Rural and Landscape Scenes

Depictions of serene rural landscapes, featuring fishing scenes, pathways, and nature, capturing the tranquility of countryside life.

A group of men are fishing from a boat in a river. In the background a bridge and the outline of a mill., Anglers by a river, print maker: Louis Bernard Coclers, Louis Bernard Coclers, unknown, 1756 - 1817, paper, etching, drypoint, h 137 mm × w 158 mm

A group of men are fishing from a boat in a river. In the background a bridge and the outline of a mill., Anglers by a river, print maker: Louis Bernard Coclers, Louis Bernard Coclers, unknown, 1756 - 1817, paper, etching, drypoint, h 137 mm × w 158 mm

Joseph Mallord William Turner, The Woman and Tambourine, published 1807 The Woman and Tambourine

Weissenbruch, Jan, Netherlands, Isaac, Landscape with a row of trees and houses, print, prints, height 58 mm, width 85 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure, Work conception, 1822-03-18 - 1880-02-15

Village Road with a Farm and Sheds, from the series, The Small Landscapes (Multifariarum Casularum). Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); After The Master of the Small Landscapes (Netherlandish, 16th century). Dimensions: Plate (width given; full plate line not visible): 8 in. (20.3 cm)Sheet: 6 15/16 × 9 15/16 in. (17.6 × 25.2 cm). Former Attribution: Formerly attributed to Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels). Series/Portfolio: from the series Multifariarum Casularum. Date: 1559-61. Museum: Metropolitan Museum of Art, New York, USA.

Lenfant prodigue (The Prodigal Son). Artist: Auguste Lepère, French, 1849-1918

Landscape with Figures (After The Marriage of Isaac and Rebecca, 1648). Artist: Anonymous; After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 9 11/16 x 12 3/4 in. (24.6 x 32.4 cm)plate: 9 3/16 x 11 3/4 in. (23.4 x 29.8 cm). Publisher: Published by Moon, Boys & Graves (London). Date: published 1830. Museum: Metropolitan Museum of Art, New York, USA.

Droga wiejska z domami po lewej. Morgenstern, Carl Ernst (1847-1928), graphic artist

An Essex Farm, 1874. Francis Seymour Haden (British, 1818-1910). Etching;

De Vregenden Oogst, Allaert van Everdingen (Possible), 1631 - 1675 drawing paper. graphite (mineral) brush

Le petit pêcheur à la ligne , Rivers, Bridges, Fishing, Alphonse Legros (1837-1911)

La ferme de Bienheureux (2nd Plate). Alphonse Legros (French, 1837-1911). Etching;

Rijn, Rembrandt van, House hidden among trees, verso lower left - stamped, print, prints, Rembrandt f 1652, lower right, height 124 mm, width 210 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1652, third quarter 17th century, paper, papier, drypoint, dry needle, Work conception, after own design by

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Landscape with a figure at two huts.page 29 from a sketchbook with 74 pages.

Page 29 recto from a sketchbook with 43 pages, Donsbr, draughtsman: Johannes Tavenraat, Donsbrüggen, 1844, paper, brush, scoring

Kok, Willem, Noordelijke Nederlanden, Sallieth, Mathias de, Herbegrafenis van de vrouw te Arnhem, 1783, Northern Netherlands, verso - stamped, 4 augustus 1783. Fragment of a larger plate with the title 'Atlas of the Histories of our Time. Plate I'. This was a pilot episode of a new series of presentations of historical events from the years 1780-1787, the series was not continued after this first issue., print, prent, prints, Frederik Muller Historieplaten, height 140 mm, width 167 mm, Czech, 1749 - 1791-11-29, print maker, printmaker, 1787 - 1787, paper, papier, etching, etchings, Work conception, 1761 - 1807-03-29

Last Rays (Les derniers rayons). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Plate 2: a peasant woman removing her shoes in center, another peasant woman and two cows in a stream to left, a bridge to right in the background, from 'Various landscapes' (Divers paysages). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dedicatee: Louis de Bourbon duc d'Anguien (French). Dimensions: Sheet (trimmed): 4 7/8 × 10 1/4 in. (12.4 × 26.1 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various landscapes' (Divers paysages). Date: ca. 1641. Museum: Metropolitan Museum of Art, New York, USA.

Paysage de Toscane. Corot, Jean-Baptiste-Camille, 1796-1875. 1878 - 1888. Guérard, Henri-Charles, 1846-1897. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Tuscany (Italy), Landscapes in art

The Woman and Tambourine (Liber Studiorum, part I, plate 3) June 11, 1807 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a classical vista distinguished by a broad river and high arched bridge, whose center has collapsed. In the foreground, a standing tambourine player entertains seated figures, one of whom may be Pallas Athena. The letters "EP" in the upper margin likely stand for Elevated Pastoral, and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude.. The Woman and Tambourine (Liber Studiorum, part I, plate 3) 382909

Le pre ensoleille (Meadow inSunshine). Artist: Alphonse Legros, French, 1837-1911

Walter Shirlaw, Polling (recto), late 19th century Polling recto

Landscape, from Deuxieme Cahier de Paysage. Nicolas Pérignon; French, 1726-1782. Date: 1772. Dimensions: 111 × 178 mm (plate); 160 × 250 mm (sheet). Etching on off-white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Zabudowania nad rzeką. Morgenstern, Carl Ernst (1847-1928), graphic artist

Print made by James T. Willmore, 1800-1863, British, Fetcham Park, 1838-1852. Etching and engraving, first published state on medium, slightly textured, cream wove paper.

Dorpsweg with covered wagon, Willem Oppenoorth, 1862 - 1905 print Amsterdam paper etching landscapes in the temperate zone. village lane, alley. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Le pont du bois à Ostende (The Bridge in the Wood atOstend). Artist: James Ensor, Belgian, 1860-1949

Francis Seymour Haden, 1818-1910, British, The Lark at Heaven's Gate Sings, 1859. Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper.

Skaters and a horse on a frozen river, c. 1811 Page 7 Recto from a sketchbook with 75 sheets. paper. chalk Page 7 Recto from a sketchbook with 75 sheets. paper. chalk

Landscape with a Cow Drinking. Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Timmed ): 3 7/8 × 5 1/16 in. (9.8 × 12.9 cm). Etcher: Claude Henri Watelet (French, Paris 1718-1786 Paris). Museum: Metropolitan Museum of Art, New York, USA.

Three figures at a rowing boat in front of a building, Hendrik Jozef Franciscus van der Poorten, 1841 print paper etching / drypoint rowing-boat, canoe, etc.. bridge in village across river, canal, etc.

Landscape with Sportsman and Dogs ("Het Jagertje"), Rembrandt van Rijn, c. 1648 print paper etching / drypoint

St. Elena in Belmonte, Hendrik Voogd, 1788 - 1839 drawing St. Elena in Belmonte; A small bid chapel aside of the road. Rome paper. chalk landscapes. church (exterior) - QQ - small church, chapel Belmonte

Auguste Lepère: Le pommier renversé (Picardie). Auguste Louis Lepère (French, 1849-1918). Etching, from bound volume with seven etchings; sheet: 22.6 x 30.5 cm (8 7/8 x 12 in.); platemark: 12.6 x 13.5 cm (4 15/16 x 5 5/16 in.).

Le Village d'ABCONDE, Carel Nicolaas Storm van 's-Gravesande, c. 1877 print Village face on the water, with a sailing boat in the foreground. paper etching canals, waters (in village) Abcoude

Landweg near Hilversum, Jonkheer Barthold Willem Floris van Riemsdijk, 1892 print There are two houses on a country road near Hilversum that are overshadowed by Boomte. In the foreground is a man on the edge of the road. Netherlands paper drypoint road, path. farm or solitary house in landscape Hilversum

Wayfarer's Camp 1730 Germany. Etching on cream wove paper . Christian Wilhelm Ernst Dietrich

Ville d'Avray: Pond with Boatman, Evening. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1862-1863. Dimensions: 79 × 128 mm (plate); 217 × 267 mm (sheet). Etching and drypoint on cream China paper laid down on white wove card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Inn on the Amstelveenseweg, Rembrandt van Rijn, c. 1652, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1652, paper, pen, brush, h 141 mm × w 200 mm

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Landscape with Procession. Gottfried Engelmann (French, 1788-1839); after Pierre Antoine Mongin (French, c. 1761-1827). Date: 1808-1839. Dimensions: 125 × 170 mm (image); 212 × 292 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: GOTTFRIED ENGELMANN.

Holmberg, Werner, work, Sketch book, engraving, drawing, 16.5 cm x 22 cm, Holmberg, Werner, timing: untimed, signature

Artist: Allaert van Everdingen, Dutch, 1621-1675, The Large House with aTurret, ca.1650, Etching, platemark: 9 × 13.5 cm (3 9/16 × 5 5/16 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Sawley Abbey Made 1873 England. Etching on zinc printed on cream wove paper . Francis Seymour Haden

The Gallic Round, original impression 1857, printed in 1921. Jean Baptiste Camille Corot (French, 1796-1875). Cliché-verre; sheet: 20 x 16.3 cm (7 7/8 x 6 7/16 in.); image: 18.4 x 14.4 cm (7 1/4 x 5 11/16 in.).

Francis Seymour Haden, 1818-1910, British, Combe Bottom, 1860. Etching and drypoint, with plate tone on medium, slightly textured, light blue laid paper.

Black chalk and gray drawing by Anthonie Waterloo depicting the Walring edge with a closed gate, gray lavated shading and white heightening on brownish paper.

Sir David Young Cameron, 1865-1945, British, On the Bradford, 1902. Etching on wove paper.

Design for a painting, Garden with stairs with statues, draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, pen, h 146 mm × w 174 mm

A travel sketch by Valentin Wagner from 1631-1638 showing Wolffsrit against sunlight, executed in ink, feather, and wash.

Landscape with a woman who does the laundry, Alexander Mollinger, 1860 print A woman does the laundry on a scaffolding on the water. In the pasture chickens, a home on the left. Netherlands paper etching laundering. farm or solitary house in landscape. clouds

La ferme de valoux. Alphonse Legros (French, 1837-1911). Etching;

A Mill 1829 David Lucas British View of a rural landscape with a watermill at left center.. A Mill. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint; proof before published state. Prints

In the Moonlight (Dans la lune) 1872 Auguste Deltre French. In the Moonlight (Dans la lune). Auguste Deltre (French, Paris 1822-1907 Paris). 1872. Etching and drypoint. Prints

Morning. Dated: 1889. Dimensions: image: 206 x 304 mm paper: 291 x 393 mm. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Elbridge Kingsley.

Peasants Around a Well. Artist: Johann Georg Wille (German (active France), Köningsberg 1715-1808 Paris). Dimensions: 8 x 10 3/4 in. (20.3 x 27.3 cm). Date: 1758. Museum: Metropolitan Museum of Art, New York, USA.

William Miller, 1796-1882, British, Chiefswood Cottage, 1835. Etching and engraving, 1st published state.

Near Choisy-le-Roi. Charles François Daubigny; French, 1817-1878. Date: 1843. Dimensions: 165 × 247 mm (image); 220 × 278 mm (plate); 249 × 344 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

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Artist: Matthäus Merian the Elder, Swiss, 1593-1650, Bridge withRuins, Etching, image: 11.2 × 16.8 cm (4 7/16 × 6 5/8 in.), Made in Switzerland, Swiss, 17thcentury, Works on Paper -Prints

Pencil drawing by Franz Steinfeld the Younger showing Langendorf, executed in gray pencil with grid marks on gray paper.

Zapora wodna. Morgenstern, Carl Ernst (1847-1928), graphic artist

City with Stone Bridge. Rodolphe Bresdin; French, 1825-1885. Date: 1865. Dimensions: 119 × 217 mm (image); 162 × 238 mm (plate); 220 × 312 mm (sheet). Etching on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Brunnen, from Picturesque Selections. James Duffield Harding, (English, 1798-1863); Published by W. Kent and Co. Date: 1860. Dimensions: 280 × 380 mm (primary support); 430 × 560 mm (secondary support). Lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Santa Ursula. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

Artist: Schelte Adams Bolswert, Flemish, 1586-1659, After: Peter Paul Rubens, Flemish, 1577-1640, CountryLandscape, Engraving, sheet: 30.8 × 44.2 cm (12 1/8 × 17 3/8in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Etching by Rembrandt van Rijn from 1645 depicting a barge under trees, created using etching with pinnate technique.

Windsor Castle, 1878. Francis Seymour Haden (British, 1818-1910). Etching;

Badende Jungen. Liebermann, Max (1847-1935), graphic artist, Verlag der Gesellschaft für Vervielfältigende Kunst (Wiedeń ; wydawnictwo ; 1871-1934), publishing house

John Constable, Cottages (recto); Two Studies of a Shepherd (verso), 1816, Graphite with brush and gray and brown inks and white chalk on cream wove paper (recto); pen and brown ink over graphite on cream wove paper (verso).

Village of Wimille, near Boulogne (Village de Wimille, pres Boulogne). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

La ferme de Brieux (effet d'orage) , Farms, Storms, Alphonse Legros (1837-1911)

A pencil drawing by Ferdinand Georg Waldmüller created around 1826-1829 containing various sketches of people, objects, and landscape studies.

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The Ellé at Quimperlé. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1909. Dimensions: 165 × 200 mm (image/plate); 204 × 235 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Little Park, c. 1763. Jean-Honoré Fragonard (French, 1732-1806). Etching; sheet: 14.4 x 21.8 cm (5 11/16 x 8 9/16 in.); platemark: 11.2 x 16.5 cm (4 7/16 x 6 1/2 in.).

Sketch of the Solfatara near Pozzuoli, outside Naples, Gerard ter Borch (I), c. 1611, draughtsman: Gerard ter Borch (I), Pozzuoli, c. 1611, paper, h 197 mm × w 312 mm

Cowdray, Francis Seymour Haden, 1818-1910, British, 1882, Etching and drypoint on thick, slightly textured, cream wove paper, Sheet: 9 3/16 x 12 3/16 inches (23.3 x 31 cm), Plate: 9 3/16 x 12 3/16 inches (23.3 x 31 cm), and Image: 5 15/16 x 9 3/16 inches (15.1 x 23.3 cm), animal art, architectural subject, banks, birds, buildings, castle, cattle, cows, ducks, farm, field, geese, houses, landscape, mansion, pasture, river, stream, trees, Cowdray House, England, Europe, Midhurst, United Kingdom, West Sussex

Souvenir de mon village , Villages, Bodies of water, Alphonse Legros (1837-1911)

PoloGrounds. Artist: Arthur B. Davies, American, 1862-1928

"Lithograph by Johann Nepomuk Strixner from 1802-1855 depicting the months of July and December. The print emphasizes seasonal motifs, figures, and landscape elements."

View of the Nieuwezijds Voorburgwal, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1647, paper, h 86 mm × w 164 mm (arched top)

Francis Seymour Haden, 1818-1910, British, Newcastle Emlyn, 1864. Etching and drypoint on thin, slightly textured, cream laid paper.

Design for wallpaper painting with Hollands Landschap, Jurriaan Andriessen, c. 1752 - c. 1819 drawing Design for a wall painting. paper. watercolor (paint). ink. graphite (mineral) pen / brush

La ferme de Brieux (effet d'orage) , Farms, Storms, Alphonse Legros (1837-1911)

Vermont Village,1923. Artist: Childe Hassam, American, 1859-1935

Christian Kongstad Petersen (1862-1940), TraE Group, 1906

A series of pencil sketches by Ferdinand Georg Waldmüller featuring varied subjects, including figures, landscapes, and compositional studies, executed on paper.

Sluis, Louis Bernard Coclers, 1756 - 1817 print A boy walks along the water towards a lock. unknown paper etching / drypoint sluice, weir

A Mill 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. A Mill. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint; second state of five. Prints

Jardin du Luxembourg and Man at an advertising column in Paris, 1858 Page 2 Recto from a sketchbook with 52 sheets. Paris paper. pencil park. poster-pillar Paris

The Billows. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 121 x 300 mm (image/plate); 130 x 307 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

A Bellot (Seine-et-Marne) (At Bellot[Seine-et-Marne). Artist: Auguste Lepère, French, 1849-1918

La Seine, vue de Passy (The Seine, Seen fromPassy). Artist: Félix-Henri Bracquemond, French, 1833-1914

Reading Beneath the Trees. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1874. Dimensions: 262 × 182 mm (image); 275 × 188 mm (chine). Transfer lithograph printed in black on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Un Soir, Bords du Rhone aRix. Artist: Adolphe Appian, French, 1819-1898

Winter face with figure with Takkenbos, Joseph Edouard van Looy, After G. de Latour, 1881 - 1912 print paper etching / drypoint winter landscape; landscape symbolizing winter (the four seasons of the year). farm or solitary house in landscape

Landscape in an Oval. Lameau (French, active 1803-1822); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817-1821. Dimensions: 147 × 171 mm (image); 214 × 265 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Idillio, Venice. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1908. Dimensions: 218 x 238 mm (image/plate); 223 x 241 mm (sheet). Etching in black on off-white laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Landscape with a Woman at a Well, from the series Vedute(Views). Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768

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