Romantic Etchings

Etchings showcasing romantic themes such as love and nature. The mood is passionate and contemplative with intricate details and a blend of dark and light tones.

Landscape with lion and the saint Hieronymus with book, Henri de Groux, 1877 - 1930 print Drawing of a dragon in the middle of the margin. Japanese paper (handmade paper). pencil St. Jerome translating the Old and the New Testament into Latin (the Vulgate). beasts of prey, predatory animals: lion

John Hamilton Mortimer, 1740-1779, British, Elegy (no.15 from Fifteen Etching dedicated to Sir Joshua Reynolds), 1778. Etching.

Rest on the Flight intoEgypt. Artist: Rodolphe Bresdin, French, 1822-1885

Print, Pan Sitting Opposite a Vase; Designed by Giovanni Benedetto Castiglione (Italian, 1609-1664); Italy; etching on paper; 12.5 × 22.1 cm (4 15/16 × 8 11/16 in.); 1896-31-50

Love pair, anonymous, after parmigianino, 1520 - 1590 print A love couple sitting in a forest. The naked man turns to the woman. paper etching / counterproof couple of lovers

Rodolphe Bresdin, Comedie de la Mort, 1854 Comedie de la Mort

Landscape with lion and the saint Hieronymus with book, Henri de Groux, 1877 - 1930 print Drawing of a dragon in the middle of the margin. Japanese paper (handmade paper). pencil St. Jerome translating the Old and the New Testament into Latin (the Vulgate). beasts of prey, predatory animals: lion

Drawing by Martino Rota depicting Mary Magdalene as lost or grieving, executed with chalk and feather, lavated technique, and white heighted details, showing figure and drapery.

St. Francis Receiving the Stigmata. Federico Barocci (Italian, 1528-1612). Etching;

Le repos du berger , Shepherds, Hills, Buildings, Alphonse Legros (1837-1911)

Umbria Terni Narni S. Giovenale, Cathedral44. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Stripping the Slain November 15, 1779 Etched and published by Robert Blyth British. Stripping the Slain 407780

Oedipus and the Sphinx; Oedipus in the cave at the Sphinx; Composition with fantastic beings. Oedipus at the entrance to the cave where the Sphinx ceases, a monster with the head of a woman, the body of a lion and the wings of an eagle. It is located on a spiral staircase, which circles the dead, bare bodies of two men and a woman.

The sleeping shepherd.

Death Entombing an OldMan. Artist: Stefano Della Bella, Italian, 1610-1664

Coastal landscape with fishermen, men hanging nets in a tree and a man with a fishing rod bringing a basket to a woman. Return of fishing, print maker: Claude Joseph Vernet, (mentioned on object), Italy, 1724 - 1789, paper, etching, h 303 mm × w 222 mm

Perseus en Andromeda, Lorenzo Loli, After Giovanni Andrea Sireni, 1622 - 1691 print Perseus comes to fly on Pegasus to save the challenging Andromeda from a sea monster. Italy paper etching Perseus and Andromeda. Pegasus, the winged horse

The Bodies of Saints Peter and Paul Hidden in the Catacombs. Giovanni Benedetto Castiglione; Italian, 1609-1664. Date: 1647-1651. Dimensions: 288 x 205 mm (image); 289 x 206 mm (plate); 300 x 208 mm (sheet). Etching and drypoint in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Jacques Firmin Beauvarlet after Jean Honoré Fragonard, La Bascule, 1760 La Bascule

Abraham's Sacrifice. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Trimmed): 6 5/16 × 5 1/4 in. (16.1 × 13.4 cm). Date: 1655. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

The Supposed Finding of the Remains of St. Peter and St. Paul. 1601 - 1700. Castiglione, Giovanni Benedetto, 1609-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Men with hoods in the rocks at work. .

The Farewell, 1774-1789, Jean-Pierre Norblin de la Gourdaine, Polish, (born France), 1745-1830, 5 x 3 11/16 in. (12.7 x 9.3 cm) (image)5 1/2 x 4 1/8 in. (13.9 x 10.5 cm) (sheet), Etching and drypoint, Poland, 18th century, Jean-Pierre Norblin de la Gourdaine was a French painter and printmaker active in Poland in the late 18th century. Norblin's charming miniature etchings, representing mostly male heads, street sellers, and vagabonds, reflect both in subject and technique the profound influence of Rembrandt's prints. Norblin was also drawn to Polish subjects, capturing the unfamiliar, exotic world around him in his depictions of men with colossal fur hats and curled moustaches, Cossacks, and Polish historical figures.

Francisco de Goya (Spanish, 1746-1828). It Serves You Right (Bien Te Se Está), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Depicts the resurrection of Lazarus by Rembrandt, small plate, created in 1642 using etching with cold needle and flat tone, showing figures, gestures, tomb, and expression.

Daniel's Vision of the Four Beasts, Rembrandt van Rijn, 1655 print Japanese paper (handmade paper) etching / drypoint Daniel's visions (Daniel may be shown having his visions explained, e.g. by the archangel Gabriel)

The sleeping shepherd.

Etching by Rembrandt depicting the vision of Daniels from Ben Israel's 'Piedra Gloriosa', including tombstick and pinnacle, created in 1655.

La Mort Et Le Bucheron. Discover More Alphonse Legros (Dijon, France, 1837 - 1911) 1876 Death, Forest, Professor, Woodcutter

Baadster steps out of the water, Moyses van Wtenbrouck, 1645 - 1660 print print maker: The Haguepublisher: Antwerp (possibly) paper engraving / etching 'After the bath' - AA - in the open air

St. Jerome in the Desert. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 5 1/16 × 3 1/2 in. (12.9 × 8.9 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

Anno 1675. Ist dieser Elde Hirsch dessen Gewichte 58. Ende gezeiget in dem Walde die obere Hart genant bey Basel gepürschet worden.. Ridinger, Johann Elias (1698-1767). 1741. Prints, Illustrations, Scientific illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Animals, Hunting, Game & game birds

Badende Women, Johannes Josephus Aarts, 1881 - 1934 print Five partially and completely undressed women in a trees -overgrown landscape. There is water behind them. paper etching taking a bath - AA - in the open air. woman (showing herself) undressed, quasi-nude

Elia is fed by Raven in the desert, Jonas Umbach, 1634 - 1693 print Elijah sitting on the floor in a landscape, a walking stick at his feet a jug. He looks up where two ravens fly with bread and meat in their mouths. paper etching Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Landscape with bathing woman, polynice Auguste Viette, 1852 print At the top right the letter D in mirror image. paper. etching washing and bathing - AA - in the open air. nude with covered genitals - AA - female human figure. forest, wood

Anonymous ink and wash drawing depicting Pan and Syrinx among leaves, executed with feather and brush in black and gray with white highlights.

Photo production of (presumably) a drawing, representing the merciful Samaritan, c. 1880 - c. 1900 photograph Part of French artists' album. paper. photographic support. lacquer (coating) albumen print the good Samaritan (Luke 10:30-37)

François Nicolas Chifflart, La France Libératrice, 1859 La France Libératrice

Remembrance of Italy (Souvenir d'Italie). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Kain kills Abel; Stupid passion.

The Sleeping Shepherd, 1857. Samuel Palmer (British, 1805-1881). Etching;

Le Paradis et la Peri, 1893. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Elia fed by raven ..

Rembrandt van Rijn, The Small Lion Hunt (with One Lion), c 1629 The Small Lion Hunt (with One Lion)

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Crying, Alphonse Legros (1837-1911)

Tree group with two figures

Depiction of Mercury and Argus by Willem Doudijns, drawn in black chalk with brown wash, watermark of a jug with crescent moon.

Victime de la foudre , Victims, Lightning, Trees, Alphonse Legros (1837-1911)

Femme au Calvaire , Older people, Crucifixions, Alphonse Legros (1837-1911)

Copper engraving and etching by Jean Jacques Avril depicting a scene titled 'The Croc-en-Jambe', created in 1781.

DON QUIXOTE'S MADNESS, BY GUSTAVE DORE, , 1832 - 1883, French. Engraving for Don Quixote by Miguel de Cervantes. 1870, Art, Artist, romanticism, colour, color

La Valkyrie. Acte 1re. Sieglinde et Siegmund , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Raising of Lazarus: Small Plate. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1642. Dimensions: 147 x 113 mm (image/plate); 156 x 122 mm (sheet). Etching in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Lombre de Marguerite apparaissant à Faust (Marguerites Ghost Appearing to Faust), from Johann Wolfgang von Goethes Faust. Artist: Eugène Delacroix, French, 1798-1863

Etching by Francisco Goya from 'The Disasters of War', titled 'They Take Advantage', created 1810-1812, first edition 1863, depicting exploitation during conflict.

Rijn, Rembrandt van, Hieronymus in prayer: plate with curved upper edge, verso center right, print, prints, Rembrandt f. 1632, lower right, height 110 mm, width 81 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Adam and Eve, Pierre François Basan, After Rembrandt van Rijn, 1733 - 1797 print paper etching Temptation and Fall (Genesis 3:1-7)

The Shepherd. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); Welby Sherman (British, active 1827-1836). Designer: After Samuel Palmer (British, London 1805-1881 Redhill, Surrey). Dimensions: Plate: 4 1/4 × 3 1/8 in. (10.8 × 7.9 cm)Sheet: 9 11/16 × 7 3/8 in. (24.6 × 18.8 cm). Date: 1828.Sherman belonged to "The Ancients," an artistic brotherhood based at Shoreham, Kent in the late 1820s and early 1830s. His engraving of a youthful shepherd dreaming by the sea is based on a drawing by Samuel Palmer, who wrote in 1828, "If Mr. Sherman have finish'd his print he need not wait 'til I see it, but may bring it out directly...as the more copies are sold the sooner the plate will be his own." The work was never published, however, and only five copies are known. The mysterious image conveys Palmer's admiration for Albrecht Dürer's "Melancholia", as well as his closeness to George Richmond, a friend and fellow Ancient, whose own "Shepherd" engraving of 1827 describes a figure

Saint Jerome Penitent in the Wilderness ca. 1496 Albrecht Dürer German. Saint Jerome Penitent in the Wilderness 343128

The Storm, after Greuze, from "L'Art" 1873 Jules-Ferdinand Jacquemart. The Storm, after Greuze, from "L'Art". Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1873. Etching. Prints

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Crying, Alphonse Legros (1837-1911)

Melancholy, c. 1868. Odilon Redon (French, 1840-1916). Graphite; sheet: 32.1 x 22 cm (12 5/8 x 8 11/16 in.). Odilon Redon grew up near the massive Pyrénées mountains in southern France and their image recurred throughout his work. In a series of drawings made during the 1870s, Redon used the craggy surface and infinite reach of his native landscape to evoke a sense of solitude and isolation. The woman seen here, for example, leans forward and casts her eyes downward as if in resignation.

Man seated viewed from behind (Narcissus) ca. 1527-30 Antonio da Trento Italian Upon returning to Bologna after the Sack of Rome in 1527, Parmigianino started working with the printmaker Antonio da Trento, who, according to the sixteenth-century artist and biographer Giorgio Vasari, also lived with the artist. Their collaboration led to highly skilled compositions, including Narcissus from Ovids Metamorphoses. Two blocks inked with different hues of brown provide the middle tones, the outlines from the keyblock are printed in black, and the exposed white of the paper creates the highlights. Though the relationship between Parmigianino and Antonio da Trento was initially productive, it soon ended when, in Vasaris telling, the printmaker left the artists home one morning having stolen numerous prints and drawings.. Man seated viewed from behind (Narcissus) 361903

Paris, Mariette, Pierre (II), Dorigny, Michel, France, Pan with Bacchante and Fruit Basket Bearers, verso - stamped, print, prints, height 258 mm, width 201 mm, Frans, 1617 - 1665-02-21, print maker, printmaker, 1626 - 1665, paper, papier, engraving, engraving (printing process), etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, uitgever van privilege

Velde, Adriaen van de, Hackaert, Jan, Kaiser, Johann Wilhelm (I), Dutch masters, Hunting scene, verso - stamped, In the foreground several hunters with their dogs are hunting two deer. In the background hunters on foot and on horseback. The print is part of a series of 25 prints after Dutch masters. Above the image: PL XVII., print, prints, height 231 mm, width 178 mm, Dutch, 1813-01-05 - 1900-11-29, print maker, printmaker, 1823 - 1900, paper, papier, chine collé, etching, etchings, 1628 - 1705, after, after painting by, Northern Netherlands, 1636-11-30 - 1672-01-21

Nymph Riding on a Satyr's Back, from Bacchanales, or Satyrs' Games. Jean Honoré Fragonard; French, 1732-1806. Date: 1763. Dimensions: 135 × 203 mm (image); 145 × 210 mm (plate); 147 × 210 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Les bûcherons (3rd plate) , Woodcutters, Trees, Alphonse Legros (1837-1911)

Bernard, Michel and Alvin-Beaumont, Rijn, Rembrandt van, The Raising of Lazarus: small plate, verso bottom center - pencil, print, prints, Rembrandt f 1642, bottom left, Coppier, height 149 mm, width 111 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1642 - 1642, second quarter 17th century, third quarter 19th century, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Death of Pliny de Older, Ludwig Gottlieb Portman, after Jacques Kuyper, 1805 print Gaius Pliny Secundus Maior dies due to suffocation during the eruption of the Vesuvius, on August 24, 79. He fell victim to his own scientific interest. Amsterdam paper etching death of Pliny the Elder during the eruption of Vesuvius

Man Foraging (L'homme au fourrage). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Depicts the Holy Christophorus carrying or assisting Jesus by Albrecht Altdorfer, created as a woodcut in 1513, showing figures, gesture, and religious symbolism.

Saint Jerome beside a Pollard Willow. Dated: 1648. Dimensions: plate: 17.8 x 13.2 cm (7 x 5 3/16 in.) sheet: 18.1 x 13.6 cm (7 1/8 x 5 3/8 in.). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

Thomas Rowlandson, 1756-1827, British, Fox-hunting: How to Twist your Neck from 'Advice to Sportsmen', 1809. Etching.

Colored woodcut by Albrecht Altdorfer depicting Jael and Sisera, showing the figures, action, and narrative elements around 1513.

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Crying, Alphonse Legros (1837-1911)

Well at Quevado , Wells. George Bellows (1882-1925). Prints and Drawings

Hiker Crossing Over a Mountain Stream on a Tree Trunk with a Woman. Janus Genelli (Danish, 1761-1813); published by Wilhelm Reuter (German, 1768-1834). Date: 1804. Dimensions: 418 × 302 mm (image); 617 × 440 mm (sheet). Lithograph in black on white wove paper. Origin: Denmark. Museum: The Chicago Art Institute, Chicago, USA.

Frontispice. Vérité , Composers, Fictitious characters, Supernatural beings, Berlioz, Hector, 1803-1869, Wagner, Richard, 1813-1883, Brahms, Johannes, 1833-1897, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Prodigal Son, 3rd plate (L'enfant prodigue). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Woman looks shocked at a sleeping man who covers a narrow mountain path on a donkey, Jan Luyken, 1687 print Amsterdam paper etching / letterpress printing riding a horse, ass, or mule; rider, horseman. sleeping; unconsciousness. mountains

Our saviors! / The man of the campaigns brings calm and security / in the capital of the civilized world

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), Christmas, 1850. Etching with plate tone on thick, smooth, cream wove paper.

Francisco de Goya, Disparate de miedo (Folly of Fear), in or after 1816 Disparate de miedo (Folly of Fear)

Mocking of Ceres, Wenceslaus Hollar, After Adam Elsheimer, 1646 print The goddess Ceres, looking for her daughter Proserpina, rests with a hut. She drinks from a jug given to her by an old woman. A small naked boy (Stellio) next to the old woman points to Ceres and laughs her out. paper etching a little boy (Abas, Ascalabus, or Stellio) laughs at Ceres, because she drinks too avidly while she is resting at an old woman's house

Carl Wilhelm Kolbe, An Offering to Pan, c 1810 An Offering to Pan

Rijn, Rembrandt van, The pissing woman, Watering woman, A woman making water, verso - stamped, print, prints, height 80 mm, width 63 mm, print maker, printmaker, 1631 - 1631, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Dryas, Cornelis Cort, after Frans Floris (I), 1564 print The Bosnimf Dryas collects oak leaves in the forest. paper engraving (HAMA) Dryads, forest- and tre-nymphs; 'Driadi & Hamadridi' (RIPA)

Le triomphe de la Mort: Les bouches inutiles , Victims, Alphonse Legros (1837-1911)

L'Incendie (2nd plate) , Fires, Victims, Alphonse Legros (1837-1911)

Edward Calvert, The Brook, 1829, wood engraving on paper.

Félix Hilaire Buhot, The Demon Printer, 1878 The Demon Printer

The mutilated bodies of the De Witt brothers hanging at the WIP, 1672; Image of abused bodys on the green soot in 's Hage. August 20, 1672. Night presentation of the mutilated bodies of Johan and Cornelis de Witt, hanging on the seesaw on the green zoo, August 20, 1672. On the right in the foreground a man with a burning torch. Signature at the top right: Pag. 40.

Les bûcherons (3rd plate) , Woodcutters, Trees, Alphonse Legros (1837-1911)

In a forest, the spirit of Constantia appears to Ferdinand. .

Jean-Baptists has (1745-1811). "Bergue firant it's jeune enforce". Plume, aquarellement Sur Papier, 1780. Paris, Museum Cognacq-Jay. 25917-4 Shepherd, countryside, child, woman, spin, wool, sheep

Vanity - allegorie. .

Mourning person at the foot of a gallows with a hungry, Willem Linnig (II), 1852 - 1890 print paper etching violent death by hanging. mourning the dead

Witch. A witch at a cooking pot where they poured powders. A hard wind blows. For her a group of samples.

Rijn, Rembrandt van, Christ in the Garden of Gethsemane, verso middle left, print, prints, Rembrandt f. 165-, lower right, verso upper left, height 111 mm, width 83 mm, North Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1655 - 1659, third quarter 17th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

Alphonse Legros, The Gardener (Le jardinier) The Gardener (Le jardinier)

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