Rococo Architectural Elements

Intricate rococo designs featuring garden pathways, ornamental gates, and detailed wall decor, showcasing elegance and Baroque style.

Submash for a wall, Daniël Marot (I), 1673 - in or before 1703 print The mantelpiece is decorated with a bust. On the left, half a door is visible with an upper door panel. From series of 6 magazines. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: The Hague paper etching

Bottomlan In Rocalee OMLIJsting, Anonymous, After Franch Xaver Herveln, 1731 - 1775 print Bomenlaan with gate with rocaille ornaments. In rocaille frame. Publishing number 121. Augsburg paper etching rocaille ornament. garden. forest path or lane

Drawing, Design for an Altar; Attributed to Carlo Marchionni (Italian, 1702-1786); Italy; graphite, brush and black wash on cream paper; 32.0 x 18.2 cm (12 5/8 x 7 3/16 in.)

Underbousa with landscape in medallion round; Divers Dissoins the Cheminées à la Royale. Left and right is an Ionian Pilaster. From second edition.

Submash for a wall, Daniël Marot (I), 1673 - in or before 1703 print The mantelpiece is decorated with a bust. On the left, half a door is visible with an upper door panel. From series of 6 magazines. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: The Hague paper etching

Burning Schouw, Georg Lichtensteger, After Johann Jakob Schübler, in or after 1724 print A burning with rocaille -vertied fireplace. A five -line German text in the lower margin. Augsburg paper etching / engraving open hearth, fire-place. rocaille ornament

Subsema, shaft decorated with mirror, Abraham Bosse, After Jean Barbet, After 1638 - Before 1643 print Above the mirror, a cartouche is held by two putti. Page 13 from the second edition of series. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Erepoort aan de Haven, 1751, Caspar Jacobsz. Philips, after Pieter Beuckels, 1751 print Double folded leaf. Numbered at the top right: 4. The honorary gate placed at the port. On the arch Neptunus in his chariots, with statues of navigation and commerce. Part of the illustrations of the festive inauguration of Stadholder William IV as Markgraaf van Veere on 1 June 1751. print maker: Amsterdamafter design by: Veere paper etching triumphal arch Veere

Drawing, Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples; Domenico Antonio Vaccaro (Italian, 1678-1745); Italy; pen and brown ink, brush and brown wash, black chalk on cream laid paper; 80.2 x 30.8 cm (31 9/16 x 12 1/8 in. )

Schouw with clock and candlesticks, 1784 - 1785 print An ornamented fireplace with leaf motifs, a clock and two five -armed candlesticks. Paris paper etching / engraving open hearth, fire-place. clock. chandelier, candelabrum

Designs for a Console Looking Glass, Pen and brown ink, graphite on cream wove paper, Vertical rectangle. Two designs for a console with mirror divided vertically in half at center. The top of the console table is an entablature supported by capitals upon the heads of lions, a crouching lion at right, a seated lion at left upon bases. The height of the table is indicated as 'p. som. 4,' written in graphite at lower right. The mirror has an inner moulded frame. It has below a dado with a decorated frieze, and laterally columns. Upon these stand a Gothic two-foil of a kind standing upon a calyx at left, a female figure carrying a vase upon her head at right. On top are an ornament of crossed scrolls, at left, griffins beside a circular medallion with a female hand, at right. Verso: roughly outlined plans., Rome, Italy, 1815-30, furniture, Drawing, Drawing

Halved Design for an Altar with Angel and Putti. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: sheet: 23 x 12 7/8 in. (58.4 x 32.7 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Collection of planks of furniture: Cabinet. Twentieth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of planks of furniture: cabinet. Twentieth Cabinet of a sequence of 21. Etching. 1575.

Design for a chimney with Minerva, Anonymous, After Gerrit de Grendel, 1708 - 1756 print Design for a chimney with a representation of Minerva, trunning on a cloud surrounded by flags and with an eternity symbol in hand. A clock in the middle of the mantelpiece. Candles on either side. In the middle of a scale. Print number 202. paper engraving (story of) Minerva (Pallas, Athena). chimney. clock. ornaments ~ art

Graftombe of Willem I, Prince of Orange, 1623, Anonymous, 1631 print Graftombe or Praalgraf from Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the side with the image of the reclining prince. print maker: Low Countriespublisher: Amsterdam paper engraving grave-building, monumental tomb. interior of church. historical persons New church. Delft

Fireplace decoration design; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Collection of furniture planks: other cabinet. Eighth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of planks of furniture: other cabinet. Eighth cabinet of a sequence of 21. Etching. 1575.

Fireplaces with Cararians and candlesticks, Gottfried Stein, After Jean Berain (Le Vieux), 1686 - 1724 print Two ornamented fireplaces. Left with a vase, pilasters, two caratives, two two -armed candlesticks and a fireplace with male figures. On the right with a crowned cartouche, a flower basket, two caratids with three -armed candlesticks, a five -armed candlestick and a fireplace with eagles. Augsburg paper etching frequently used ornamental compositions. caryatids ~ architecture

Palazzo Farnese, Rome: a wall of the gallery. Etching by P. Aquila after Annibale Carracci.

Drawing for a Wall-Decoration 18th century Anonymous, Italian, first half of the 18th century Italian. Drawing for a Wall-Decoration 340298

Credens Met mirror; Johann Jacob Schübler's eight-catching edition of his projecting Wercks, what's presenting SechSerley New-Invented credeces, and modern Caffé tables (...). On Ornamented Credens or Coffee Table With Crockery Stands in Front of A Window. The Furniture Has Left and Right Candlesticks and on the Top Three Vases. A Seven-Line German text in The Undermarrion.

French crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Foin, Augustin, 5e Cahier E Cahier de Tables et Consoles, Rectangular table, verso - stamped, Front and top view of an ornamented rectangular table with a shield and weapons. On top of the table are an inkwell, a globe and a candlestick., print, ornamental print, prints, ornamental prints, height 323 mm, width 201 mm, 1726 - 1759, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Design for a Wall Fountain 1550-1620 Anonymous, Italian, Lombard, 16th century Italian. Design for a Wall Fountain 340699

Wall decoration with painting by Aeneas and Anchises, 1661 print paper etching

Augsburg, Hertel, Johann Georg (I), Schillinger, Georg Peter, Kanselaltaren, Kanselaltar with Lamb and book with the seven seals, verso - stamped, A chancellery altar with columns, rocaille ornaments and two vases. The Lamb with the book with the seven seals in a halo crowns the whole. Publisher's number 208., print, ornamental print, prints, ornamental prints, height 322 mm, width 200 mm, print maker, printmaker, 1705 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Console with leaf motifs; Console avec Son Profil; Consoles; 42E Cahier. side and front view of a console with leaf motifs and a pine cone. Below you have an architectural fragment with a medallion and garlands. Print number 247.

Elevation and Plan of a Portal, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Subsema with two Hermen, c. 1680 - c. 1700 print At the bottom of the mirror is an urn. There is a Herme on both sides. Amsterdam paper etching Herm: pillar with the head of Mercury, patron of travellers

Elevation and Plan of a Portal, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Design for Meuble de Vestibule, Graphite, color pencil, brush and watercolor on cream paper, Wall elevation for entrance hall in renaissance-revival style (although it is called 'genre Boulle' in published drawing, see bibliography). Lower portion consists of console decorated with panels with carved urns, masks and a garland. Two metal () ewers flank a metal () covered vase on lower opening. Central portion dominated by a large mirror with floral arrangement below, niches on either side decorated with caryatids on pilasters, cups in the mannerist style and tazzas below. Upper portion consists of open pediment with covered cup and a demi-lune carving with cartouche and date (1873), flanked by volute-figures reclining on garlands of fruit, a covered cup on base at each end. Cast shadows throughout., France, 1873-79, architecture, interiors, Drawing, Drawing

Top and bottom of lower bosom, c. 1866 - c. 1900 print At the bottom there is a clock without a dial on the chimney plate under which a small empty shield hangs. At the top left it is stated: Motifs de Decoration, at the top right: Sculpture et Marbrie, bottom right: N ° 5.a. Liège (possibly) paper

Fireplace with candlesticks; Élévation d'Une Cheminée; 4th Cahier Suite de Cheminées Différentes Formes Dans Le Goût Antique. An ornamented fireplace with two-armed candlesticks, garlands and a panel with figures. There are two fire strokes in the fireplace.

Frame 16th century Anonymous, Italian, 16th century Italian. Frame 342247

Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso) 1652-1725 Attributed to Giovanni Battista Foggini Italian. Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso). Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). 1652-1725. Pen and light brown ink, brush and brown wash over traces of black chalk (recto); Black chalk (verso)

Ornamented fireplace with hair screen, 1726 - 1741 print Fireplace with rocaille ornaments and a fireplace screen. Nuremberg paper etching / engraving open hearth, fire-place. rocaille ornament. fire-screen

Design for a Double Tomb 16th century Anonymous, French, 16th century French. Design for a Double Tomb. Anonymous, French, 16th century. 16th century. Black chalk, pen and brown ink, watercolor. Drawings

Design for an Altar, Graphite, brush and black wash on cream paper, In the scheme of a convex alter retable with a dome. The front shows a representation of an Ascension in an arch. Inscription escutcheons on top and at the dado. Statues stand laterally and sit upon pediments. An enthroned figure and two angels on top. Left side of the plan underneath., Italy, ca. 1750, architecture, Drawing, Drawing

Alcove with wooden paneling on either side, Jean Lepautre, c. 1650 print A mask can be seen in the middle of the wooden paneling, surrounded by a garland of leaves. From series of 6 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Schouw for a wall, Anonymous, Daniël Marot (I), After 1703 - Before 1800 print On the left, half a door is visible with an upper door panel. There is a mirror between the chimney and the curved cornice, above that there is a vase with flowers. At the very top, the award -winning monogram WR (William Rex) is visible. Copy to print from the Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinsces. Netherlands (possibly) paper etching

Design for, among other things, a chimney mantle with chenets, c. 1810 Design for a chimney mantle with chenets, a pendulum crowned by the goddess Rome sitting on the seven hills, and candlestones. France paper. graphite (mineral) communal rooms. open hearth, fire-place. candlestick. chimney-piece, mantelpiece

Design for Left Half of Door Frame, A. Quadrío, Italian, active 18th century, Pen and ink, brush and wash on blue-gray paper, Vertical format design for the left half of a door frame. An arch is supported by a group of supports flanked by two isolated columns. They have the dado in common. A figure of a woman, holding a crown, stands upon a pedestal, another with a lamb in her right arm, stands upon a bracket. A bust stands at a wall panel. The coat of arms of the House of Savoys is in the wedge beside the arch. A figure, representing Hope, upon the cornice. Above, at the corner, a female figure with a book. An escutcheon is in front of the pediment, upon which a boy with a staff sits., Northern Italy, 1700-30, architecture, Drawing, Drawing

Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano 1561-88 Marco Marchetti (Marco da Faenza) Italian Design for a wall elevation with a fireplace and door opening. Over the fireplace is a panel with Apollo and the Muses and over the door frame a sculpted coat-of-arms of the Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano. In between, the personification of Astronomy is depicted in a niche, a decoration that was most likely meant to be executed in fresco.. Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano 641081

Design for Altars, from 'Autels et Retables', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Augustus Welby Northmore Pugin, 1812-1852, British, Design or a Gothic Screen, undated. Graphite on medium, slightly textured, white laid paper.

Double door with six panels, Anonymous, After Jean Lepautre, 1750 - 1765 print The middle panels are larger, with putti that sprout from leaf vines and a vase with fruit above their heads. With rebellion and plan at the bottom. Second edition. print maker: Netherlands (possibly)publisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching

Bliżej Kultury unknown

Soucher Met Children's, Emanuel Eyel (POSSIBLY), After Frank Xaver Hervelman, 1746 print Fireplace with rocaille ornaments, two two -armed candlesticks and two putti. Publishing number 274. paper etching / engraving open hearth, fire-place. chandelier, candelabrum

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, IIe Volume De l'Oeuvre de J. Ch. Delafosse, 32e Cahier HH Chaires de Prédicateur, Pulpit with vase, verso - stamped, An ornamented pulpit with a book, a cross, putti heads, clouds and a halo. On the crown a vase., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 291 mm, width 230 mm, print maker, prentmaker, 1771 - 1771, paper, papier, etching, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher, uitgever, etchings

Cabinet-making: a decorative architectural overmantel. Etching by J. Verchère after himself, 1880.

Fireplace with globes and a poorilarium; Nouveau Livre des Chemines (...). A fireplace with rocaille ornaments, braid, a face, winged angel heads on either side of the serene title and in the middle two globes and a poorilla. On either side of the fireplace two windows.

Halved Design for an Altar 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Halved Design for an Altar 365538

Drawing, Organ Case with Arms of P; Client: Pope Alexander VII (1599-1667); Italy; pen and brown ink, brown wash, graphite, incised support: off-white laid paper; 29.5 x 19.3 cm (11 5/8 x 7 5/8 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)

Design for a Tabernacle, Plate 1 from the series 'Tabernacle'. Artist: Franz Xavier Habermann (German, 1721-1796). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for a tabernacle in frontal elevation. The tabernacle has a symmetrical, late-Baroque shape, but is decorated with delicate rocaille ornaments and is characterized by a baldachin of rocaille ornaments upon which a burning heart and Latin cross have been placed. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Design for the proscenium in the Hofoper, Mannheim, Alessandro Galli Bibiena, 1697 - 1769 drawing paper. ink pen / brush Mannheim. Hofoper

Nis puts garland in drapery, Jean -Baptiste Bichard, after just Nathan François Boucher, 1772 - 1779 print Front and side view of an empty niche with garlands and drapery on the bottom. Print number 207. Paris paper etching / engraving 'concha' ~ architecture. ornament ~ festoon, garland. hangings and drapery

Fantasy building work, supported at the bottom by two double Hermen, Enea Vico, After Anonymous, 1533 - 1567 print In the building there is a figure with a branch in hand on a pedestal. Opposite copy to an anonymous print from the Leviores et ut ut ut videtur Extemporaneae Picturae Quas GrottoShas Vocant ... Italy (possibly) paper etching / engraving

Elzevier, Veen, Otto van, Antwerp, Maes, Joseph, Arc de triomphe, XVIe Siècle, Reproduction of a print of a triumphal arch for Albert of Austria and Isabella Clara Eugenia by Otto van Veen, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, recto - printed, LITT: A. - PL. 5, JJvY, height 343 mm, width 231 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgisch, 1838 - 1908, clichémaker, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a print by

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Altars, Altar with God the Father, verso - stamped, Altar with rocaille ornaments and God the Father with globe in a halo surrounded by winged putti. Publisher number 300., print, ornament print, prints, ornament prints, height 317 mm, width 199 mm, print maker, printmaker, 1740 - 1745, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for a Marble-topped Cabinet with Musical Ornament. Artist: Anonymous, British, 19th century. Dimensions: sheet: 4 13/16 x 4 in. (12.2 x 10.1 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Cheminee project Daniel Marot The Old (around 1663-1752). "Fireplace project". Burin.

Design for a chimney with Apollo that Python has defeated; Neu Inventirte Hollaendische Camine, Erster Theil, Series S; Neu Inventirte Hollaendische Camine, Erster Theil / Nouveau Livre de Chéminees Hollandoises Premiere Partie. Design for a chimney with a representation of Apollo with arrows and bow standing on the dragon python overcome by him. The mantelpiece is decorated with rocaille ornaments.

Drawing, Elevation of a Door Case; Filippo Marchionni (Italian, 1732-1805); Italy; black chalk, brush and sepia wash on laid paper; 22.5 x 15.4 cm (8 7/8 x 6 1/16 in.)

The representation of the magnificent design and fire ... (IT)

Design for a chimney with a mythological hero; Nüü inventive Camine. Design for a chimney with a representation of a mythological hero, which is highlighted by a veiled woman. A figure with laurel wreath appears on the clouds. The mantelpiece is decorated with leaf ornaments and masks. In the middle of a scale and numbered: No. 41.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Church organs, Church organ with three towers, verso - stamped, Church organ with high central tower and two low side towers, with rocaille ornaments. Publisher number 177., print, ornament print, prints, ornament prints, height 299 mm, width 201 mm, print maker, printmaker, 1740 - 1745, paper, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Print (France)

Print, Elevation and Plan of a Portal; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723-1796); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; etching and engraving on off-white laid paper; Platemark: 35.7 x 23.2 cm (14 1/16 x 9 1/8 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Carrier coach with putto; CORNERS; Port des Chaises. Carrier ket with rocaille ornaments, floral motifs, a winged putto top and painting with three putti. Publishing number 207.

Design for a Monumental Altar, Plate n from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Artist: Carl Pier (German, active Augsburg, ca. 1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for an altar in a late Baroque style, with an openwork pediment in which the Holy Ghost in the form of a dove has been depicted surrounded by a cherubs. The floorplan for the altar is depicted directly below the elevation. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Two One Half Variant Designs for an Altar and a Chapel 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two One Half Variant Designs for an Altar and a Chapel 365530

Stiller Hermann, Dom S. Maria Assunta in Siena (1876): Reading desk. Ink, ink colored on paper, 39.5 x 28.8 cm (including scan edges) Stiller Hermann : Dom S. Maria Assunta, Siena

Print, Plate 17 from "Stuben-Ofen"; Johann Jakob Schübler (German, 1689-1741); Published by Johann Christoph Weigels (German, 1654 - 1725); engraving and etching on off-white laid paper; 31.8 x 19.7 cm (12 1/2 x 7 3/4 in. )

Fence with variant for right half; Forging. From series of 6 blades with Dutch encountered copies to the Liure de Serurery series, designed by Jean Lepautre, and sheets from a different series. Third print.

Design for a Pedestal, for Richmond House, Whitehall, London. Artist: Circle of Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 12 13/16 x 8 7/16 in. (32.6 x 21.5 cm). Date: ca. 1760. Museum: Metropolitan Museum of Art, New York, USA.

Design for a room decoration with niche and ornaments. Design for a wall decoration.

Bound Print, Wall with Fountain and Buffet; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; engraving on paper; Platemark: 34.2 × 23.7 cm (13 7/16 × 9 5/16 in.)

Admiral Vernon's Monument in Westminster Abbey, John Michael Rysbrack, 1694-1770, Flemish, active in Britain (from 1720), ca. 1763, Brown and black ink with brown and gray wash over graphite on medium, slightly textured, cream laid paper mounted on thick, slightly textured, cream laid paper, Sheet: 11 11/16 x 6 13/16in. (29.7 x 17.3cm), Sheet: 11 1/4 × 6 7/8 inches (28.6 × 17.5 cm), and Mount: 16 1/2 × 11 3/4 inches (41.9 × 29.8 cm), architectural subject

Pingule met puits, Johann Esaias Nilson, 1731 - 1788 print A pendulum with rocaille ornaments, flower motifs, a cartouche with a crown and four putti. The four putti are around the timepiece and symbolize the morning, afternoon, evening and night. The putto on the left sits next to a rooster and drinks coffee, the putti in the middle of the top is lunching, the putto on the right drinks wine, the putto in the middle is sleeping. Augsburg paper etching / engraving clock. cupids: 'amores', 'amoretti', 'putti'. day of 24 hours, natural day

Three monuments, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Upper row, at left: the architectural setting is similar to 1938-88-1339. Below is a rectangular panel above a base, decorated with an escutcheon standing in front of a trophy of weapons. Above it sit two winged female putti, of which the left blows a trumpet, in front of the panel of a pedestal, upon which two women lean upon the shoulder of an urn. The decoration of the niche is indicated. Beside at left is a plan as in 1938-88-1343. At right in inverse direction: a variation of 1938-88-1339, the niche being indicated. Below is a pedestal, with a broad projecting central part. The sarcophagus is similar to 1938-88-1295. The women at right carries a branch in her left hand. The putto above is sitting. The outlines of an oblong above belong to the design at left, indicating the next intercolumniation. Below, in horizontal direction: the architectural setting is

Heban wardrobe in the style of the Italian Renaissance from the 16th century. A slice from a German magazine unknown

Drawing, Design for a Door Frame; Designed by Filippo Barigioni (Italian, 1690 - 1753); Italy; graphite on off-white laid paper

Project for a Chapel in the Church of San Ciriaco, Ancona 1700-1773 Luigi Vanvitelli Italian. Project for a Chapel in the Church of San Ciriaco, Ancona 341543

Design for the Elevation and Plan of a Reredos. Artist: Anonymous, Italian, North or Central Italy, 16th century. Date: ca. 1570. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Door Frame, Filippo Barigioni, Italian, 1690 - 1753, Graphite on off-white laid paper, Vertical rectangle. In the center of the overdoor is an escutcheon, probably with the wing as the charge. Verso: parts of same sketches., Rome, Italy, 1725-53, architecture, Drawing, Drawing

Garden vase with three monograms on a balustrade; The second part new T together Name of Arts made by Gerrit Visscher to Amsterdam on the Singel at the Beulingslijs. .

Artist: Johann Christoph Hafner, German, 1668-1754, Sheet of OrnamentalDesigns, Etching, sheet: 31.9 × 26.9 cm (12 9/16 × 10 9/16in.), Made in Germany, German, 18thcentury, Works on Paper -Prints

Title Page, from 'Nouveaux Lambris', Jean-Baptiste Le Roux, French, 1677 - 1746, Etching on paper, France, ca. 1710, Print, Print

Erepoort in the Lange Oudestraat, 1751, Caspar Jacobsz. Philips, after Pieter Beuckels, 1751 print Double folded leaf. Numbered at the top right: 7. De Erpoort placed in the Lange Oudestraat. On the arch portraits of Anna van Hannover and the children Prince Willem V and Princess Carolina. Part of the illustrations of the festive inauguration of Stadholder William IV as Markgraaf van Veere on 1 June 1751. print maker: Amsterdamafter design by: Veere paper etching triumphal arch Veere

Fireplace with putti; Schouwen. Schouw with Rocaille ornaments and two winged putti. Publisher number 164.

Paris, Mariette, Pierre (II), France, Marot, Jean (I), Tombeaux ou Mausolées, Funerary monument with elevation and plan, In the middle is a triumphal arch. From first edition., print, ornamental print, prints, ornamental prints, height 212 mm, width 128 mm, french, 1619 - 1679-12-15, print maker, printmaker, 1629 - 1716, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, first quarter 18e eeuw, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Design for a tabernacle (), Giovanni Bettati, 1750 - 1765 drawing paper. ink. pencil pen / brush decorations (interior of the house). altar

Design for Wainscoting with a Mirror and a Console Table, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, With a variant design for the two slender panels flanking the mirror., Germany, 1745, interiors, Print, Print

Underbias; Verschyde mantels chimney. Above the tablet of the chimney attempt is a frieze, above it is a painting with a sacrificial scene.

Portaal puts Vaas, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print A portal with a panel with tendrils and a vase above it. Print number 153. Paris paper etching / engraving monumental door, Porch, 'aediculum. vase ~ ornament

Design for a Decorative Aedicula, Pen and ink, brush and sepia wash, graphite on laid paper, Vertical rectangle. Design for a shrine standing upon a two-stepped base, with roof supported by four columns, those behind connected by a wall with a niche. At top of niche is a winged child's head in the center of drapery festoons. The frieze has a rinceaux ornament. Upon the triangular pediment stand three figural statues with wings. The central parts of the upper step are protruding as half-circles; flanking them are tripods containing flames, at right and at left with alternative design suggestions., Italy, late 16th century, architecture, Drawing, Drawing

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Tabernacles et Confessionales, Tabernacles and confessionals, Confessional with keys, verso - stamped, Design and plan of a confessional with ornaments and garlands. At the top a triangle surrounded by clouds and rays and a cushion with two keys. Publisher number XXXIII., print, ornamental print, prints, ornamental prints, height 203 mm, width 152 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1780 - 1780, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, seller

Two fencing; Designs for fencing; Schlorine Riβ / DESSEINS the serroreries. Two fencing side by side with leaf motifs. Publisher number 60.

Leszek Czarny monument from the album: graves and monuments of Polish kings in Krakow; Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (1851-00-00-1851-00-00);

Jan van Ossenbeeck created etchings of stage designs between 1666 and 1707, depicting theatrical sets, architectural elements, and decorative motifs for performances.

Spiegel met helm, anonymous, Johann Thomas Hauer, 1758 - 1820 print Design for a wall mirror with a table, decorated with garlands, a shield, helmet and weapons. On the right a window. Publishing number XXIV. Ravensburg paper etching / engraving mirror. helmet

French Mirror of the XVI Century 1865 Jules-Ferdinand Jacquemart. French Mirror of the XVI Century. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1865. Etching. Gazette des Beaux-Arts. Prints

of 5