Romantic Scenes in Art

These artworks depict intimate moments involving a fortune teller, concerned figures around a sick woman, and social interactions showcasing emotional depth, embellished with rich textures.

Engaged to be married by anonymous artist, print, Private Collection, 38x27

The fortune teller. For the entrance to a house, a fortune teller reads the hand of a young woman, while the man who is standing next to her is whispering something in the ear. A fountain in the background.

Francisco de Goya y Lucientes / 'Dream 19. The Old Women are filled with laughter because they know he hasnt a penny'. 1796 - 1797. Indian ink wash, Brush, Pencil, Iron gall ink on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

Some figures in a sick woman, Reinier Vinkeles (I), 1804 print In a departure, some figures are concerned about a sick woman. One of the women dries her tears with a handkerchief. Amsterdam paper etching / engraving emotional illness, derangement, madness. handkerchief. screen, folding screen

Nicolas Delaunay after Sigmund Freudenberger, Le Petit Jour, French, 1739 - 1792, 1779, etching and engraving

Engaged to be married by anonymous artist, print, Private Collection, 38x27

The Russian Concert (Le concert russien) ca. 1768 René Gaillard Le Prince trained in the studio of François Boucher, where he learned drawing, painting, and printmaking. He traveled to Russia in 1757, spending time in St. Petersburg and the surrounding countryside. Following his return to Paris in 1763, Russian genre scenes would dominate his output for the following decade. This print by René Gaillard is based on a painting in the collection of Jean Denis Lempereur. A woman in exotic garb and draped in pearls listens attentively as two musicians perform in a richly appointed interior.. The Russian Concert (Le concert russien). René Gaillard (French, ca. 1719-1790 Paris). ca. 1768. Engraving. Prints

Jacques Philippe Le Bas after Jean Siméon Chardin, Le neglige, ou la toilette du matin, 1741 Le neglige, ou la toilette du matin

Engraved by William Pether, ca. 1738-1821, British, The Continence of Chevalier Bayard, 1771. mezzotint.

Luigi Schiavonetti, 1765-1810, Italian, Sweet China Oranges, Sweet China!, 1794. Aquatint.

Lord who coasts the hand of a lady, Reinier Vinkeles (I), 1801 print In a departure a young lady lets her hand kiss a gentleman. Amsterdam paper etching / engraving kissing the hand (lovers). chair. couch, sofa, settee

L. Truchy, 1721-1764, Sir John Falstaff in the Buck Basket. Engraving.

Hugo de Groot's flight, 1621, 1742 print Hugo de Groot says goodbye to his wife Maria van Reigersberg and gets into the book box, March 22, 1621. Below a second album with an allegorical emblem in which religion and politics rise to heaven. Northern Netherlands paper etching law and jurisprudence (+ escape from prison) Slot Loevestein

A tableau showing women, men and children, some of whom are wearing rustic costumes, in an interior setting. Crayon manner print by Lavalée after J. Gamelin, 1778/1779.

Visitation, Abraham Bloemaert (Circle of), 1588 - 1598 drawing paper. ink pen / brush Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

Before. 1736. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Original Anecdotes of Peter the Great. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1789. Prints; etchings. Etching

France, Louis XV (King of France), Paris, Chéreau, widow François, Huquier, Gabriel, Du Fresne de Francheville, Joseph, Gillot, Claude, Scènes comiques du Théâtre italien, verso - stamped, print, prints, Group of figures around a table with Harlequin and a young woman, Arlequin Grapignant, Scenes from the Commedia dell'arte, height 192 mm, width 226 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1729 - 1732, paper, papier, etching, etchings, Work conception, 1673-04-27 - 1722-05-04, after a design by, writer, Publication (Event), Publication, publisher, uitgever, Publicatie, 1710-02-15 - 1774-05-10, grantor de privilege

Susanna and the Elders, Print made by Richard Earlom, 1743-1822, British, after Rembrandt van Rijn, 1606-1669, Dutch, 1769, Mezzotint on medium, slightly textured, cream wove paper, Sheet: 18 1/4 × 21 1/4 inches (46.4 × 54 cm), arches, bathing, braids, elders, fear, garden, honor, lust, religious and mythological subject, servants, trees, voyeurism, water, wife

A Visit to the Aunt. Artist: Thomas Rowlandson (British, London 1757-1827 London); Aquatint by Francis Jukes (British, Hertfordshire 1747-1812 London). Dimensions: Sheet (trimmed): 6 13/16 × 9 1/8 in. (17.3 × 23.2 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: December 20, 1794. Museum: Metropolitan Museum of Art, New York, USA.

Japanese toilet. A clip from a German magazine. Crepon, L. (open 1869 1870)

Faust: Tragédie de M. de Goethe, translated into French by Albert Stapfer.: Illustrations for Faust: Méphistophélé receives the schoolboy, 1828. Eugène Delacroix (French, 1798-1863), Chez Ch. Motte, Éditeur, distributed by Chez Sautelet, Libraire. Lithograph;

Jean Jacques Le Veau after Jean Michel Moreau, J'ai tort, mon cher Valère, et t'en demande excuse, 1782 J'ai tort, mon cher Valère, et t'en demande excuse

Illustration for 'Becker's Almanac for 1800'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, circa 1800. Prints; etchings. Etching

Twelfth Night, Act III, Scene IV: Olivia's House, Thomas Ryder, 1746-1810, Irish, after Johann Heinrich Ramberg, 1763-1840, German, active in Britain (1781-88), 1803, Stipple engraving on medium, smooth, cream laid paper, Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm), Plate: 19 7/8 x 25 1/2 inches (50.5 x 64.8 cm), and Image: 17 3/8 x 23 1/2 inches (44.1 x 59.7 cm), basket, bells, bodice, bonnet, boots, breeches, brocade, buckle, buttons, cape, carving, chaise longue, clouds, collars, cords, cuffs (costume components), curtains, cushion, dog (animal), doorway, doublets, dresses, feathers, floorboards, footstool, frieze (ornamental band), fringe, hats, jackets, jester, lace, literary theme, men, molding (object component), monkey (animal), mullions, nails, painting (visual work), pearls, play, plumes, ruff, rug, screen, shoes, skirt, slashing, stockings, tassels, tracery, Twelfth Night; or, What You Will, play by William Shakespeare, vase, veil, vests, window, women

Les Actrices: Nous ferez-vous l'hommeur de nous baiser le main, 1843. Paul Gavarni (French, 1804-1866). Lithograph;

Tuning for a loved one according to the picture of Carl Heyden. A clip from a German magazine. Specht, Carl Gottlob (1846 ), Heyden, Karl (1845 1933)

Hogarth, William, Before and after, Voor en na, After, Woman hanging from a man's arm in a bedroom, verso - stamped, The painting with 'before' falls in the shadow of the bed. In the frame below, Cupid points to a rocket falling. The treatise by Aristotle lying on the floor refers to the aphorism 'Omne Animal Post Coitum Triste', which refers to the despondency that the man radiates. The woman is still sitting on the bed and clings to the man's arm., print, prints, height 408 mm, width 330 mm, English, 1697-11-10 - 1764-10-25, print maker, printmaker, 1736-12-15 - 1736-12-15, paper, papier, etching, etchings, engraving, engraving (printing process), after, after a painting by, Work conception, after own design by, Publication (Event), Publication, publisher

Print made by Jacob Gole, 1660-1737, Dutch, Drinking Scene, undated. Mezzotint on medium, slightly textured, cream laid paper.

Heer and Dame with Page, Cornelis Brouwer, Cornelis Ploos van Amstel, after Gerard ter Borch (II), 1779 - 1781 print A page presents a tray to a lady and a gentleman. The woman drinks from a glass. Amsterdam paper etching house personnel, servants. glass, rummer. serving-dish, platter

Jean Louis Delignon and Antoine Jean Duclos after Jean Honoré Fragonard, Le cocu battu et content Le cocu battu et content

Knives, Sissors and Razors to Grind, Giovanni Vendramini, 1769-1839, Italian, after Francis Wheatley, 1747-1801, British, 1795, Sheet: 16 7/8 x 13 1/2 inches (42.9 x 34.3 cm), Plate: 16 3/8 x 13 inches (41.6 x 33 cm), and Image: 14 1/4 x 11 1/8 inches (36.2 x 28.3 cm)

Johan de Witt by his daughter begged his imprisoned brother not to visit, 1672, 1751 - 1816 print Johan de Witt by his daughter begged not to visit his imprisoned brother Cornelis in the Gevangenpoort, August 20, 1672. With the caption: a resting conscience is my shield. Marked at the bottom right: bl. 294. Northern Netherlands paper etching asking someone not to leave The Hague

Mary, a Jewish woman from Jerusalem, kills her child and partially eats it for famine. To the soldiers she screams that they should eat the remainder. A mother devours her child, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Reinier Vinkeles (I), (mentioned on object), Amsterdam, 1804, paper, h 206 mm × w 130 mm

The carnival in Paris Illustration from: Le Charivari Gavarni, Paul (1804 1866), Zak Ad litografzny: Aubert Pannier

La soiree des Thuileries. Dated: 1774. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Blaise Simonet after Pierre-Antoine Baudouin.

Hamlet et la reine (Act. III Sc. IV) (Hamlet and the Queen), from Shakespeares Hamlet. Artist: Eugène Delacroix, French, 1798-1863

Cecilia or the Story of a Rich Orphan. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1787. Prints; etchings. Etching

Interior with a mother who addresses her daughter, Pierre Charles Ingouf, After Pierre Alexandre Wille, 1767 print A mother, seated on a chair, strictly addresses her daughter. The daughter gives a love letter behind her back to a young soldier. print maker: Francepublisher: Paris paper engraving / etching mother and daughter(s) (family group). interior of the house. lover with love-letter

Two people in an interior, possibly Maria de Medici and Cardinal de Richelieu, Johan Coenraad Leich, 1833 - 1890 drawing The man, possibly Cardinal de Richelieu, is in a chair. Next to him is a woman, possibly Maria de Medici. In the background, a man peaks from behind a curtain to the two people. paper. ink. watercolor (paint). pencil pen / brush interior of the house

Jean Baptiste Michel Dupreel after Jean Honoré Fragonard, La coupe enchantee La coupe enchantee

Woman sends a man away from her room, Reinier Vinkeles (I), 1803 print In a ruin, a desperate woman asks if the man wants to leave her room. She sits next to a writing table with a book in her hand. Two other figures are left. Amsterdam paper etching / engraving ruin of a dwelling, house, castle, etc.. Despair; 'Disperatione' (Ripa). writing tools. chimney

A portrait drawing by Alexandre Roslin depicting Galante Sente, executed in black chalk with white highlights on blue paper in 1769.

Kenilworth : Chap. XXIII.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Scott, Walter, Sir, 1771-1832. Kenilworth

Elisabeths last night Death of Archduchess Elisabeth, st wife of the later Emperor Franz II on February , Johann Hieronymus Deleteenkohl -, publishing house

Five figures in an interior; Which luck is preserved for me. In an interior a woman holds a young woman at hand and leads her to a young man walking with outstretched arms on her. In the doorway a second man with a stitch on his head and left a seated woman on a chair.

L'evenement au bal. Dated: 1775. Dimensions: sheet: 40.8 × 29.3 cm (16 1/16 × 11 9/16 in.). Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Antoine-Jean Duclos and Francois-Robert Ingouf after Sigmund Freudenberger.

Page, fl. 1784-1803, Taming... Act II, Sc. I, Feb. 1, 1791. Engraving.

Lezende Sibille Met Kind, Antonio Da Trento (Attributed to), Ugo Da Caribup (Attributed To), After Rafaël, c. 1516 print A sitting Sibille, reading in a book. Next to the Sibille is a child with a burning torch in his hand. Italy paper sibyls (SIBYLS). boy (child between toddler and youth) (+ holding something). torch (+ kindling a light; lit, burning light, lamp, candle). reading

Two ministers received by ladies in interior at night., print maker: Barent de Bakker, (mentioned on object), intermediary draughtsman: Daniel Nikolaus Chodowiecki, (mentioned on object), Amsterdam, 1782, paper, etching, engraving, h 131 mm × w 79 mm

Vot servante, mosieu!…. Artist: Paul Gavarni, French, 1804-1866

Nicolas François Regnault after Jean Honoré Fragonard, Le Baiser à la Derobée (The Stolen Kiss) Le Baiser à la Derobée (The Stolen Kiss)

The Wife 1829-1830 Asher Brown Durand American. The Wife 390153

Artist: Jean-François Janinet, French, 1752-1814, After: Niclas Lafrensen, the younger, Swedish, 1737-1807, LAveu difficile (The Difficult Confession), Color wash-manner etching, printed in blue, red, carmine, tellow, and black inks, platemark: 48.7 × 36.3 cm (19 3/16 × 14 5/16 in.); Image: 36.3 × 28.6 cm (14 5/16 × 11 1/4 in.); Sheet: 59 × 43.5 cm (23 1/4 × 17 1/8 in.), Made in France, French, 18th century, Works on Paper - Prints

DOROTHY FORSTER

Rome, Pinelli, Bartolomeo, New collection of costume prints from Rome and its environs, Costume prints in Rome, Family from Rome, A young man and a young woman are standing in front of a stone wall. The man is lifting a child wrapped in cloths. The print is part of an album., print, album leaf, prints, height 204 mm, width 283 mm, Italian, 1781-11-20 - 1835-04-01, print maker, printmaker, 1819 - 1819, paper, papier, etching, etchings, intermediary draughtsman

Print made by James McArdell, ca. 1729-1765, Irish, Teague's Ramble at Charing Cross, 1747. Mezzotint (only state) on medium, slightly textured, cream laid paper.

A FAMILIAR AIR. AFTER RƒSSLER

La Toilette des Morts, from "Illustrated London News". Artist: After Edward Matthew Ward (British, London 1816-1879 Windsor). Dimensions: Image: 11 1/8 × 9 3/16 in. (28.3 × 23.4 cm)Sheet: 11 5/8 × 9 5/8 in. (29.5 × 24.5 cm). Engraver: William Luson Thomas (British, London 1830-1900 Chertsey, Surrey). Subject: Charlotte Corday (French, Saint-Saturnin 1768-1793 Paris). Date: July 25, 1863.Charlotte Corday, who murdered the Jacobin Jean-Marie Marat, is seen here in emprisoned in the Conciergerie awaiting execution. An artist who has just finished her portrait packs away his paints, and a jailor who wears a Cap of Liberty cuts Carlotte's hair to prepare her for the guillotine. The print is based on a painting shown at the Royal Academy in 1863 titled "Charlotte Corday-Her last toilette before her execution." The image offers a grim variation on a woman's normal dressing ritual, with the jailor replacing a hairdresser, and the canvas taking the place of a mirror. Museum: Metropolitan Museum

SHAKESPEARE, William (1564-1616). English poet and playwright. Scene from William Shakespeare's work 'The Merchant of Venice' (ca.1596). Illustration of the election among the three caskets, of 1881. Engraving.

Jean Baptiste Blaise Simonet after Jean Michel Moreau, L'amant de lui mesme, 1778 L'amant de lui-mesme

From the graphic novel Une semaine de bonte (A Week of Kindness) by Ernst, Max (1891-1976) / Daniel Filipacchi, Isidore Ducasse Foundation, New York / Surrealism / 1933 / Germany / Collage / Mythology, Allegory and Literature /

A parish beadle, with fat cheeks and critical eye, is about to admonish a poor homeless woman except a kindly, well-dressed lady and her little girl intervene. A typically moralistic and sentimental Victorian scene. Engraving taken from an original by Miss Soloman which formed part of the collection of Mr Flatou, on exhibition in the City Gallery in London in April 1859. Date: 1859

Achille Devéria (1800-1857), French engraver, and Charles-Etienne-Pierre Motte (1785-1836). Scenes of the world: I love it so much. Lithography on paper, 1833. Paris, Carnavalet museum. 77637-7 Bench, sofa, family confidence, cushion, love declaration, drawing, girl, lithography, mother, foot, pose, living room, scene of the world

Louise de Colligny with Frederik Hendrik at the portrait of Willem I, Willem Steelink (I), After Johannes Hinderikus Egenberger, 1867 print A woman stands with an open folder with prints or drawings and looks at a paper sheet. Behind her is a painting on a donkey. Amsterdam paper steel engraving / etching mother and son(s) (family group)

Sauver, French Revolution

Lust, Jan van der Bruggen, 1681-1689

Mayor Jan van Proeijs with wife and daughter in the room of their home, prior to the riot in which the mayor was killed, February 3, 1449, Mayor Jan van Proeijs, 1449, print maker: Christiaan Lodewijk van Kesteren, (mentioned on object), Reinier Craeyvanger, (mentioned on object), publisher: J.H. Laarman, (mentioned on object), Netherlands, 1842 - 1897, paper, steel engraving, h 156 mm × w 97 mm

The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage. Artist: William Hamilton (British, London 1751-1801 London). Dimensions: Plate: 14 3/16 × 16 5/8 in. (36 × 42.3 cm)Sheet: 14 11/16 × 17 1/8 in. (37.3 × 43.5 cm). Engraver: R. Gerard (French, active 1780s). Publisher: Madame Breton (French, active 1781-88). Date: 1788. Museum: Metropolitan Museum of Art, New York, USA.

Francisco de Goya (1746-1828), she asks for her, 1797-1798

Illustration for the Nesle Tower: The Caveau du Grand Chtelet

Gift to Admiraal Bailli de Suffren on behalf of the States General, 1784, Jacobus Buys, 1792 drawing Presentation of the gift of a Golden Degen to the French Admiral Pierre André de Suffren de Saint-Tropez, because of his merits in the fight against the English in the East Indies, 1784. The sword is handed over on behalf of the States General by G. Brantsen and l'Estévenon van Berkenrode. Design for a print. Northern Netherlands paper presentation of sword ~ installation of a ruler. gifts being accepted. Fourth Anglo-Dutch War

Charlotte Corday stabbing Marat on a settee. Stipple print by N. Schiavonetti, 1793, after D. Pellegrini.

The Embroiders by Portail, Jacques-Andre (1695-1759) / Albertina, Vienna / Rococo / / France / Black chalk and sanguine on paper / Genre / 29,2x30,2

"You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!," plate 48 from Moeurs Conjugales. Honoré Victorin Daumier; French, 1808-1879. Date: 1842. Dimensions: 247 × 210 mm (image); 342 × 266 mm (sheet). Lithograph in black on off-white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

The first ray of the sun from the series: from the life of a rural court according to Michał E. Andriolli. A clipping of ears 1872 (1) 401 Zajkowski, Andrzej (1851 1914), Andriolli, Micha Elwiro (1836 1893)

A Dramatic Scene with Three Women in an Interior, William Hamilton, 1751-1801, British, 1794, Watercolor, gray wash, pen and black ink, pen and blue ink, black chalk, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 9 5/8 × 13 5/8 inches (24.4 × 34.6 cm), interior, women

Seller of Houten Statues, Adolf Closs, After Matthias Schmid, 1850 - 1894 print paper work of applied art. merchant, salesman Bernese Oberland

Three Allegorical figures for a gate, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving gate, entrance

Eugène Delacroix (French, 1798 - 1863). Hamlet: N'ajoute rien..., 1834-1843. From Hamlet. Lithographs.

Copper engraving and etching by William Hogarth from 1745 depicting the second scene of Fashionable Marriage, showing a domestic interior with figures.

Charles-Nicolas Cochin (1715-1790). "Les Rémois, illustration for the tales of La Fontaine, around 1743". Drawing. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Conte, Remois, Couple, Scene

A 1832 steel engraving and etching by Moritz von Schwind for Carl Spindler's book illustration 'The Enthusiast', depicting expressive figures and narrative scenes.

Guyot d'Augerans presenting the Livre de Gerart comte de Nevers to Charles of Burgundy, engraving by Lemaitre from France, troiseme partie, L'Univers pittoresque, published by Firmin Didot Freres, Paris, 1845.

Leonardo da Vinci (1452-1519), Italian renaissance artist, visited on his deathbed by Francis (Francois) I, King of France

MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I He tells her he is compelled to annul their marriage so he can wed Marie-Luise. Date: 1763 - 1814

Zygmunt August and Barbara Radziwiłłówna at the Radziwiłł Court in Vilnius Matejko, Jan (1838 1893), Holewiński, Józef (1848 1917), Lewental, Salomon (Franciszek Salezy) (1841 1902)

Monna Vanna in the tent of Prinzivalle, scene from the Opera Monna Vanna by Henry Fevrier, Theatre de l'Opera, Paris, France, illustration of Guyot from L'Illustration, No 3438, January 16, 1909.

Thomas Hodgetts, active 1801-1846, Anne Mornington portrait busts of her sons: Richard, Marquis of Wellesley, Arthur, Duke of Wellington, Henry, Baron Cowley.

A man is projecting on to a sheet the images of a magic lantern to three children. Etching by J. Ouvrier after J.E. Schenau, 17--.

Honoré Daumier, C'est t'y a vous c'hien la, 1847 C'est t'y a vous c'hien la

They say 'Yes,' and give their hand to the first comer. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching and burnished aquatint

Hypocritical grief, Benjamin Martini, After Cornelis Troost, 1777 - 1780 print 'The feigned sadness': first company, eleventh stage of the comedy 'The discovered Schijndugd' by David Lingelbach (1687). A woman (Geertruy) standing in the doorway Vleinthe sadness at the departure of her older husband (Filibert), who is led away by a young man. Amsterdam paper etching morphology of facial expression (+ being sad, suffering, sorrowing). taking leave

A Woman at her Toilet with a Maid, a Boy, a Dog and a Young Soldier; verso: A Sketch for a Similar Composition. Artist: Johann Eleazar Zeissig, called Schenau (German, Grossschönau (Gross-Schönau) 1737-1806 Dresden). Dimensions: sheet: 13 7/16 x 9 3/16 in. (34.1 x 23.4 cm). Date: 1770. Museum: Metropolitan Museum of Art, New York, USA.

Farmer's wife opposes advances of a lover, Bernard Picart, 1705 print A farmer's wife (Claudine) almost opposes a lover trying to kiss her. While she is hanging his hands and lips, she laughs. Her basket hangs on the branch of a tree. In the margin a four -line caption in French. Paris paper etching / engraving farmers. farmers - AA - female farmer, farmer's wife. being refused, the proposal rejected. lovers; courting, flirting. unsuccessful love affair; seduction

Geographie and Minerva, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Minerva as patroness. 'Geografia'

Portret van Elisabeth Keppel, Edward Fisher, after Joshua Reynolds, 1761 - 1785 print Text in English in the print. Garlandes held by the black page, while the white woman floral wreaths hangs on an altar. paper historical persons

Müller, A., London, Bruckmann, Friedrich, Farewell, Photographic reproduction of a drawing of a scene from Das Lied von der Glocke by Friedrich Schiller, by A. Müller, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, Registered., height 293 mm, width 281 mm, German, 1814 - 1898, photographer, 1870 - 1875, photographic paper, photo paper, albumen print, albumine print, intermediary draughtsman

Captured according to the drawing of E. fontany. A clip from a German magazine. unknown, Fontana, E. (n.n.)

Plate Two, from Marriage à la Mode. Bernard Baron (French, 1696-1762); after William Hogarth (English, 1697-1764). Date: 1745. Dimensions: 355 × 443 mm (image); 385 × 464 mm (plate); 404 × 480 mm (sheet). Etching and engraving in black with traces of pen and black ink on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A generic scene in the interior. A clip from a German magazine. Destruct Etilate, Jac (N.N.)

of 3