Rivers and Landscape Etchings

Explorations of riversIDE landscapes through etchings, featuring tranquil waters and natural scenery, capturing moments of serenity.

Face in the port of Hamburg, draughtsman: Carel Nicolaas Storm van 's-Gravesande, 1907, paper, brush, h 137 mm × w 220 mm

La Seine a Courbevoie. Chahine, Edgar (1874-1947), graphic artist

Sisley, Alfred, France, Bords du Loing: La Rive, View of the river Loing with boats from the bank, verso middle - stamped, print, prints, height 141 mm, width 220 mm, French, 1839-10-30 - 1899-01-29, print maker, printmaker, 1890 - 1890, fourth quarter 19th century, paper, etching, etchings, Work conception, after own design by

Chelsea Bridge and Church 1871 United States. Etching and drypoint with foul biting in black ink on off-white laid paper . James McNeill Whistler

River view with a steamboat, Joseph Hartogensis, 1854 print The Hague paper. etching steamship, motorship. river (+ landscape with figures, staffage) Zaltbommel

Exeter, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof, touched

James McNeill Whistler, Early Morning, 1878 Early Morning

Francis Seymour Haden, 1818-1910, British, Egham, 1859. Etching and drypoint, with plate tone on medium, slightly textured, blued white laid paper.

House of the Smith, 1864. Francis Seymour Haden (British, 1818-1910). Etching;

Village view, Chris van der Windt, 1887 - 1952 print paper etching prospect of village, silhouette of village

Face in the port of Hamburg, draughtsman: Carel Nicolaas Storm van 's-Gravesande, 1907, paper, brush, h 137 mm × w 220 mm

The Canal, from Cahier de six eaux-fortes, vues de Hollande. Johan Barthold Jongkind; Dutch, 1819-1891. Date: 1862. Dimensions: 162 x 204 mm (image); 173 x 216 mm (plate); 357 x 519 mm (sheet). Etching in brownish-black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

James McNeill Whistler, Price's Candle Works, c 1875 Price's Candle-Works

Millbank 2, 1861, by James McNeill Whistler (1834-1903), Etchings

Francis Seymour Haden, 1818-1910, British, Egham Lock, after 1858. Etching and drypoint, with plate tone on medium, moderately textured, cream laid paper.

Dordrecht. Charles Nicolas Storm van 's-Gravesande (Dutch, 1841-1924). Etching;

Sunset at Dordrecht, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print River face with sailing ships near Dordrecht. Netherlands paper drypoint sunset. sailing-ship, sailing-boat. prospect of city, town panorama, silhouette of city Dordrecht

Francis Seymour Haden, 1818-1910, British, Egham Lock, after 1858. Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper.

James McBey, Distant Salute, 1925, etching and drypoint on paper.

House on a waterfront, Joseph Hartogensis, c. 1837 - 1865 print unknown paper. etching landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). farm or solitary house in landscape

Auguste Lepère, Arrivee au Marche, French, 1849-1918, black chalk on two sheets of laid paper

Rowing boats with fishermen in front of a fort on the Scheldt Landscapes (series title), print maker: Esaias van de Velde, (mentioned on object), Esaias van de Velde, publisher: Johannes Pietersz. Berendrecht, (mentioned on object), Haarlem, 1615 - 1616, paper, etching, engraving, h 89 mm × w 181 mm

Moulins en Hollande (Mills inHolland). Artist: Johan Barthold Jongkind, Dutch, 1819-1891

Study for West India Docks, from Microcosm of London 1807-1809 England. Graphite on ivory wove paper . Augustus Charles Pugin

Skaters in a Dutch landscape, Elias Stark, 1887 print Skaters on a speed. On the left, two skaters come from a ditch. Three mills in the distance. Nieuwer-Amstel paper etching windmill in landscape. skates (winter sports)

Fishing (discarded plate) , Fishing, Waterfronts. Charles H. Woodbury (1864-1940). Prints

Moored Schuiten, Willem Adrianus Grondhout, 1888 - 1931 print paper etching harbour

Frank Duveneck, Riva degli Schiavoni, No 1, 1880 Riva degli Schiavoni, No. 1

Marché aux légumes à Amiens (Vegetable market at Amiens). prints, etchings, works on paper

À Concarneau (Finistère), 1874. Maxime Lalanne (French, 1827-1886). Etching;

Thames Police (Wapping Wharf), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

Long Venice 2. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1879 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Rider on the road along a farm, anonymous, after Esaias van de Velde, 1610 - 1617 print Haarlem paper etching farm or solitary house in landscape

The 'Adam and Eve,' old Chelsea , Boats, Rivers, Houses, Embankments, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

Sketch of Venice , Boats, Bodies of water, City & towns. Sir David Young Cameron (1865-1945). Prints

Waterkant, Johannes Taventrate, 1840 - 1880 drawing Waterfront with a few figures, in the distance masts of ships. paper. ink. pencil pen river (+ landscape with figures, staffage)

Whistler, James Abbott McNeill, England, Vauxhall bridge, verso center - stamped, View of the Vauxhall Bridge over the River Thames in London, a sailing ship in the foreground., print, prints, height 68 mm, width 115 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1861 - 1861, third quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Fishing Quarter, Venice. Frank Duveneck; American, 1848-1919. Date: 1880. Dimensions: 281 x 394 mm (image); 295 x 407 mm (plate); 368 x 488 mm (sheet). Etching and drypoint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

James McNeill Whistler, Millbank, 1861 Millbank

Skating driver at a mill, Joseph Hartogensis, 1858 print The Hague paper. etching windmill in landscape (+ city(-scape) with figures, staffage). skates (winter sports)

James McNeill Whistler, Little Wapping, 1861 Little Wapping

Eubia, Willem Bastiaan Tholen, 1903 print The artist's ship, with sailed sail on a shore. Amsterdam paper etching / drypoint sailing-ship, sailing-boat

View on the coast of IJmuiden with lighthouse and ship, Carel Nicolaas Storm van 's-Gravesande, 1902 drawing paper. chalk. watercolor (paint) brush coast IJmuiden

Battersea Reach. Francis Seymour Haden; English, 1818-1910. Date: 1863. Dimensions: 151 × 226 mm (image/plate); 222 × 352 mm (sheet). Etching with drypoint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Harmensz van Rijn Rembrandt (1606-1669). "The Golden Pessur campaign". Engraving, (B 234 - Unique State), 1651. Museum of Fine Arts of the City of Paris, Petit Palais. 27017-1 Campaign, landscape, golden peasur, tray, engraving

Francis Seymour Haden, 1818-1910, British, Newcastle Emlyn, 1864. Etching and drypoint on medium, smooth, cream laid paper.

The Two Sailboats, from Cahier de six eaux-fortes, vues de Hollande. Johan Barthold Jongkind; Dutch, 1819-1891. Date: 1862. Dimensions: 166 x 208 mm (image); 177 x 216 mm (plate); 357 x 520 mm (sheet). Etching in brownish-black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Old Putney Bridge , Bridges, Rivers, Rowboats, Sailboats. James McNeill Whistler (1834-1903). Lithographs

The Windmill 1641 Rembrandt (Rembrandt van Rijn) Dutch Rembrandt depicted the boundary between city and countryside. The print shows the so-called Little Stink Mill, an actual windmill that stood on the De Passeerde bulwark along the city wall that ran down the west side of Amsterdam. The mill was owned by the Leathermakers Guild and its nickname derived from its activity of softening tanned leather by treating it with cod liver oil. Rembrandt traced the mill and its surroundings in such detail that it seems likely he began the print on site and then finished it in the studio. Visible in the sky are diagonal striations that result from his having brushed acid over the surface of the printing plate for effect, and craquelure was more likely the result of an accident that occurred as the plate was being bitten by the acid.. The Windmill. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). 1641. Etching, with touches of drypoint. Prints

Drawing by Ferdinand Boberg. Uppland, Frösåkers hd., Forsmarks sn., Forsmark Nordic

The Paris Flood. Artist: Eugène Béjot (French, Paris 1867-1931 Paris). Dimensions: Sheet: 9 in. × 13 1/16 in. (22.8 × 33.2 cm)Plate: 5 1/8 × 7 15/16 in. (13 × 20.1 cm). Date: 1910. Museum: Metropolitan Museum of Art, New York, USA.

Falling road between two slopes. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 86 mm × w 129 mm. Museum: Rijksmuseum, Amsterdam.

Rhine, Rembrandt van, Netherlands, Koninck, Philips, Landscape with a carriage, verso lower left - stamped, A country road with a carriage near a house. In the distance two mills and the outlines of a town., print, prints, height 64 mm, width 174 mm, 1619-11-05 - 1688-04-10, print maker, printmaker, 1629 - 1688, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, plate tone, Northern Netherlands, 1606-07-15 - 1669-10-08

The Boat Trip: Night Voyage or Net Fishing (second version), 1861. Charles François Daubigny (French, 1817-1878). Etching with chine collé; sheet: 31.5 x 44.7 cm (12 3/8 x 17 5/8 in.); platemark: 14.1 x 19 cm (5 9/16 x 7 1/2 in.).

James McNeill Whistler, The Pool, 1859 The Pool

Haven in Dordrecht at Maanlicht, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1887 print Netherlands paper drypoint harbour. moonlight Dordrecht

Artwork: "Village Shore Scene," China, 1945- Artist: John G. Hanlen. Country: Unknown

Artist: James Mc, Neill Whistler, American, 1834-1903, The Little Putney No.1, Etching, 21.6 × 29.2 cm (8 1/2 × 11 1/2in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Rembrandt van Rijn, The Windmill, 1641 The Windmill

View of the sea from the quay at Veere. Draughtsman: Jan Toorop. Dating: 1868 - 1928. Measurements: h 198 mm × w 287 mm. Museum: Rijksmuseum, Amsterdam.

Pont-nuf in Paris, state II; Pankiewicz, Józef (1866-1940); 1904 (1904-00-00-1904-00-00);France (state), young Poland (style), Paris (France), Seine (France - River), French (culture), Polish graphics, bridges (archite.), State prints, city landscapes, Poland (culture)

Harbor face, Carel Nicolaas Storm of 's -Gravesande, 1889 - 1903 print paper drypoint harbour. sailing-ship, sailing-boat

Cold bath Chevrier said of the school Charles Meron (1821-1868). "Cold bath Chevrier said of the school". Forte, 1864.

Old Million Eyes. Dated: 1910. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Fisher's House, St. Jean-de-Mont. Louis Auguste Lepère; French, 1849-1918. Date: 1892. Dimensions: 110 × 198 mm (image/plate); 137 × 223 mm (sheet). Etching from a zinc plate on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Riva del Sciavoni; The Riva, No. 2; A Set of Twenty-Six Etchings. The wide quay Riva del Sciavoni, along the water in Venice.

Soleil couchant, port d'Anvers (Sunset, Port of Antwerp). Dated: 1868. Dimensions: plate: 15.8 x 23.9 cm (6 1/4 x 9 7/16 in.) sheet: 28 x 40.9 cm (11 x 16 1/8 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: Johan Barthold Jongkind.

Paul Dougherty, Floating Shack with Telephone Lines in the Distance, 1887-1947, drypoint on paper.

The Road to Rocquencourt. Dated: 1909. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

The Little Mast Made 1879-1880 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

The Windmill 1641 Holland. Etching on ivory laid paper . Rembrandt van Rijn

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Venice. Dated: late 19th century. Dimensions: overall: 12.5 x 19 cm (4 15/16 x 7 1/2 in.). Medium: black crayon on wove paper. Museum: National Gallery of Art, Washington DC. Author: Follower of James McNeill Whistler.

Public Wharf, Quai de la Gare. Louis Auguste Lepère; French, 1849-1918. Date: 1908. Dimensions: 212 × 181 mm (image); 223 × 190 mm (plate); 342 × 275 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Windmills in the Netherlands; Rubczak, Jan (1884-1942); around 1913 (1905-00-00-1915-00-00);Witke-Jeżewski, collection

The apple market, 1886 (dummy title)

Thames Police 1859 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Cityscape in misty weather, Simon Moulijn, 1886 print View of a dark square. On the right in the foreground a man and woman with a handcart. A bridge in the background. paper etching / counterproof square, place, circus, etc.. bridge. mist, fog. hand-cart

Laburnums and Battersea, 1889-1898. Theodore Roussel (French, 1847-1926). Etching and drypoint printed in brown ink;

Setting Sun, Antwerp Harbor Made 1868 Holland. Etching on ivory laid paper . Johan Barthold Jongkind

Sailing ships off the coast, Carel Nicolaas Storm of 's-Gravesande, 1885 print In the foreground a boathouse. paper etching / drypoint sailing-ship, sailing-boat. coast. boat-house, shed

Whitehall Court from Westminster , Historic buildings, Rivers, Boats. Joseph Pennell (1857-1926). Prints and Drawings

Fischerhafen in the Brittany, 1909 print View of a harbor with sailing boats. paper etching / drypoint harbour. sailing-ship, sailing-boat. prospect of village, silhouette of village Brittany

The Seine with a view of the Trocadero (IFF 9) (dummy title)

Lovis Corinth, At the Zoo, 1920 At the Zoo

Evening with rain, Eduard Karsen, 1870 - 1941 print A shipyard at a mill. paper etching windmill in landscape. pier, quay, wharf

James McNeill Whistler, Little Venice, 1880 Little Venice

Old Man by a River. Dated: c. 1863. Dimensions: sheet: 15.4 × 10.7 cm (6 1/16 × 4 3/16 in.). Medium: gouache and watercolor on light brown paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.

Evening, 1864. Francis Seymour Haden (British, 1818-1910). Etching;

Doesburgermolen, Willem Bastiaan Tholen, 1870 - 1914 print paper etching / drypoint lake. windmill in landscape Doesburgermolen

Liverdun, from the French Set (Douze Eaux-Fortes daprès Nature or Twelve Etchings from Nature). Artist: James McNeill Whistler, American, 1834-1903

Shore Scene with Buildings and Boats, Thomas Sully, 1783-1872, American, undated, Watercolor and graphite on medium, moderately textured, beige, wove paper, Sheet: 8 1/2 × 11 1/2 inches (21.6 × 29.2 cm)

Eagle Werf in on the Thames, James Abbott McNeill Whistler, 1859 print Werf with warehouses on the Thames in London, a number of small boats are on the quay. England paper etching pier, quay, wharf Eagle Wharf. Theems

Dundee , Cities & towns, Rivers. Sir David Young Cameron (1865-1945). Prints

Landscape. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: THEO VON BROCKHUSEN.

L'Estacade. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1899. Dimensions: 115 x 249 mm (image); 118 x 250 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The punt , Piers & wharves, Boats. James McNeill Whistler (1834-1903). Lithographs

Under the Bridge of Bercy (Sous le pont de Bercy). Dated: 1894. Medium: etching and aquatint. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Dock at Newport. John Henry Twachtman; American, 1853-1902. Date: 1893. Dimensions: 121 x 170 mm (image); 127 x 175 mm (plate); 291 x 305 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Pier of Bercy (Embarcadere, quai de Bercy). Dated: 1891. Medium: etching and drypoint in brown. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Thomas Sully, 1783-1872, American, Shore Scene with Buildings and Boats, undated. Watercolor and graphite on medium, moderately textured, beige, wove paper.

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