Rustic Landscapes and Activities

Delicate drawings of rural scenes, featuring landscapes with human activity, emphasizing harmony between nature and daily life.

Figures Approaching the City of Athens, Greece. English School, circa 1800. Pencil, pen and ink and watercolour. 41.3 x 66.1cm.

Sailing Boats. Drawing. Graphite and watercolor on medium, moderately textured, laid paper laid to card. Height: 146 mm (5.74 in); Width: 140 mm (5.51 in). Author: UNKNOWN ARTIST.

Landscape with figures in storm, draughtsman: Jean Bernard, 1775 - 1833, paper, pen, brush, h 181 mm × w 283 mm

Peter DeWint, 1784-1849, British, Building a Hayrick, undated. Watercolor and graphite on medium, rough, cream, wove paper.

River landscape with castle (Loevestein), Anonymous, After Jan van Goyen, 1600 - 1699 drawing paper. chalk brush river. castle Loevestein lock. Powderoijen

Jan Wyck, ca. 1645-1700, Dutch, active in Britain (from ca. 1664), Stag Hunting, undated. Pen, in brown ink, graphite, and brown wash on medium, moderately textured, beige, laid paper.

Landscape with many figures at an inn, Jean Antoine Watteau, After Domenico Campagnola, 1715 - 1840 drawing View of a village where people arrive at a party for an inn with dancing couples and musicians. paper. chalk counterproof farm or solitary house in landscape. inn, coffee-house, public house, etc.. hotel, hostelry, inn

Coastal Scene with the Embarkation of Goods, paper, pen, brush, h 208 mm × w 363 mm

Thomas Rowlandson, 1756-1827, British, River Scene (The Thames at Eton), undated. Watercolor with pen and red-brown and gray brown ink, over graphite on moderately thick, moderately textured, beige, wove paper.

Views in the Levant: Harbour Town Surrounded by Windmills, Willey Reveley, (), 1760-1799, British, ca. 1785, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream, laid paper, mounded on thick, smooth, brown, wove paper, Sheet: 8 15/16 × 18 11/16 inches (22.7 × 47.5 cm), harbor, harbour, hills, landscape, marine art, sailboat, town, windmills, Levant

Figures Approaching the City of Athens, Greece. English School, circa 1800. Pencil, pen and ink and watercolour. 41.3 x 66.1cm.

A Ship Wrecked on a Shore on a Stormy Night, with Survivors Salvaging Their Goods. Artist: Ludolf Bakhuizen (Dutch, Emden 1630-1708 Amsterdam). Dimensions: sheet: 10 1/16 x 13 7/16 in. (25.5 x 34.2 cm). Date: mid-17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

St. Germain-en-laye, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving on medium, smooth, beige, wove paper, Sheet: 5 5/16 × 9 inches (13.5 × 22.9 cm) and Image: 3 11/16 × 5 11/16 inches (9.4 × 14.4 cm)

Hotwells from Rownham Ferry, Nicholas Pocock, 1740-1821, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm)

Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

De Haltplaats, Jan van Goyen, 1606 - 1656 drawing Well at an inn. paper. ink pen stadia of travel. inn, coffee-house, public house, etc.. well

Figures on the bank at Ouderkerk aan de Amstel, 1622, 1722 - 1784 copper (metal) etching river bank. open-air recreation. fisherman. rowing-boat, canoe, etc. Ouderkerk aan de Amstel

Ericsson, Henry, Sketchbook, 21 leaves, 1930, drawing, 26.8 cm x 21.2 cm, Ericsson, Henry, part: Reading woman, 1930, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge, Edward Francis Burney, 1760-1848, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, blued white, laid paper, Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm), badge, boats, bridge (built work), buildings, coat, crowd, landscape, men, people, race (event), sculling, sporting art, trees, wall, water, women, Chelsea, England, Europe, Greater London, United Kingdom

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, 1770, Etching

No. 24. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Ice Entertainment ..

Samuel Davis, 1757-1819, British, The Village of Buxadaur Buxa Duar Thibet, 1783. Watercolor, graphite and pen and brown ink on moderately thick, slightly textured, beige card.

Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier, Attributed to Dominic Serres RA, 1722-1793, French, active in Britain (from the 1750s), Formerly Attributed to Joseph Cartwright, c.1789-1829, British, undated, Pen, in gray ink, black ink, gray wash and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, smooth, beige, wove paper, Mount: 13 1/2 inches (34.3 cm) and Sheet: 9 1/8 × 14 1/4 inches (23.2 × 36.2 cm)

The Rising Moon, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1857, Etching and drypoint retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper, Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm), Plate: 6 15/16 x 9 7/8 inches (17.7 x 25.1 cm), and Image: 4 5/8 x 7 9/16 inches (11.7 x 19.2 cm), animal art, barrel, church, clouds, cypress, genre subject, hat, hills, horizon line, house, landscape, moon, moonlight, mountain, night, pond, sheep, shepherd, staff, tower (building division), trees, trough, village

St. Germain-en-Laye, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm), Plate: 6 × 8 9/16 inches (15.2 × 21.7 cm), Chine collé: 5 5/8 × 8 3/16 inches (14.3 × 20.8 cm), and Image: 3 11/16 × 5 11/16 inches (9.4 × 14.4 cm)

Henry Thomas Alken, 1785-1851, British, "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before', between 1831 and 1832. Graphite with red chalk and white gouache on thin, slightly textured, blued white, wove paper.

View of a Franciscan monastery on the coast before arriving at Polignano, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, h 178 mm × w 262 mm

Coral fishermen at the city of Scilla, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush

Bucking Horse. Dimensions: plate: 8.3 x 18.3 cm (3 1/4 x 7 3/16 in.) sheet: 10.1 x 20.1 cm (4 x 7 15/16 in.). Medium: etching in brown on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

El Areesh, 6:30 pm, 31 March 1867 (33), Edward Lear, 1812-1888, British, 1867, Watercolor, pen and gray ink, and graphite on medium, slightly textured, gray wove paper, Sheet: 3 1/8 x 9 inches (7.9 x 22.9 cm), camel (mammal), evening, figures (representations), landscape, palm trees, sky, smoke, tents, Africa, Arish, Wadi al, Egypt, Sinai Peninsula

The Seven Pagodas, Mamallapuram, Samuel Davis, 1757-1819, British, undated, Watercolor, pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 15 x 20 1/8in. (38.1 x 51.1cm)

Luxor, 7:30 am, 20 January 1867 (199), Edward Lear, 1812-1888, British, 1867, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, brown wove paper, Sheet: 3 1/8 x 10 3/8 inches (7.9 x 26.4 cm), boats, camels (mammals), figures (representations), landscape, marine art, river, riverbank, Africa, Egypt, Luxor, Thebes, Upper Egypt

The fish-market on the shore at Scheveningen. prints, etchings, works on paper

River Ferry with Many Passengers and Animals, Paul Sandby RA, 1731-1809, British, undated, Watercolor, pen and brown ink and graphite on medium, cream, slightly textured laid paper, Sheet: 5 x 17 3/8 inches (12.7 x 44.1 cm), animals, boat, dogs (animals), ferry, genre subject, horses (animals), landscape

Rijn, Rembrandt van, Byron, Richard, The obelisk, Banpaal voor een huis aan de Spaarndammerdijk, Cottage and boundary post on the Spaarndammerdijk ('L'Obelisque'), recto lower left - handwritten in ink, print, prints, verso - stamped, R Byron, height 77 mm, width 159 mm, print maker, printmaker, 1750 - 1799, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Chateau Gaillard, From the South (Title page), John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving on steel

Three Views of the Pearl River: Canton, Macao, Whampoa. View of Macao, China. Dating: c. 1780. Place: China. Measurements: h 52 cm × w 76 cm. Museum: Rijksmuseum, Amsterdam.

Design for an Illustration to Hans Friedrich von Fleming, "Der Volkommene Teursche Jäger..." Leipzig 1719 ca. 1719 Anonymous, German, 18th century German. Design for an Illustration to Hans Friedrich von Fleming, "Der Volkommene Teursche Jäger..." Leipzig 1719 335744

MALASPINA , ALEJANDRO. MARINO ITALIANO . 1754 - 1809. EXPEDICION CIENTIFICA 1789 - 1794. AUSTRALIA . " VISTA DE LA COLONIA INGLESA DE SIDNEY " . DIBUJO A PLUMA DE FERNANDO BAMBRILLA. MUSEO AMERICA . MADRID. Author: FERNANDO BRAMBILA.

Aiguade de l' Astrolabe. au Hâvre Carteret. (Nelle. Irlande.).. Dumont d'Urville, Jules-Sébastien-César, 1790-1842. Prints. 1830 - 1835. General Research Division

Samuel Howitt, 1756-1822, British, Return From the Chase, After a Fall, undated. Watercolor, pen and black ink, and graphite on thick, moderately textured, beige, wove paper.

NezPerces. Artist: John Mix Stanley, American, 1814-1872

Josi, Christiaan, Ploos van Amstel, Cornelis, Velde, Adriaen van de, London, Northern Netherlands, River view with cattle, verso lower left - stamped, Hilly landscape with a view of a river. In the foreground a shepherd and his flock are fording the river., print, prints, height 158 mm, width 233 mm, Dutch, 1768 - 1828-11, print maker, printmaker, 1821 - 1821, paper, etching, etchings, color printing, hand coloring, Work conception, Noord-Nederlands, 1636-11-30 - 1672-01-21, after a design by, Publication (Event), Publication, 1726-01-04 - 1798-12-20, publisher, uitgever, Publicatie

Francis Swaine, 1730-1782, British, Hulks in the Medway, undated. Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper.

Robert Jacob Gordon at the kraal of the Khoisan leaders Gronjam and Doroep, with an ox being slaughtered as a peace ritual, 1779 drawing At the bead of the San leaders Gronjam and Doroep, near the Kamdanifontein (river). The leaders were also called Vredevelt and Schonveldt by Gordon; On the bottom left, Gordon has depicted itself. Cape Province paper. ink. pencil. watercolor (paint) pen / brush South Africa

Thomas Rowlandson, 1756-1827, British, Shipwrecked Sailors, undated. Watercolor, with pen and black and gray ink over graphite on medium, slightly textured, cream laid paper.

Val of Shanganagh, Killiney Written 1843 England. Watercolor and white gouache over graphite on gray wove paper . Elizabeth Murray

View of the Wetering at the Rustenburgerpad, Gerardus Condet, 1725 - 1764 print paper etching sailing-ship, sailing-boat. rowing-boat, canoe, etc.. canals, waters (in city) Rust citizenpad

Landscape with the Taj Mahal. India, Uttar Pradesh, Awadh, Lucknow, circa 1800-1825. Drawings; watercolors. Opaque watercolor on paper

A Boatload, John Crome, 1768-1821, British, undated, Watercolor, with pen, in brown ink on medium, slightly textured, cream, wove paper, Contemporary drawn border: 6 × 10 1/8 inches (15.2 × 25.7 cm) and Sheet: 4 7/8 × 9 1/16 inches (12.4 × 23 cm), baskets, boat, marine art, men, water

Netherlands, Weissenbruch, Isaac, Months of the year, Two haymakers working in the fields, verso bottom center - stamped, print, prent, prints, height 56 mm, width 85 mm, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, wood engraving

Excavated temples of Aboosimble, Abu Simbel, rock temples of King (Pharaoh) Ramses II from the 19th Dynasty of the ancient Egyptian New Kingdom, built in the 13th century BC, Egypt, around 1850, historical, digitally restored reproduction from a 19th century original, exact date of recording unknown, Excavated temples of Aboosimble, rock temples of King (Pharaoh) Ramses II from the 19th Dynasty of the ancient Egyptian New Kingdom, built in the 13th century BC, Egypt, around 1850, historical, digitally restored reproduction from a 19th century original, exact date of recording unknown .

Abydos, 1:00 pm, 12 January 1867 (134). Date/Period: 1867. Drawing. Watercolor with pen in gray and black ink over graphite on thick, slightly textured, cream wove paper. Height: 156 mm (6.14 in); Width: 305 mm (12 in). Author: Edward Lear.

Sailboat near Rocks, James Miller, active 1773-1814, undated, Gray wash and graphite on medium, slightly textured, blued white laid paper, Sheet: 6 3/8 × 7 13/16 inches (16.2 × 19.8 cm) and Image: 4 7/8 × 6 5/8 inches (12.4 × 16.8 cm), cliffs, lighthouse, marine art, men, portrait, rocks (landforms), sailboat, sea, sketch

Corbeaux Town, Port of Spain, Michel Jean Cazabon, 1814-1888, Trinidadian, active in France ca. 1839-1847, 1857, Pen and black ink, gray ink, gray wash, black wash, graphite and gouache on moderately thick, slightly textured, beige, wove paper, Sheet: 7 × 10 1/16 inches (17.8 × 25.6 cm), barrels, beach, boats, buildings, figures, landscape, marine art, palm trees, port, Port of Spain, Trinidad

Panorama met Messina bij het naderen van Scilla. Vue éloignée de Messine en revenant de Scilla (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 181 mm × w 525 mm. Museum: Rijksmuseum, Amsterdam.

Thomas Rowlandson, 1756-1827, British, The Vicar of Wakefield: The Welcome, ca. 1817. Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, blued white wove paper.

View of Calcutta and its Environs: Town and Port of Calcutta, Sir Charles D'Oyly, 1781-1845, British, active in India, 1812, Watercolor, graphite, white gouache, gray wash, and charcoal on moderately thick, slightly textured, gray/green, wove paper, Mount: 11 9/16 × 16 7/16 inches (29.4 × 41.8 cm) and Sheet: 10 5/16 × 15 1/16 inches (26.2 × 38.3 cm), architectural subject

Mobile Garden Piquet , Am Linienwall in Vienna in October , From the series, Memorial blade , to the October = events in Vienna , Bachmann-Hohmann, Lithographer, Ludwig Christian Förster -, Printer, Gustav Veith, publisher

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

View Belvedere from the side of Azienek; Richter, Joseph (1780-1837); around 1822 (1822-00-00-1825-00-00);Belvedere (Warsaw), Ministry of Culture and National Heritage (1944-), Szuster, Franciszek Karol (1811-1901), Szuster, Franciszek Karol (1811-1901)- collections, Warsaw (Masovian Voivodeship), architecture, garden architecture, classicism (style), neoclassicism (style), parks (gardens), park landscapes, Poland (culture), Polish drawings, genre scenes, walks, park ponds, walking outfits, costumes from the 1920s, the 1920s, poplars (bot.), military, purchase (provenance), Królewskie Łazienki (Warsaw)

Joseph Farington, (landscape), 1747-1821, British, Shakespearean Scene (): A Pilgrim, 1796. Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper.

Thomas Rowlandson, 1756-1827, British, The Ivory Coast, West Africa, between 1810 and 1815. Watercolor, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper.

Wangchuan Villa. Artist: Wang Yuanqi (Chinese, 1642-1715). Culture: China. Dimensions: Image: 14 in. x 17 ft. 10 3/4 in. (35.6 x 545.5 cm)Overall with mounting: 14 3/8 in. x 34 ft. 7 1/2 in. (36.5 x 1055.4 cm). Date: dated 1711.The elegant Wangchuan Villa situated in the picturesque hills on the outskirts of the Tang dynasty (618-907) capital, Chang'an (modern Xi'an), is one of the most famous gardens of ancient China. The rambling estate with spectacular scenery was the retreat of the poet, musician, and landscape painter Wang Wei (699-759). Almost one thousand years later, Wang Yuanqi used a rubbing of a Wangchuan composition etched into stone in 1617 for the general outlines of his painting and referred to Wang Wei's poems to guide his inspiration. In a colophon appended to the painting, Wang Yuanqi expresses satisfaction that he has captured some of Wang Wei's idea of "painting in poetry and poetry in painting."Tutored in painting by his grandfather Wang Shimin (1592-1680), Wang

View of the Dutch East India Companys cattle-post Groenkloof, c. 1778 - 1779 drawing Cape Province paper. ink. pencil. watercolor (paint) pen / brush

Etching by Simon Fokke from 1725-1784 depicting winter landscapes in Haarlem and Ouderkerk aan de Amstel with frozen rivers and architectural elements.

(Sheikh Abu Fodde) Om el Koussour. Date/Period: 1867. Landscape. Watercolor with pen in brown ink, over graphite on medium, slightly textured, cream wove paper. Height: 73 mm (2.87 in); Width: 178 mm (7 in). Author: Edward Lear.

Hablot Knight Browne, 1815-1882, British, The Sporting Parson: "He Sheweth Them the Way They Should Go", undated. Black chalk, watercolor and gouache on moderately thick, moderately textured, gray-brown wove paper.

Thomas Rowlandson, 1756-1827, British, A Pier at Amsterdam, 1792. Watercolor, pen and gray ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper.

The French Army crossing the Daugava River on July 24, 1812 by Adam, Albrecht (1786-1862)/ State Tretyakov Gallery, Moscow/ Mid 1820s/ Germany/ Pen, brush, watercolour, ink and white colour on paper/ Classicism/ 12,2x21,4/ Genre,History

Celebration of the Fourth of June at Eton. C. O. Lewis (English, 19th century); after William Evans (English, 1798-1877). Date: 1837. Dimensions: . Hand-color aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Fort Clark Illustration in Wied-Neuwied Karl Bodmer (1809-1893 Swiss) The Huntington - San Marino, California

Posterunek wojskowy pod Sobraon. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Attributed to William Collins, 1788-1847, British, Landscape with Cart, undated. Watercolor and graphite on medium, moderately textured, cream wove paper.

London, Ackermann & Co., Pollard, James, Harris, John (printmaker), Scenes on the road, or a trip to Epsom and back; Kennington Gate, print, prints, print maker, printmaker, paper, aquatint, with the hand colours, Work conception, English, 1797 - 1867, after a design by, Publication (Event), Publication, British, publisher

Hubert Robert landscape showing a ruin with a fountain, shepherds tending a herd of goats, and a lying ox, executed with black feder, brush, and watercolor.

Greenwich, Thomas Rowlandson, 1756-1827, British, 1795 to 1800, Watercolor with pen in brown ink over graphite on medium, slightly textured, blued white, laid paper, Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm), baskets, boats, children, cityscape, dock, flags, houses, ladder, men, people, signs, steps, village, windows, women, England, Europe, Greenwich, London, United Kingdom

A 1763 drawing by Christian Wilhelm Ernst Dietrich depicting farmers dancing on Felsweg, using lead handle, spring, and brush in reddish brown.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Drawing by Albert Flamen depicting a folk festival with numerous tents in a flat landscape, executed in brown pen with minor water damage and white highlights.

Paris, Villain, Jean-François, Sèvres, Bacler d'Albe, Louis Albert, Promenades pittoresques et lithographiques dans Paris et ses environs, Picturesque views of Paris and its surroundings, Les Roches de Montalet, Two figures on a rock in the Domaine des Montalais, print, engraving, prints, height 427 mm, width 274 mm, 1761 - 1848, print maker, printmaker, 1822 - 1824, paper, papier, lithografie (techniek), Frans, 1790, printer, drukker

Sketchbook William Trost Richards (American, 1833-1905). Sketchbook, 1867. Bound sketchbook with drawings in graphite on beige, moderately thick, smooth textured wove paper, Closed: 3 5/8 x 5 1/4 in. (9.2 x 13.3 cm). Richards was a prolific artist who, as a leading member of the American Pre-Raphaelites, embraced the Ruskinian principle of truth to nature. Sketching outdoors played a significant role in his quest for accuracy of representation. Throughout his long career and extensive travels, he seems to have always carried a sketchbook with him, filling the pages with drawings of the places he encountered. The Brooklyn Museum owns more than twenty-five of Richardss sketchbooks, including the ones on view here. Serving as pictorial diaries of his journeys, they also demonstrate the variety of his working methods, ranging from quickly rendered outlines to carefully modulated tonal compositions to finished color studies. American Art 1867

Painting depicting a crowd celebrating the Supreme Being on 20 Prairial Year II. The French Republican calendar was used for about 12 years beginning in 1793 and was intended to remove all religious and royalist references to dating.

Landscape with a man playing a pipe under an old tree, style of Paul Sandby RA, 1731-1809, British, undated, Watercolor, gouache, pen and black ink, graphite, black chalk on medium, slightly textured, cream wove paper, Sheet: 14 3/4 x 10 3/8 inches (37.5 x 26.4 cm), dog (animal), flute, landscape, man, musician, old, river, tree, women

David Welle, View of the New Work from the Stadsherberg, Rotterdam, painting footage wood oil panel, Oil on panel topography Rotterdam Maas New Work

Defence of Sevastopol by William Simpson, Lithograph, Watercolour, 1855, 1832-1898, Ukraine, Sevastopol, State Museum of the Defence of Sevastopol 1854-1855

Greytown, Godfrey Thomas Vigne, 1801-1863, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/8 × 14 3/4 inches (13.7 × 37.5 cm), cows, genre subject, landscape, leisure, marine art, men, sailboats, ships, trees, Central America, Greytown, Nicaragua

William Westall, 1781-1850, British, Park Place, Henley on Thames, undated. Watercolor and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, smooth, beige wove paper.

Farmers in Plat Land, Charles-François Daubigny, 1865 drawing Design for a print. paper brush farm or solitary house in landscape

Landscape at Cibodas with bridge and pavilion, West-Java, Adrianus Johannes Bik, c. 1816 - c. 1846 drawing West-Java paper. ink. chalk brush / pen

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Et Puer qui solebat Balistam Observare, George Frederick Koehler, active 1780-1800, British, 1787, Etching with watercolor

Liber Studiorum: Inverary Pier, Lock Fyne, Morning. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;

The interior of the Redan taken from its left face, looking towards the salient angle, looking south / / W. Simpson del. ; E. Walker lith. ; Day & Son, Lithrs. to the Queen.; Day & Son.; Simpson, William, 1823-1899 , artist; Pall Mall London, England : Published by Paul & Dominic Colnaghi & Co., 1855 Octr. 8th.; 1 print : lithograph, tinted with hand-coloring ; 38.4 x 57.2 (sheet); Interior view of the of the Redan showing battery during the occupation by British forces after the Russians aban

Etched by Joseph Mallord William Turner, 1775-1851, British, Windmill and Lock, 1811. Etching and mezzotint, printed in brown ink Engraver's proof (a) on medium, slightly textured, cream wove paper.

Lt. Gen. Charles Emilius Gold, 1803-1871, View near Auckland: Three Maoris and a Dog, 1860. Watercolor, gouache and graphite on moderatly thick, slighlty textured, cream wove paper.

Laden canal boat covered with tarpaulin. Rope leading to horse is on left. From 'A Treatise on the Improvement of Canal Navigation' by Robert Fulton (London, 1796). Robert Fulton (1765-1815) American engineer. Engraving. Transport.

Ingested the festivate's festive stones of these all of the nearer slumpes. In view of the chteau the liengestingly that you chteau nouveau.

New YorkStreet Scene, 1859-1868, graphite and wash on blue-gray laid paper, sheet: 43.18 × 53.02 cm (17 × 20 7/8 in.), Emanuel Gottlieb Leutze (artist) American, born Germany, 1816 - 1868

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), GARA DELLE Stagioni, Carrousel represented in Modena. Twelfth number of a suite of 14 pieces. (A. de Vesme 62; Dutuit 185) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

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