Rococo Fireplace Designs

A collection of intricate fireplace designs featuring rocaille ornaments, putti, and allegorical figures. The illustrations depict ornate mantelpieces and wall decorations in detailed engraving style.

Paris, Mariette, Pierre (II), Pierretz, Antoine (le jeune), Divers Desseins de cheminées à la royale, Lower bosom with vase in niche, At the top is the French royal crown. From second edition., print, ornament print, prints, ornament prints, height 205 mm, width 135 mm, print maker, printmaker, 1655 - 1657, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, own design of, Publication (Event), Publication, 1634 - 1716, publisher

Mantelpiece with a representation of Boreas that Oreithyia abuses; Neu Inventirte Hollaendische Camine, Anderer Theil, series T; Neu Inventirte Hollaendische Camine, Ander Theil / Nouveau Livre de Chéminees Hollandoises, Second Livre. Design for a chimney with a representation of Boreas that Oreithyia oval. The mantelpiece is decorated with rocaille ornaments, volutes and fruits.

School Met Childlers, Emanuel Eyel (POSSIBLY), After Franch XAver Hervelman, 1946 print Fireplace with rocaille ornaments, two two -armed candlesticks and two putti. Publishing number 274. Augsburg paper etching / engraving open hearth, fire-place. chandelier, candelabrum

Schouw for a wall, After 1703 - Before 1800 print On the left, half a door is visible with an upper door panel. There is a mirror between the chimney and the curved cornice, above that there is a vase with flowers. At the very top, the award -winning monogram WR (William Rex) is visible. Copy to print from the Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinsces. Netherlands (possibly) paper etching

Design of Wall Decoration and Equestrian Monument for Law Courts, Naples, Italy, Giovanni Battista Natali III, Italian, 1698 - 1765, Pen and black ink, brush and gray wash, graphite on ivory paper, Design of wall decoration and monument showing architectural façade with alternate suggestions for balconies and niches. At center, a large arch with military trophies and captives frames an equestrian statue and allegorical figural sculptures. Behind, a courtyard with the façade of another building., Naples, Italy, ca. 1750, architecture, Drawing, Drawing

Paris, Mariette, Pierre (II), Pierretz, Antoine (le jeune), Divers Desseins de cheminées à la royale, Lower bosom with vase in niche, At the top is the French royal crown. From second edition., print, ornament print, prints, ornament prints, height 205 mm, width 135 mm, print maker, printmaker, 1655 - 1657, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, own design of, Publication (Event), Publication, 1634 - 1716, publisher

Cupboards, pedestals, chest of drawers and fireplace; Petite Armoire Ou Coin, Autre Armoire de Cabinet, Pieds and Guaine, Pour Une Chemoode, Pied Pour des Figures, Cheminée Decorée Dance Ses Proportions; 98th Cayer Suite des Modéles et Development des Meubles The Toutes Espèces à l'Usage des devices; Huitième Volume, Recueil Élémentaire d'Architecture (...). Left above two ornamented cupboards with smoke vessel and vases with flowers. Right above two ornamented pedestals. Left in the middle of an oramic drawer with nine drawers. Right in the middle of an ornamented pedestal with figures. Below you an ornamented fireplace with torches, two fire boks with vases and a medallion with horns of plenty and the sun as a face. Print number 583.

Preekstoel Met Putto, Unknown, after Franz Xaver Habermann, 1740 - 1745 print Pulled chair with rocaille ornaments between two bows. At the top a winged putto that points to the letters IHS in Stralenkrans. Publishing number 166. Augsburg paper etching / engraving Pulp, both, chancel. Cupids: 'Love' 'Amoretti' 'Putti'. IHS ('Jesus man's Savior') ~ Symbol of Christ. Rocaille ornament

Ontwerp voor een schoorsteen met een mythologische held; Neü inventierte Camine.Design for a chimney with a representation of a mythological hero, which is highlighted by a veiled woman. A figure with laurel wreath appears on the clouds. The mantelpiece is decorated with leaf ornaments and masks. In the middle of a scale. Publisher number 41, Print number 201.

Design for an altar late 17th-early 18th century Hendrik-Frans Verbruggen Flemish. Design for an altar 394930

Subsema with urn and five vases, anonymous, after Pieter Schenk (I), c. 1680 - c. 1700 print Submash with two tablets, on the bottom is an urn and there are five Chinese vases on the upper. Amsterdam paper etching vase ~ ornament

The tomb of Remigius du Laury A tomb stands on a rise in front of two ornamented doors with acanthus leaves and putti On either side balusters and two personifications with a cross and the papal tiara Above, two smoking vessels flank a bust of the deceased Putti with laurel wreaths, palm branches and a cross surround the bust At the bottom, a top view of the monument with a nine-line Latin text, Tomb of Remigius du Laury, print maker: Franz Ertinger, (mentioned on object), Artus Quellinus (II), (mentioned on object), Antwerp, 1679, paper, etching, h 391 mm × w 262 mm

Title Page, Part 9, from an Album of Drawings belonging to Don Gaspero Méndez de Haro y Guzman, Unknown, Pen and brown ink, brush and blue-gray and brown wash, black chalk on heavy brown laid paper, lined, Vertical format architectural drawing. Two stories, the lower one with pilasters of Doric order, the upper one with pilasters of Ionic order. The door frame shows a broken pediment with an escutcheon in the center, with a winged skull on top. Laterally are niches showing statues of DEATH in front of trophies, the left one referring to worldly power, the right one to ecclesiastical dignitaries. In the central panel of the upper storey is a circular window. In the lower wedges are represented souls in Purgatory, in the upper ones two Blessed ascending to Heaven. Figure of St. Michael stands upon the Devil, recumbent, upon the entablature of the lower story. In the lateral panels are windows, with volutes below, in front. On top is a triangular pediment. In its front and in that of the

Ionian main frame and capital, Anonymous, After Giovanni Battista Montano, 1636 print With details of the capital and the architraaf. At the bottom is an explanation. From the first edition. after design by: Italy (possibly)publisher: Rome paper engraving

Schouw Met putto, Emanuel Eichel, after Franz Xaver Habermann, 1731 - 1775 print Fireplace with rocaille ornaments, a putto and two winged angel heads. Publishing number 164. paper etching / engraving Open Hearth, Fire-Place. Cupids: 'Amores', 'Amoretti', 'Putti'

Design for a Pulpit, Plate 2 from an Untitled Series of Pulpit Designs Printed ca. 1750-56 Carl Pier Ornament print with a design for a suspended pulpit shown in frontal elevation. The pulpit is characterized by a baldachin of rocaille ornaments covered by drapery held up by 5 cherubs. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Pulpit, Plate 2 from an Untitled Series of Pulpit Designs. Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Ornamented fireplace with floral basket; Second Livre de Nouveaux Cheminées (...). Schouw with Rocaille ornaments and flower basket on the right.

Branding Schouw; Johann Jacob Schütler's fourtoothing issue of his projecting Wercks, what is what imagined can be re-invented camine and extraordinary stub oven (...). Een's glory Met Rocaille geornamenteerde Schouw. In De Odermarge Een Vijfregelige Dutse Tekst.

Design for a Fountain, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, A statue of Diana within a decorated niche. Water pours from a mask at the columnar support upon boulders. At bottom, a plan., Italy, 1750-1800, architecture, Drawing, Drawing

Lingeman, Lambertus, Netherlands, Veen, Jan van der (printmaker), Grave of Michiel de Ruyter in the Nieuwe Kerk in Amsterdam, verso - stamped, Numbered top right LII., print, prints, height 243 mm, width 164 mm, Dutch, 1831-07-13 - 1860-06-21, print maker, printmaker, 1841 - 1860, paper, papier, toonlithografie, Work conception, 1829-04-26 - 1894-10-10

Elisabeth I., Queen of England Stecher: Hollandus, Hugodatting: 1603/1605

Three stoves with vases, Anonymous, After François Boucher, 1737 - 1806 print Three heaters with vases and garlands. The middle stove with an image of figures around fire. Augsburg paper etching / engraving heating stove. vase ~ ornament. warming oneself at a fire (or hearth, stove, fire-pan, brazier)

Church Saint-Benoit Demolie - Monument over the Dead Chapel Bourla. Church Saint-Beno�t Demolie - Monument over the Chapel of the Dead. Drawing.

Graf monument for Willem Lodewijk, Count of Nassau-Dillenburg, 1620, Anonymous, 1631 print Graf monument for Willem Lodewijk in the Grote Kerk in Leeuwarden, died 31 May 1620, buried on July 13, 1620. Map, seen from the side and seen from the front with the image of the kneeling count between Fortitudo and Prudentia. At the top right 'XLI.'. print maker: Low Countriespublisher: Amsterdam paper engraving / etching grave-building, monumental tomb. Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues Big church

Design for a door case, Filippo Marchionni, Italian, 1732-1805, Carlo Marchionni, Italian, 1702-1786, Graphite, pen and bistre ink, brush and gray watercolor on paper, Pointed pediment; a shell with lateral branches; a panel with shell outline. Panel contains festoon hanging from two scrolls above; entablature is right above the door frame. The bodies of the pillars supporting the entablature consist of an upper part with triglyphs and a receding lower pillar strip with short hanging garlands., Italy, ca. 1750, architecture, Drawing, Drawing

Triumphal arch of Ferdinand (rear); Entry of Ferdinand in Antwerp in 1635 (no. 28), 1639 - 1641 print Back of the triumph arch of Ferdinand set up in the Lange Nieuwstraat. Central a performance of the triumph of Ferdinand. On top of the gate on horseback the morning star (Lucifer). Marked at the top right: p. 108a. Page no. 28 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving triumphal arch. conqueror triumphing, triumphal entry of victor. symbolic triumphs of individual persons Antwerp

Design of a fireplace with an oval mirror topped with a panel with a flower basket. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Tabernacle with Ascension of Maria, Jean Lepautre, c. 1666 - c. 1693 print In the middle of the letter is the letter b. From the second edition of Series. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Graftombe of Willem I, Prince of Orange, 1623, 1622 print Graftombe or Praalgraf of Willem I by Hendrik de Keyser in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince. At the top a cartouche with text of 8 lines in Dutch. Low Countries paper engraving grave-building, monumental tomb new church

In the center hangs an oval painting with a sacrificial scene, below is a fireplace plate in the form of a cartouche surmounted by a mask, Under chimney between two Tuscan pilasters Under chimneys (series title), print maker: Cornelis Danckerts (I), (possibly), Jean Lepautre, publisher: Justus Danckerts, (mentioned on object), print maker: Netherlands, France, (possibly), publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 229 mm × w 151 mm

Architectural Study n.d. After Michelangelo Buonarroti Italian. Architectural Study 363335

Collection of planks of furniture: Cabinet. Eleventh cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of planks: cabinet. Eleventh cabinet of a sequence of 21. Etching. 1575.

Cabinet-making: designs for a cupboard. Etching by J. Verchère after himself, 1880.

Print, Page Six from "Second Licre Contenant Differens Desseins de Pendules Inventés par G. M. Oppenort Architecte du Roi et Gravés par Huquier"; Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.3 × 27.8 cm (16 1/4 × 10 15/16 in.); 1959-85-12

Object ID #18544779; Designed by Filippo Marchionni (Italian, 1732-1805); Italy; pen and brown ink, brush and gray wash, black chalk on white laid paper

Design for a Double Tomb. Artist: Anonymous, French, 16th century. Dimensions: sheet: 17 1/2 x 11 1/2 in. (44.4 x 29.2 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Deur puts lege omlijsting; New door book of the room. Tweede Editie.

Cheminee project Daniel Marot The Old (around 1663-1752). "Fireplace project". Burin.

Imperial Court, Augsburg, Götz, Gottfried Bernhard, Feichtmayer, Joseph Anton, Altäre, Altar with two angels, verso - stamped, Two angels with a palm branch in their hands stand left and right on an altar with rocaille ornaments. At the top two angels carry a flower arrangement in a vase., print, emboss, ornamental print, prints, ornamental prints, height 382 mm, width 228 mm, German, 1708 - 1774, print maker, printmaker, 1740 - 1745, paper, papier, engraving, engraving (printing process), etching, Austrian, 1696 - 1770-01-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever van privilege

Underbias with two hermen; Underbools for a 'Lambris d'Appi'. At the bottom of the mirror is an urn. There is a Herme on either side.

Sibille van Delphi; Vault from the Sistine Chapel. Part of the vault painting by Michelangelo in the Sistine Chapel with Sibilles, Prophets and Naked Figures (Ignudi). Central is the Sibille of Delphi.

Design for a Monumental Altar, Plate g from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Johann Michael Leüchte Ornament print with a design for an altar in a late Baroque style, with a large architectural reliquary on the altar table crowned by the a statue of the Virgin and Child and flanked by two spiral columns. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Monumental Altar, Plate g from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Johann Michael Leüchte (German, active Augsburg, died 1759). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

German 18th Century, Study for an Altar and a Reredos Study for an Altar and a Reredos

Drawing (Italy)

Drawing (Italy)

Amsterdam, Passe, Crispijn van de (II), Oficina Arcvlaria ((...)), Bovticqve Menvseries ((...)), Schriner Laden ((...)), Schrinwerckers Winckel, Wall cabinet with broken fronton, With a variant for the right side. At the top on the left side is Amor., ornamental print, prints, ornamental prints, height 211 mm, width 157 mm, Work conception, 1597 - 1670-01-06, after a design by, 1642 - 1642, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

The First Wall of the Porcelain Room, from: 'Fürstlicher Baumeister Oder: Architectura civilis' 1711 Paul Decker the Elder German This print comes from a book, published in Augsburg in 1711 under the title Fürstlicher Baumeister Oder: Architectura civilis (The Princely Architect or: Civil Architecture). In its essence this book contains the architect Paul Deckers ideal prospect, or rather prescription for the perfect noblemans palace: not too big and not too small, and outfitted with all the luxuries and latest fashions in interior design. He envisioned this book to be meant for other architects to take inspiration from, but at the same time to instruct potential patrons of what to expect from a modern-day palace. For each plate in the book, Decker therefore also included directions to ensure proper execution in terms of materials and colors. Regarding this porcelain room he writes that all the shelves have to be gilded, and gilt objects should be placed against a black ebony backgr

Design for a Reliquary 18th century Anonymous, French, 18th century French. Design for a Reliquary 351822

. In the middle of an architectural structure with four Corinthian columns the H. Virgo of Monferrato, with the Christ child in her arms. Two angels hold a crown above her head. She is flanked by the H. Augustinus (left) and the H. Eusebius (right). At the top of a Fronton God the Father. Left and right in the upper corner medallions with miracles of the H. Virgo of Monferrato.

Drawing, Altar; Architect: Giuseppe Valadier (Italian, 1762-1839); Italy; graphite, gray wash support: laid paper; 43.2 x 23.6 cm (17 x 9 5/16 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)

Fireplace; Schouwen.schouw with Rocaille Ornaments and Floral Motifs. Publisher Number 274.

Subsema with bust of Roman emperor, c. 1655 - c. 1657 print From the second edition. Paris (possibly) paper engraving

Triomf gate established in De Schrijnwerkersstraat, 1685; On the dish through the honorable P.P. Augustinians on Den Hoeck Vande Schrijnseckers Stra at. Triomf gate founded on the corner of the Schrijnwerkersstraat in Antwerp. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Design for the Decoration of the Altar to be erected during the Holy Week, Dedicated to Monseigneur Christophe de Beaumont, Archbishop of Paris Louis Jean Desprez French 1769 Large sheet with a frontal view of an altar surmounted by a large (temporary) baldachin, meant to decorate the altar during the Holy Week, specifically on Maundy Thursday and Holy Friday. The structure carries the fleurs-de-lis of France and is surmounted by a Patriarchal cross. Below the design, Desprez has included a dedication to Monseigneur Christophe de Beaumont, archbishop of Paris from 1746 until his death in 1781. The print is an example of the early work of Louis-Jean Desprez in France, and it is with this design in particular that he won the Great Prize of the Academie dArchitecture in 1770, a crucial moment in his career as this allowed him to travel to Italy. The print was originally part of a set of six which detailed the design further by way of sections and floorplans, but this sheet was the most im

Design for a four -door cabinet, Giovanni Battista Montano (attributed to), c. 1580 - c. 1600 drawing With alternative solutions for the panel fillings, the sculpted styles, the crown and the legs. Rome graphite (mineral). ink brush

Design for an Epitaph with a Variant, flanked by Terms and surmounted by statues of Cherubs. Artist: Abraham van Diepenbeeck (Flemish, 's Hertogenbosch 1596-1675 Antwerp). Dimensions: Sheet: 12 13/16 in. × 9 in. (32.6 × 22.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, Design for the Elevation of a Wall With a Mantlepiece; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 18.5 × 13.5 cm (7 5/16 × 5 5/16 in.)

Copper engraving print by Benjamin Kenckel showing Castle Pain for Joseph I in St. Michael, created in 1711, depicting architectural and ceremonial elements.

Tabernacel Met Miscardk a Hastie, Frazie, Frain Ertinger, After Jean Lepautre, 1650 - 1678 print Tabernacle with miscracking and host. Two angels hold a laurel wreath above a portrait of Maria. From series of 5 () Paps with Flemish disappointing copies to the Tabernacle Pour Orner et Embellir Les Autels series. Paris (possibly) paper etching / engraving altar

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Designs for altars, Altar with bishops, verso - stamped, Design and plan of an altar with rocaille ornaments. Left and right two bishops with bishop's staff, palm branch and sword. Publisher's number 49., print, ornamental print, prints, ornamental prints, height 334 mm, width 211 mm, print maker, printmaker, 1740 - 1745, paper, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Amsterdam, Passe, Crispijn van de (II), Oficina Arcvlaria ((...)), Bovticqve Menvseries ((...)), Schriner Laden ((...)), Schrinwerckers Winckel, Canopy bed, The bed has a balustrade at the front with a variant for the right side, with a sphinx sitting on the balustrade., print, ornamental print, prints, ornamental prints, height 331 mm, width 213 mm, Work conception, 1597 - 1670-01-06, after a design by, 1642 - 1642, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Portal flanked by two Hermen and with lion in the door piece, Wendel Dietterlin (I), 1593 - 1595 Numbered: 52. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. pedestal of a piece of sculpture (perhaps in the form of a herm). composite order ~ architecture

Copper engraving and etching by Theodor van Thulden around 1635 showing part of the Arc Ferdinandini, an architectural or commemorative element.

Design for Candlestick or for a Crucifix Base. Artist: Attributed to Luzio Luzzi (also known as Luzio Romano, Luzio da Todi) (Italian, active Rome, documented 1519-1582); Circle of Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome) (studio). Dimensions: 14 15/16 x 7 13/16 in. (37.9 x 19.8 cm). Date: ca. 1540-47. Museum: Metropolitan Museum of Art, New York, USA.

Louis XIV (King of France), Paris, Leblond, Jean (I), France, Lepautre, Jean, Tomb, Triumphal arch with two pairs of coupled, sunken Corinthian columns; on the entablature is a coffin on which a man lies. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 198 mm, width 137 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1651 - 1651, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1594 - 1666, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Nouueaux Dessins d'Autels à la Romaine, Altar, In the middle hangs an octagonal painting with the Lamentation of Christ. Second impression., print, ornamental print, prints, ornamental prints, height 225 mm, width 145 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1658 - 1670, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher, uitgever van, Frans, 1638-09-05 - 1715-09-01, gever van privilege

On a base, decorated with mascarons, a bank is between two screens; Iacobus Androuetius du Cerceau Inventor Ante Annos Non Paucos Conscripsit (...). Copy to the print of Jacques Androuet Ducerceau, derived from a flat decoration from Enea Vico. Leaf from series with architectural fantasies and grotesken with fabber designs, garlands, candelabers and mascarons.

Study of architectural decoration of the door and lock study; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);architectural decorations, wall decorations, doors (architect.), Feston (ornament), characters with attributes, putta (iconogr.), Artistic crafts, studies (sketches), studies of architectural details, interior, purchase (provenance), door locks

Design for an Altar with the Annunciation in the Central Panel 18th century Anonymous, Italian, Piedmontese, 18th century Italian. Design for an Altar with the Annunciation in the Central Panel 340409

Double door with six panels; Nouveau livre d 'porte d'la chambre. The middle panels are larger, with putti that sprout from leaf raft and holding a vase with fruit above their heads. With rebellion and plan at the bottom. Second edition.

Anonymous / 'Plan for a Tabernacle or Sanctuary'. Late XVI century. Grey-brown wash, Pencil on yellow paper. Museum: Museo del Prado, Madrid, España.

Design for a Tomb with Herms and a Niche with a Bust Portrait. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 8-5/8 x 5-11/16 in. (21.9 x 14.4 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Monumental list of empty field for title and musical instruments as ornaments.

Decoration of a Wall and Ceiling to be Executed in Stucco, Pen and ink, brush and watercolor on paper, Central panel has an escutcheon with a looking glass, two mermaids at the sides and a lion mask below. Lateral small panels provide for looking glasses above console tables, supported by three mermaids at left and a putto at right. The lower part of the ceiling is spherical, decorated with many frame motifs and in the center are two winged mermaids supporting garlands., Italy, 1725-50, interiors, Drawing, Drawing

Design for a front door; Eine Vor-Thüre; Nüü inventive Camine. Design for a front door with a representation of faith, sitting on a cloud, with a censer around her, the papal tiara, crosses, a Bible and a goal. Under her feet the reports dead. The door is decorated with leaf ornaments, dragons, mask and salad-like figures. In the middle of a scale. Print number 205.

Honor gates at the entry of Willem V in Veere (no. I), 1766, 1766 - 1767 print De Erpoort founded for the Zanddijkse Poort in Veere. Part of a group of 10 plates of the decorations in Veere on the occasion of the inauguration of Stadholder Willem V as Markgraaf van Veere, 28 May 1766. Numbered at the top right: No. I. Northern Netherlands paper etching / engraving triumphal arch Veere

Koorhek puts twee pilasters puts grooves, Jean Lepautre, 1644 - 1667 print A choral fence with two pilasters with cannelures and candlesticks. In the middle of a round medallion with God the Father, flanked by two putti and two vases. paper etching rood-screen, choir-screen; iconostasis

Molière.

Half ceiling; Plachons a la modern. With empty rectangular flat in the middle and round medallions with flower vases in the corners. Leaf 4 from series of 12, first edition.

Schover Met Phorants, Emauel Eyel, After Franch XAver Hervelman, 1731 - 1775 print Fireplace with rocaille ornaments and two three -armed candlesticks. Publishing number 164. Augsburg paper etching / engraving open hearth, fire-place. chandelier, candelabrum

Kast, Anonymous, 1700 - 1800 drawing An ornamented rocaille cupboard with drawers, crowned with a rocaille clock. Rocailles and flower motifs around the cupboard. paper. ink pen furniture for storage. rocaille ornament

Design for a Fireplace. Édouard Baldus (French, born Germany, 1813 - 1889)

Drawing, Design for an altar of the Virgin; Carlo Marchionni (Italian, 1702-1786); Italy; pen and sepia ink, brush and gray watercolor on laid paper; 26.7 x 20 cm (10 1/2 x 7 7/8 in.)

Pedestal with bovine skull and smoke vessel. A pedestal with bovine skulls. On the pedestal are weapons, corners, snakes, an elephant head, fruit, a caduceus, shields with a lion and a camel and a smoke vessel. Right above 10 numbered.

Wall-mounted Shelf Unit from 'Verscheyden Schrynwerck (...)' 'Plusieurs Menuiseries (...)' 1658 after Paul Vredeman de Vries Netherlandish Design for a wall-mounted shelf unit, characterized by putti raising a cup. On top of the unit a pediment with a half-round niche is placed. The bottom of the unit is decorated by a garland.. Wall-mounted Shelf Unit from 'Verscheyden Schrynwerck (...)' 'Plusieurs Menuiseries (...)'. Verscheidene Schreinwercke ... (Plusieurs Menuiseries ...). after Paul Vredeman de Vries (Netherlandish, Antwerp 1567-1630). 1658. Engraving. Peter Overadt (German, active Cologne, ca. 1600-1649)

Siam (Thailand); Siam et la Religion. Livre Sixieme.; D Portes; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).An ornamented door with bokken head, a sword, a snake and a book with drawings. On the right a rectangular table with landscape by the sea, a crown with two swords, a burning heart, a turtle and a caduceus. Print number 57.

Collection of furniture planks: other cabinet. Ninth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of furniture planks: other cabinet. Ninth cabinet of a sequence of 21. Etching. 1575.

Monument to Leszek Czarny - board 1 from the album "The graves and monuments of Polish kings in Krakow" (edition II); Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (edition); 1822-1827 (matrix) (1822-00-00-1851-00-00);

Doé Lukeviries (Rusland), Jean Charles deptant, 1768 - 1771 print A door with a round medallion surrounded by flowers and a cloth with a book, a sword, a pomegranate and animals such as a goat and a peacock. Print number 47. Paris paper etching / engraving door. Russia

Design for a Funerary Monument ca. 1710-40 Circle of Ignaz Günther German. Design for a Funerary Monument 346379

Porch with double Tuscan pilasters, Jean Lepautre, c. 1656 - c. 1657 print Crowned with attic with medallion flanked by putti and horns of abundance. Revolt with plan and scale in a French base. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Elevation of a Catafalque with royal Crown and Order of the Golden Fleece, for a Duke of Lorraine, probably Leopold (d. 1729). Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 20-3/8 x 13-1/2 in. (51.8 x 34.3 cm). Date: around 1729. Museum: Metropolitan Museum of Art, New York, USA.

Burial monument for Cornelis de Graeff in the Oude Kerk in Amsterdam, Anonymous, 1693 - 1694 print paper etching / engraving grave-building, monumental tomb. parts of church interior Old church

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, D Portes, La Prusse et la Religion, Prussia, verso - stamped, An ornamented door with jesters, garlands and a doorknob with a tambourine and thyrsi. On the right a rectangular frame with a wolf, a crown with a sword, a rooster on a beehive and a cross. Print number 40., print, ornament print, prints, ornament prints, height 381 mm, width 228 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Project for an Alter, Leonardo Scaglia, French, active Italy, 1640 - 1650, Leonardo Scaglia, French, active Italy, 1640 - 1650, Pen and bistre, brush and wash on paper, Elevation of an alter with alternative designs. At top, a triangular pediment topped with angels and a cross. At sides, columns are raised to different heights. Niche and tablet below are empty and undecorated., France, ca. 1640-50, architecture, interiors, Drawing, Drawing

Design for burial chapel with a tomb on both sides, draughtsman: Cigoli, (workshop of), 1590 - 1640, paper, pen, brush, h 151 mm × w 172 mm

Design for a Four Poster Bed 1565-70 Jacques Androuet Du Cerceau. Design for a Four Poster Bed. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Drawing, Elevation of a Sepulcher Monument; Italy; pen and brown ink, brush and gray wash, graphite on off-white laid paper

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