Romantic Landscape Studies

A collection of landscape art featuring dramatic skies and serene settings, created using various painting techniques and mediums.

A Dell at Helmingham Park, Suffolk, 1830, English Landscape, mezzotint on laid paper, plate: 17.8 x 22.2 cm (7 x 8 3/4 in.), sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.), Shirley 1930, no. 12, State undesc, David Lucas (artist) British, 1802 - 1881, John Constable (artist after) British, 1776 - 1837

A Dell at Helmingham Park, Suffolk, 1830, English Landscape, mezzotint on laid paper, plate: 17.8 x 22.2 cm (7 x 8 3/4 in.), sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.), Shirley 1930, no. 12, State undesc, David Lucas (artist) British, 1802 - 1881, John Constable (artist after) British, 1776 - 1837

Rev. William Gilpin, 1724-1804, British, A Castle at the Edge of a Lake, between 1762 and 1783. Gray wash, yellow wash, and graphite on moderately thick, moderately textured, beige, laid paper.

Roofs in Ostend, James Ensor, 1884, painting, 1884, Belgian Art

MARINA 1958 - OLEO/LIENZO 80X100,5 CM. Author: PANCHO COSSIO / FRANCISCO GUTIERREZ COSSIO. Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Abbey Gates Looking to Greenfield House. Date/Period: 1840s. Painting. Watercolor. Height: 124 mm (4.88 in); Width: 83 mm (3.26 in). Author: David Cox.

Feast. Wojtkiewicz, Witold (1879-1909), draughtsman, cartoonist

A watercolor on tissue paper by Adolf Böhm depicting a caricatured naked figure moving through a landscape.

ARBOLEDA. Author: AGUSTIN RIANCHO (1841-1929). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Two Cloaked Figures in a Boat, possibly a stage set design. Artist: Herbert E. Crowley (British, London 1873-1939 Zurich). Dimensions: Sheet: 5 1/4 × 8 11/16 in. (13.3 × 22 cm). Date: 1911-24. Museum: Metropolitan Museum of Art, New York, USA.

Samuel Palmer, 1805-1881, British, active in Italy (1837-39), Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq, ca. 1840. Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper.

Landscape from the character women; Fabija Ski, Stanis Aw Ignacy (1865-1947); the twenties of the 20th century (1920-00-00-1930-00-00);but

George Catlin, Salmon Spearing Ottowas, 1861 1869 Salmon Spearing - Ottowas

Repin, Ilja Yefimoviš, The Nurse, Petrograd, 1892, sepia border, drawing, 37.5 cm x 26.5 cm

View of the roofs; 20th century (1901-00-00-2000-00-00);Contemporary painting, landscapes

Fountain near Yalta. From the journey to Crimea. Ciągliński, Jan (1858-1913), painter

Troyes, snow effect. Siebe Johannes Ten Cate (1858-1908). Troyes, snow effect. Graphite pencil, pastel.

Prout's Neck, Evening. Winslow Homer; American, 1836-1910. Date: 1894. Dimensions: 359 x 536 mm. Watercolor, with rewetting and blotting, over traces of graphite, on thick, rough-textured, ivory wove paper (top edge trimmed). Origin: United States. Museum: The Chicago Art Institute, USA.

PINTURA - SIGLO XX - OLEO. Author: XAVIER GRAU (1951-2020). Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN.

A Sea Piece - A Rough Sea with a Fishing Boat, Joseph Mallord William Turner, 1775-1851, British, 1820 to 1830, Watercolor on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 11 5/8 inches (20 x 29.5 cm) and Frame: 15 1/4 x 20 1/4 x 1 inches (38.7 x 51.4 x 2.5 cm), boat, clouds, fishing, marine art, rough, sails, sea, sky

Peter DeWint, 1784-1849, British, Building a Hayrick, undated. Watercolor, over graphite on thick, rough, beige, wove paper.

Japan: 'Miyogi the Devine Fort', pencil and watercolour by Shigeru Aoki (1882-1911), c. 1902 CE

Starry Night; Edvard Munch (Norwegian, 1863 - 1944); 1893; Oil on canvas; 135.6 × 140 cm (53 3,8 × 55 1,8 in.)

Me - night; Cie Ski, Jan (1858-1913); 1898 (1898-00-00-1898-00-00);State Art collections (Warsaw - 1922-1939) - collections

Joseph Mallord William Turner, 1775-1851, British, The Channel Sketchbook, ca. 1845. Graphite and watercolor on medium, slightly textured, white wove paper.

'La Gorge aux Loups'. Dating: 1840 - 1867. Measurements: h 35.5 cm × w 46.4 cm × t 2.5 cm; d 10.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Theodore Rousseau.

Woman on Blanket by the Sea School of Pont Aven (19th C.-20th C. French) Oil on canvas David David Gallery, Philadelphia, Pennsylvania, USA

Aleixar. Óleo sobre liezo. Museum: PRIVATE COLLECTION. Author: JOAQUIN MIR.

Canal Scene with Shipping, 1800-1824

The Channel Sketchbook. Date/Period: Ca. 1845. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

Sketch for the town hall of Saint-Ouen: seen from Saint-Ouen Paul-Jean Gervais (1859-1936). Sketch for the town hall of Saint-Ouen: seen from Saint-Ouen. Oil on paper glued right on cardboard. 1890-1910.

J. M. W. Turner, Yacht Approaching the Coast, 1840-5 , Oil paint on canvas, London, England.

Cloud Study, 1800s. Anonymous. Watercolor;

Sketch of a Male Figure Bozna Ska, Olga (1865 1940)

BAÑISTAS - SIGLO XIX - IMPRESIONISMO FRANCES. Location: PRIVATE COLLECTION.

Fish Antoine Vollon (French, 1833-1900). Fish, 1871-1875. Oil on canvas, 12 7/8 x 18 3/8 in. (32.7 x 46.7 cm). Antoine Vollon depicted this mound of freshly caught fish in a dynamic manner that merges his subject with the substance and movement of paint itself. Slippery fish are evoked in long brushstrokes and touches of color, while a wicker basket and bed of reeds are partially conjured through marks that appear to have been scratched into the still-wet paint with the brush handle. European Art 1871-1875

A Hooded Figure in a Landscape, possibly a stage set design. Artist: Herbert E. Crowley (British, London 1873-1939 Zurich). Dimensions: Sheet: 8 3/8 × 12 1/8 in. (21.2 × 30.8 cm). Date: 1912-24. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with figures at a mill, 1841 - 1853 Page 56 Recto from a sketchbook with 87 sheets. paper. ink. pencil brush landscapes (+ landscape with figures, staffage). windmill in landscape

The Zuider Zee. Dating: 1885 - 1900. Measurements: h 19.9 cm × w 30.1 cm × t 1.4 cm; d 8.8 cm. Museum: Rijksmuseum, Amsterdam. Author: Eduard Karsen.

Sketch in An 1893 sketchbook, 1893, Christchurch, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

Grand Canal Sunset, Hercules Brabazon Brabazon, 1821-1906, British, after Joseph Mallord William Turner, 1775-1851, British, undated, Watercolor over graphite on moderately thick, moderately textured, cream wove paper, mounted on thick, slightly textured, beige board, Mount: 9 x 12 inches (22.8 x 30.5 cm) and Sheet: 6 7/16 x 9 3/8 inches (16.3 x 23.8 cm), boats, canal, cityscape, dome, gondolas, gondoliers, sunset, Grand Canal, Italy, Veneto, Venezia, Venice

Duinne, 1887 copper (metal) etching

The Dew - 1897 - 72x130 cm - oil on canvas. Author: ADRIA GUAL QUERALT. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Charles Marie Dulac, Spiritus sancte Deus, 1894 Spiritus sancte Deus

Monje junto al mar/1809. Museum: STAATLICHE MUSEEN / KULTURBESITZ BERLIN ALEMANIA. Author: GASPAR DAVID FRIEDRICH.

INSOMNIO FACIL - 2001 - O/L - 100x138. Author: SOLEDAD SEVILLA (1944-. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Joseph Mallord William Turner, 1775-1851, British, The Channel Sketchbook, ca. 1845. Watercolor on medium, slightly textured, white wove paper.

Camille Pissarro, Woman Working in a Garden, French, 1830 - 1903, watercolor over black chalk

A Dell, Helmingham Park, Suffolk 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. A Dell, Helmingham Park, Suffolk. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint on chine collé; proof before published state. Prints

Garf Hassai, Malta, Edward Lear, 1812-1888, British, 1866, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, mounted on moderately thick, slightly textured, brown wove paper, mounted on very thick, moderately textured, tan wove cartridge paper, Mount: 7 9/16 x 8 5/8 inches (19.2 x 21.9 cm), Mount: 6 3/16 x 8 5/8 inches (15.7 x 21.9 cm), and Sheet: 4 9/16 x 6 13/16 inches (11.6 x 17.3 cm), caves, cliff, landscape, rocks (landforms), sky, water, Malta

The Derelict (The Lost Boat). Date/Period: 1916. Print. Color woodcut. Height: 176 mm (6.92 in); Width: 137 mm (5.39 in). Author: Arthur Wesley Dow.

L'aventure. Feure, Georges de (1868-1943), graphic artist

Hercules Brabazon Brabazon, 1821-1906, British, Port with Moored Steamship, undated. Pastel and graphite on medium, slightly textured, cream wove paper mounted on card.

The Visitation at The Villa Montrouge / Odwiedziny W Villa Montrouge / A Visit to Villa Montrouge, Z: The Painters Graveurs album, Paris: A. Vollard, 1896 Denis, Maurice (1870 1943), Vollard, Ambroise (1866 1939), Clot, Auguste (1858 1936)

Browar w Czarnkowie. Bartoszek, Franciszek (1910-1943), painter

Nymphs Sleeping. Date: 1920. oil on fiberboard. Museum: Smithsonian American Art Museum.

Watercolor by Maximilian Lenz depicting a cliff beach scene with a flying monster, showing landscape, cliffs, water, and creature anatomy.

... A LAS CUATRO Y MEDIA - 1991. Author: MARTA CARDENAS. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

Obra De Eliseu Meifren.

The Waste of Waters is Their Field Albert Pinkham Ryder (American, 1847-1917). The Waste of Waters is Their Field, early 1880s. Oil on panel, 11 5/16 x 12 in. (28.8 x 30.5 cm). Albert Pinkham Ryder based this seascape on a poem by the Englishman Robert Southey that recounted the ocean voyage of a medieval king to the New World: Day after day, day after day the same,— / A weary waste of waters!” Ryder was regarded as a visionary and experimental painter among artists. He often addressed the theme of human destiny, as played out in literature or the Bible. Influenced by modern European art, he rendered his subjects with highly simplified or expressively exaggerated forms and densely textured surfaces that challenged the visual expectations of his American audience. American Art early 1880s

Painting titled 'Duck Feeding' by Giuseppe De Nittis (1846-1884) an Italian painter. Dated 19th Century

Fantastic Landscape with a Man Drinking from a Stream, 1650s, red chalk, heightened with white gouache on light tan laid paper, sheet: 34.8 × 27.2 cm (13 11/16 × 10 11/16 in.), mount: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.), framed: 62.23 × 46.99 cm (24 1/2 × 18 1/2 in.), Bartolomeo Biscaino (artist) Genoese, 1629 - 1657

Cricket on the Goodwin Sands, Joseph Mallord William Turner, 1775-1851, British, undated, Watercolor, gouache and white chalk on medium, slightly textured, gray wove paper, Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm), beach, cricket, genre subject, leisure, marine art, sea, sports, England, English Channel, Europe, Goodwin Sands, Kent, United Kingdom

PAISAJE DE FUENTERRABIA. Author: DANIEL VAZQUEZ DIAZ (1882-1969). Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN.

Flower Clouds. Date/Period: Ca. 1903. Drawing and Watercolor. Pastel, with touches of stumping, incising, and brushwork, on blue-gray wove paper with multi-colored fibers altered to tan, perimeter mounted to cardboard Pastel, with touches of stumping, incising, and brushwork, on blue-gray wove paper with multi-colored fibers altered to tan, perimeter mounted to cardboard. Height: 445 mm (17.51 in); Width: 542 mm (21.33 in). Author: Odilon Redon.

Benches in Kensington Park by American Artist Joseph Pennell, 1857-1926. Group of figures, mostly women in white dresses along path and on benches in wooded park, leafy trees overhead, bright patches of red flowers behind benches. Dated between 1901 and 1908

Study of a deceased man. Ciągliński, Jan (1858-1913), painter

Vita; Cie Ski, Jan (1858-1913); around 1906 (1900-00-00-1910-00-00);State Art collections (Warsaw - 1922-1939) - collections, modernism (style), transmission (provenance)

Water nymph. Wawrzeniecki, Marian (1863-1943), painter

PINTURA - SIGLO XX. Author: HERNANDO VIÑES. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Enckell, Magnus, work name: LŠhteellŠ, 1921, water color, painting, 35 cm x 43.5 cm, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

The Family of the Composer Claude Terrasse in the Garden, Pierre Bonnard, 1896, Alte Nationalgalerie, Berlin, Germany, Europe

Stage design for the feature film Stalker by A. Tarkovsky by Safiullin, Rashid (*1949)/ State Museum- and exhibition Centre ROSIZO, Moscow/ 1978/ Russia/ Gouache and Tempera on cardboard/ Theatrical scenic painting/ Opera, Ballet, Theatre

Album Page, Mill at Dordricht; Whitney Warren Jr. (American, 1864-1943); USA; brush and watercolor, graphite on thick off-white wove paper tipped into binding with fabric; 32 x 24.2 cm (12 5/8 x 9 1/2 in.), irregular

In a candlelit room, a man kneels by a woman's bed. The woman is probably dying. In a corner sits a girl. In front of her lies a doll on the floor, a man kneels by a woman's bed., draughtsman: H.C. Louwerse, (signed by artist), in or before 1910, paper, brush, h 169 mm × w 269 mm

Bruni, Lev Alexandrovich (1894-1948) Private Collection 1918 69x31 Oil on canvas Russian avant-garde Russia

Stage design for the opera Mazeppa by P. Tchaikovsky by Vasilyev, Alexander Pavlovich (1911-1990) A. Pushkin Memorial Museum, St. Petersburg 1966 Watercolour and white colour on cardboard Russia Theatrical scenic painting Opera, Ballet, Theatre Pa

JUNCOS - 169x116 - SIGLO XX. Author: ANTONIO BELMONTE (1952-). Location: COMUNIDAD DE MADRID-COLECCION DE ARTE. MADRID. SPAIN.

Landscape with a windmill - night; Szczygli Skki, Henryk (1881-1944); beginning of the 20th century (1900-00-00-1925-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Painting by Carl Müller depicting a space with a saint column at dusk, highlighting architectural and atmospheric elements.

Autumn, Luxembourg Gardens, S.L.R. by Martha Walter, oil on wood, 1922, 1875-1976, USA, Pennsylvania, Philadelphia, David David Gallery

Moonlight over the Friedrichsgracht in the old Berlin to 1855. (Adolph Menzel Breslau 1815-1905 Berlin)

El Greco, view of Toledo, the Metropolitan Museum of Art , Paintings, Cities & towns. Nicholas Catsimpoolas Collection

Swiss Family Robinson. The caption for this illustraiton reads: Everyone was eager to climb to the new hut. The Swiss Family Robinson(German:Der Schweizerische Robinson) is a novel byJohann David Wyss, first published in 1812, about a Swiss family of immigrants whose ship en route toPort Jackson,Australia, goes off course and is shipwrecked in theEast Indies

Allied Cemetery, Luxembourg John Newcomb, Watercolor, 2016

Untitled Edward Mitchell Bannister (American, 1828-1901). Untitled, ca. 1885. Pastel on paper, sight: 7 1/2 x 10 1/2 in. (19.1 x 26.7 cm). American Art ca. 1885

Winter Tale Ruszczyc, Ferdynand (1870 1936)

Boat in Distress. Artist: Arthur B. Davies (American, Utica, New York 1862-1928 Florence). Dimensions: 10 1/4 x 12 1/4 in. (26 x 31.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

Adriá Gual (Barcelona, 1872-1943) la rosada / El rocío / The Dew. 1897 Oil on canvas

Pyramids. From the journey to Egypt. Ciągliński, Jan (1858-1913), painter

Poortje, Hotel Bellevue, Buitenzorg, c. 1921 Outdoor care copper (metal) etching Outdoor care

Bliżej Kultury Stanisławski, Jan (1860 1907)

William Miller, 1796-1882, British, The Dead Eagle - Oran (Vignette), 1837. Etching and engraving (Engraver's Proof) on moderately thick, slightly textured, crea, wove paper with cream chine colle.

La Guerre sous-Marine. L'ecole des Neutres. Dated: c. 1914/1919. Dimensions: overall: 32.8 x 50 cm (12 15/16 x 19 11/16 in.). Medium: brush and black ink and black crayon with watercolor on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Racecourses of Maisons-Lafitte; Champs de courses de Maisons-Lafitte. Andre Brasilier (1929-2004). Oil on canvas. Painted in 1962. 167.3 x 298.5cm.

Street Scene in Chelsea, possibly depicting the Tobacconist, J. W. Nicholas, located at No. 75, Cheyne Walk, James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), ca. 1888, Watercolor on medium, slightly textured, cream wove paper mounted on card, Sheet: 5 1/4 × 8 7/8 inches (13.3 × 22.5 cm) and Frame: 15 1/4 × 20 1/4 × 1 inches (38.7 × 51.4 × 2.5 cm), cart, cityscape, horse (animal), street, tobacconist's shop

Ericsson, Henry, Sketchbook, 26 leaves, 1921, drawing, Paris, 18.5 cm x 15.5 cm, Ericsson, Henry, part: Man by the window, 1921, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

A Group of Houses, George Hendrik Breitner, c. 1880 - c. 1923 painting Unfinished study of a group of houses. Netherlands canvas. oil paint (paint) city-view in general; 'veduta'

Milton Avery (Sand Bank, 1885-New York, 1965). Canadian Cove (1940). Oil on canvas. 81.2 x 121.9 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

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