Marine

John Harris, 1811-1865, British, The Race for the Tradesmens' Plate, Chester, 1839 / Eighteen started, only three placed .., 1839. Color printed aquatint.

Antwerp; Belgium; Inauguration of the Statue of Teniers; 1867; Antwerpen; Anvers

Rural Norblin, Jan Piotr (1745 1830)

Fish Market, Rotterdam, W. Floyd, active 1845, after Joseph Mallord William Turner, 1775-1851, British, 1834-1856, Line engraving, first published state

GRABADO SIGLO XIX - SUPRESION DE LA INQUISICION. Location: PRIVATE COLLECTION. Barcelona. SPAIN.

Archduchess Clementina of Austria arriving in Trieste, 1797, engraving. Italy, 18th century.

Lime Premiere of Freedom (IT)

Achille Isidore Gilbert, Physionomies de Paris, #6: Quai aux Fleurs, 1838-1899, chromolithograph, partly hand-colored, on paper.

Cartoon on the cessation of the publication of the magazine 'Old -fashioned Dutch Patriot', 1781, Anonymous, 1781 print Cartoon on the edition, which was discontinued for a short time on December 31, 1781 and alleged end of the orangist magazine entitled the 'old -fashioned Dutch patriot'. Four speakers with a dog cart stop at the house of The Hague bookseller of the Hof P.F. Gosse to pick up the corpse. In the corpse a man (possibly gosse) in a wheelbarrow with a painting, R.M. van Goens with Miss. Ten Bosch in a loft, Rev. Hofstede, a man (E. Luzac) on a sledge with two paintings, two Rotterdam booksellers and the Duke of Brunswijk. Furthermore, fools and devils and a large procession of crying people. Two four -line verses in the caption. The print includes a text sheet with a corpse -tight in which the performance is explained. paper etching / engraving political caricatures and satires. cortege, funeral procession

Sebastian Vrancx / 'The Prodigal Son taking leave of his Home'. XVI century. Indian ink wash, Pencil, Pencil ground, Indian ink on laid paper. Museum: Museo del Prado, Madrid, España.

Arrival at Brandenburgh House of the Watermen, Print made by Matthew Dubourg, active 1786-1838, British, Published by Robert Bowyer, 1758-1834, British, 1821, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper

Alliantiegeest Op Dam, 1795, Reinier Vinkeles (I), After Jacques Kuyper, 1796 print The Alliantseest on Dam Square in front of the Town Hall in Amsterdam, to celebrate the Alliance closed between the French and the Batavian Republic, 19 June 1795. Chaotic Festive, Central De Vrijheidsboom. In the caption the three oval medallions with allegorical representations that hung on the facade of the town hall. print maker: Netherlandsprint maker: Netherlandsafter drawing by: Amsterdampublisher: Amsterdam paper etching / engraving dancing around the tree of liberty. alliance, league, union, foedus Dam. City Hall of Amsterdam (1655-1808). Waag on Dam Square

John Bowles, 1701-1779, British, Ranelagh House and Gardens with the Rotunda at the time of the Jubilee Ball. Hand colored engraving.

L'inauguration de l'exposition universelle au Palais du Trocadéro: le maréchal et les princes devant la fontaine monumentale, Vierge, Daniel, 1851-1904, Wood engraving, 1878, Dessin de MM. Scott et Vierge--letterpress.

Netherlands, Tollenaar, Dirk Wijbrand, January 1866, The Ash Cart Man to Amstel Residents, New Year's greeting from the Amsterdam ash cart men for the year 1866, verso - stamped, New Year's greeting on behalf of the ash cart men (cart man or garbage man) in Amsterdam for the year 1866. View of the Dam in Amsterdam with the Zocher Stock Exchange and the Commandant's House. The garbage men with their cart among the public. At the bottom a poem in two columns. On behalf of H. Sluiters, the cartman of district no. 30., print, picture, New Year's greeting, prints, pictures, Frederik Muller History plates, height 340 mm, width 218 mm, Dutch, 1808-06-03 - 1858-02-05, print maker, printmaker, 1865 - 1866, paper, papier, letterpress printing, wood engraving

Eugène Charles François Guérard, Physionomies de Paris #10: Une Queue au Thétre (Ambigue Comique), 1858, chromolithograph, partly hand-colored, on wove paper.

Colored etching by Johann Ziegler depicting Schanzel, created in 1780.

RECIBIMIENTO DEL PUEBLO DE MADRID A ESPARTERO - GRABADO SIGLO XIX. Location: MUSEO DE HISTORIA DE MADRID-GRABADOS ByN. MADRID. SPAIN. JOAQUIN BALDOMERO FERNANDEZ-ALVAREZ ESPARTERO. GENERAL BALDOMERO ESPARTERO (1793-1879).

The return of the journal of June 15 in the Champs-Elysées

Germany: 'Court Performance and Festive Parade in Honour of the Wedding of Emperor Leopold I with Margaret Theresa of Spain in December 1666', illustration by Francesco Sbarra (1611-1668), c. 1667, Florence. Leopold I (1640-1705) was the second son of Emperor Ferdinand III, and became heir apparent after the death of his older brother, Ferdinand IV. He was elected Holy Roman Emperor in 1658 after his father's death, and by then had also already become Archduke of Austria and claimed the crowns of Germany, Croatia, Bohemia and Hungary.

The Overdrove Ox (Mad Bull on Westminster Bridge) 1787-90 Thomas Rowlandson. The Overdrove Ox (Mad Bull on Westminster Bridge). 1787-90. Hand-colored etching and aquatint. Prints

Tuesday night / Place des Victoires./The body of a stove, one of the first victims of the three days, was carried from street / in street by a baker, who called the people to revenge. (IT)

The Repeal, or the Funeral of Miss Ame-Stamp 1766 Anonymous, British, 18th century British British politicians are imagined processing through the London docks to mourn the repeal of the Stamp Act on March 18, 1766. A year before, Parliament had imposed this excise tax on printed goods imported to the American colonies. Resulting boycotts led British merchants to pressure the government for repeal, and this anti-tax image mocks the acts leading supporters. Behind two flag bearers, George Grenville (dismissed as chief minister in 1765) carries a small coffin marked "Miss Ame[rica Stamp." He is followed by Lord Bute, another former chief minister identified by his Scottish bonnet and tartan suit. The London publisher Carington Bowles borrowed the composition from a print issued by a rival that sold thousands of copies. It uses the language of political satire Romeyn de Hooghe developed in Holland, combined with a simple dramatic structure that makes the elaborate allegory easy to under

Prince Alfred, Duke of Edinburgh unveiling an equestrian statue of Prince Albert in Glasgow in 1866. Date: 27th October 1866

Taken from City Hall. (IT)

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