Rococo Altar Designs and Decorations

Ornate altar designs featuring mythical scenes, religious figures, and elegant rocaille ornaments. Elegant styles characterized by elaborate framing and detailed illustrations.

Relic holder with the Arma Christi and a performance of the Pietà, 1714 print Numbered in the top left: no. 17. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching ornaments ~ art. relics (and reliquaries). 'Pietà', 'Vesperbild', 'Marienklage' (no others present): Christ, either with or without crown of thorns, mourned by Mary. 'Arma Christi'

Magicians at a table and the appearance of a demon. Two wizards are sitting at a table while a demon appears. Two men serve them. The show is caught in an ornamental list of horns of excessive.

Design for Altar Decorations for a Liturgical Celebration 1750-75 Anonymous, Italian, Piedmontese, 18th century Italian. Design for Altar Decorations for a Liturgical Celebration 343283

Altaar met Johannes de Doper en Johannes de Evangelist; Ontwerpen voor altaren.Design and map of Altar with Rocaille ornaments. Left and right John the Baptist with staff and lamb and Johannes de evangelist with book and eagle. Above two putti. Publisher number 34.

Drawing reproduction: Zenon Chrzanowski (1866-1918), altar project to the Church of Visits in Lublin; Z: "Tygodnik Ilustrowany", 1903 (II) 953; Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1903 (1903-00-00-1903-00-00);

Relic holder with the Arma Christi and a performance of the Pietà, 1714 print Numbered in the top left: no. 17. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching ornaments ~ art. relics (and reliquaries). 'Pietà', 'Vesperbild', 'Marienklage' (no others present): Christ, either with or without crown of thorns, mourned by Mary. 'Arma Christi'

Halved Variant Designs for un Altar with the Virgin of the Immaculate Conception in the Central Cartouche 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Halved Variant Designs for un Altar with the Virgin of the Immaculate Conception in the Central Cartouche 340728

Mausoleum; Grave monuments. Tomb in a church with a lying woman and two children with a shield wearing a monogram (WR, William Rex). On the main frame of the Tempietto is a crowned coat of arms (from William II).

Altar with worship by the shepherds; Designs for altars. Design for an altar with rocaille ornaments and in the middle an image of worship by the shepherds. Adam and EVA are on either side, Eve stands next to the tree of the knowledge of good and evil with snake. On top of putty heads and a flying angel with a bazuin and palm branch.

Pulpit with the transfiguration of Christ; Prece chairs. Pulpit with rocaille ornaments and the transfiguration of Christ in the presence of the Apostles Petrus, Johannes and James. Publisher number 304.

Saint. Wojciech (956 Libice 997 Saint Gaj Near Pasłęka) The Tomb of St. Wojciech

Christ in Gethsemane, Jan Punt, 1742 print Christ prays in the court of Getsemane. An angel appears from heaven. Petrus, Johannes and Jacobus sleep on the left. Golgota on the right with the three crosses. The show is caught in an ornamental frame with medallions. On the corners the four evangelists and in the other medallions scenes from the passion of Christ. Amsterdam paper etching Christ's prayer in the Garden of Gethsemane during the night. the four evangelists together (author portraits). the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1). carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian). bearing of Christ's body to the grave

Side Chapel, with Figures of Charity, the Virgin, and Saints, Pen and gray ink, gray, pink wash, white gouche on white laid paper, A canopy is shown as the frame of a painting over an altar in the center. Laterally are pilasters, the left one showing a candle bracket. An escutcheon is held by two angels in the left bay; 'Love' with four children is shown in the right bay. Curtains are in either bay. The Immaculate Conception is shown in the conch, revered by angels and two small saints., Italy, Italy, ca. 1750, architecture, Drawing, Drawing

Design for an Altar, plate 2 of 'Nuove Inventioni d'Ornament...', Filippo Passarini, 1636-1698, Engraving on laid paper, An altar with high architectural superstructure, in alternate suggestion, flanked by sanctuary lamps, and at left, a doorway. A priest is shown celebrating mass, att4nded by an acolyte and a worshiper., Rome, Italy, 1698, architecture, interiors, Print, Print

Tongues of fire appear to the apostles, who sit around a throne, occupied by the praying Virgin Mary. Reproduction of a woodcut.

Mother of God with the Child from Podkamień Picture of the Blessed Virgin Mary in Podkamień / crowned on August 15, 1727 unknown

Altar with a sculpted group of the mission at the cross, anonymous, c. 1700 - c. 1725 Altar with a sculpted group of the mission at the cross, above which two angels hold a god lamp, under a canopyin consisting of four Corinthian columns that carry two bent parts of a cornice on which four volutes decorated with leaves wear a crown where one lambrequin depends. The altar, the columns and the crown show alternative solutions on the left and right. Paris paper. graphite (mineral). ink brush / pen altar. the mourning over the dead Christ

Altar with God the Father, Anonymous, After Franz Xaver Habermann, 1740 - 1745 print Altar with rocaille ornaments and God the Father with Globe in jet wreath surrounded by winged putti. Publishing number 300. Augsburg paper etching / engraving altar. God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe

Daniel Mignot, Large Pendant with Two Double Crosses, Surrounded by Six Large and Sixteen Small Table Stones Large Pendant with Two Double Crosses, Surrounded by Six Large and Sixteen Small Table-Stones

Wish letter with decorative frame, 1761 - 1804 print Wish letter with unwritten cartouche within a decorative framework with representations of the circumcision of Christ, the worship by the kings, New Year's letters and of winter activities. Numbered below: No. Ii. Amsterdam paper letterpress printing adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh) (+ donor(s), supplicant(s), whether or not with patron saint(s)). circumcision of the Christ-child by the priest in the temple (Luke 2:21). skates (winter sports)

Tabernacle with crucifix, anonymous, after François Boucher, 1737 - 1806 print A tabernacle in a niche with columns. On the tabernacle is a crucifix surrounded by clouds and a jet wreath, there is a vase on either side. Augsburg paper etching / engraving Tabernacle ~ Altar. Altarcross, crucifix. vase ~ ornament

Ornament with two women who personalize the faith and the coat of arms of Pope Clemens XI; Various ecclesiastical objects; Disegni Diversi Inventati E Delineati da Giovanni Giardini da Forlì.numbered Upper Left: No. 90.

Pulpit with the Lamb and the book with the seven stamps, 1790 print Front view and map of a pulpit with iron staircases. The tub of the pulpit is decorated with an image of Christ who carries the cross. Above that is an image of the Holy Spirit in the form of a pigeon in a jet wreath. The pulpit is closed with a sounding board decorated with a cross and the lamb on the book with the seven stamps. A German text in the lower margin. Warrior paper engraving pulpit, ambo, chancel. carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian). Holy Ghost represented as a dove (in flames). the vision of the Lamb and the book with the seven seals

Tabernacle with Obviously of Christ, Jean Lepautre, c. 1666 - c. 1693 print In the middle of the letter is the letter b. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

Altar in the canonization of Jacobus de Marchia and Franciscus Solanus, 1726; Prospectus Altaris Sub Canonizationis Solemniis SS Jacobi à Marchia et Francisci Solani Ordinis Minorum Erecti Antverpiae in ecclesia FF Minorum Recollectorum. Altar on the occasion of the canonization of the Franciscan Jacobus de Marchia and Franciscus Solanus in 1726, founded in the Church of the Franciscan Minderboys in Antwerp. With caption of 5 lines in Latin.

Ornamental Sermon for Church Visit in Leiden, Noah van der Meer (II), 1750 - 1759 print Ornamental frame crowned by putti with trumpets and the coats of arms of Leiden. In the middle a circle with the names of the Leiden churches and the moments when preaching was. In the circle one could put a line when a visit was made to a church. Leiden paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. ornaments ~ art Leiden

Titelblad: tabernacles of altars in Italy, Jean Lepautre, 1661 print Tabernacle with monstrans under a canopy. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Choir chair; Choirs. Choir chair awarded angels and a cross. Print is part of an album.

Altar with vases; Altars. Altar with rocaille ornaments and two vases. Publisher number 160.

Chancellor with Christ Child, Anonymous, After Georg Peter Schillinger, 1705 - 1775 print A pulpit altar with columns, rocaille ornaments and vases. The Christ child with a globe and ray wreath awarded the whole. Augsburg paper etching / engraving altar. pulpit, ambo, chancel. Christ-child (with attributes)

High foot on which a temple stands; Grotesque flat decorations with candelabels, mythological figures, fabulous arteries, leaf refrences and trophies. On either side of the foot is a woman with a spin skirts. Left and right rises a candelab. Sheet from series of 9 sheets.

See here three fathers of the first world, with / the three patrons of Isrel, before the law (...), 1715 - 1813 print Leaf with a large representation of a staircase with thirteen steps. There are Moses, patriarchs, kings and prophets on the steps. In the arch under the stairs the temptation of Adam and Eva to the tree of knowledge of good and evil. Under the image one fresh in two columns. Numbered at the top right: No. 112. publisher: Amsterdamprint maker: Netherlands paper letterpress printing the serpent tries to persuade Eve to take some of the fruit (usually an apple). Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law - patron, intercessor ~ the Old Testament (not in biblical context). groups of prophets, usually holding books or scrolls (Isaiah, Jeremiah, Ezekiel, Daniel, Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, Zechariah, Malachi). prophets, sibyls, evangelists, Doctors of the Ch

Altar with Cross, Anonymous, After Franz Xaver Habermann, 1740 - 1745 print Altar with rocaille ornaments, two vases, a cross surrounded by winged putti and the lamb with the book with the seven stamps. Publishing number 300. Augsburg paper etching / engraving altar. the cross ~ symbols of Christ

Sara funeral. Abraham buries his wife Sara in the cave on the field of Machpela. Midden under a reference to the Bible text in Gen. 23:19. The show is caught in an ornamental picture frame with two birds and a skull.

Greeting letter with performances from the New Testament. Call letter with unwritten cartouche within a decorative framework with representations from the New Testament, such as Pentecost and the healing of the lame. Numbered at the bottom right: No. IV.

De Borstlap of the court, Philip van Gunst, 1685 - 1725 print The lining of the chestlap of targeted, a piece of clothing that only Jewish high priests can wear and that distinguishes them from the ordinary priests and the Levites. The lining is decorated with ornaments and carries the Hebrew names of the twelve tribes of Israel in Samaritan alphabet. Amsterdam paper etching Hebrew script

Chapel and tombstone of Erik X van Sweden in the monastery church of Varnhem, Willem Swidde, 1692 The print is part of an album. paper etching Varnhem The print is part of an album. paper etching Varnhem

Theater for the happy introduction of the Cardinal-Infant Ferdinand in Austria in Antwerp. On the occasion of the arrival of the Cardinal-Infant Ferdinand in Austria, large festivities were organized in Antwerp in 1634. On the stage, the Cardinal-Infante with Minerva and the personification of peace is on the right. Behind them Justitia, and personifications of trade and wealth. On the left is a group of actors who perform a play in honor of Ferdinand. In the middle of ecclesiastical dignitaries and citizens. The scenic is richly decorated, the Cardinal weapon of Ferdinand van Austria shows off on the corner.

Tabernacle on an altar decorated with angels and saints

Church interior with altar surrounded by candle carrying angels; Raccolta di Dissegni Originali di Mauro Tesi. Print is part of an album.

17th-century copper engraving and etching by Mathäus Küsel depicting a Thesenblatt with Saint Katharina as the patron of philosophy.

Thomas of aquino. Portrait of Thomas of aquino. Oval medallion with bust to the right. The scholastic philosopher Thomas from Aquino has a monks. Two cartouches left and right of the portrait with Latin inscriptions. At the top of a coat of arms. At the bottom of a cartouche with a dedication to Cardinal Michael Ghisleri.

Tombs of the convent of good men.

Ornament list awarded with Maria with child, anonymous, 1744 - 1794 print An ornamental oval list is crowned by a stone with an image of Mary with Christ child. Two angels hold the stone. paper engraving Madonna: i.e. Mary with the Christ-child. angels

Images of two Indian gods. Two representations of images of Indian gods, respectively Shiva (Ixora) and his son Ganesha (Qeunevadi). Believers kneel in worship in the temple. Under the performances a caption in French. At the top right numbered: 100.

Epitaaf with Christ between Engelen, 1557 print A sarcophagus hangs against a wall, the lid of which is supported by three Caratives. At the top, a triangular pediment awards a performance of Christ with cross between three angels. Belongs to series consisting of a title page, a text top and 14 magazines with grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes. Netherlands (possibly) paper etching gravestone, tombstone. ornaments ~ art. adult Christ together with angels

Relic holder with Christ on the cross ..

Cartouche with the worship by the Shepherds, Jan Caspar Philips, 1736 print The birth of Christ in the stable. Rads from heaven describe the child. The shepherds kneel in worship. Left in the background the kings on their way to Bethlehem. Amsterdam paper etching / engraving adoration of the Christ-child by the shepherds; Mary and Joseph present. the star appears again and guides the three Wise Men to Bethlehem

Relic holder with crucifixion scene and woman with a cross under Palmboom, 1714 print Numbered in the top left: no. 9. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching relics (and reliquaries). the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Month Met God, Claude Melan, 1608 - 1688 print paper engraving ostensorium, monstrance. God the Father

Float in the funeral procession of Aartshertog Albrecht, seen from behind (plate XLVIIC), 1622; Spectrum Currus a Tergo HIC VIDES; Here Sit Ghy Den Waghen from behind; Funeral of Aartshertog Albrecht, 1622; Pompa Funebris Optimi Potentissimiq. Principis Alberti Pii. The float in the funeral procession, given from behind. Plate XLVIIC in the series of the funeral of Aartshertog Albrecht of Austria in Brussels on March 12, 1622.

Title page for: H. Rosweyde, 'TVAders book, Antwerp, 1617. A niche for which a white canvas. On either side of the niche the Holy Paul and Antonius in monk trij. At the top of the niche left Elia (with a raven that brings him bread), cross the Baptist with his lamb. In the middle of the Holy Eugenia and Paula, sitting at a cartouche with winged skull.

Altar with miraculous host, so-called miracle of the H. sacrament in Brussels, 1370. Miracle of the H. Sacrament in Brussels, 1370. Altar with manta of Mary to the miraculous host, in a large ereportion founded by the Archdukes Albert and Isabella. Emperor Charles V would have laid down his crown on this altar in his heights in 1555. With caption of three rules in Latin.

Cartoon on the Jesuits, ca. 1858; Historical solicitable memorial of religion and zicing, preached and practiced by the followers of Don Inigo de Guipuscöa (...). Cartoon on the Jesuits, approx. 1858. Monument or temple with centrally an image of the ignatius of Loyola. Left and right preaching Jesuits at shooting guns, and chained. On the stairs skulls of popes, bishops and kings. The temple crowned by an idol. Behind the temple dark clouds and lightning bolts. The legend is missing.

Altar; Designs for altars.design and map of Altar with Rocaille Ornaments. Publisher Number 49.

Broadsheet in Commemoration of the 200th Anniversary of the Augsburg Confession of 1530 ca. 1730 Johann Gottfried Boeck German Broadsheet with a representation of a Triumphal Arch in honor of the 200th anniversary of the so-called Augsburg Confession of 1530. The triumphal arch consists of four tiers, crowned by the figure of Christ as Savior on top of an armorial trophy. Represented in the arch are various people who played an important role in the Reformation of the Church. To explain the theological program of the triumphal arch, various blocks of text have been added to the plate.. Broadsheet in Commemoration of the 200th Anniversary of the Augsburg Confession of 1530 654207

Fly on a column; The fly. There is a fly to a column of a temple. On the right is a spider in her web. In the foreground a burning candlestick, a bowl, a vase and an incense vessel.

Finding P. Jesus between Doko Rami The twelve year old Christ teaches in the temple Filipowicz, Jan Józef (CA 1710 Ca 1767/1770)

The altar of Our Lady of of the Gate of Dawn during a Holy Mass. Chardon, Francis ainé et Fils (Paryż ; drukarnia ; ca 1821-1880), printing house, Corr, Ernst Mathieu Erin (1805-1862), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Architectural burial monument with depicting Christ; Coenotaphiorum; Tombs and grave monuments. Architectural grave monument intended to be placed against a wall. The monument consists of a dual build-up with a protruding center risalite. In the middle of the sarcophagus with the depicting of the deceased in pollution. His head rests on a sphinx. In a niche of Christ with the cross. Belonging, among other things, a flashing with coats of arms, flanked by Kariatids. Four lines of text in the undergarment, in two columns in Latin. The print is part of an album.

Album n 4; Stained glass project for Isle Adam; Window has two tranks; RIGHT: JESUS __CHARPENTIER, LAZARE Resurrection (), Left: Wedding of the Virgin, Leak in Egypt Gsell-Laurent workshop. Album n 4; Stained glass project for Isle Adam; two span window; Right: Jesus Carpenter, Resurrection of Lazarus (), Left: Marriage of the Virgin, leak in Egypt. Pencil and enhanced gouache.

Angels around the Ark of the Covenant, Anonymous, 1650 - 1750 print paper engraving / etching the decoration of the temple of Solomon. two cherubs placed within the inner sanctuary ~ temple of Solomon. Ark of the Covenant ~ Jewish religion

Confessional with monk; Johann Jacob Schüblers ZWÖLFFTE Ausgabe Seines Vorhabenden Werchs, Wornons Vergestellet became Neu-Inventirte Confessioneaux Oder Bedicht-Stühle (...). An ornamented confessional, crowned with a cross. A monk decreases the confession of a man with beard right. A three-legged German text in the sub-margin.

Print of a medallion with a representation of a wedding ceremony in a church. Print of a medallion. In a church, a man and a woman are connected to the real by a pastor. A number of people watch. In the peripheral a bible verse from SPR. 19:14 And a Bible rivers from Pred. 4: 7-12.

Epitaaf of spiritual; Lesson epitaphes. The spiritual is depicted in an oval niche. From series of 7 sheets.

Wall sculpture of a holy, presumably dominic Guzman, by Giovanni della Robbia, c. 1875 - c. 1900 photograph Europe cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). Dominic(us) Guzman of Calerueja, founder of the Order of Preachers (or Dominican (Black) Friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star Florence

Altar mit der Schönen Maria von Regensburg, 1520. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Scepter with the personifications of hope and faith and papal weapon, 1714 print Numbered in the top left: no. 50. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching sceptre, staff (symbol of sovereignty). female saints. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Allegorische voorstelling met twee personificaties van de waarheid.A women's figure with a mirror in her hand and a sun on her chest, decreases a veil from a woman's figure with a flame on the head and in her hand a mask and a trumpet. Behind them a round temple with the text: Temple of truth.

Altar with three niches, 1666 - Before 1678 With the Annunciation, St. Francis and the monograms of Christ and Mary. This print is part of an album. after design by: Wemdingpublisher: Neurenberg paper engraving auricular ornament, lobe style ~ ornament. altar. the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Relic holder with putti with flowers; Various ecclesiastical objects; Disegni Diversi Inventati e DeLineeati da Giovanni Giardini da Forlì.numbered at the Top Left: No. 13.

Etching by Alessandro Specchi from 1691 depicting a fundle ceremony for Pope Alexander VIII in St. Peter's Basilica, Rome, showing figures, ceremonial elements, and interior architecture.

The Katafalk for Empress Elisabeth Christine Te Brussels, 1751.The KataFalk for Elisabeth Christine, EmperRia, widow of Emperor Karel VI, Drawn up in the St. Goedel Church in Brussels at the Funeral on March 12, 1751.

The tombstone of Katarzyna Jagiellonka in the cathedral in Upsala; Unknown, Ozi B

Fireworks and triumphal arch erected in Buda to celebrate the expulsion of the Turks, September 1686 1686 Anonymous Double-headed eagle above crescent.. Fireworks and triumphal arch erected in Buda to celebrate the expulsion of the Turks, September 1686 681123

Tabernacle with angels, anonymous, after François Boucher, 1737 - 1806 print A tabernacle with a cross and garlands. On both sides is an angel with a smoking vessel. Augsburg paper etching / engraving Tabernacle ~ Altar. Altarcross, crucifix. angels

A 1705 copper engraving by Johann Andreas Pfeffel depicting the Castrum Doloris for Leopold I in St. Michael, showing ceremonial arrangements, architecture, and mourners.

A frame with putti on the left and right showing four cartouches. Top left the three kings with King Herod, bottom left the flight into Egypt. Top right the Massacre of the Innocents in Bethlehem, bottom right the baptism of Christ by John the Baptist. Center above the star of Bethlehem and the three gifts of the three kings: gold, frankincense and myrrh. At the bottom two putti fill six stone vessels with water, a reference to the first miracle of Christ at the wedding at Cana., print, prent, prints, prenten, height 303 mm, width 204 mm, print maker, prentmaker, 1650 - 1750, paper, papier, engraving, engraving (printing process)

Sculpture with crucifix, Jakob Frey (I), After Agostino Masucci, 1742 print Germany paper etching / engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). the Archangel Michael fighting the dragon (devil, Satan)

This 1612 etching by Jacques Callot depicts the funeral service for the King of Spain, illustrating ceremonial figures, mourners, and architectural elements of the procession.

Album n � 4; Glass Glass Glass Project: Procession Gsell-Laurent workshop. Album n � 4; Stained glass project for Gonsans: Procession. Photography.

Christ stripped of his clothing; The seven penal agents; Septem Psalmi Davidici. Two soldiers pull the clothes of Christ's body. The performance is caught in a cartouche and placed in the middle of the psalm text printed in a button pattern.

Altar with Cr che, Pen and brown ink, gray wash on white laid paper, Rome, Italy, 1650-1700, architecture, Drawing, Drawing

Funeral of Sara, Bernard Picart (workshop of), After Bernard Picart, 1683 - 1733 print Abraham buries his wife Sara in the cave on the field of Machpela. In the middle of a reference to the Bible text in Gen. 23:19. The show is caught in an ornament frame with two birds at the top and a skull. Amsterdam paper etching / engraving Sarah's burial in the cave of Machpelah

Allegorische voorstelling rond de handelingen van de Apostelen; De handelingen der apostelen.Vignet with the apostles in the middle during the Nederdal of the Holy Spirit, flanked by performances from the lives of the apostles. In the foreground, four personifications of the cardinal virtues and naked children. One of these does a scripture in which someone else writes the word "" proof ".

Triptych with four saints, Arnoud Schaepkens, 1847 print paper etching (liturgical) equipment of church

The altar of Our Lady of of the Gate of Dawn during a Holy Mass. Chardon, Francis ainé et Fils (Paryż ; drukarnia ; ca 1821-1880), printing house, Corr, Ernst Mathieu Erin (1805-1862), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Wish letter with performances from the New Testament, 1761 - 1804 print Wish letter with unwritten cartouche within a decorative framework with performances from the New Testament, such as Pentecost and the healing of the Lamme. Numbered below: No. Iv. Amsterdam paper letterpress printing New Testament. Pentecost, Whitsunday

Ivory bishop's staff, with the crucifixion of Christ. .

Choir gate with open door; Choir gates. A monk is visible through the door. From third edition.

Church of Celestins / Pl x / Tomb of the Family of Péré

Sculpture with crucifix, Jakob Frey (I), After Agostino Masucci, 1742 print Germany paper etching / engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). the Archangel Michael fighting the dragon (devil, Satan)

Then went Satan forth from the presence of the Lord, 1825, William Blake, British, 1757-1827, 8 7/16 x 6 5/8 in. (21.43 x 16.83 cm) (sheet), Engraving, England, 19th century, Plate V is not based on the biblical text. Here Job shares his last loaf of bread with a blind beggar. He does this since it is the proper thing to do not because he naturally wishes to do it. Such charity can only be bestowed and received with the left hand. Job's God keeps his seat by clutching at the book of law; the scroll which represents the better sides of Job's life that he has ignored appears dangling and ignored in his left hand. Nevertheless, this type of charity is a spiritual act (his right foot protrudes beneath the robe) and the angels still attend to him.

Grave of Frederik the Great in the Garnisonskirche in Potsdam, Carel Christiaan Antony Last, 1842 - 1887 print Access to the grave is under the pulpit. The Hague paper. interior of church. parts of church interior (crypt). pulpit, ambo, chancel Garnisonkirche

The Font, Church of St. Stephen, Rochester-Row, Westminster, London, 1850. Font '...having most conspicuous, among the Scriptural subjects sculptured on the panels, the Baptism of our Saviour, Christ blessing little Children, and the Resurrection'. From "Illustrated London News", 1850.

Etching by an anonymous artist depicting the fundle of funeral exequias for Pope Clemens XII in St. Peter's Basilica in Rome from February 7-13, 1740.

Funérailles du Comte de Castellane, Maréchal de France , Toten celebration for the Comte de Castellane, Marshal of France from L´Ichrustation, Journal Universel , Best, Cosson, Smeeton , Cie, Realization

Altar of Colored Marbles,, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, over graphite on white laid paper, Horizontal composition of a colored marble altar with four steps beneath. The front of the mensa is decorated in the middle by a cross framed with an oval garland. The lateral panels feature the coat-of-arms of a prelate with a lion rampant. The tabernacle is in the center of the altar bank with a circular pediment above and three burning candles on each side. The candles are flanked by green angel statues with green cornucopiae with red flames. Clouds are beneath the angels feet., Rome, Italy, Italy, ca. 1820, architecture, Drawing, Drawing

Freemasons - Code, Anonymous, Huibert Horneer, 1835 - 1877 print The text is in the midst of two columns and a frame with oak leaves. On the columns are laurel wreaths and the letters J and B. above the title The symbols of Freemasonry: the compass, the square, a slash, a trowel and a ruler. Gorinchem paper miscellaneous religions, cults and doctrines: Freemasonry. conceptions and ideas visualized ~ Freemasonry. symbolic representations ~ Freemasonry

A clergyman in a coffin holding a crozier is surrounded by a group of mourners. Line block.

Netherlandish 16th Century, Triumphant Christ with Prophets and Saints Triumphant Christ with Prophets and Saints

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