Ruins and Waterways

Dynamic scenes depicting ruins and waterways, featuring figures, boats, and lush vegetation, conveying a sense of exploration and historic charm.

Landscape with figures and pack mules on a road near ruins. On the left a watermill. Twentieth print from part two of a series of 52 prints with landscapes, divided into two parts of 26 prints each., Landscape with ruins and a watermill Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

Landscape with figures and pack mules on a road near ruins. On the left a watermill. Twentieth print from part two of a series of 52 prints with landscapes, divided into two parts of 26 prints each., Landscape with ruins and a watermill Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

Pleasure boat in a moat, Jan van de Velde (II), 1616 print Figures in a pleasure boat on the water of a moat around a castle with two towers. Two figures on the left on the bank. Tenth print of part two of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching castle. moat ~ fortified city. rowing facing backward, pulling. fortress. landscape with tower or castle

Herman van Swanevelt, Landscape with Ruins and a Woman with a Parasol Landscape with Ruins and a Woman with a Parasol

Nieulandt, Willem van (II), Roman ruins (series 1), Ruin with a gate, verso - stamped, A ruin with a gate, possibly the Porta Furba in Rome. In the foreground in the landscape two figures are talking to each other. Print from a series of Roman ruins., print, prent, prints, height 105 mm, width 127 mm, Noord-Nederlands, 1584 - 1635, print maker, printmaker, 1594 - 1618, paper, etching, etchings, Publication (Event), Publication, Northern Netherlands, publisher

A road with ruins on both sides. On the right, a signboard hangs on the wall. On the road are a man with a stick and a donkey. Print from a series of Roman ruins, consisting of copies after a print series by Willem van Nieulandt., Road between ruins Roman ruins (series 2) (series title), Willem van Nieulandt (II), print maker: anonymous, 1594 - 1685, paper, etching, engraving, h 101 mm × w 143 mm

A black chalk and gray drawing by Nicolaes Pietersz. Berchem depicting a rocky Italian river landscape with laundry women, cattle, and a bastion, later enhanced in gray with pen, fold-stained.

Nieulandt, Willem van (II), Roman ruins (series 1), Road between ruins, verso - stamped, A road with ruins on either side. On the right a sign hangs on the wall. On the road are a man with a stick and a donkey. Print from a series of Roman ruins., print, prent, prints, height 106 mm, width 127 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1618, paper, papier, etching, etsen, Publication (Event), Publication, publisher

Figures at a harbor and a tower, Jan van de Velde (II), 1616 print Figures at a port at a tower that is used as a lighthouse. A wooden bridge between the quays. A city on the horizon. Fifth print of part two of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching lighthouse, lightship. landscape with tower or castle. harbour. pier, quay, wharf. bridges by construction

Les Deux Vaches Au Bord De L'Eau. Artist: Jan Both (Dutch, Utrecht ca. 1618-1652 Utrecht). Dimensions: sheet: 7 15/16 x 10 13/16 in. (20.2 x 27.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Jan Both.

In an Italian landscape with overgrown ruins, Tobias and the angel are on their way. Walking ahead of them is Tobias' dog. Several figures and shepherds with their sheep walk in the landscape. Across a river lies a town, Italian landscape with Tobias and the angel, print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: H. Bonnart, (mentioned on object), Paris, 1594 - 1635, paper, etching, engraving, h 238 mm × w 315 mm

Palatine at the Baths of Caracalla, print maker: Hieronymus Cock, 1551.

Duiventil, Anonymous, After Jacques Callot, 1618 - 1670 print River with a pigeon ride on the right bank and a few houses on the left bank. On the right in the foreground a hunter with his dog. This print is part of a series of four lossy prints. France (possibly) paper etching river. dove-cote

Landscape with ruins and a watermill, Jan van de Velde (II), 1616 print Landscape with figures and pakezels on a road at ruins. On the left a watermill. Originally print of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching landscape with ruins. watermill in landscape. pack-animal

Sadeler, Justus, Bril, Paul, Landscape with a town in the background, verso lower left - stamped, Hilly landscape with shepherds in the foreground. A town in the background., print, prent, prints, width 278 mm, height, 198 mm, Southern Netherlands, 1583, print maker, printmaker, 1600 - 1620, paper, papier, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07, after a design by, Publication (Event), Publication, publisher

Landscape with ruins and a water mill; Landscapes; Amenissimae Aliquot Requculae. Landscape with figures and pakezels on a road at ruins. On the left a water mill. Originally print of a series of in total sixty prints with landscapes, spread over five parts of each twelve prints.

Landscape with ruin and shepherd, Charles Echard (attributed to), 1763 - 1792 print The air is applied in pencil. paper. pencil etching landscape with ruins

. The water giants of Lumey found fire and ram the city gate of Brielle, April 1, 1572. In the foreground two dromers and a vendel soldiers. In the background ships in the water.

Landscape with ruins, a statue and a church Landscapes after Marco Ricci (series title), a statue on a pedestal and a church. In the foreground men studying the ruins, landscapes, city-view, and landscape with man-made constructions, ruins of a building, architecture, piece of sculpture, reproduction of a piece of sculpture, Davide Antonio Fossati, Italy, 1743, paper, etching, h 250 mm × w 360 mm

View of the village of Bethany, the only place on earth where Christ was welcome. On the left are houses on and at the foot of a hill, on the right a setting sun. In the foreground is Christ with his disciples, View of Bethany Bethania, the place where Iesus with syne disciples dickwils ter Herberge gecomen is , Nicolaes Lastman, print maker: anonymous, publisher: Jan Philipsz Schabaelje, (mentioned on object), 1648 - 1656 and/or 1654, paper, etching, engraving, h 162 mm × w 210 mm

Ruin with arches and a tower on the water; Roman ruins (series 1). A ruin with arches and a tower on the water. On the right a man with a parasol on a donkey and a walker. On the left in the foreground two figures and goats. Print from a series of Roman ruins.

View of Ruins at the Bank of a River, Adriaen van der Kabel, 1658, Mountainous river landscape, draughtsman: Adriaen van der Kabel, Lyon, (possibly), 1658, paper, brush, h 187 mm × w 258 mm

Le Bouvier Assis. Artist: Jean Morin (French, Paris ca. 1605-1650 Paris); After Cornelis van Poelenburch (Dutch, Utrecht () 1594/95-1667 Utrecht). Dimensions: sheet: 7 3/16 x 9 13/16 in. (18.2 x 25 cm)image: 5 5/8 x 8 1/4 in. (14.3 x 21 cm). Museum: Metropolitan Museum of Art, New York, USA.

Figures at an inn in a round tower; Landscapes; Amenissimae Aliquot Requculae. Figures at an inn in a round tower in a landscape. On the left a man who gets water from a river. Sixth print of a series of in total sixty prints with landscapes, divided into five parts of each twelve prints.

The Nurse ca. 1674 Denis Colandon. The Nurse. Denis Colandon (French, active 1674). ca. 1674. Etching. Nicolas Robert (French, Langres 1614-1685 Paris). Prints

Landscape with antique ruins and running figures, Girolamo Porro, After Domenico Campagnola, 1530 - 1604 print A hilly southern landscape with antique ruins. In the background on the right a village and hills, behind which the sun comes up. In the foreground on the left a group of figures: a few on horseback, others on foot, with luggage on the back. paper etching landscapes. landscape with bridge, viaduct or aqueduct. city-view, and landscape with man-made constructions. landscape with ruins

Landscape with the Calling of St. Peter. Artist: Jacob Pynas (Dutch, Amsterdam 1592/93-after 1650 Amsterdam ()). Dimensions: sheet: 7 15/16 x 11 5/16 in. (20.1 x 28.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with corner of building and awning at far right, two figures and a horse-drawn cart are positioned with backs toward the building, a craggy hill beyond, from the series 'The Small Landscapes'. Artist: Karel Dujardin (Dutch, Amsterdam 1622-1678 Venice). Dimensions: plate: 1 13/16 x 2 5/16 in. (4.6 x 5.9 cm)sheet: 2 7/8 x 3 1/2 in. (7.3 x 8.9 cm). Series/Portfolio: The Small Landscapes. Date: ca. 1641-78. Museum: Metropolitan Museum of Art, New York, USA.

Water Fountain Giulia Te Rome; View of the castle avanzo, which taking a portion of the wilderness of the juels (...); Gezichten op Rome; Views of Rome designed and engraved by Giambattista Piranesi Architect Ve (Nez) iano. Gezicht Op de Ruïnes Van de Fontana of Water Giulia Te Rome, Één van de Elf Aquaducten Die de Stad Van Water Voorzag. Titel en Verklande Lijst Met Nummers in Overtermard.

Amsterdam, Ottens, Josua & Reinier (II), Reinier (I) & Josua, Waterloo, Anthonie, Ruyscher, Jan, Dordrecht, Overgrown ruin, verso lower right - stamped, Overgrown ruin of a building with an arched passage and two niches, possibly Brederode Castle., print, prent, prints, prenten, height 88 mm, width 102 mm, Northern Netherlands, 1625 - 1674, print maker, prentmaker, 1648 - 1663, paper, papier, etching, etchings, North Netherlands, printmaker, 1609-05-06 - 1690-10-23, Publication (Event), Publication, publisher, uitgever, Publicatie, Nederlands

Italy, Titian, Campagnola, Domenico, Landscapes after Domenico Campagnola, Usus tam vehemens, ut consuetudine tauri, Mox biiugi, preeunte, Ducem sine fune sequantur, Landscape with two horsemen and an ox cart, verso - stamped, A landscape with a settlement. In the foreground two men are riding on horseback and behind them two oxen are pulling a cart. Title in Latin in the lower margin. Numbered lower right: 16., print, prints, height 260 mm, width 378 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings, Italian, 1500 - 1564, intermediary draughtsman, after a drawing by, Work conception, 1488 - 1576-08-27

Men at a ruin, Charles Rochussen, 1824 - 1894 print In a rolling landscape there are three men in a ruin. One of the men seems to greet the other two with his hat. Netherlands paper etching ruin of a dwelling, house, castle, etc.. low hill country. meeting

Mountain landscape, draughtsman: Herman Saftleven, (possibly), 1619 - 1685, paper, brush, h 193 mm × w 304 mm

Oriental merchant at a river; Southern landscapes with figures. An Eastern merchant stands between merchandise on the quay. A warehouse across the river.

Figures near a harbor by a tower, used as a lighthouse. Between the quays a wooden bridge. On the horizon a city. Fifth print from part two of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Figures near a harbour and a tower Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

Landscape with the expulsion of Hagar and Ismaël, Perelle, After Willem van Nielandt (II), After Paul Bril, 1594 - 1685 print Abraham stands next to Hagar and Ismaël in an Italian landscape. Hagar has a jug in one hand and holds a cloth against her face with her other hand. In the background a bay with a rocky coast. Schuiten are lying in the water. Print from a series of Italian landscapes. France paper etching the banishment of Hagar and Ishmael (Genesis 21:9-21). gulf, bay. rocky coast. rowing-boat, canoe, etc.

Landscape with ruins, courtiers, and a gondola. Artist: Léon Davent (French, active 1540-56). Dimensions: Sheet (trimmed): 6 3/16 × 9 1/4 in. (15.7 × 23.5 cm). Date: 1526-50. Museum: Metropolitan Museum of Art, New York, USA.

Germany, Tscherning, Johann, Velde, Jan van de (II), The twelve months, with village views, copies, October, Oktober, verso - stamped, Landscape with a castle on a mountain by a lake with on the right farmers with barrels by vines; a view of Palermo in Sicily, depicting the month October. At the top the zodiac sign belonging to this month: Scorpio. Tenth print from a series of twelve., print, prints, verso lower left - stamped, height 96 mm, width 127 mm, Work conception, Northern Netherlands, 1593 - 1641-11-04, after print by, 1684 - 1729, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, German, publisher

Hunting company at a castle, Jan van Londerseel, after Hendrick Danielsz., 1601 - 1652 print Forest -rich landscape with a hunting company at a castle. On the left the castle with moat and a landscaped castle garden. Between trees in the foreground a walking pair and a few hunters who shoot at ducks. paper engraving bird hunting. landscape with tower or castle. walking, hiking (recreation). hunting dogs

Sepolcro volgarmente detto degli Orazii e Curiazii a Albano. Dated: 1795. Dimensions: plate: 28.1 x 38 cm (11 1/16 x 14 15/16 in.) sheet: 39.1 x 49.1 cm (15 3/8 x 19 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Christian Reinhart.

Classical Landscape with Ruined Temple on Hill, Female Figures Below Artist's working dates 1746-1795 Italy. Pen and brown ink with brush and brown and gray wash, on ivory laid paper . Antonio Zucchi

River landscape with a castle on a cliff, Gabriel Huquier, after Nicolaes Pietersz Berchem, c. 1772 print Paris paper etching castle. hunting, chase

Paris, Jean, Auguste (uitgever), Basan, Henry Louis, Pierre François, Waterloo, Anthonie, Landscapes with buildings, Square tower on the water, verso lower right - stamped, At the water a square tower with battlements can be seen. Next to it is a wall. In the water lie three rowing boats, two of which are manned., print, prints, height 94 mm, width 142 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etsen, Publication (Event), Publicatie, Frans, 1723-10-23 - 1797-01-12, publisher

Landscape with a car and a rider, Jan van Goyen, 1606 - 1656 drawing Landscape with a car with figures and a rider on a dike. paper. chalk brush dikes, levee. animal traction, animal-drawn vehicle (carriage etc.)

Jakob struggles with the angel, Moyses van Wtenbrouck, 1686 - 1710 print Jakob is struggling with the angel. A dog barks to the fighting. In the background two towers on a river, along which a procession of cattle passes by with shepherds. The cattle are supplied over the river by boat. print maker: The HagueAmsterdam (possibly) paper etching / engraving angels. Jacob wrestles with the angel (or man) till daybreak; Jacob's thigh is put out of joint

Fantasy view of a southern harbor, Jan Abrahamsz. Beerstraten, 1600 - 1699, A southern harbor with ruins in the foreground on the right., draughtsman: Jan Abrahamsz. Beerstraten, 1600 - 1699, paper, brush, h 215 mm × w 366 mm

Faces on two villages on the water, c. 1780 - c. 1800 Page 21 Recto from a sketchbook with 25 sheets. Low Countries paper. pencil. watercolor (paint) brush landscapes with waters, waterscapes, seascapes (in the temperate zone). prospect of village, silhouette of village

A black chalk and brown brush drawing by Herman Saftleven showing a sea beach with dunes, including vertical squeezes in the middle, dated 1650.

The Third Spring. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Sheet: 5 9/16 × 7 3/8 in. (14.1 × 18.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Temple of Castor and Pollux; Roman ruins and coastal landscapes (series 2). The ruin of the temple of Castor and Pollux on the Roman Forum in Rome. In addition, a few figures and a fountain. A man rides on the road. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

Figures at an inn in a round tower; Landscapes; Amenissimae Aliquot Requculae. Figures at an inn in a round tower in a landscape. On the left a man who gets water from a river. Sixth print of a series of in total sixty prints with landscapes, divided into five parts of each twelve prints.

Visscher, Claes Jansz. (II), Avercamp, Hendrick, Amsterdam, Jelissen, Meynert, Landscapes, Landscape with ruins, verso bottom center - stamped, Landscape with ruins on an island in a river. In the background a rising sun. Print from a series of six with landscapes., print, prent, prints, prenten, height 154 mm, width 253 mm, print maker, prentmaker, 1610 - 1614, paper, papier, engraving, engraving (printing process), 1585 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Noord-Nederlands, 1586 - 1652-06-19, publisher

Hans Lautensack's mid-16th-century etching depicts a river landscape with a rider and servant returning from hunting, emphasizing figures, animals, and scenery.

Ruins in a street to the Grote Markt at the Manneken Pis in Brussels, 1695, Augustin Coppens, 1695 print Presentation of the ruins in a street to the Grote Markt at the Manneken Pis in Brussels after the bombing by the French, 13-15 August 1695. Seventh print in the series of twelve. Brussels paper etching devastated, ruined place or city (~ warfare) Brussels. Manneken Pis

River landscape with two round towers, Jan de Visscher, after Jan van Goyen, 1682 - 1709 print View on a wide river with a few houses and two round towers on the right. There are different boats on the waterfront. Northern Netherlands paper etching / engraving river. sailing-ship, sailing-boat. traffic on the water. towers ~ fortified city

Ruins of the Baths of Caracalla, Gerard ter Borch (I), 1607, draughtsman: Gerard ter Borch (I), (signed by artist), Rome, 1607, paper, h 186 mm × w 258 mm

Landscape with a ruin; Mirror of nature and school of the creativity (...). Landscape with a ruin to the water. Left on the water a sailboat. The print is part of an album.

Sheet with two images. Above: a walker walks along a road, beside which is a hill with three trees. In the background a village. Below: On a hill by a river are ruins of a villa. In the foreground two shepherds playing the flute with their flock. The prints are part of a series of twelve landscapes, Hiker on the road and ruin of a villa on a hill Landscapes (series title), print maker: Gillis van Scheyndel (I), Netherlands, 1605 - 1653, paper, etching, engraving, h 65 mm × w 109 mm × h 68 mm × w 115 mm

The Siege of a Fortress ca. 1680-1715 Carlo Antonio Buffagnotti Italian. The Siege of a Fortress. Carlo Antonio Buffagnotti (Italian, Bologna 1660-after 1710 Ferrara). ca. 1680-1715. Pen and brown ink. Drawings

Giovanni Battista Borra, 1713-1770, Italian, Ruines à Troye, ca. 1750. Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper.

Wijck, Thomas, Landscapes with ruins, Landscape with colonnade, verso lower left - stamped, print, prints, height 78 mm, width 117 mm, Northern Netherlands, 1624 - 1677-08-19, print maker, printmaker, 1626 - 1677, paper, papier, etching, etchings

Étienne Allegrain drawing of a heroic landscape, executed in brown pen and gray wash, with red chalk used for architectural and transmission network details, mid to late 17th century.

Wtenbrouck, Moyses van, Italy, Moeyaert, Nicolaes, Amsterdam, Landscapes with trees, obelisk and buildings, Landscape with a tower and an obelisk, Claes, verso - stamped, Landscape with a tower and an obelisk on the left. Right groves., print, prints, height 102 mm, width 163 mm, Northern Netherlands, 1593 - 1655-08-26, print maker, printmaker, 1612 - 1655, paper, papier, etching, etchings, engraving, engraving (printing process), 1600 - 1647

Schelte Adams Bolswert after Sir Peter Paul Rubens, Landscape with Large Roman Ruins, c 1638 Landscape with Large Roman Ruins

Landscape with antique ruins of a temple and an obelisk; Roman ruins; Praecipua Aliquot Romanae Antiquatatis Ruinarum Monimenta (...). Landscape with a ruin of an antique temple and in the foreground on the left an obelisk. On the right a fast-flowing river that goes through a bridge. In the foreground two figures that are in discussion.

Two figures at Ruin, Anthonie van den Bos, 1778 - 1838 print paper etching landscape with ruins

Two conversing gentlemen on a path and a galloping rider at a round tower in a river landscape. Sailing ships on the horizon. Sixteenth print of a series of 36 prints of landscapes, divided into six parts, Round tower on a river Playsante landscapes and entertaining poems (title series)., print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, brush, pen, h 150 mm × w 280 mm

Landschap met ruïnes in Egypte. Gezichten rond de Middellandse Zee (series title). Draughtsman: Johan Teyler. Dating: 1679 - 1683. Measurements: h 118 mm × w 232 mm. Museum: Rijksmuseum, Amsterdam.

Kleine Houtpoort in Haarlem, Jan van de Velde (II), 1639 - 1641 print Walking couples and an elegant company in boat on the water around the Kleine Houtpoort in Haarlem. Two swans on the left in the foreground. Seventeenth print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper. ink etching / brush / pen river. landscape with tower or castle. city-gate. walking, hiking (recreation). swans (domestic waterbirds) Small wood gate

Tobit, from Landscapes with biblical and mythological scenes., 1558, Flanders, by Hieronymus Cock, Matthijs Cock. Gift of Bishop Monrad, 1869.

Prospect (Le point de vue). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Cock, Hieronymus, Vicenza, Pittoni, Giovanni Battista (I), Praecipua aliquot Romanae Antiquitatis Ruinarum Monimenta, Roman ruins, Colossaei ro prospectus, View of the Colosseum in Rome, verso - stamped, View of the remains of the Colosseum in Rome. Title in Latin upper left. Numbered upper left: III. Numbered bottom right: III., print, book illustration, prints, height 296 mm, width 214 mm, Italian, 1520 - 1583, print maker, 1561 - 1561, third quarter 16th century, paper, etching, Work conception, South Dutch, 1518 - 1570-03-10

View of Milazzo, Israel Silvestre, 1636 - 1687 drawing Coastal face with a ship on the right that is being raised. Design for a print by François Collignon, from a series of four landscapes with Italian views. paper. pencil. ink pen fortress. rocky coast. shipyard, shipdock

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal). Artist: Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). Dedicatee: Joseph Smith (British, ca. 1674-1770). Dimensions: Sheet (Trimmed): 11 13/16 × 17 3/16 in. (30 × 43.7 cm). Series/Portfolio: 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal). Date: 1741.Venice in the eighteenth century was the site of an extraordinary flourishing of print production, which reached its apogee in the years 1740-45. It was in these years that Canaletto, the great painter of views of Venice and also of England during his sojourn there, made approximately thirty etchings: thirteen large plates and seventeen smaller ones. The title plate to the series states that these are 'Views, some

Figures near Huis ter Kleef near Haarlem. In the background a farmhouse. Twelfth print from part two of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Figures near the Huis ter Kleef near Haarlem Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

Two figures in ruin.

Venice, Canaletto, Vedute altre prese da i Luoghi altre ideate da Antonio Canal, Views of existing and imaginary places, Landscape with a tower and two remains of pillars, A landscape with a tower. In the foreground on the right two remains of pillars. In the middle a woman., print, prints, height 143 mm, width 210 mm, Italian, 1697 - 1768-04-20, print maker, printmaker, 1707 - 1768, paper, papier, etching, etchings, Work conception, after own design by

View of the Remains of the Tomb of the Plautii on the Via Tiburtina, near the Ponte Lugano, two miles distant from Tivoli, from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1760-1769. Dimensions: 460 x 622 mm (image); 463 x 625 mm (plate); 560 x 785 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder, S Hieronymus in Deserto (Saint Jerome in the Desert), c 1555 1557 S. Hieronymus in Deserto (Saint Jerome in the Desert)

Jean, Auguste (uitgever), Basan, Pierre François, Amsterdam, Ottens, Reinier (I) & Josua, Waterloo, Anthonie, Landschappen met buildings, City wall seen from the water, verso lower right - stamped, View of a city wall from the water. On the bank is a tool with which water can be scooped. Behind the tool sits a figure in a rowing boat., print, prints, height 97 mm, width 141 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etsen, Publication (Event), Publicatie, Nederlands, publisher, uitgever, Frans, 1723-10-23 - 1797-01-12

View of Tivoli, Adriaen Collaert, After Hendrick van Cleve, 1587 print View of the waterfalls of Tivoli as well as the ancient ruins of the town. The print is part of a ten -part series with landscapes with ruins. Antwerp paper engraving landscape with ruins. waterfall Tivoli

Landscape with an Old Woman Holding a Spindle, after Domenico Campagnola. Artist: After Domenico Campagnola (Italian, Venice () 1500-1564 Padua); Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne). Dimensions: 8 1/8 x 12 1/2 in. (20.6 x 31.8 cm). Date: ca. 1715.A wealthy banker, Pierre Crozat (1661-1740) was one of the foremost collectors of drawings in the eighteenth century. He befriended Watteau, offering him commissions, housing, and access to his collection. Watteau was entranced with the sixteenth-century Venetian landscape drawings he found there and copied many of them. In this case, the original drawing by Domenico Campagnola (1500-1564) is also in the collection of the Museum (1972.118.243). Although he is faithful to Campagnola's composition, Watteau substituted his preferred medium, red chalk, for the Venetian's pen and brown ink. Museum: Metropolitan Museum of Art, New York, USA.

Imaginary Hilly Landscape with Ruins 16th century Anonymous, Netherlandish, 16th century Netherlandish. Imaginary Hilly Landscape with Ruins 335110

Jean Baptiste Le Prince, Shepherds in a Landscape before a Fortified Town, 1777 Shepherds in a Landscape before a Fortified Town

Red chalk drawing by Johann Heinrich Roos depicting a mounted shepherd with his herd along the banks of a stream, with a tower ruin in the center, created in 1663.

The Stag Hunt. Dated: probably c. 1630. Dimensions: plate: 11.7 x 25.1 cm (4 5/8 x 9 7/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Etching and copper engraving depicting hunters pursuing rabbits, created by Pieter Bruegel the Elder in 1560.

Rustic Landscape 18th century Louis Philippe Joseph, duc de Chartres French. Rustic Landscape. Louis Philippe Joseph, duc de Chartres (French, 1726-1785). 18th century. Etching. Prints

View of a City. Johann Jacob Kirchner (Germany, 1796-1837). Germany, 19th century. Prints; etchings. Etching

A black chalk and gray lavated drawing by Adam Frans van der Meulen depicting a biblical battle illustration template, showing figures, formations, and landscape elements.

Ruin van de Thermen van Caracalla, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print The overgrown ruins of the Thermen of Caracalla in Rome. In the foreground two shepherds with a herd goats. In the background the city of Rome. Print from a series of Roman ruins, consisting of copies to a press series by Willem van Nieulandt. paper etching / engraving landscape with ruins (+ city(-scape) with figures, staffage). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Rome

Lagoon Capriccio (recto); Architectural Scene (verso) 1697-1768 Canaletto (Giovanni Antonio Canal) Italian. Lagoon Capriccio (recto); Architectural Scene (verso). Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). 1697-1768. Pen and brown ink, brush and gray wash, over traces of lead or graphite (recto). Squared in lead or graphite. Faint traces of a constructed outline drawing of an architectural scene, in lead or graphite; faint traces of a constructed outline drawing of buildings along a Venetian canal in lead or graphite (verso). Drawings

Entrance to the Suburb of Saint-Marceau, Paris. Charles Meryon (French, 1821-1868); after Reinier Nooms (Dutch, c. 1623-c. 1668). Date: 1850. Dimensions: 120 × 237 mm (image); 143 × 247 mm (sheet). Etching, drypoint, engraving and roulette on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Osteria. Dated: c. 1831. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Ludwig Richter.

View of the Inside of the Vestibulum, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), 1764, Etching and line engraving on moderately thick, slightly textured, cream laid paper

Baths of Diocletian, Rome. Claude Thiénon (French, 1772-1846); probably printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 198 × 284 mm (image); 256 × 340 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

No. 177. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

The Forge. Artist: Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616-1677 Haarlem). Dimensions: 7.9 x 10.6 cn. Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Ericsson, Henry, Sketchbook, 21 leaves, 1930, drawing, 26.8 cm x 21.2 cm, Ericsson, Henry, part: River landscape, 1930, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Francis Towne, 1740-1816, British, Oakhampton Castle, 1772. Gray wash and black ink on medium, slightly textured, beige laid paper.

View of the So-Called Temple of Concord, from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1774. Dimensions: 462 x 692 mm (image); 470 x 700 mm (plate); 555 x 726 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

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