Rococo Architectural Elements

Intricate rococo designs featuring garden pathways, ornamental gates, and detailed wall decor, showcasing elegance and Baroque style.

Submash for a wall, Daniël Marot (I), 1673 - in or before 1703 print The mantelpiece is decorated with a bust. On the left, half a door is visible with an upper door panel. From series of 6 magazines. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: The Hague paper etching

Frisian with Borstkuras and Putti, 1510 - 1544 print Borstkuras between two putti and leaf vines. The putto on the left is seen on the back. Shaded background. 1 leaf of 4 sheets. Germany (possibly) paper engraving

Mantelpiece, decorated with a medallion with the representation of a woman with a mirror; ETIM / VIRTVTI; Arma Parent; Second Livre d'Architectvr (...); Sheet from the series of chimneys. On either side of the cloak is a floured warrior at weapons and banners on the plate. From a series, consisting of a title page and 66 sheets with chimney jackets, decorated with columns, hermen, cartouches, garlands and mascarons. All chimney jackets are equipped with firesters.

Ecclesiatstical design for a window topped with angels. Artist: N. J. B. de Poilly (French, Paris 1712-1758 Paris). Dimensions: sheet: 28 5/16 x 10 13/16 in. (71.9 x 27.5 cm). Date: mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right. Anonymous, Italian, Piedmontese, 18th century. 1700-1780. Pen and brown ink, brush and green wash, over leadpoint or graphite (recto). Red chalk (verso). The sheet that is pasted at lower right represent one reclining figure and three standing figures who threaten on the right. Drawings

Paris, Chéreau, Jacques-François, Lalonde, Richard de, Saint-Morien, de, Différens Ornements de Cheminees et Chambranles, Mantelpiece with vases and columns, verso - stamped, An ornamented mantelpiece with vases with flowers, garlands and columns with leaf motifs and garlands., print, ornamental print, prints, ornamental prints, height 240 mm, width 168 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher

The Monument of King Henry III, in Westminster Abbey, Jacob van Schley, 1715-1779, Dutch, after Hubert-François Gravelot, 1699-1773, French, active in Britain (1733-45), 1735, Engraving on medium, slightly textured, white wove paper, Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm), Plate: 14 x 9 inches (35.6 x 22.9 cm), and Image: 13 3/4 x 8 3/4 inches (34.9 x 22.2 cm), architectural subject, historical subject, monument, England, Europe, London, United Kingdom, Westminster Abbey

Title page: Novae Cheminae; Novae Cheminae. Schouw with the series title in an oval mirror. There are two vases and an emperor's bustle. There is a firebox with an english coat of arms in the fireplace. Left half a door with crowned monogram WR. The serial number is at the bottom: N. 14. Copy to print from the Serie Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinces.

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An ornate garden obelisk with a triumphal arch carved on the base. Etching by J. Goeree after S. Schynvoet, early 18th century.

Collection of furniture planks: other cabinet. Third cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of furniture planks: other cabinet. Third cabinet of a sequence of 21. Etching. 1575.

French crown, Paris, Neufforge, Jean François de, Septième Volume, Architectural Collection, 82nd Cayer Suite of Models containing several Lambris decorations for the use of apartments, Decoration suitable for a dining room, Dining room, verso - stamped, A dining room with doors on either side of a table and rectangular frame. Panels with medallions of portraits, hunting trophies and fountains with animals flank the table in the center. Above the doors are doorways with eagles and medallions of portraits. Print number 489., print, ornament print, prints, ornament prints, height 228 mm, width 361 mm, 1714 - 1791-12-19, print maker, 1767 - 1767, paper, etching, Work conception, after own design of, Publication (Event), Publication, publisher, grantor of privilege

Above the tablet of the chimney loft is a frieze, above which hangs an oval painting with in the foreground two men and a woman with a water jug and in the background a burning city, Lower loft with variant for right half Lower lofts (series title), print maker: Cornelis Danckerts (I), (possibly), Jean Lepautre, publisher: Justus Danckerts, (mentioned on object), print maker: Netherlands, (possibly), France, (possibly), publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 232 mm × w 137 mm

Alca decoration design; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Room with Schouw with Shutters, Jean Lepautre, 1658 - 1670 print Room with fireplace in the middle. The mantelpiece is closed with two shutters. Above that a round medallion with a Bacchian scene. On the left, a servant opens a door. Paris paper etching open hearth, fire-place

Fireworks celebrating the peace between France and the Empire, January 1698. Artist: Anonymous, French, 17th century. Dimensions: Sheet (Trimmed): 13 9/16 in. × 8 in. (34.5 × 20.3 cm). Date: 1698.The Treaty of Ryswick was signed on September 20, 1697 ending the War of the League of Augsburg which pitted France against England, Spain and the Holy Roman Empire. The fireworks celebration depicted here took place in January of 1698. Museum: Metropolitan Museum of Art, New York, USA.

Epitaaf with rectangular compartment, c. 1670 - c. 1680 print At the top is a cartouche for a shell. paper etching

Copper engraving by Thomas De Leu from 1596 showing a monument featuring the portrait of Heinrich IV with architectural and decorative elements.

unknown, Rome, Raphael, Italy, Greco, Michele, Grotesque wall decoration with birds, hippocampi, weapons, arabesques and putti, verso - stamped, Wall decoration in three sections. At the bottom is a wainscoting, decorated with two friezes with sea creatures. Above that is a rectangular flat decoration with two birds on garlands on either side of a vase. At the top is a semicircular closure with grotesques and a putto on a manatee. Part of wall decoration in Loggeta del cardinal Bibbiena in Vatican City., print, ornamental print, prints, ornamental prints, height 452 mm, width 306 mm, Italian, 1524 - 1609, print maker, printmaker, 1534 - 1609, paper, papier, etching, etchings, Work conception, 1483-04-07 - 1520-04-07, after a design by, granter of privilege

Drawing, Project for an Alter; Italy; graphite, pen and ink, brush and watercolor on paper

Anno MDCLXXXIII Insignium Romae templorum prospectus exteriores interioresque a celebrioribus architectis inventi: nunc tandem suis cum plantis ac mensuris a Io. Iacobo de Rubeis Romano suis typis in lucem editi ad aedem Pacis: cum privilegio Summi Pontificis, 1683

J. Mynde, active 1740-1770, The Monument of Sir Henry Rowe, Kt. at Hackney Church, 1752. Engraving.

Etching by Jean Le Pautre from 1625-1682 depicting a retable with columns and sculpted figures, showing decorative architectural and religious elements.

Design for a Doorcase, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Another variation of 1938-88-1693, with the emphasis on height. The overdoor is a medallion between two cornucopias, and reaches into the molded entablature. On top of the niche is a keystone, above which is a frieze with two children. They are connected with the keystone by festoons. A number of dimensions are indicated, for example the height of the column. The entire height is the same as -1654., Rome, Italy, 1789-1793, architecture, Drawing, Drawing

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Project for Stucco Decoration, Graphite, pen and ink, brush and wash on paper, Upper divided into four panels, each within its own frame. Below, two doors with overdoor decorations in the form of floral baskets. Between them, a blank panel topped with alternative designs for festoons., Italy, 1750-1775, interiors, Drawing, Drawing

Drawing, Painted decoration of a wall; Italy

Design for a table clock, Giuseppe Gagliardi, 1697 - 1749, Pen and ink, brush and watercolor, black crayon on laid paper, Italy, 1697-1740, Drawing, Drawing

Cabinet-making: design for a glass-fronted bookcase. Etching by J. Verchère after himself.

Schouw with two chained prisoners, Jean Lepautre, 1658 - 1670 print Diameter of a room with a fireplace with two chained figures for a weapon trophy. Two Corinthian columns left and right. Paris paper etching open hearth, fire-place

Alkoof met Pelias, anonymous, after Jean Lepautre, after 1628 - before 1724 print Pelias is murdered by his daughters. print maker: Germany (possibly)after design by: France (possibly)publisher: Augsburg paper etching the daughters of Pelias kill their father in his bed; Medea plunges his body in boiling water

Geornamenteerde Schouw puts cartridge; Second book of new fireplaces (...). Schouw places Ornamenten rock cartridge.

Print, Designs for an Iron Gate; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Jacques Juillet (French, 1739 - 1784); Published by Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774), Chez Le Pere et Avaulez; France; engraving on off white laid paper

French crown, Paris, Chéreau, Jacques-François, Boucher, Juste Nathan François, Berthault, Pierre Gabriel, J Carriage gates, Elevations et profiles of gates with a semicircular gate with two winged mermaids on either side of a crowned coat of arms with lions. Above the gate a panel with the text HOTEL DE BEAUVREAU., print, ornamental print, prints, ornamental prints, verso - stamped, height 362 mm, width 225 mm, 1748 - 1819, print maker, printmaker, 1752 - 1794, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, granter of privilege

Design for the funerary monument of Jean Grusset, named Richardot, draughtsman: Peter Paul Rubens, 1609, paper, pen, brush, h 272 mm × w 171 mm

French crown, Paris, Chéreau, widow François (II), Canu, Jean Dominique Etienne, 4e Cahier Suite De Cheminées De Différentes Formes dans le Goût Antique, Élevation D'Une Cheminée Quarre, Hearth with putti, verso - stamped, An ornamented mantelpiece with statues of two putti. At the top a panel with a wreath, a quiver, a bow and tendrils., print, engraving, ornamental print, prints, engravings, ornamental prints, height 281 mm, width 194 mm, French, 1768 - 1843, print maker, printmaker, 1778 - 1782, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Cartouche with ornament heads, shell and seed beads, between cariatides; Cartouches; Cartouches par mitelli. A cartouche with ornament heads and a shell between seed beads, flanked on either side by a cariatide with a basket with fruits on her head. The print is part of an album.

Pedestal with helmet and shield; Footpoints; S Architecture Propre A Differens Usages Comme Poële Piedestal. A pedestal with garlands, above a poultry helmet and a shield.

Fantasy of a Façade with Bizarre Ornaments. Dated: 1764/1766. Dimensions: overall: 60.1 x 47.2 cm (23 11/16 x 18 9/16 in.). Medium: pen and dark brown ink with brown wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

Copper engraving after 1617 showing triumphal arches in Wroclaw celebrating Emperor Ferdinand II, marking the homage to Silesian estates on September 21, 1617.

Nouveau Livre de Vases. Title Page. Designer: Jean Bernard Toro (French, Dijon 1672-1731 Toulon). Dimensions: Plate: 12 1/4 × 9 1/8 in. (31.1 × 23.2 cm)Sheet: 16 1/4 × 11 1/4 in. (41.3 × 28.5 cm) irregular edges. Etcher: Charles Nicolas Cochin I (French, Paris 1688-1754 Paris); de Rochefort (French, active first half 18th century). Date: 1716 or after. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Catafalque for the Memorial Service of a Pope, probably Clement XI, Pen and black ink, brush and sepia, gray watercolor on paper, A tower-like structure, with, on top, the tiered papal crown upon two cushions. Two crying angels with standards, the left depicting the crown, the right depicting the coat of arms of Clement XI (only the shield with the charges)., Italy, 1721, architecture, Drawing, Drawing

Design for a ceiling painting with face in an octagonal dome, draughtsman: Dionys van Nijmegen, 1715 - 1798, paper, brush, pen, h 415 mm × w 325 mm

Dining room; Decoration d'un buffet pout une salle a manger; Wall decorations; 16 Q Dessins De Lambris. Wall decoration for a dining room. An ornamented wall table with girandoles in the shape of a vase, above a panel with monkeys and fruit.

Jacques Callot, French (1592-1635), Side Aisle of San Lorenzo, Florence, 1612, etching

Graf monument for Engelbrecht I, Count of Nassau-Dillenburg, Johanna van Polanen, Johan IV, Count of Nassau-Dillenburg, and Maria van Loon-Heinsberg, 1743 print Graf monument for Engelbrecht I, Johanna, Johan IV and Maria in the Grote Kerk in Breda, died on May 3, 1442, May 15, 1445, 3 February 1475 and 20 April 1502. The Hague paper engraving / etching grave-building, monumental tomb Big church

Design for an Aedicular Altar with St. Paul at the Left mid-18th century Johann Georg Dirr German. Design for an Aedicular Altar with St. Paul at the Left. Johann Georg Dirr (German, Weilheim 1723-1779 Mimmenhausen). mid-18th century. Graphite, gray wash, watercolor, and white gouache. Broad framing line in pen and black ink. Drawings

Drawing, Design for a Hanging Sacristy Cupboard; Italy; pen and ink on paper

Furniture Design 1565-70 Jacques Androuet Du Cerceau. Furniture Design. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Design for a Screen, Johann Michael Hoppenhaupt II, German, 1709-ca. 1778, Etching and engraving on white laid paper, At the top center of drawing, below a cove, is a bag of arrows resting on a bed of feathers. Beneath this canopy of feathers, there is a fruit tree and sitting below the tree on a platform are a platform are a man and woman playing music as a child peers at them. On either side of this scene, there is a tree with a child below it on a platform. One child is poking its finger through a birdcage, while the other is holding a horn or some kind of toy. The space is surrounded by Rocaille architecture and ornament., 1753, furniture, Print, Print

French Crown, Paris, Neufforge, Jean François de, Fifth Volume, Architectural Collection, 50th Cayer Models for Trumeaux for the Use of Apartments, Mirror above table, stamped on the reverse, A mirror with garlands above an ornamented table with garlands and a bowl of fruit. Above the mirror is a panel with women and putti. Tapestries with floral motifs flank the mirror. Print number 295., print, ornamental print, title print, prints, ornamental prints, height 361 mm, width 226 mm, 1714 - 1791-12-19, print maker, printmaker, 1763 - 1763, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever van privilege

Curgot Met Vaas, Fedht, Afterher Charles deport deporttond, 1771 print An ornamented firebok with a vase with figures and a garland. paper etching / engraving andiron, fire-dog. vase ~ ornament

Two buffet cabinets, 1658 Two buffet cabinets. The left with two detached pillars of the Corinthian order. The top two doors of this cupboard are decorated with a flower vase. The print is part of an album. Cologne (possibly) paper engraving Two buffet cabinets. The left with two detached pillars of the Corinthian order. The top two doors of this cupboard are decorated with a flower vase. The print is part of an album. Cologne (possibly) paper engraving

Design for one Half of a Frame 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for one Half of a Frame 365568

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, unknown, Writing tables, Writing desk, Writing desk with rocaille ornaments and clock. Publisher number 163., print, ornament print, prints, ornament prints, height 301 mm, width 194 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Design for an Altar Erected for the Holy Week 1730-66 Mauro Antonio Tesi Italian. Design for an Altar Erected for the Holy Week 343267

Pedestment with laurel wreath, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print A pedestal decorated with garlands, a lion's head, leaf motifs and a laurel wreath. Print number 223. Paris paper etching / engraving pedestal of a piece of sculpture (perhaps in the form of a herm). ornament ~ festoon, garland. lion's head ~ ornament. garland, wreath

Frontispiece, from Bussy-Rabutin's 'Histoire amoureuse des Gaules' 1754 Pierre Philippe Choffard. Frontispiece, from Bussy-Rabutin's 'Histoire amoureuse des Gaules'. Pierre Philippe Choffard (French, Paris 1730-1809 Paris). 1754. Etching and engraving. Prints

Print, Rocaille Motifs and Dados, from Set No. 120; Germany; etching on paper; Plate: 20.4 × 29.9 cm (8 1/16 × 11 3/4 in.) Paper: 25.1 × 41.3 cm (9 7/8 × 16 1/4 in.)

Design of a fireplace with a painting from ancient history and bust of a woman. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Mirror and commode; Wall decorations; 19ME Livre t Livre de Decorations de Lambris. An ornamented mirror and panels with an oramic chest of drawers. Above the mirror a panel with putti and a goat.

Design for a niche late 18th-first half 19th century Anonymous, German, 19th century German. Design for a niche 390057

Triumphal arch surmounted by woman seated on a dolphin, four standing figures below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598 1598 Guido Reni Italian From 'Descrittione de gli apparati fatti in Bologna per la venuta di N.S. Papa Clemente VIII', a book containing a description of the festivities for Pope Clement VIII's entry to Bologna and eight etchings by Reni illustrating the decorations, published by Vittorio Benacci in Bologna in 1598, with a second edition containing an additional plate in 1599 and a later edition (undated) published by Gioseffo Longhi.. Triumphal arch surmounted by woman seated on a dolphin, four standing figures below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598 396967

Drawing, Painted decoration of a wall of a chapel; Italy

John Russell Pope, Il Marzocco, Donatello, c 1896 Il Marzocco, Donatello

Bound Print (France)

Design for Table, Augustin Foin, French, 1726 - ca. 1759, Richard de Lalonde, French, active 1780-96, Engraving on paper, Europe, France, 18th century, Print, Print

Ereports XV-XVIII in The Hague, 1747; Neat image and ample bladice of honor gates, headed by the blyde to back from wyle (...) Willem Karel Hendrik Friso, Prince of Orange and Nassau (...) Uyt Zeeland, and sometimes Intreated in 'SGravenhage, on Den 6 Juny 1747. Leaf with the honorary faits listed XV-XVIII. Loos leaf Originally part of the sheet metal neat image and ample description of the Ele ports from 1766 with representations of the honorary foals and triumph arches prepared in The Hague during the festivities around the entrance of Prince Willem IV as the Stadholder of Holland and West Friesland on 6 June 1747.

Amsterdam, Paetz, PJ, Vredeman de Vries, Hans, Cock, Hieronymus, Antwerp, Maes, Joseph, Monuments Commemoratifs, XVIe Siècle, Reproduction of a print of four memorials with biblical scenes and putti, by Hieronymus Cock after Hans Vredeman de Vries, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, MONUMENTS commémoratifs tirés, recto - printed, LITT. M. - PL. 11, JJvY, height 232 mm, width 207 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception, Zuid-Nederlands, 1518 - 1570-03-10, after print by, 1527 - 1607, after design by

Design for an honorary bow, Pompeo Leoni (Possible), 1543 - 1608 drawing Design for an honorary bow, founded in Madrid on the occasion of the marriage of Philip II with Anna van Austria. paper. ink pen

Print, Porte-Cochère Design; Designed by Laurent Francart (French, active 1681-1690); Published by Jean Mariette (1660-1742); France; etching and engraving on laid paper

Design for a Bishops Sarcophagus, Graphite, pen and ink, brush and wash on paper, Elevation of a stepped sarcophagus with angel caryatids a miniature smoking braziers. At top, a bishops mitre, and crosier., Italy, late 18th century, furniture, Drawing, Drawing

Design for a Fireplace; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 27.1 x 21.6 cm (10 11,16 x 8 1,2 in.)

Panel with bust in medallion; Frises ou montans a la modern seruans pour l'utilité des lambris.linkhyth of leaf 5, in the medallion is a bust of the Blessed Virgin. First edition of series Frisians or vertical ornamental panels inspired by Candelabers.

In the center of the retable is a picture, probably of the ascending Virgin. On top of it and in front of the entablature are two angels supporting a wreath. On either side are two projecting columns. Above the entablature are laterally statues of sitting women supporting a medallion. The left one is supporting also a cross. In the center is a tablet with an inscription and on to p a triangular pediment with above two kneeling angels beside a cross. The mensa has the shape of a tub sarcophagus, with two supports. The tabernacle stands upon the furniture and in front of the central panel of the zone with the pedestals. Laterally stand upon tripartite circular pedestals, having a festoon in the central part, a statue of a saint, with an angel sitting beside. Colored background. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Rieß Carl (1831-1884), closet (1883): View. Ink on cardboard, 48.5 x 26.9 cm (including scan edges)

Ionian head frame, capital and basement; Architettura Con Diversi Ornamenti Cavati Dall 'Antico. The basement has a variant for the right half. At the top are two lines of text.

Gothic side board.. Nicholson, Michael Angelo, -1842. Prints, Drawings, Design drawings. 1826. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , England

A vase is suggested at left, showing helmets upon the shoulder. Date: 1760-90. Pen and ink, black crayon on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Underbias; Underbools. Side stand and praise.

Bound Print, Altar and Tomb Design; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Design for room decorations with three panels with a standing figure above the mantelpiece, Abraham Meertens, 1767 - 1823 drawing Design for a wall decoration. paper. pencil wall-covering

Title page: oficina arcvlaria (...)), Bovticqve menuveries (...), Schriner Load (...), Schrinckers Winckel (...); Oficina Arcvlaria (...), Bovticqve Menvseries (...), Schriner Load (...), Schrinckers Winckel (...). Altar with variant for the right half, both with corintean columns, with a tablet with text.

Catafulque for Fernando I, Duke of Tuscany, from Descritione dell'Esequie fatte in Roma dalla Natione Fiorentina al Serenissimo Ferdinando III Gran Duca di Toscana Il dì 22 di Giugno 1609. Dimensions: sheet: 9 5/8 x 6 15/16 in. (24.5 x 17.6 cm)plate: 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm). Published in: Venice; Rome. Publisher: Published by Giacomo Mascardi , Rome; Published by Bernardo Giunti, Giovanni Battista Ciotti & Compagni , Venice. Date: 1609. Museum: Metropolitan Museum of Art, New York, USA.

Three buffet tables on an elevation, Peter van der Borcht, after Hans Vredeman de Vries, c. 1583 print The table tops are supported on the corners by sphinxes (the upper and lower table) or by vases (the middle table). Leaf 8 of 15 numbered sheets + title page from a series of 16. Netherlands (possibly) paper etching

Cabinet-making: designs for a table. Etching by J. Verchère after himself, 1880.

Drawing, Elevation and Plan for a Side Table with Covered Dishes, Urns and Cup; Designed by Richard de Lalonde (French, active 1780-96); France; pen and black ink, brush and wash on cream paper; 30.8 x 19.4 cm (12 1/8 x 7 5/8 in.)

Design for a Stage Set: Interior of a Palazzo Decorated with Large Mirrors and Console Tables. Artist: Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). Dimensions: 5 1/8 x 4in. (13 x 10.2cm). Date: 1698-1765. Museum: Metropolitan Museum of Art, New York, USA.

Buffet cupboard, Léon Laroche, 1895 - 1935 print A Renaissance buffet cupboard. Print from 339th number (Livraison). paper furniture for storage

Print (France)

Upper row, at left: the architectural setting is similar to 1938-88-1339. Below is a rectangular panel above a base, decorated with an escutcheon standing in front of a trophy of weapons. Above it sit two winged female putti, of which the left blows a trumpet, in front of the panel of a pedestal, upon which two women lean upon the shoulder of an urn. The decoration of the niche is indicated. Beside at left is a plan as in 1938-88-1343. At right in inverse direction: a variation of 1938-88-1339, the niche being indicated. Below is a pedestal, with a broad projecting central part. The sarcophagus is similar to 1938-88-1295. The women at right carries a branch in her left hand. The putto above is sitting. The outlines of an oblong above belong to the design at left, indicating the next intercolumniation. Below, in horizontal direction: the architectural setting is imilar to 1938-88-1339, with panels instead of the frieze and the niche. The scheme of the monument is similar to 1938-88-1298

Copper engraving by Salomon Kleiner depicting the fundle for Prince Eugen of Savoy in Stephansdom on July 9, 1736, showing figures, ceremonial gestures, and interior architectural elements.

Grafmonument for Engelbrecht I, Count of Nassau-Dillenburg, Johanna van Polananen, Johan IV, Graaf van Nassau-Dillenburg, and Maria van Loon-Heinsberg.GrafMonument for Engelbrecht I, Johanna, Johan IV and Maria in The Grote Kerk in Breda, Died on May 3, 1442, May 15, 1445, February 3, 1475 and 20 April 1502.

Hofer, Andreas .

Doric main frame and six consoles, 1565 Doric main frame. The metopes in Frisian are decorated with rolling work, fruit guireses and mascarons. Six consoles. A scale has been indicated on the print four times. P. De print magazine is part of an album. Antwerp paper etching Doric main frame. The metopes in Frisian are decorated with rolling work, fruit guireses and mascarons. Six consoles. A scale has been indicated on the print four times. P. De print magazine is part of an album. Antwerp paper etching

Seventh book of the work of J.A. Meissonnier: Vijfde Blad: Top Table Feet; Fifth book of J.A. Meissonnier's work. Vijfde Blad ITU Fifth Book of J.A. Meissonnier's work: Poten Van Penanttafel of Console (Fuhring 49)

Design for Section of a Rococo Room, with a Coved Ceiling and Ornamented Corinthian Doorway. Artist: Attributed to Thomas Lightoler (British, active 1742-75). Dimensions: sheet: 10 3/4 x 14 1/2 in. (27.3 x 36.8 cm). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, The elevation of an altar; Italy; black chalk, pen, ink, brush and grey water color on paper

Stiller Hermann, Dom, Siena. (From: Architectural sketchbook, H. 156/3, 1879.) (1879-1879): View reading desk in the choir. Stitch on paper, 35.2 x 25.3 cm (including scan edges)

Frame, Gaspar Bouttats, 1650 - 1695 print Frame of a rectangular portrait. The portrait list is decorated with leaves. Two Corinthian columns flank the list. Antwerp paper etching Corinthian order ~ architecture

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