River Scenes with Boats

Etchings showcasing various river scenes, featuring boats and bridges. The mood is serene with soft, muted colors and gentle contours, capturing tranquil waterways.

Farmer's barge in a canal, in the offing Weesp, draughtsman: Albertus Brondgeest, 17-Apr-1810, paper, brush, h 227 mm × w 297 mm

Ships in the water along a bank with a church on it, Frans Hens, 1866 - 1910 print paper etching / drypoint church (exterior). ship bound for the harbour. sailing-ship, sailing-boat

Farmer's barge in a canal, in the offing Weesp, draughtsman: Albertus Brondgeest, 17-Apr-1810, paper, brush, h 227 mm × w 297 mm

Sailing ships on river. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 125 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Haven van Barletta met schepen. Mole du port de Barletta (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 207 mm × w 308 mm. Museum: Rijksmuseum, Amsterdam.

Michel, Henri-Napoléon, Quai de Bercy February 1876. (Title awarded), 1876-02. Brown feather and ink, gray wash on pink paper. Carnavalet museum, history of Paris.

Boerenschuit in a canal, in the future Weesp. Draughtsman: Albertus Brondgeest. Dating: 17-Apr-1810. Measurements: h 227 mm × w 297 mm. Museum: Rijksmuseum, Amsterdam.

Harry Kelly's, Putney, 1865. Francis Seymour Haden (British, 1818-1910). Etching and drypoint; sheet: 15.3 x 20.8 cm (6 x 8 3/16 in.); platemark: 10.9 x 17.3 cm (4 5/16 x 6 13/16 in.).

Sailboat on the water for a village or city. In the background the contours of houses and a church tower can be seen. Leaf 34 Recto from a sketchbook with 41 sheets.

San Biagio. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1880. Prints; etchings. Etching

Francis Seymour Haden, 1818-1910, British, Sunset on the Thames, 1865. Etching and drypoint, with plate tone on medium, smooth, cream laid paper.

Battersea Dawn (Cadogan Pier) 1863 United States. Etching and drypoint with foul biting in black ink on cream laid paper . James McNeill Whistler

Ships, draughtsman: George Hendrik Breitner, 1867 - 1923, paper, h 118 mm × w 196 mm

Print made by Francis Seymour Haden, 1818-1910, British, Out of Whistler's Window, 1863. Etching.

DocksideScene. Artist: John Henry Twachtman, American, 1853-1902

Charles Fromuth, The Storm, American, 1858-1937, 1908, charcoal heightened with white on tan wove paper mounted to board

DijkBrraak in Arnhem, 1855, Cornelis Springer, After Jacobus Pelgrom, 1855 print The breakthrough of the Arnhemmer Broekdijk in Arnhem at the flood in March 1855. Amsterdam paper etching Dike-Break Arnhem

Charles Frederick William Mielatz, New York from the Harbor, 1905 New York from the Harbor

Riva degli Schiavoni (2). Dated: c. 1880. Medium: drypoint on chine applique paper. Museum: National Gallery of Art, Washington DC. Author: Frank Duveneck.

The Tiny Pool 1879 James McNeill Whistler American. The Tiny Pool 372556

Seaport at evening, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print On the left on the bank a tower. paper coast. harbour. evening

River face with moored boats and two mills, Philip Zilcken, after Johan Hendrik Weissenbruch, 1867 - 1890 print paper etching / drypoint river. windmill Spaarne. Haarlem

Veerpont, Arnoud Schaepkens, 1855 - 1904 print paper. etching / drypoint ferry

Hurlingham, James Abbott McNeill Whistler, 1879 print A row of boats is anchor in the water, two with the sails still on. A number of houses on the bank. paper etching / drypoint sailing-ship, sailing-boat. river Hurlingham

Landscape with a Woman at a Well, from the series Vedute(Views). Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768

Molen Rijn and Lek in Wijk bij Duurstede. A Boat in front. Page 22 From a sketchbook with 25 sheets.

27 May 1826, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4 cm)

De Amstel, Francis Seymour Haden (SIR), 1879 print View of the Amstel from the Amstelhotel in Amsterdam. paper etching Amstel (river)

The Island of Burano. Artist: Giacomo Guardi (Italian, Venice () 1764-1835 Venice ()). Dimensions: 4 9/16 x 7 3/8in. (11.6 x 18.7cm). Date: 1764-1835. Museum: Metropolitan Museum of Art, New York, USA.

Berwick-on-Tweed, Sir David Young Cameron, 1865-1945, British, 1906, Etching, Plate: 6 1/4 x 11 3/16in. (16 x 28.4cm) and Sheet: 8 1/4 x 13 1/2in. (21 x 34.3cm)

Study for West India Docks, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1809. Dimensions: 198 × 261 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Long Venice. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 5 × 12 1/16 in. (12.7 × 30.7 cm)Sheet: 5 in. × 12 1/16 in. (12.7 × 30.7 cm). Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

Hurlingham James McNeill Whistler American 1879

Grand Canal, Venice, 1883. Frank Duveneck (American, 1848-1919). Etching;

River view with face on Dordrecht, draughtsman: Adolf le Comte, 1860 - 1921, paper, h 115 mm × w 177 mm

Town on a river, Jan Weissenbruch, 1832 - 1880, draughtsman: Jan Weissenbruch, 1832 - 1880, prepared paper, pen, brush, h 137 mm × w 201 mm

James McNeill Whistler, The Storm, 1861 The Storm

Settlement on the coast, Lodewijk Schelfhout, 1929 print A settlement with two churches and a mill on the coast. In the foreground a moored ship on the beach. paper drypoint beach. village. ships (in general)

San Biagio. James McNeill Whistler; American, 1834-1903. Date: 1880. Dimensions: 207 x 303 mm (plate); 229 x 324 mm (sheet). Etching and drypoint with foul biting, with drypoint cancellation, in brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Little Lagoon 1879-1880 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Havenhoofd in Vlissingen, Carel Nicolaas Storm van 's -Gravesande, 1889 - 1902 print People run into the wind on the harbor head. Netherlands paper drypoint coastal protection work, breakwater (+ landscape with figures, staffage) Flushing

James McNeill Whistler, A Sketch from Billingsgate, 1878 A Sketch from Billingsgate

James McNeill Whistler, The Tiny Pool, 1876 1878 The Tiny Pool

Drawing, Canoe with Two Men; Winslow Homer (American, 1836-1910); Canada; crayon on paper ; 11.6 x 19.2 cm (4 9/16 x 7 9/16 in.)

Below Chestnut Street Bridge, Joseph Pennell, American, active England, 1857-1926, Etching in black ink on paper, Sailing craft at anchor in still water. Low horizon and sunset sky., USA, 1884, seascapes, Print, Print

View of Concarneau. Pankiewicz, Józef (1866-1940), graphic artist

Evening, Little Waterloo Bridge Made 1896 United States. Transfer lithograph in black ink on ivory laid paper . James McNeill Whistler

Rowing boat with two figures on the Zaan, print maker: Remmert Dekker, (mentioned on object), Netherlands, 1904, paper, etching, drypoint, h 109 mm × w 170 mm

Barge with hay on a river, draughtsman: Adolf le Comte, 1860 - 1921, paper, h 94 mm × w 145 mm

Riviermond. Draughtsman: Gerard van der Horst. Draughtsman: Joris Hoefnagel (rejected attribution). Dating: 1610 - 1628. Measurements: h 312 mm × w 499 mm. Museum: Rijksmuseum, Amsterdam.

Eubia, Willem Bastiaan Tholen, 1903 print The artist's ship, with sailed sail on a shore. paper etching sailing-ship, sailing-boat

View of a canal in The Hague at evening, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print People walk on the left on the quay. Netherlands paper drypoint canal. evening The Hague

Pleasure Boats, Chelsea. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Plate: 3 1/16 x 2 3/4 in. (7.8 x 7 cm). Date: 1888-89. Museum: Metropolitan Museum of Art, New York, USA.

Vaartvzicht with farm and lying barge. Draughtsman: Jan Hulswit (possibly). Dating: 1776 - 1822. Measurements: h 145 mm × w 273 mm. Museum: Rijksmuseum, Amsterdam.

Evening, 1864. Francis Seymour Haden (British, 1818-1910). Etching;

James McNeill Whistler, Limehouse, 1859 Limehouse

The Little Pool. Dated: 1861. Dimensions: plate: 10.16 x 12.7 cm (4 x 5 in.) sheet: 16.51 x 18.42 cm (6 1/2 x 7 1/4 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Framed Port scene with two figures. Artist: Dominique Barrière (French, Marseille 1610-1678). Dimensions: 11 1/2 x 5 9/16 in. (29.2 x 14.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Black Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

Sunset at Dordrecht, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print River face with sailing ships near Dordrecht. Netherlands paper drypoint sunset. sailing-ship, sailing-boat. prospect of city, town panorama, silhouette of city Dordrecht

La Montagne Sainte-Geneviève, rue de l'Estacade, plate four from Le Long de la Seine et des Boulevards. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 201 × 119 mm (image); 300 × 232 mm (sheet). Wood engraving in black on cream Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Punt and three men , Boats. Charles H. Woodbury (1864-1940). Prints

Moulin aZwyndrecht. Artist: George Charles Aid, American, 1872-1938

Eagle Wharf (Tyzac, Whiteley & Co.), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

Volendam, Willem Adrianus Grondhout, 1888 - 1931 print Moored ships in the port of Volendam. paper etching harbour Volendam

View of the Kikkerbilsluis in Amsterdam, Willem Witsen, c. 1913 - c. 1919 print The connection between the Oude Schans and the Oosterdok. Amsterdam paper etching canals, waters (in city). bridge. boat propelled by man or animal Frog -legs lock

Venice, Joseph Pennell, 1860-1926, American, 1883, Etching, Plate: 7 7/8 x 11 1/2in. (20 x 29.2cm) and Sheet: 12 3/8 x 16 11/16in. (31.4 x 42.4cm)

Night Journey, 2nd Plate (Voyage de nuit). Dated: 1862. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles-Francois Daubigny.

Battersea Dawn (Cadogan Pier) 1863 United States. Etching and drypoint with foul biting and plate tone in black on cream laid paper . James McNeill Whistler

James McNeill Whistler, Little Putney No 1, 1879 Little Putney No. 1

The Temptation of Saint Anthony: Mystical Vision (page 29), c. 1898. Henri Rivière (French, 1864-1951). Book with 47 line blocks (some photo mechanical), hand-colored with stencils; overall: 25 x 32.8 x 1.5 cm (9 13/16 x 12 15/16 x 9/16 in.).

Matinicus , Piers & wharves. George Bellows (1882-1925). Prints and Drawings

James McNeill Whistler (American, 1834-1903), Nocturne, 1878, lithotint

The little mast., 1880, Italy, by James Whistler. Gift of Sir John Ilott, 1961.

Cityscape. View of a city on the water. On the left a sailing ship at a jetty with figures. Right figures in a rowing boat. A church in the distance. Leaf 32 from a sketchbook with 41 sheets.

Exit from the Cochin house (Faubourg Saint Jacques, in the evening) / Wyjście Z Cochin house (Faubourg Saint Jacques, Wieczorem) Pl. Do: L'Illustration Nouvelle, Paris 1879, Wyd. Alfred Cadart Jongkind, Johann Barthold (1819 1891), Cadart, Alfred (Alphonse) (1828 1875)

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Evening Made 1898 France. Lithograph in five colors (light blue, blue, yellow, pink and green) on ivory wove chine . Paul Signac

La grève désertée. Gustave Leheutre (French, 1861-1932). Drypoint;

James McNeill Whistler, The Riva No. 2, c. 1886, etching on paper.

Eugène Vail, Evening, San Giorgio Maggiore, Venice, c 1900 1920 Evening, San Giorgio Maggiore, Venice

Evening, New York Harbor 1884 Henry Farrer American. Evening, New York Harbor 381008 Artist: Henry Farrer, American, London 18441903 New York, Evening, New York Harbor, 1884, Etching, Plate: 9 3/4 13 7/16 in. (24.7 34.2 cm) Sheet: 14 1/16 x 18 1/8 in. (35.7 x 46.1 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.946)

De Visser, Fredericus Jacobus van Rossum du Chattel, 1873 - 1892 print A fisherman is fishing in his boat. A drawbridge and a mill in the background. Netherlands paper etching windmill in landscape. angling

Boats at Dordrecht, James Abbott McNeill Whistler, 1884 print The Oude Maas with the Groothoofdspoort on the right and the Welgelegen mill on the left. Mirror image. paper etching / drypoint sailing-ship, sailing-boat Dordrecht

View on the Coast at Deal ca. 1846 Charles Bentley British Bentley trained as an aquatint engraver of illustrated views and traveled through Britain seeking Picturesque subjects for his own accomplished watercolors. This luminous view represents Deala port on England's southeast coast of England where Julius Caesar landed when he invaded Britain. Beyond loosely sketched fishing nets, the contours of a rustic cottage lead the eye toward vessels beneath a soaring sky. Bentley exhibited a view of Deal at the Old Watercolour Society in 1846, which suggests a similar date for the present work.. View on the Coast at Deal 339156

The Seine view of the Pont des Saint-Peres Eugene Ciceri (1813-1890). The Seine view of the Pont des Saints-Fathers. Drawing.

Emilio Sánchez Perrier (Drafstman) / 'Heading of a letter: View of the Venice Lagoon with the Basilica of Santa Maria della Salute in the Background'. 1884. Wash, Grey ink on wove paper. Museum: Museo del Prado, Madrid, España.

Félix Hilaire Buhot, Marine Souvenir of Medway, 1879 Marine: Souvenir of Medway

Rijn, Rembrandt van, De Molen, verso lower left - pencil, print, prints, Rembrandt f 1641, lower right, verso lower left, 1855, uhx, verso lower left - pen in brown, a 66388, height 145 mm, width 205 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1641 - 1641, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Sunset, Constable's Hook. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 5 x 6 7/8 in. (12.7 x 17.5 cm)Sheet: 7 3/8 x 9 1/2 in. (18.7 x 24.1 cm)Mount: 19 1/4 in. (48.9 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA.

Study for the print The Venice" in Bydgoszcz". Łopieński, Ignacy (1865-1941), draughtsman, cartoonist

At Vauxhall, 1925. Artist: Sir Leslie Matthew Ward

Aux Fortifications, Porte de Versailles, 1890. Auguste Louis Lepère (French, 1849-1918). Etching;

Paul Signac (French, 1863 - 1935), Harbor in Holland - Flushing (La balise - En Holland, Flessingue), c. 1894, etching in blue-green on laid paper

Moulins en Hollande (Mills inHolland). Artist: Johan Barthold Jongkind, Dutch, 1819-1891

James McNeill Whistler, Nocturne, 1878 Nocturne

Félix Hilaire Buhot, Une Jetée en Angleterre (A Pier in England), 1879 Une Jetée en Angleterre (A Pier in England)

River Scene with Boat (Large plate). Henri-Emile Lessore; French, 1830-1895. Date: 1879. Dimensions: 141 × 158 mm (image); 151 × 171 mm (plate); 159 × 177 mm (sheet). Drypoint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Boatman (Le Batelier). Dated: 1874. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

Une Jetée en Angleterre (A Pier in England). Dated: 1879. Dimensions: plate: 29.6 x 19.8 cm (11 5/8 x 7 13/16 in.) sheet: 35.1 x 24.3 cm (13 13/16 x 9 9/16 in.). Medium: drypoint and roulette in black on 18th-century laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

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