Roman Inspired Landscape Etchings

Etchings illustrating classical landscapes enriched with mythical themes, featuring temples, ruins, and serene waters, capturing the essence of nature.

Amsterdam, Huysum, Jan van, Netherlands, Elgersma, Michiel, Arcadian landscapes, Landscape with shepherd, verso - stamped, Landscape with antique buildings in the background. In the foreground, near a forest, a man and a woman stand on either side of part of a column, next to them stands a dog and behind them a shepherd rests in the grass., print, prints, height 272 mm, width 311 mm, Noord-Nederlands, 1690-02-26 - 1759-10-01, print maker, printmaker, 1700 - 1759, paper, papier, etching, etchings, 1682-04-15 - 1749-02-08

HAt Offer Van Diana, Louis FitRiusius Dubbourg, 1721 print On a water with remains of Roman ruins on the banks there is a picture of the goddess Diana. Two women bring flowers and fruit to the image as sacrifices. In the background on the right a high mountain and a temple. Amsterdam paper etching (story of) Diana (Artemis)

Diana sacrifice. On a water with relievings of Roman ruins on the shore is a picture of the goddess Diana. Two women bring flowers and fruit as sacrifices to the image. In the background right a high mountain and a temple.

The Temple of Minerva Medica (Liber Studiorum, part V, plate 23) January 1, 1811 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Dunkrton here added mezzotint to detail a vista redolant of the Roman campagna with a ruined nymphaeum in the distance. Turner did not publish a title, but referred to the image as "Minerva Medica" in his notes. The intriguing presence of an oriental figure kneeling under the trees led later scholars to call the print "Hindoo Worshipper," and "Hindoo Devotions." The letters "EP" in the upper margin likely stand for Elevated Pastoral, and were applied by Turner to landscapes within the set that

Figures on a river near a dilapidated gate, Jean Jacques de Boissieu, 1796 print France paper. etching / drypoint water course. landscapes with waters, waterscapes, seascapes (in the temperate zone). gate, entrance

Liber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682). Etching and mezzotint;

Landscape with Watermolen, Nicolas Perelle, 1613 - 1695 print publisher: Parispublisher: ParisFrance paper etching watermill in landscape

Amsterdam, Huysum, Jan van, Netherlands, Elgersma, Michiel, Arcadian landscapes, Landscape with shepherd, verso - stamped, Landscape with antique buildings in the background. In the foreground, near a forest, a man and a woman stand on either side of part of a column, next to them stands a dog and behind them a shepherd rests in the grass., print, prints, height 272 mm, width 311 mm, Noord-Nederlands, 1690-02-26 - 1759-10-01, print maker, printmaker, 1700 - 1759, paper, papier, etching, etchings, 1682-04-15 - 1749-02-08

A Path Bordered by Trees with two Beggars and a Couple Strolling. Artist: Ferdinand Kobell (German, Mannheim 1740-1799 Munich). Dimensions: sheet: 7 5/8 x 8 3/8 in. (19.3 x 21.2 cm). Date: late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Landscape at the Villa Borghese In Villa Borghese Italian landscapes with monuments Mahlerisch-radirte Prospecte von Italien , print maker: Johann Christian Reinhart, (mentioned on object), Johann Christian Reinhart, publisher: Johann Friedrich Frauenholz, Neurenberg, 1794, paper, etching, engraving, h 283 mm - w 382 mm

Arcadian landscape with bathing women, Adolf van der Laan, after Johannes Glaber, 1710 - 1747 print Arcadian landscape with four bathing women on the right. The print is part of a 40-part series of prints with performances of Italian and German landscapes. Amsterdam paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). washing and bathing

A I 372, Vignali, Jacopo, Pharaoh's daughter presenting Moses, 120.5 x 101.5 cm, painting, museum/owner: SFF;, image number: 26095.1-3, photographer: Janas, Matti KKA 1992, poor quality, scanned 1996 arcusII, modified: adobeRGB1998/PS6.01/2001tå,

Landscape with two men at a fountain. Two men dressed in Roman gowns and fountain in a classicist garden with water basins.

Arcadian landscape with ruins, Johannes Glaber, 1656 - 1726 print An arcadian landscape with ruins. Central the ruin of a classic base. Next to the pedestal, a woman rests on the side of the road. In the background a villa and a pond. The print is part of a series with Arcadian landscapes. unknown paper etching pastorals, Arcadian scenes. landscape with ruins (+ city(-scape) with figures, staffage). public road. villa

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The Two Horsemen. Anthoni Waterlo; Dutch, 1609-1690. Date: 1630-1690. Dimensions: 118 x 141 mm (image); 119 x 142 mm (plate); 129 x 153 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: Anthonie Waterloo.

Large Landscape with Jakob and Laban, William Woollett, After Claude Lorrain, After Joseph Farington, 1783 print print maker: Englandpublisher: London paper etching the partnership with Laban ~ story of Jacob (Genesis 30:25-43)

Fishermen (supplement 2 Dutuitus pp. 363) Herman van Swanevelt (1600-1655). Fishermen (supplement 2 Duite p. 363). Floor, 17th century.

Pejzaż ze świątynią antyczną. Reinhart, Johann Christian (1761-1847), graphic artist

Woman hit by an arrow in an Arcadian landscape Italian and German landscapes (series title), Arcadian landscape with on the left a naked woman with an arrow in her chest. The arrow was shot by the man in front of her. The print is part of a 40-part series of prints with representations of Italian and German landscapes., Landscapes with waters, waterscapes, seascapes (in the temperate zone), shooting with bow and arrow, archery (games of skill) (variant ), Adolf van der Laan, Amsterdam, 1721 and/or 1710 - 1747, paper, etching, h 240 mm × w 367 mm

Gaspard Dughet (After); Victor Alexis (Lithographer) (The original work, according to inscriptions, attributed to Poussin, Nicolas); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'Landscape'. 1826 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Charles Turner, 1774-1857, British, The Bridge in Middle Distance, 1808. Etching.

No. 34. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

No. 93. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

After Herman van Swanevelt, Two Travelers and a Peddler Two Travelers and a Peddler

The man and his dog at the bottom of the butte (Hollstein 42) Anthonie Waterloo (1609-1690). The man and his dog at the bottom of the butte (Hollstein 42). Floor, mid-17th century.

Ostaden school, Pissivä talonpoika, (1000 - 2003), line etching, graphics, image width 10.9 cm, image height 14 cm

View of the Tiber, rural landscape, from the series "landscape from the area of Rome"; Both, Jan (1615 cars 1622-1652); 1625-1650 (1625-00-00-1650-00-00);Dembiński Maciej, collection, Dembiński, Stefan (1887-1972) - collection, Tiber (river), Italy (country), gift (provenance), riders, horseback, landscapes, generic scene, boat, sailing

Landscape with two hermits at their hut, Marco Ricci, 1730 print Landscape with two hermits in front of their cabin in the foreground on the right. Assignment in the end margin. Italy paper etching landscapes. anchorite, hermit. hut, cabin, lodge

Amsterdam, Nolpe, Pieter, Roghman, Roelant, Views in the Hague Forest, Path on the edge of the Hague Forest, verso - stamped, On a path, on the edge of the Hague Forest, some walkers and a dog are walking., print, prints, height 210 mm, width 265 mm, Northern Netherlands, 1627-03-14 - 1692-01-03, print maker, printmaker, 1637 - 1652, paper, papier, etching, etchings, Publication (Event), Publication, 1614 - 1653, publisher

View of the quarry at Campo Bello, Selinunte, François Allix, After Claude -Louis Châtelet, 1781 - 1786 Numbered in the bottom right: 78. Sicile. print maker: Franceafter drawing by: Francepublisher: Paris paper etching / engraving quarry. landscapes. standing figure Selinunte (Sicily)

Le Gué (TheFord). Artist: Charles-François Daubigny, French, 1817-1878

. Etching on ivory laid paper

Black pen and pencil drawing by Stang after William Woollett's work to Richard Wilson, showing the Cicero Country Service with figures, landscape, and architectural elements, before 1811.

Tempio della Tosse a Tivoli. Dated: 1793. Dimensions: plate: 28 x 37.6 cm (11 x 14 13/16 in.) sheet: 39.2 x 49.2 cm (15 7/16 x 19 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Christoph Dies.

Louis XIV (King of France), Paris, Vanheck, André, Swanevelt, Herman van, Story of Adonis, Venus and Adonis hunting, verso bottom center - stamped, In a hilly, wooded landscape, Venus, Adonis and Cupid chase three hares. They are accompanied by two dogs. Adonis carries a spear and Cupid holds a tensed bow and arrow. At the bottom, the episode in the story is explained in a four-line French text., print, prent, prints, prenten, height 252 mm, width 331 mm, Noord-Nederlands, 1604 - 1655, print maker, prentmaker, 1654 - 1654, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Plate Five of 38 from Oeuvres de J. B. Huet. Jean Baptiste Huet; French, 1745-1811. Date: 1796-1799. Dimensions: 480 × 350 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: JEAN BAPTISTE HUET.

No. 98. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Arcadian landscape with a running woman and a family sitting along a path, Théodore, After Jean François Millet (I), After Jean François Millet (II), 1690 - 1730 print paper etching family life. landscapes in the temperate zone - HH - ideal landscapes. road, path

No. 84. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

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Man and a woman at a farmhouse, Hermanus Jan Hendrik Rijkelijkhuizen, 1823 - 1883 print Utrecht paper etching / drypoint farm or solitary house in landscape. river. 'en route', traveller under way

Print made by John Greig, active 1800-1853, British, Windsor from the Forest, Berks, 1804. Etching and line engraving on medium, slightly textured, cream wove paper.

The Road to St Gilles Made 1911 France. Etching and drypoint on cream laid Japanese paper . Louis Auguste Lepère

Figures with cows in a ruin, Jan van de Velde (II), 1616 print Figures with cows on a country road along a river near a ruin in a tree -rich landscape. Twelfth print from a series of twenty. Northern Netherlands paper etching / engraving landscape with ruins. cow. river

Landscape with preaching Johannes, Henri Mauperché, 1612 - 1686 print print maker: Parispublisher: ParisFrance paper etching John preaching

Venus offers Diana the choice between Cupido and Adonis, John Browne, After Herman van Swanevelt, 1791 print Text in English in the lower margin. London paper etching / engraving (story of) Diana (Artemis). (story of) Adonis. Adonis hunting. (story of) Venus (Aphrodite)

Six Large Upright Landscapes: A Mother and Three Children at Rest, 1640-90. Anthonie Waterloo (Dutch, 1609/10-1690). Etching;

Op de Maese[Riverview. Artist: Wenceslaus Hollar, Bohemian, 1607-1677 After: Jan Peeters, the Elder, Flemish, 1624-1680

Thomas Gainsborough, Wooded Landscape with Two Country Carts and Figures, 1779 1780 Wooded Landscape with Two Country Carts and Figures

Landscape with the daughters of Helios, Richard Earlom, After Claude Lorrain, 1776 print London paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cattle. other scenes from the story of Phaethon and the chariot of the sun

Fresco in Palazzo Colonna, Rome. After Gaspard Dughet; French, 1615-1675. Date: 1635-1675. Dimensions: 530 × 405 mm. Black crayon with black chalk over touches of graphite on ivory laid paper, tipped onto ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Classical Landscape with Women at a Fountain. Artist: Pierre Henri de Valenciennes (French, Toulouse 1750-1819 Paris). Dimensions: sheet: 11 7/16 x 14 9/16 in. (29 x 37 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The Winding Road, Johann Georg Wille, German, active France 1715-1808, Engraving on paper, The road winds along the bank of a stream to its right, with a cliff on the left. A town in the background. Three people on the road, with a basket in front of them. A man, woman, and girl. Below, the artist's initials and the date., France, 1747, Print, Print

Print made by Samuel David Colkett, 1806-1863, British, The Gipsy Encampment, 1830. Etching on very thick, rough, white wove paper.

Etching by Franz Edmund Weirotter depicting a fountain near Meulan, created between 1750 and 1771, showing architectural elements and natural surroundings.

Replacement of the woman in Arnhem, 1783, Mathias de Sallieth, After Willem Kok, 1787 print Reference of the woman in Arnhem, 4 August 1783. Fragment of a larger album entitled 'Atlas of the histories of our Tyd. Plate i '. This was a test episode of a new series of performances of historical events from the years 1780-1787, the series was not continued after this first issue. Northern Netherlands paper etching opening of grave, exhumation Arnhem

Landschap ovelvas, Francesco Bartolozzi (Ritratteda to), after Francesco Zuccarelli, 1762 print A landscape with fishermen at a stream. In the foreground a woman and a child. In the background on the left a shepherd with a herd of cattle. Numbered below: C. 6. print maker: Italyafter painting by: Italypublisher: Venice paper etching / engraving city-view, and landscape with man-made constructions. fishing (sports). fisherman. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. herd, flock

No. 123. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Under the Ponte Lupo, Jacob Wilhelm Mechau, 1790 print Rome paper etching waterfall (+ landscape with figures, staffage) Ponte Lupo

Face on Jaap Hannes; Sigion to Iaphanes Buyten Amsterdam. View of Jaap Hannes, near Amsterdam. Left three figures and right a house where a man is in front.

St. Michael's Mount, Cornwall, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1813, Line engraving and etching on moderately thick, moderately textuerec, cream, wove paper, with chine collé, Sheet: 10 3/16 × 12 15/16 inches (25.9 × 32.9 cm), Plate: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm), Chine collé: 8 7/8 × 11 13/16 inches (22.5 × 30 cm), and Image: 5 7/8 × 8 3/4 inches (14.9 × 22.2 cm)

No. 188. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Amsterdam, Waterloo, Anthonie, Bosgezichten, series B, Twee bospaden, verso lower left - stamped, Twee bospaden are shown parallel to each other. A man is walking on the right path. In the foreground on the right a man lies asleep., print, prent, prints, height 131 mm, width 145 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher

Venus Offering Diana a Choice between Cupid and Adonis. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

A woman brings a sacrifice to priapus; Scenes from Vergilius poetry bundle Bouncerca. In a landscape a woman knress for a bust of priapus, to whom she brings a sacrifice. On the right in the background two women run on a road. Illustration for virgilius ecloga 7.

Sheep-Washing, Windsor, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1813 to 1823, Etching and mezzotint, printed in brown ink Modern Impression (Charles) on moderately thick, slightly textured, cream wove paper, Sheet: 12 × 17 inches (30.5 × 43.2 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)

The Cowherd. Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 5 3/16 x 7 15/16 in. (13.1 x 20.1 cm). Date: 1636. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with liar structure; Mirror of nature and school of the creativity (...). Landscape with liar structure. Left in the foreground a man and woman. The print is part of an album.

The Hydraulic Machine. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: image: 8 3/16 x 13 3/4 in. (20.8 x 34.9 cm)sheet: 11 x 14 3/4 in. (27.9 x 37.5 cm)frame: 16 x 21 in. (40.6 cm). Publisher: Maurice Le Garrec (French, 1881-1937). Series/Portfolio: Le Garrec printing of 1921. Date: 1862 reprinted 1921. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

Hermitage in a river landscape, Jean Jacques de Boissieu, 1793 print France paper. etching / drypoint hermitage

Face at Oberhademar in 't Nassausche, Ernst Willem Jan Bagelaar, 1800 drawing Drawing from album with 13 drawings made in Germany by Captain Bagelaar, during the campaign of 1800. paper pen / brush mountains Oberhadamar. Germany

Pan it syrinx (barter 70) Herman van Swanevelt (1600-1655). Pan and Syrinx (Bartsch 70). Floor, 17th century.

The Carthusian Convent at Trisulto, Sir Richard Colt Hoare, 1758-1838, British, 1790, Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper, Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm) and Contemporary drawn border: 16 x 21 5/8 inches (40.6 x 54.9 cm), architectural subject, Carthusian, convent, figures, Grand Tour, landscape, trees, Alatri, Europe, Frosinone, Italia, Lazio

Moon landscape with the flying car of Armida, in which she carries the sleeping rinaldo, 1784 print paper etching Armida. Rinaldo. water course

Plate 31 from Blatt Baum und Landschafts Studien. Lorenz Ekemann Alesson; Swedish, 1791-1828. Date: 1805-1815. Dimensions: 320 x 230 mm (image); 470 x 320 mm (sheet). Lithograph on paper. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA.

Aricia. Dated: 1793. Dimensions: plate: 28.6 x 37.6 cm (11 1/4 x 14 13/16 in.) sheet: 39.1 x 49.1 cm (15 3/8 x 19 5/16 in.). Medium: etching on laid paper proof. Museum: National Gallery of Art, Washington DC. Author: Johann Christian Reinhart.

The Antique Sarcophagus. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Herman van Swanevelt.

Resting travelers at Waterbron, Pierre François Basan, After Adriaen van de Velde, 1733 - 1797 print France paper etching / engraving (traveller) resting in the open air. spring, source of river or stream. cow

La Retour a laFerme. Artist: Alphonse Legros, French, 1837-1911

No. 106. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Flight to Egypt, Théodore, After Jean François Millet (I), After Jean François Millet (II), 1690 - 1730 print France paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. landscapes in the temperate zone - HH - ideal landscapes

Traveler at a farm, Johan Christiaan Willem Safft, 1788 - 1849 print A man with a basket on his back runs on a farm. The farm is located between the trees. Amsterdam paper etching 'en route', traveller under way. carrying something in basket, bag, rucksack, etc.. farm (building). farm or solitary house in landscape

Landscape with farmer and horse on bridge, Marco Ricci, 1730 print Hilly landscape with a farmer who pulls his horse over a small bridge. Right a family resting in the landscape. Assignment in the end margin. Italy paper etching landscapes. bridge. bridge. horse

View of the Village of Limay. Eugène Blery; French, 1805-1887. Date: 1845. Dimensions: 160 × 243 mm (chine collé); 218 × 308 mm (sheet). Etching on ivory China paper collée laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Hazenjacht, Hendrik Meijer, 1754 - 1793 drawing paper. ink. watercolor (paint). pencil brush / pen hunting, chase

Parijs, Jean, Auguste (uitgever), Amsterdam, Ottens, Josua & Reinier (II), Waterloo, Anthonie, Landscapes with scenes from Ovid's Metamorphoses, Death of Adonis, Paris, verso lower left - stamped, Adonis lies dead on the ground and next to him sits a dog. His spear lies next to his body. On the right a wild boar runs into the forest, followed by a dog., print, prent, prints, prenten, height 293 mm, width 245 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, prentmaker, 1630 - 1663, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, Northern Netherlands, publisher, uitgever, Frans

Landscape with Narcissus and Echo, Richard Earlom, After Claude Lorrain, 1774 print London paper etching lake - HH - ideal landscapes. Narcissus, gazing in a fountain, falls in love with his own reflection; possibly the nymph Echo peeps at the scene

Landscape with Cupid and Psyche. Artist: Richard Earlom (British, London 1743-1822 London); After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 10 11/16 x 16 1/4 in. (27.1 x 41.3 cm)plate: 8 3/16 x 10 1/4 in. (20.8 x 26 cm). Publisher: Published by John Boydell (British, Shropshire 1720-1804 London). Series/Portfolio: Liber Veritatis, II, 167. Date: 1776. Museum: Metropolitan Museum of Art, New York, USA.

Le Revanche des Paysans (The Revenge of the Peasants), from Les Petites Misères de la Guerre (The Little Miseries of War), plate 5 1636 Jacques Callot French. Le Revanche des Paysans (The Revenge of the Peasants), from Les Petites Misères de la Guerre (The Little Miseries of War), plate 5. Les Petites Misères de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

The Country Dance 1632-1642 France. Etching on ivory laid paper . Claude Lorrain

Company in a landscape or garden with a porch on the left, Jean Michel Liotard, After Jean Antoine Watteau, 1731 print France paper etching / engraving loggia, verandah, porch. garden

Antwerp, Hollar, Wenceslaus, Views in the vicinity of Albury, Bey Albury, River landscape near Albury, verso - stamped, print, prints, height 88 mm, width 154 mm, Czech, 1607-07-13 - 1677-03-25, print maker, printmaker, 1645 - 1645, paper, papier, etching, etchings

Landscape with figures and a horse and car, Bartholomeus Barbiers, after c. 1750 - 1808 drawing Landscape with figures; On the left a horse and car. paper. graphite (mineral). ink pen / brush

Two Men Carrying Staffs. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

A feather drawing by Vincenz Georg Kininger depicting a scene in the Prater, focusing on landscape and human figures.

Venus and Adonis with Cupid in a Landscape, Antoni Waterloo, 1618-1677, Etching on paper, In a broad landscape, wooded at the left, Venus and Adonis are seen seated in the right foreground, accompanied by two dogs, while Cupid leads another dog away toward the left., Netherlands, Amsterdam, Netherlands, ca. 1650, Print, Print

Acteon and Diana, Print made by Bernard Lens, 1659-1725, British, after Jan van der Vaardt, 1647-1721, Dutch, active in Britain (from ca. 1674), undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.6 cm) and Image: 13 1/16 × 9 7/8 inches (33.2 × 25.1 cm), anger, bathing, branches, cities, cliffs, forest, goddess, houses, man, Nature, nudes, nymphs, pointing, privacy, religious and mythological subject, river, rock, spying, virgin, watching, waterfall

. In an orchard, the apples are picked and gathered in baskets and wooden tubs. The tubs and baskets are transported on the back and per cart.

Thomas Vivares, c.1735-c.1790, British, Design of a Ruineous Bridge for the Garden at Sion, 1778. Line engraving on moderately thick, moderately textured, cream, laid paper.

Glaucus and Scylla, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1813 to 1823, Etching and mezzotint, printed in brown ink Modern Impression on medium, slightly textured, cream wove paper, Sheet: 13 1/8 × 16 5/8 inches (33.3 × 42.2 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 × 10 1/4 inches (17.8 × 26 cm), beach, cliffs, god, nymph, religious and mythological subject, rocks (landforms), sea, sun, trees

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