Rural Life Illustrations

Pencil drawings depicting scenes from rural life, featuring figures engaged in daily activities, rendered in warm tones and soft lines.

Design for a Lunette with Allegory of Sculpture, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, black chalk, traces of graphite on laid paper, Woman works at inscription of herm. At left, minerva seated looking on. Boy stands at right by pedestal, drawing or writing upon tablet. Paintings, tools, sculptures lean against wall. Caption on top: 'scultura'., Italy, 1812-13, figures, Drawing, Drawing

Pencil drawing by Gilles Demarteau between 1742 and 1776 depicting various rural figures, showing gestures, clothing, and scenes of daily activity.

Design for a Lunette with Allegory of Sculpture, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, black chalk, traces of graphite on laid paper, Woman works at inscription of herm. At left, minerva seated looking on. Boy stands at right by pedestal, drawing or writing upon tablet. Paintings, tools, sculptures lean against wall. Caption on top: 'scultura'., Italy, 1812-13, figures, Drawing, Drawing

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Drawing, Cartoon for cotton printing: Scenes from Moliere's "Le Medecin Malgre Lui"; Written by Molière (French, 1622-1673); France; pen and ink, gray wash, and white heightening on brown paper (mounted); 50.2 × 80 cm (19 3/4 × 31 1/2 in.)

Raymond Lafage drawing depicting the birth of Adonis, executed in brown pen with gray wash, created between 1670 and 1675.

George III Resuming Royal Power in 1789. Dated: c. 1789. Dimensions: sheet: 15.9 × 21.9 cm (6 1/4 × 8 5/8 in.) mount: 22.38 × 28.1 cm (8 13/16 × 11 1/16 in.). Medium: pen and brown ink with brown wash on laid paper mounted to board. Museum: National Gallery of Art, Washington DC. Author: Benjamin West.

A pencil sketchbook by Josef von Führich, begun May 6, 1807, containing studies of figures, landscapes, and compositional elements emphasizing accurate observation and realistic form.

'Sporting Notions': 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again', Henry Thomas Alken, 1785-1851, British, between 1831 and 1832, Graphite and red chalk on thin, slightly textured, blued white, wove paper, Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm), falling, fence, horseback riders, horseback riding, horses (animals), men, reins, sporting art, stirrups, trees, whip

Grota "Colosso Appennino" w ogrodach willi Demidoff w Pratolino. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Robert Pollard, 1755-1838, British, Punt Fishing in the Thames, undated. Graphite, with pen and brown ink on blued white, medium, slightly textured, wove paper.

Bath in a park. Norblin de la Gourdaine, Jean Pierre (1745-1830), draughtsman, cartoonist

Men Loading a Boat with Barrels. Painting. Watercolor. Height: 140 mm (5.51 in); Width: 270 mm (10.62 in). Author: Samuel Scott.

The effects of medicine and wine-drinking compared. Ink drawing, 18--.

Boergekelschap, Anonymous, 1637 print Interior with three sitting farmers around a table. Draabij a standing man. On the left a figure by the fireplace. Netherlands paper etching drinking. inn, coffee-house, public house, etc.

An Allegory on the Plight of the Artist. Date/Period: Between 1772 and 1790. Drawing. Pen and black ink, gray wash, brown wash and graphite on medium, slightly textured, cream laid paper. Height: 235 mm (9.25 in); Width: 349 mm (13.74 in). Author: Mauritius Lowe.

Man entering House, George Augustus Sala, 1828-1895, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 5 3/4 × 4 15/16 inches (14.6 × 12.5 cm), genre subject, hat, house, man, stairs

Julius Tidd, active 1773-1779, A Bridal Pair (Figures copied from Hogarth's Rake's Progress), 1780. Watercolor with pen and black ink on medium, slightly textured, cream laid paper.

13 mounted prints depicting a carriage scene at center surrounded by various men mid-19th century Victor Adam French. 13 mounted prints depicting a carriage scene at center surrounded by various men 638422

Thomas Rowlandson, 1756-1827, British, Dr. Syntax Made Free of the Cellar, undated. Watercolor with pen and brown and gray ink on medium, moderately textured, blued white, wove paper.

Staging of dolls in a backdrop, representing three declared animal figures at the gate of a castle. For the staging there is a text that is poorly legible but is about a frog.

Woman on a beach Eug�ne Boudin (1824-1898). Woman on a beach. Watercolor on paper, nineteenth century.

Alexander the Great is chosen as commander -in -chief, Leonaert Bramer, c. 1655 - c. 1665 During a meeting, Alexander the Great is chosen by the Greeks as supreme commander in the fight against the Persians. Numbered at the top right: 11. Drawing is part of an album. prepared paper. ink pen / brush During a meeting, Alexander the Great is chosen by the Greeks as supreme commander in the fight against the Persians. Numbered at the top right: 11. Drawing is part of an album. prepared paper. ink pen / brush

Men pushing and cart loaded with barrels, Moses ter Borch (attributed to), c. 1656 - c. 1657, draughtsman: Moses ter Borch, (attributed to), Zwolle, c. 1656 - c. 1657, paper, h 130 mm × w 180 mm

Louis Philippe Boitard, active 1734-1760, The Earthquake Scare in Piccadilly, 1750. Pen, in brown ink, graphite and brown wash on medium, moderately textured, cream, laid paper.

Michael Scott's Wooing - Compositional Sketch, 1870-71. Artist: Dante Gabriel Rossetti

Study of two women supporting the body of a man Ary Renan (1858-1900). "Study of two women supporting a man's body". Paris, museum of romantic life.

The Vicar of Wakefield: Fortune-Telling, Thomas Rowlandson, 1756-1827, British, ca. 1817, Watercolor, with pen and red-brown ink over graphite on medium, smooth, blued white wove paper, Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm), chickens, cottage, divination, dog (animal), fence, genre subject, houses, man, pigs, trees, vicar, women, England, Europe, United Kingdom, Wakefield, Yorkshire

Keeping alive tradition & history , Grandparents, History, Cities & towns. The Massachusetts WPA Federal Art Project Photograph Collection

Bliżej Kultury Holewiński, Józef (1848 1917)

Staging dolls in a decor, representing three dressed animal figures at the gate of a castle, anonymous, c. 1850 - c. 1880 stereograph For the staging is a text that is difficult to read but is about a frog. Europe cardboard. photographic support albumen print fables Europe

Auguste-Xavier Leprince, Various Sketches from Nature, c. 1816-1826, watercolor on paper.

Paolo and Francesca. Attributed to Bartolomeo Pinelli; Italian, 1781-1835. Date: 1811. Dimensions: 425 x 579 mm. Pen and black ink and brush and brown wash on brown laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Sketches for a Bonnet and Accessories. Artist: Anonymous, French, 18th century; Anonymous, French, 19th century; Possibly connected to Antoine Caire-Morand (French, Briançon 1747-1825 Turin). Dimensions: Sheet: 6 3/4 x 9 11/16 in. (17.1 x 24.6 cm). Date: ca. 1785-90.Page with three small drawings. It includes a rather finished drawing in the lower left of a ruffled bonnet with purple bows, flower, and leaves. In the center is a graphite sketch of a foot stool, and on the right another a graphite sketch of a section of hair. Museum: Metropolitan Museum of Art, New York, USA.

Mandlbogen with call calls, Feuerschwama, Galanteriewaar, Breitling, Pfiffer, Feuerstein, Wacholderbeer, Schuhwax, Gäns, Gäns, Gypsum images, Sales of fire sponges, galantry goods, flints, spices, shoe wax, geese, plaster figures, Unknown, artist

Two men placing severed heads in cages.. Paintings, Prints. 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting, Chinese, Punishment & torture , China, Costumes , Chinese

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Forty-fourth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Study of eight character Gavarni (1804-1866). "Study of eight characters (including a lorette and an old lorette)". Watercolor, ink wash. Paris, museum of romantic life.

A man is stopped to pay a toll in order to enter a fort built on clouds. Etching.

Francisco de Goya y Lucientes (1746-1828). Spanish painter. La Tauromaquia (Bullfighting). Another madness of his in the same square (Otra locura suya en la misma plaza). The protagonist is Martincho. Number 19. Etching. San Fernando Royal Academy of Fine Arts. Madrid, Spain.

Paris, Cadart, Alfred, Delâtre, Auguste, France, Daubigny, Charles-François, Voyage en bateau, Series of landscapes and events around water, L'héritage de la voiture, Old woman with children in a carriage, verso - stamped, print, prints, height 126 mm, width 181 mm, 1817 - 1878-02-19, print maker, prentmaker, 1867 - 1867, paper, papier, chine collé, etching, etchings, drypoint, engraving, engraving (printing process), French, 1822 - 1907-07-26, printer, printer's, Publication (Event), Publication, 1828 - 1875, publisher

Two elderly women in bed, disturbed from sleep by a nightmare vision of "The monster" (R. Williams), 1790. Drawing.

A pencil and watercolor work by Friedrich Gauermann from 1838 depicting a dilapidated courtyard in southern Tyrol, including figure studies from Brixen and Pinzgau with standing heads, showing architectural and human details.

Drawing, Sketch for "The Wreck"; Winslow Homer (American, 1836-1910); USA; charcoal on paper; 27.6 × 43.5 cm (10 7/8 × 17 1/8 in.)

Cinderella. The lake of Azur ..

Photo production of an engraving: the relievance of Leiden, October 3, 1574 ..

Depiction of the escape to Egypt at night by Barent Fabritius, executed with pen and brushes in brown and gray, with reddish highlights and white deck accents, circa 1650.

Artist: Alfred Wordsworth Thompson, American, 1840-1896, Grand Saloon in the HotelConway, Brush and brown ink, heightened with white on brown paper, 17.8 × 24.1 cm (7 × 9 1/2in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

. The regents of the orphanage of Haarlem meet at a table. The messenger stands in the background.

Print, Children Bowling; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Pierre-Charles Canot (French, 1710 - 1777); France; etching on laid paper

Study magazine, among other things with a cup of a piping man and part of a boot.Also Studies from a farmer's and two men Who Are Probably A Drawing Trembing (Which is not Drawn). Leaf 53 Verso from a Sketchbook with 98 Sheets.

Diogenes looking for a man with a lantern. Draughtsman: Pieter Bartholomeusz. Barbiers. Dating: 1782 - 1837. Measurements: h 276 mm × w 375 mm. Museum: Rijksmuseum, Amsterdam.

Man squatted sitting at a stove with cooking pots, c. 1880 - c. 1900 print Part of French artists' album. paper drypoint heating stove. kitchen-utensils: pot

Spiritual reading a letter, Willem Hendrik Schmidt, 1819 - 1849 drawing In a vaulted interior, a spiritual at the window is reading a letter that has brought a page. paper. pencil interior of the house

Emperor Nero and Otho at a banquet, served food and wine by nude youths and girls, dancers and musicians. Neron et Othon sont assis a table, et servis par des filles et des garcons tout nus. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Reading in bed 1. Whistler, James McNeill (1834-1903). 1858. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

unknown artist, eighteenth century, The Arrival of Prince Frederick from Hanover in 1728, ca. 1728. Brown wash, and pen and brown ink on thin, slightly textured, cream laid paper.

Alexander the Great kills Orsodates, Leonaert Bramer, c. 1655 - c. 1665 Alexander the Great kills the captain Orsodates, which is tied to a tree on the right. Soldiers and tents can be seen in the background. Numbered at the top right: 34. Drawing is part of an album. paper. ink. deck paint pen / brush Alexander the Great kills the captain Orsodates, which is tied to a tree on the right. Soldiers and tents can be seen in the background. Numbered at the top right: 34. Drawing is part of an album. paper. ink. deck paint pen / brush

Scenes with death and the devil, Carel Christiaan Antony Last, 1843 - 1876 print Death, in the form of a skeleton, taps from a barrel. Three men are drunk at the table. The devil blesses a marriage. A man hits a woman. Furthermore, a brothel, a suicide and a duel are depicted. The Hague paper activities of devil(s). Death as skeleton. drunkenness. brothel. duelling. seeking death, suicide

Children Sitting on a Fence. Winslow Homer; American, 1836-1910. Date: 1874. Dimensions: 193 x 239 mm. Various graphites, heightened with opaque white watercolor, on medium weight, slightly textured gray wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Angling Party, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and red-brown and gray ink, over graphite, border with pen and gray brown ink line on medium, slightly textured, cream, wove paper, Sheet: 6 7/8 x 10 3/16 inches (17.5 x 25.9 cm), bushes, dogs (animals), fishing, landscape, men, reading, river, riverbank, rocks (landforms), trees, women

Fruit and Nut Picking. Genre subject. Watercolor with pen and brown ink on medium, smooth, cream, wove paper, mounted on thick board support. Height: 105 mm (4.13 in); Width: 168 mm (6.61 in). Author: Thomas Rowlandson.

Arthur Pond, ca. 1705-1758, British, Untitled: Dance beneath a tree, 1740.

Reverse Copy of Le Paysan Tenant un Gobelet (The Peasant Holding a Cup), from Les Caprices Series A, The Florence Set 17th century Anonymous. Reverse Copy of Le Paysan Tenant un Gobelet (The Peasant Holding a Cup), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Anonymous. 17th century. Etching. Prints

Scenes near Richmond, 1862 ca. July, drawing, 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

Figure studies (fourth leaves), 1833; Fragments of Dutch clothing contract, use, etc. Togged to nature and gelithographed by C. Andriessen. Leaf with figures: a man standing at a quay, roaring chickens in the foreground. Part of a series of six sheets with figure studies of Dutch market forces, street figures and weak, 1833.

Well-Know Folly (from the series Los Disparates (Follies) by Goya, Francisco, de (1746-1828) / Museo Lazaro Galdiano, Madrid / 1815-1819 / Spain / Etching / Genre,Mythology, Allegory and Literature / 24,6x35,7

Spectators at a street fire. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 153 mm × w 147 mm. Museum: Rijksmuseum, Amsterdam.

Farmers couple talking under a tree. Draughtsman: Gesina ter Borch (signed by artist). Dating: 1643 - c. 1687. Place: Zwolle. Measurements: d 123 mm; h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

drawing by F. Barrias: Virgil scene from the Aeneidos, Juno with the peacock in the air, Anonymous, 1858.

A Family of Shepherds; Giovanni Benedetto Castiglione, Italian, 1609 - 1664; late 1640s; Brush and colored oil paint, over traces of black chalk; 35.2 x 48.7 cm (13 7/8 x 19 3/16 in.)

Family looking outside, Simon Andreas Krausz, 1770 - 1825

Praying Figures in a Church, Florence, c. 1824/1827, pen and brown and black ink with brown wash over graphite on wove paper, sheet: 17.7 × 23.4 cm (6 15/16 × 9 3/16 in.), Robert Walter Weir (artist) American, 1803 - 1889

Thomas Rowlandson, 1756-1827, British, A Village Scene with Peasants Resting, undated. Watercolor with pen and red and black ink over graphite on medium, smooth, beige, wove paper.

The Bleeding of the Pig.

Easter Monday at Greenwich , Crowds, Recreation, Hills. Thomas Rowlandson (1756-1827). Prints and Drawings

John Robert Cozens, 1752-1797, British, A Sarcophagus Behind the Palace, between 1782 and 1783. Graphite and varnish on thin, slightly textured, cream laid paper.

Samuel Collings, active 1784-1795, British, A Querulous Committee Meeting, undated. Pen, black ink, graphite and gray wash on medium, slightly textured, cream wove paper.

Pitcher. Dated: c. 1938. Dimensions: overall: 22.5 x 30.8 cm (8 7/8 x 12 1/8 in.) Original IAD Object: 8 1/4" High 5 1/16" Dia(base). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Fisk.

'"The Scenes of Meeting of Alexander III and Francis Joseph I, Emperor of Austria, in Augst 1885"'. Russia, 1887. Dimensions: 54,7x35,5 cm. Museum: State Hermitage, St. Petersburg. Author: MIHALY VON ZICHY.

Portrait sketches by Czachórski: Stanisław Popiel as a cardinal, his hostess, Henryk Sienkiewicz; Portrait of Czachórski by Sienkiewicz, twice; Czachórski, Władysław (1850-1911), Sienkiewicz, Henryk (1846-1916); 1881 (1881-00-00-1881-00-00);Czachórski, Henryk (1846-1916)-iconography, Popiel, Sienkiewicz, Stanisław, Władysław (1850-1911), Władysław (1850-1911)-iconography, moral caricatures, writers, painters, writers, portraits, portraits of artists, women's portraits, Men's portraits, writers' portraits, studies (sketches), portrait studies, purchase (provenance)

'Cossack Bivouac'. Circa 1813. Dimensions: 23x28,5 cm. Museum: State Hermitage, St. Petersburg. Author: Johann-Gottfried Schadow ( ).

Salon of 1852; Gustave Le Gray (French, 1820 - 1884); Paris, France; 1852; Salted paper print; 19.4 x 13.2 cm (7 5,8 x 5 3,16 in.)

The Connoisseurs, Thomas Rowlandson, 1756-1827, British, ca. 1790, Watercolor with pen and red, brown and black ink over graphite on medium, slightly textured, blued white, wove paper, mounted on, medium, moderately textured, blued white, laid paper, Sheet: 9 x 12 inches (22.9 x 30.5 cm) and Mount: 9 1/4 x 12 5/16 inches (23.5 x 31.3 cm), cane, chair, connoisseur, easel, genre subject, men, paint brushes, painters, painting (visual work), palette, table

Thomas Rowlandson, 1756-1827, British, The Vicar of Wakefield: The Surprise, ca. 1817. Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, blued white wove paper.

Thomas Rowlandson, 1756-1827, British, Dr. Syntax Visits a Boarding School for Young Ladies, 1821. Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper.

Painting in Dome of Capitol, Washington. (Arts and Sciences) Stereoscopic Views. Brumidi, Constantino, 1805-1880. still image. Stereographs, Photographs. 1865. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol, Franklin, Benjamin, 1706-1790, Fulton, Robert, 1765-1815, Morse, Samuel Finley Breese, 1791-1872, Minerva (Roman deity), Capitol Rotunda (United States Capitol, Washington, D.C.)

Sketchbook with a caricature study of six professors for an illustration from Franois Rabelais' Gargantua and Pantagruel. Draughtsman: Henk Henriët. Dating: c. 1936 - c. 1940. Measurements: h 331 mm × w 445 mm. Museum: Rijksmuseum, Amsterdam.

The Hague, Blommers, P. (Lithographic printing house of), Vosmaer, Carel, Last, Carel Christiaan Antony, Fire-myths, Young man sits musing by a hearth, verso - stamped, A young man sits musing on his chair by a hearth. Scenes of his thoughts all around. Bottom left: a baby in a cradle; middle left: Bacchus on a donkey; top left: a young couple in love; middle top: a man and woman at a table, their child playing with the dog; top right: a frustrated man at a table with his accounts, the devil is on the right; bottom right: a man hangs himself, another man is stabbed; bottom right: children in a cemetery., print, prints, height 330 mm, width 499 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1843 - 1876, paper, tone lithography, hand coloring, Work conception, 1826-03-20 - 1888-06-12, after a design by, printer

Juvenile Tricks, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching and mezzotint, printed in brown ink Engraver's proof (a), scratched on medium, slightly textured, cream laid paper, Sheet: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm) and Mount: 12 1/2 × 14 7/8 inches (31.8 × 37.8 cm)

Attributed to John Martin, 1789-1854, British, The Woman at the Well, undated. Watercolor and graphite on medium, slightly textured, cream wove paper.

Allegory on the Sky: Mercury gives the head of Argus to Juno, Design for a room painting with allegory on the Sky, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 386 mm × w 449 mm

Scenes from the Australian gold rush. Date: circa 1860s

The Irish Jig...

'Table Press with the Scene "Dancing Peasants"'. Russia, 1830s. Dimensions: 1,8x13,3x9,1 cm. Museum: State Hermitage, St. Petersburg.

Piero della Francesca: Sigismondo Malatesta Kneeling in front of his name patron, Saint Sigismund. Temple of Malatestiano, today Cathedral, Rimini. .

Study for a Portrait Group, Samuel Shelley, 1750-1808, British, undated, Watercolor and graphite on medium, moderately textured, blued white laid paper, Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm), children, family, father, figure study, genre subject

Commune 1871 - Cantiniere in Montmartre Virgin Daniel (1851-1904). Common 1871 - Cantini�re in Montmartre. 1871. Pencil, watercolor with gouache rehaught on tinted paper.

Figure, François Nicolas (n.1825-03-21-D.1901-03-19), Wisdom. It is also sometimes at the door of cities. (Registered title (letter)), 1859. Albumin draw mounted on paper. House of Victor Hugo - Hauteville House.

Tuileries ball buffet: go offshore!, Caricature, no 223, pl. 464 Forest, Eugène Hippolyte (1808 1891), Lithography Delaunois, Imprimerie Aubert (Pary)

Fra Diavolo , Opera of Auber Theatrical Image Gallery for the Theaterzeitung, Jg, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

of 3