Rococo and Baroque Architecture

Elegant prints showcasing Rococo and Baroque architecture, featuring ornate palaces, fountains, and grand celebrations, rich in historical context and artistic detail.

Louis XV (king of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Rococo palace with fountain, waterfall and stairs, This print is part of an album., print, album sheet, ornamental print, prints, height 133 mm, width 201 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher, uitgeverij, 1710-02-15 - 1774-05-10, granter of privilege

Louis XV (king of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Rococo palace with fountain, waterfall and stairs, This print is part of an album., print, album sheet, ornamental print, prints, height 133 mm, width 201 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher, uitgeverij, 1710-02-15 - 1774-05-10, granter of privilege

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Il Mondo Festeggiant, Carrousel represented in Florence. Order in which the Prince of Tuscany, the quadrilles and the tanks rowed around Mount Atlas. First piece. (A. de Vesme 70; Dutuit 200) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Fountain in the gardens of the Palace Het Loo; DELECTENE SIGNED OF THE MISTRY MANAGEMENT LOO LOW AND OTHER PRISPLE HOUSE; Admirandorum Quadruplex Spectaculum. Elegantly dressed ladies and gentlemen plenty of the big fountain on the east side of the large garden of the Loo. Print from a series of 71 prints with Rhine landscapes, faces on regal palaces and cityscapes from The Hague and Amsterdam.

Fireworks celebrating the marriage of Emperor Leopold I and Margarita, Vienna 1666. Artist: Melchior Küsel (German, 1626-1683). Dimensions: Sheet (Trimmed): 11 11/16 × 13 7/16 in. (29.7 × 34.1 cm). Date: after 1666. Museum: Metropolitan Museum of Art, New York, USA.

Reconstruction of the Circus of Caracalla (above) and a View of the Ruins (below). Artist: Jan Goeree (Dutch, Middelburg 1670-1731 Amsterdam). Dimensions: 13 1/8 x 8 -1/8 in. (33.3 x 20.6 cm). Date: before 1704. Museum: Metropolitan Museum of Art, New York, USA.

Speculum Romanae Magnificentiae: Circus Maximus. Artist: Anonymous; After Pirro Ligorio (Italian, Naples ca. 1512/13-1583 Ferrara). Dimensions: sheet: 14 x 21 7/8 in. (35.5 x 55.5 cm)mount: 20 1/16 x 27 3/8 in. (51 x 69.5 cm). Publisher: Bolognino Zaltieri (Italian, active Venice, 1555-76). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1553.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page f

Antonio Lafreri, 1512-1577, French, Circi Maximi Accuratissima Descriptio, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Huis van Jeronimo Nunes da Costa (Moses Curiel) on the Nieuwe Herengracht in Amsterdam; Hof van den Ed: Mr. D'Acoste. View of the Jeronimo's house (Hieronymus) Nunes Da Costa, Alias Moses Curiël, on the Nieuwe Herengracht (now number 59) in Amsterdam. For the building there are some first name dressed ladies and gentlemen and a coach with two horses. The man with hat in hand in front of the house is possible Nunes da Costa itself. Due to the gate behind him, his famous garden can be seen. In the canal a covered sloop. In the foreground two laundries, a reading and a spinning woman. Above a banderole with the title.

Fireworks at the celebration of the Peace of Utrecht, 1713; On new corrects fire WERCH in S'gravenhagen from State Room in the Vyver to Sien Ordonizes by her high-morning Heeren Staenen General of the United Netherlands, to treat the Versed with the king of Vrankryk to Utrecht on April 11, 1713 / Representation Du Feu d'Artifice a la Haye (...). Stellage with fireworks set up commissioned by the States General at the Hofvijver in 's-Gravenhage at the celebration of the peace of Utrecht, 14 June 1713. In the caption of titles in Dutch and French and with a legend only in Dutch.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Ground plan for a fortress, fort or reinforcement (pentagon). Byond this a fight in a army camp. In the top right of the number 44 (= the number of the page in the book to which the illustration is placed).

April: a garden (bull); Aprile; The twelve months (part 1). Imagination of human activity in the month of April. View in a garden with people working in the garden and people looking out their entertainment. In the middle above the symbol for the constellation bull. Italian fresh and title in undermarge.

66.B / Ribbon Fire (IT)

Elevation of fireworks ... (IT)

The Temple of Honor of the Glory of Louis le Grand 1689 Anonymous, French, 17th century. The Temple of Honor of the Glory of Louis le Grand 700312

Pantomime with fireworks performed for the marriage of Emperor Leopold I to the Infanta Margarita of Spain in Vienna, 1666 1666 Melchior Küsel German Hercules battling centaurs at center. Plate from a book documenting the fireworks display for the marriage of Leopold I to the Infanta Margarita of Spain, titled: 'Vin Himmeln entzündete und durch allgemeinen Zuruff der Erde sich Himmelwerts erschwingende Frolokshungs Flammen zur Begengnus des Hochzeitlichen beylagers Beeder Khaiserlichen Maistäten Leopoldi des Ersten Römischen Kaisers auch zu Hungarn und Böham Königs, Ertzhertzogen zu Oesterreich, etc. und Margarita geborner Infantin aus Hispanien 1666'.. Pantomime with fireworks performed for the marriage of Emperor Leopold I to the Infanta Margarita of Spain in Vienna, 1666 681112

Il Castello che al Presente si Dice Sant'Angelo Anticamente Fu il Sepolcro de Adriano, Print made by unknown artist, sixteenth century, Published by Giovanni Orlandi, active 1590-1640, Italian, Published by Claude Duchet, died ca. 1585, French, Published by Antonio Lafreri, 1512-1577, French, 1583, Line engraving on medium, slightly textured, cream laid paper, Sheet: 17 3/8 × 15 inches (44.1 × 38.1 cm), Plate: 17 × 14 5/8 inches (43.2 × 37.1 cm), and Image: 12 7/8 × 14 3/8 inches (32.7 × 36.5 cm)

François Vivares / 'Perspectiva con figuras y arquitecturas clásicas', 1740, British School, Etching on paper, 222 mm x 319 mm, G03013. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Plate One, from The Analysis of Beauty 1753 England. Etching and engraving in black on cream laid paper (now in two parts, with the right side laid down on front book cover) . William Hogarth

Etching by an unidentified artist from 1651 depicting fireworks at the wedding of Emperor Ferdinand III on May 6, 1651, displayed on an ephemeral scaffold in front of the Burgtor.

Fountain in the gardens of Paleis Het Loo, 1695 - 1705 print Elegant dressed ladies and gentlemen are relieved at the large fountain on the east side of the large garden of the Loo. Print from a series of 71 prints with Rhine landscapes, faces on royal palaces and cityscapes from The Hague and Amsterdam. paper etching French or architectonic garden; formal garden. garden fountain Palace Het Loo

Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Seconda Macchina for the Chinea of 1767 Mount Etna with the Forge of Vulcan, 1767 The Seconda Macchina for the Chinea of 1767: Mount Etna with the Forge of Vulcan

Etching by Stefano Scolari showing a regatta in front of Santa Maria della Salute in Venice, with gondolas and spectators on the water.

Augsburg, Stapf, Johann Ulrich, France, Lepautre, Jean, Fountains or gargoyles in Italian style, Fountain with high pedestal, At the top is the statue of a Roman general, in the middle hang trophies of arms and below that sit female figures., print, ornament print, prints, ornament prints, height 220 mm, width 150 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1661 - 1706, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1642 - 1706-06-01, publisher

Print at the top right labeled: FIG. 25.

Repræsentatio scenographica Arcis Cronenburg auspiciis S.R. M. Sueciæ. ductu vero Exell. Dn. Com. C.G. Wrangelij reg. Sue. archithalassi et locumtenentis regij generalis -15 Aug. oppugnari cœptæ et -6 Septemb. pactionibus occupatæ. anno. 1658 , Kronborg Helsingør, Denmark, Pictorial works, Swedish-Dutch War, 1658-1659, Pictorial works, Early works to 1800, Helsingør Denmark, Pictorial works, Early works to 1800, Helsingør Denmark, Aerial views, Early works to 1800 Norman B. Leventhal Map Center Collection

Erpoort at the grave of the promotionists, 1720; Memorial arc, at the Blauw site of the promoted promotionists / Arc Memorial Dressé Au Lieu de l'Enterrement des Actionistes Consumés; The great scene of foolishness. Stadsplein with a great honorary port was established by the death and funeral of the promoted promoters. In the middle, a grave is filled with the worthless shares, a funeral procession will come from the left. In the subjects on the Erochen represent representations of the Disease Bed of the Actionist, John Law, the Utrecht Channel etc. Left a man with a viewing cupboard with the Mississippi and the South. With caption in 8 columns in Dutch and French ending with the burial of: Men's bubble. Print 33 in the series of large scene of foolishness with cartriders on the 1820 wind trade.

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Fountain in the court of Bracciano palace Fountain, standing in the court of the Furstic Palace of Bracciano Views in Rome , print maker: anonymous, publisher: Pieter Schenk (I), (mentioned on object), unknown, (mentioned on object), Amsterdam, 1675 - 1711, paper, etching, h 168 mm × w 198 mm

Pen and brush drawing showing an idealized view of the Gibraltar street with Heracles pillars, emphasizing architecture and landscape composition.

Victories of the Allies (lower half), 1691, 1691 print Large print on two magazines in which the victories of the Allies in the Turks and French are celebrated in the year 1691. Lower half with the center of the English army of King William III among the Dutch General Godard, Baron van Reede-Ginckel, on the Catholics of Jacobus II, at Aghrim (or Aughrim) on July 22, 1691. Six smaller representations on the sides From victories of the English in Ireland and of the Allies against the French. At the bottom, the Almanac for the year 1692. Amsterdam paper etching / engraving / letterpress printing battle (+ land forces)

Fontein van Flora te Versailles, Maurice Baquoy (possibly), 1705 - 1747 print Numbered at the bottom: 28. Paris paper engraving / etching statues, sculptures in garden. (story of) Flora Castle of Versailles

Wish letter with people who want each other a happy New Year, 1782 - 1793 print Wish letter with unwritten cartouche within a decorative framework with performances of children playing and people who wish each other a happy New Year. Numbered at the top right: No. 30. publisher: Amsterdamprint maker: Netherlands paper etching January 1 (~ festivities). children's games and plays. games using special objects (marbles, top, hoop, etc.)

Bucintoro and other ships in Venice; Scenes from the Venetian life; Habiti d'Huomeni e Donne Venetiane Con La Processione della Ser.ma Signoria et Altri Particoli Cioè Trionfi Feste et Cerimony Publiche Della Nobilissima Città di Venetia. Several ships including the Bucintoro, the galei of the Doge. Drawn Italian text in undermarge. The print is part of an album.

Italy, Spada, Valerio, Lent, verso - stamped, Depiction of Lent with in the middle a staircase of which the 40 steps represent the forty days of Lent. On the right seven scenes from the life of Christ. On the left two scenes with figures on the street, the upper one taking place on the Piazza della Sognoria in Florence. Above a landscape with a church and a company around a table. Below figures with masks and a figure on a cart drawn by an elephant., print, prints, height 488 mm, width 373 mm, Italian, 1613 - 1688, print maker, printmaker, 1653 - 1654, paper, papier, etching, etsen

Descriptio Publicae Gratulationis Spectaculorum et Ludorum, in Advent Sereniss. Principis Ernesti Archiducis Austriae ... (Entry of Ernest, Archduke of Austria, into Antwerp, July 18, 1594) 1595 Peeter van der Borcht Netherlandish. Descriptio Publicae Gratulationis Spectaculorum et Ludorum, in Advent Sereniss. Principis Ernesti Archiducis Austriae ... (Entry of Ernest, Archduke of Austria, into Antwerp, July 18, 1594). Peeter van der Borcht (Netherlandish, Mechelen ca. 1535-1608 Antwerp). 1595. Engraving. Johannes Moretus. Books

Antwerp, Galle, Philips, Borcht, Pieter van der (I), Gardens of Love, Court garden with a company at a table, verso bottom center - stamped, Courtyard garden with court arbour in the foreground. Couples can be seen walking together spread across the print. In the foreground, a meal is being enjoyed by several couples in a arbour. A statue of Fortuna has been placed on top of the arbour. Servants serve food. A dog (symbol of love) plays with a courting couple to the left of the arbour. The series shows various aspects of courtship and some examples from the Old Testament., print, prints, verso bottom centre - stamped, height 187 mm, width 248 mm, South Netherlands, 1545 - 1608, print maker, printmaker, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, first quarter 17th century century, paper, etching, etchings, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Fireworks displays in eighteenth century Russia, 1740-1796

Fountain with image of Neptunus, After 1628 - Before 1682 print The wall of a garden with a balustrade is visible in the background. From series of 6 unnumbered magazines. paper etching

Print (France)

Fontein in De Tuinen Van de Villa Torlonia Te Frascati, Giovanni Battista Fonda, 1653 - 1691 The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Palazzo Torlonia. Frascati The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Palazzo Torlonia. Frascati

Portal with barrel vault and face in a street with arcades, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, after 1601 Portal with barrel vault and face in a street with arcades. In the foreground a fountain in a square basin, flanked by two obelisks. Rolling in the corners. The print is part of an album. Antwerp paper etching Portal with barrel vault and face in a street with arcades. In the foreground a fountain in a square basin, flanked by two obelisks. Rolling in the corners. The print is part of an album. Antwerp paper etching

Lazio Viterbo Bagnaia Villa Lante04. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Louis XV (King of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Ornament with architecture with rocaille elements and figures, This print is part of an album., print, album sheet, ornament print, prints, height 126 mm, width 225 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher, uitgever, 1710-02-15 - 1774-05-10, granter of privilege

Speculum Romanae Magnificentiae: The Egyptian Obelisk of Augustus 1589 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clie

Fire Decoration (IT)

Triumph arch from palm leaves with Parnassus at the Fontaine Saint-Germain in Paris, Jean Lepautre, 1662 print Paris paper etching / engraving triumphal arch. Parnassus, sacred to Apollo Musagetes Paris

Catafalque for Prince Gottfried Maria Ignaz, frontispiece to 'Lacrymae Conjugales et Parentales... ' 1677 Anonymous, German, 17th century. Catafalque for Prince Gottfried Maria Ignaz, frontispiece to 'Lacrymae Conjugales et Parentales... ' 700349

The Mausoleum at Halicarnassus (from the series 'The Eighth Wonders of the World') After Maarten van Heemskerck by Galle, Philipp (1537-1612) / Museum Boijmans Van Beuningen, Rotterdam / 1572 / The Netherlands / Etching / Mythology, Allegory and Literatu

Dresden, stage design, design

Giovanni Guerra feather sketch of Pratolino, depicting architectural and landscape elements.

The Portuguese ereportion (back), 1599; Posterius Frontispicium Arcus Lusitanor. The Portuguese erepoort (rear), December 1599. Triomf gate decorated with allegorical scenes and figures. Central to the royal family of Philip II. On both sides two rows of piles with burning pekons. During the Antwerp in Antwerp arranged on the corner of the Skin Depletters Street. Part of: Historica Narratio Profectionis et Inaugurationis Serenissimorum Belgii Principum Alberti et Isabellae Austriae Archiducum, the description of the entry of the couple in Brussels, Antwerp, Ghent and Valenciennes, 1599.

The 6 year expedition to Egypt and Yemen funded by the King of Denmark in 1761 was the stuff of romantic legend. Filled with death, womanising and general intrigue, Carsten Niebuhr - the only survivor - recorded a dispassionate account of the journey in 'Beschreibung von Arabien' in 1772 - an historical classic in terms of informinnng Europe about the Middle East.

Feast in the marble court at Versailles, 1674, engraving. France, 17th century.

Amsterdam, Scherm, Laurens, England's stage depicting the main events in Yrland from the year 1690 to the campaign of King William III of Great Britain 1691, Fireworks at The Hague, 1691, under - handwritten, Fireworks set off on the water on the occasion of the entry of King William III into The Hague, 5 February 1691. Plate no. 18 in the series 'Engelands schouwtoneel' about the war between William III and James II in the years 1690-1691 after the Glorious Revolution, (third part). This clipped copy without the captions in Dutch and French, but with a handwritten caption., print, prent, prints, Frederik Muller Historieplaten, Het Vuurwerk in 's Gravenhagen in de Vijver Afgestooken in February Ao 1691, height 150 mm, width 189 mm, Noord-Nederlands, 1671 - 1702-11-13, print maker, printmaker, 1691 - 1691, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etsen

Fireworks at the celebration of the Peace of Utrecht, 1713; Image of the theater and fireworks, oriented by Ordre Vande high: Mog: Lord States General, in the Vyver van S'gravenhage, lit the 14 June. Due to 't Sluyten der Vreede with his Alderkristelykste Majt. Louis de XIV, King of Vrankryk.Setlage with fireworks set up commissioned by the States General at the Hofvijver in 's-Gravenhage at the celebration of the Peace of Utrecht, 14 June 1713. On either side of the performance the title and legend in Dutch. Marked in the middle: 1713. II. Part. And at the top right: Pag: 159.

Henry Clay, Birmingham, 1808 Social History, Trade Document Collection, Cutting from James Bisset's Magnificent Directory and Grand National Register, Decorative Arts, Printing, Engraving, Birmingham history, Advertising, Japanning, Social history, Business

Cologne, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Siege engines deployed during the siege of Ostend, 1601-1604, Modern siege engines deployed by the troops of Archduke Albert at the siege of Ostend, 1601-1604. Inscriptions in the image in Italian. With 4-line caption in Latin and 4 lines in German. Numbered lower left: 336. The print is part of an album., print, prent, news print, album sheet, prints, Frederik Muller Historieplaten, height 215 mm, width 293 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1601 - 1603, fourth quarter 16th century, first quarter 17th century, paper, papier, etching, etchings

The Elysian Fields; set design from 'La Monarchia Latina Trionfante'. Artist: Mathäus Küsel (German, 1621-1682); after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)). Dimensions: Sheet (Trimmed): 11 11/16 × 16 9/16 in. (29.7 × 42.1 cm). Date: 1678.One of a series of plates depicting the theatrical sets for the opera 'La Monarchia Latina Trionfante', designed by Ludovico Burnacini with a libretto by Nicolò Minato, music by Antonio Draghi, and the ballet by Johann Heinrich Schmeizer. Produced in Vienna in 1678, the opera commemorates the birth of Archduke Joseph, son of Emperor Leopold I and his third wife, Eleonora Magdalena. Museum: Metropolitan Museum of Art, New York, USA.

Fire of the city (IT)

Anatomical Theater from Leiden University, Willem Isaacsz. van Swanenburg, after Jan Cornelisz. van 't Woudt, 1644 print Anatomical theater of the University of Leiden. Various spectators are present in the anatomical lesson. Skelets of people and animals are in the room. Print no. 1 in a series of four faces from the University of Leiden, later used as an illustration in the supplement of the book by Meursius about Leiden University. Northern Netherlands paper etching / engraving university. anatomy lesson university of Leiden

Cœnotaphiorum (3) 1563 Hans Vredeman de Vries Netherlandish Freestanding funeral monument shaped like an encased tomb. The encasing structure is decorated with birds (of prey) and a frieze made up out of triglyphs and blank coats of arms in the metopes. The monument is crowned by a classical portico supported by Corinthian pillars. Below the image is a Latin inscription made up out of four lines, divided over two columns.. Cœnotaphiorum (3) 402131

Look through by the Berceau in the garden of Huis Te Maarssen; Looking up the cabinet by the Berceau to the village / vue du cabinet fresh le Village un travers du Berceau; The old Adelyk Huys and Ridderhofstad ter Meer. Look through the Berceau in the French garden of house ter more with various walking and conversing figures. The print is part of a series of 26 faces at home in the lake and the associated estate at Maarssen.

In the background a burning temple. In the foreground men with vases on their backs and packed camels. A column is carried away on a cart pulled by oxen. Print 18 from a series of 21 prints and a title print, The Chaldeans take away the pillars of the temple of Jerusalem The doom of the Jewish people (series title), print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), Haarlem, 1569 - c. 1650, paper, engraving, h 140 mm × w 201 mm

BLAEU, Jan (1596-1673). Atlas Novus or Atlas Maior. 1635 - 1665. Detail of the mapamundi depicting the Mausoleum of Mausollos in Halicarnassus, one of the Seven Wonders of the Ancient Wolrd. Etching. SPAIN. CATALONIA. Barcelona. Biblioteca de Catalunya (National Library of Catalonia).

Italy, 15th century. Vicenza, the Palio in Signori Square with the Basilica of Palladiana in the background. Engraving.

Philip Galle, after Maerten van Heemskerck, Mausolaeum (The Tomb of Mausolus at Halicarnassus), 1572 Mausolaeum (The Tomb of Mausolus at Halicarnassus)

Speculum Romanae Magnificentiae: Theater of Marcellus 16th century Pirro Ligorio Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Inste

Italy, Mariani, Gian Maria, Florence, Massi & Landi, Parigi, Alfonso (il Giovane), Bella, Stefano della, Le nozze degli dei favola, Liberetto in honor of the wedding of Ferdinando II de'Medici and Vottoria della Rovere, Terza scena Giardino di Venere, verso - stamped, A ballet scene with dancers in a garden with architectural structures crowned with trees and shrubs. In the center a fountain before which women and children dressed as Cupid dance. Venus riding in a chariot on clouds, flanked by the four winds., print, engraving, ornamental print, prints, engravings, Third scene: the garden of Venus, height 204 mm, width 290 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1637 - 1637, paper, papier, etching, etchings, Work conception, after own design by, 1606-07-13 - 1656-10-17, after design by, Publication (Event), Publication, publisher, uitgever

Lazio Viterbo Caprarola Palazzo Farnese92. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Shows Dante with Florence and the Purgatory mountain, executed in ink and feather, emphasizing literary and geographical references.

Third scene, the garden of Venus, from 'The marriage of the gods' (Le nozze degli Dei) 1637 Stefano della Bella Italian. Third scene, the garden of Venus, from 'The marriage of the gods' (Le nozze degli Dei) 412704

A gray ink and watercolor drawing by Wolfgang Andreas Heindl showing Christ holding the victory flag, highlighting figure posture, gesture, and composition.

Spectator Oculos Inserito Calceolari Musaei Admiranda Contemplator et Volup Animo Tuo, Musaeum Franc. CalceolarI iun. veronensis, Bertoni, Giovanni Battista, 17th cent., Ceruti, Benedetto, d. 1620, Viscardi, Girolamo, 17th cent., Engraving, 1622, a folded plate, following page 2 of text.

Images of Juno and Jupiter drove around in cars, Anonymous, After Jan Luyken, 1714 print Numbered below: No. 2. paper engraving (story of) Juno (Hera). (story of) Jupiter (Zeus). sculpture. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. procession ~ non-Christian religions

Views of Rome, drawn and engraved by Giambattista Piranesi, Artist Giovanni Battista Piranesi, Etcher Giovanni Battista Piranesi, Historic, digitally restored reproduction from an original of the time, 1760, Italy, Europe

A classical garden with statues and topiary work. Coloured etching.

ESCENOGRAFIA DE JOSE GOMAR Y JUAN BAUTISTA BAYUCO PARA LA FIERA EL RAYO Y LA PIEDRA OBRA BARROCA DE CALDERON DE LA BARCA - 1690 - MAN 14614. Author: JOSE GOMAR / JUAN BAUTISTA BAYUCO (S XVII). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Design for the north facade of the Palazzo Doria, Genoa. Draughtsman: Perino del Vaga. Dating: 1534. Measurements: h 294 mm × w 362 mm. Museum: Rijksmuseum, Amsterdam.

Roman naumachia, a re-enactment of naval battles in the colosseum. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Chez Collignon, Metz, 1810.

Speculum Romanae Magnificentiae: Theater of Marcellus. Artist: Pirro Ligorio (Italian, Naples ca. 1512/13-1583 Ferrara). Dimensions: sheet: 14 5/16 x 21 11/16 in. (36.4 x 55.1 cm). Publisher: Michele Tramezzino (Italian, active Venice and Rome, 1526-died 1561). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which i

The new entertaining Ganzen game, 1800 - 1900 print. gameboard Goose board game with compartments numbered from 1 to 63. In a few boxes, which are separated from each other by columns that wear semi -round arches, representations of geese. In the large central compartment the rules in Dutch. Netherlands paper letterpress printing goose-game. board-games. board-games of chance

Gezicht Op Het Piazza del Quirinale Te Rome, Familie Remondini (ACTRUTED TO), 1700 - 1799 print In the middle the Fontana di Monte Cavallo. On the right palazzo del quirinal. Nummered in the bottom left: B 4. Publisher: Bassano del Grappaprint Maker: Italy paper. watercolor (paint) etching / brush square, place, circus, etc. (+ city(-scape) with figures, staffage). ornamental fountain (+ city(-scape) with figures, staffage). palace Palazzo del Quirinale. Monte Cavallo fountain. Piazza del Quirinale

Eighteen Views of Rome: The Campidoglio, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.6 x 49.5 cm (15 3/16 x 19 1/2 in.).

Rome, Mascardi, Giacomo, Lauro, Magesyn der Italiaense bouwen, Antiquae Urbis Splendor, Antiquity monuments, Thermae Agrippae, Baths of Agrippa at Rome, Text in Latin in lower margin. The print is part of an album., print, picture, album sheet, prints, pictures, height 176 mm, width 231 mm, Italian, print maker, printmaker, 1612 - 1628, paper, papier, etching, etchings, 1567 - 1634, printer, drukker

atelier Van Traa, Purple tile picture, Huize 'Nut en Vreugd', since the second half of the 19th century called Woudensteijn, in Kralingen, view on garden, with fountain and statue of Neptune, tile picture material ceramics pottery glaze wood, baked 2x glazed painted Five wide four tall Anno 1843 Rustwat (painted and baked on styles of fence) Rotterdam Kralingen-Crooswijk Kralingen East Honingerdijk country house Woudestein Rustwat Aalmis Aelmis

Rotterdam, Dijk, P. van, Sansom, Franciscus, Image of the Illumination and Decoration for the House of the Genuine Fatherland Society on the Westnieuwland in Rotterdam, March 8, 1788, Illumination of the Building of the Genuine Fatherland Society on the Westnieuwland in Rotterdam, 1788 Society on the Westnieuwland in Rotterdam, verso - stamped, Illumination of the facade of the building of the Genuine Fatherland Society on the Westnieuwland in Rotterdam, on the occasion of the fortieth birthday of Prince William V on 8 March 1788 and the restoration of the old constitution. The facade decorated with lights and eighteen chassis with allegorical representations, of which the two that were only placed later on 7 August on loose, folding sheets., print, prints, Frederik Muller Historieplaten, height 623 mm, width 505 mm, Noord-Nederlands - 1788, print maker, printmaker, 1788 - 1788, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by, Publi

Marot, Daniël (I), Nova Fontium Delineatio, Round basin with crown from which water spouts, Smaller basins and parterres in the background. Reverse copy after sheet from series Liure de fontaines published by Daniel Marot., print, ornament print, prints, ornament prints, height 184 mm, width 270 mm, Work conception, 1663 - 1752-06-04, after design by, 1701 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

A very large and ornate wine barrel, the Heidelberg Tun, being admired by fashionable visitors. Engraving, c. 1700.

Conventualis Ecclefia Hospitalis S. Catherinae, Wenceslaus Hollar, 1607-1677, Bohemian, after Wenceslaus Hollar, 1607-1677, Bohemian, 1660, Engraving, Sheet: 7 1/2 x 11 3/8in. (19.1 x 28.9cm)

Triumphal port for the centenary, 1599; Graphica Designatio Arcus Secularis. Triumphoort for the centenary, December 1599. Erepoort decorated with horns of abundance, on top of an Obeslisk and allegorical figures. During the arrival in Antwerp. Part of: Historica Narratio Profectionis et Inaugurationis Serenissimorum Belgii Principum Alberti et Isabellae Austriae Archiducum, the description of the entry of the couple in Brussels, Antwerp, Ghent and Valenciennes, 1599.

. In the foreground on the left is a young man with a flowerpot in the hands. A garden is laid out in the background. In the mid top in the clouds the astrological sign of the bull. The print has a Latin caption and is part of a twelve-part series about the months of the year.

Naumachia; Livre des edifices antiques romains; Magesyn der Italiaense gebouwen.A sea fight (Naumachia) that was practiced in the Roman Empire by prisoners of war or condemned in an amphitheater. The print is part of an album.

Zuil van antoninus pius te Rome, Giovanni Maggi, 1600 print View of the Marsveld with the column of Antoninus Pius. Text in Italian in the lower margin. The print is part of an album. paper etching triumphal column with helical friezes Colon of Antoninus Pius

Italy, Capitelli, Bernardino, Triumphal chariots for a festival in Siena in 1632, Carro della Torre, Triumphal chariot of the Sienese district of Torre, verso - stamped, The Triumphal chariot of the Sienese district of Torre drawn by four horses. On top of the chariot are an elephant with a tower on its back and musical figures., print, engraving, prints, engravings, height 118 mm, width 217 mm, Italian, 1590 - 1640-05-23, print maker, printmaker, 1632 - 1640, paper, papier, etching, etchings

Guide for Constructing the Letter N. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

Fountain in the Vatican Gardens, Giovanni Francesco Venturini, 1653 - 1691 Numbered below: 4. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Giardini Vaticani. Vatican CITY Numbered below: 4. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Giardini Vaticani. Vatican CITY

Print, Design for Carriage from the Coronation of Louis XVI, June 11th, 1775; Print Maker: Jean Louis Prieur, French (1732 - 1795); etching on paper; 49.6 × 64.3 cm (19 1/2 × 25 5/16 in.)

Title Page for Callot's "Various Italian Landscapes". Dated: probably c. 1630. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Attributed to François Collignon.

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