Rustic Village Scenes

Charming depictions of rural life with thatched cottages, figures interacting, and lush landscapes. The mood is serene and nostalgic, featuring etchings in muted tones.

The Hague, Smits, Jan Gerard, Village view, verso bottom center - stamped, On a country road to a village with a farm on the left and a church on the right, two women are talking. In the foreground lie some tree trunks., print, prints, height 86 mm, width 143 mm, Dutch, 1823-02-14 - 1910-09-08, print maker, printmaker, 1872 - 1872, paper, papier, etching, etchings

Boerenhoeve with two figures.

Print made by John Crome, 1768-1821, British, Back of the New Mills, Norwich, 1812. Etching on moderately thick, slightly textured, beige wove paper.

The Hague, Smits, Jan Gerard, Village view, verso bottom center - stamped, On a country road to a village with a farm on the left and a church on the right, two women are talking. In the foreground lie some tree trunks., print, prints, height 86 mm, width 143 mm, Dutch, 1823-02-14 - 1910-09-08, print maker, printmaker, 1872 - 1872, paper, papier, etching, etchings

Village Road from Regiunculae et Villae Aliquot Ducatus Brabantiae. Artist: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam); After The Master of the Small Landscapes (Netherlandish, 16th century). Dimensions: Plate: 4 1/8 x 6 5/16 in. (10.5 x 16 cm)Sheet: 5 1/16 x 7 1/4 in. (12.9 x 18.4 cm). Publisher: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Date: ca. 1610. Museum: Metropolitan Museum of Art, New York, USA.

Northern Netherlands, Heenck, Jabes, Figures at a farmstead, verso lower left - stamped, print, prints, width 214 mm, height, 253 mm, 1752-10-27 - 1782-11-01, print maker, printmaker, 1780 - 1780, paper, papier, etching, etchings

Claes Jansz Visscher after Johannes van Doetechum, the Elder after Lucas van Doetechum after Master of the Small Landscapes (Dutch, 1586-1587 - 1652), Village Road, published 1612, etching

Landscape with a farmhouse and a hay barn on the right. In front of the farmhouse a group of two women and two men, one of whom is cutting open a pig. Trees near the farmhouse and hay barn and the background are cut out. To the left on a path a walking man. Before the sky. Twelfth print from a series of thirteen with months, Landscape with farm and hay barn November The twelve months (series title) The coloured Drawings of the 12 Months (...) (series title), print maker: Johannes Janson, Johannes Janson, Leiden, 1783, paper, etching, h 146 mm × w 171 mm

Landscape with farm and roof of Ganymedes, Anonymous, After Boëtius Adamsz. Bolswert, After Abraham Bloemaert, 1612 - 1664 print paper etching the rape of Ganymede: he is carried off through the air by Jupiter in the form of an eagle, or by the eagle of Jupiter. farm or solitary house in landscape

Exchanged Farm, Frederick Bloemaert, After Abraham Bloemaert, After 1647 print A man drags wood away for a dilapidated farm. Two men watch on the roadside along the road. This print is part of a separate group of eleven prints, of which only the numbers 1-6 (later) Are numbered. paper engraving landscapes. ruin of a dwelling, house, castle, etc.

Landscape with farm and Hooischuur, Johannes Janson, 1783 print Landscape with a farm on the right, with smoke from chimney, and a hay. In front of the farm a group of two women and two men, one of whom cuts a pig open. Left on a path a walking man. In the background a hay and church tower. More edited than the previous state. Twelfth print from a series of thirteen with months. Leiden paper etching landscape symbolizing November. hay-stack

Print made by John Sell Cotman, 1782-1842, British, Lakenham, near Norwich, ca. 1808. Soft-ground etching on moderately thick, moderately textured, beige wove paper.

Soldiers at a tower in a river landscape, Jan van de Velde (II), 1639 - 1641 print Soldiers at a tower in a river landscape. In the foreground a cart pulled by two horses. A cannon at the tower. Second print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper. ink etching / brush / pen landscape with tower or castle. (farm) wagon, freight wagon, cart. the soldier; the soldier's life. river

Landscape with farmhouse Landscapes (series title), print maker: Carel Frederik Bendorp (I), (mentioned on object), Carel Frederik Bendorp (I), (mentioned on object), publisher: Carel Frederik Bendorp (I), Rotterdam, 1769, paper, etching, h 94 mm × w 136 mm

Embroidered picture, Medium: silk embroidery on silk foundation Technique: embroidered in stem and satin stitches on plain weave foundation, Rural scene of a cottage in a landscape, with figures of two adults and one child. The embroidery completely covers the foundation fabric. In shades of cream and brown., England, 1800, embroidery & stitching, Embroidered picture

A boy holding a hoop stands near a farmhouse. A woman looks out through the door. On a clothesline hangs laundry to dry. Below the print a dedication in French, Boy with hoop near a farm., print maker: Hendrik Marcus Schouten, M.F. de Mari, (mentioned on object), Hendrik Marcus Schouten, (mentioned on object), 1815, paper, etching, h 97 mm × w 139 mm

. Night landscape with moonshine and right a farm and hay man. On the left a frozen lake with skaters. In the background a church tower and a mill. Presentation works more than previous condition.

Farm and man and barking dog, Claes Jansz. Visscher (II), After Abraham Bloemaert, After Boëtius Adamsz. Bolswert, 1620 print View of a landscape with a farm. In the foreground, a dog barks to a man. Amsterdam paper etching farm (building). (farm) wagon, freight wagon, cart. farm or solitary house in landscape. watch-dog, dog watching

Gaal, Pieter, Netherlands, Jacobus Cornelis, Country road near a farm, verso - stamped, print, prints, height 97 mm, width 128 mm, 1796 - 1866-12-20, print maker, printmaker, 1854 - 1854, paper, papier, etching, etchings, Noord-Nederlands, 1769-07-19 - 1819-01-18, intermediary draughtsman

The ThreeCottages. Artist: Allaert van Everdingen, Dutch, 1621-1675

Entering a Village, from Revue Fantaisiste. Rodolphe Bresdin; French, 1825-1885. Date: 1861. Dimensions: 148 × 100 mm (image); 208 × 135 mm (plate); 225 × 158 mm (sheet). Etching on cream China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with a Farmhouse, from Four Small Landscapes 1597-1600 Netherlands. Chiaroscuro woodcut in black, ochre, and green, on ivory laid paper . Hendrick Goltzius

Allart van Everdingen, Pilgrim with a Dog, probably c 1645 1656 Pilgrim with a Dog

Fisherman for a house in a landscape, Sauveur Legros, 1796 print paper etching fisherman. cottage

View of a group of farms and an inn with a swan on the gable. Horsemen in the foreground, Inn with a swan Small landscapes (series title), print maker: Johannes of Lucas van Doetechum, intermediary draughtsman: Meester van de Kleine Landschappen, publisher: Joannes Galle, Antwerp, 1559 - 1561 and/or 1610 - before 20-Dec-1676, paper, etching, h 134 mm × w 196 mm

Wit, Isaac de, inventor: J. Cats, September; fruit delivery, (1000 - 2000), copper engraving, graphic, 20.3 cm x 23.5 cm

Small tile near the military school. (registered title)

. Night landscape with moonshine and right a farm and hay man. On the left a frozen lake with skaters. In the background a church tower and a mill. Presentation works more than previous condition.

Alphonse Legros, Ex Libris Edwin Edwards Ex-Libris Edwin Edwards

Landscape with farm and Hooischuur, Johannes Janson, 1783 print Landscape with a farm and a hay. In front of the farm a group of two women and two men, one of whom cuts a pig open. Trees at the farm and Hooischuur have been adjusted compared to the previous states. Left on a path a walking man. In the background a hay and church tower. Before the air. Twelfth print from a series of thirteen with months. Leiden paper etching landscape symbolizing November. hay-stack

Woman Carrying a Bucket. Artist: After François Boucher (French, Paris 1703-1770 Paris); William Wynne Ryland (British, baptized London 1732-1783 London). Dimensions: sheet: 12 7/8 x 15 3/8 in. (32.7 x 39 cm). Museum: Metropolitan Museum of Art, New York, USA.

Cornelis Ploos van Amstel after Herman Saftleven, Shipyard, 1761 Shipyard

Figures on a country road near a church ruins, Jan van de Velde (II), 1616 print Figures on a country road near a church ruins in a landscape. Second print of part two of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching landscape with ruins. ruin of church, monastery, etc.. road, path

Boy with hoop at a farm, print maker: Hendrik Marcus Schouten, A.W.H. de Mari, 1815

Village Road, plate three after Pictures of Farms, Country Houses and Rustic Villages (Praediorum villarum et rusticarum casularum icones). Claes Jansz. Visscher (Dutch, 1587-1652); after Unknown Flemish Artist, misidentified as Pieter Bruegel, the elder (Flemish, 1525/30-1569). Date: 1612. Dimensions: 100 x 154 mm (image); 102 x 156 mm (plate); 116 x 171 mm (sheet). Etching in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Claes Jansz. Visscher, II.

Two Valkeniers in a tower used as an inn, Jan van de Velde (II), 1639 - 1641 print Two falconers in a tower, used as an inn, in a river landscape. Fifth print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper. ink etching / pen / brush river. landscape with tower or castle. hotel, hostelry, inn. sports, games ~ animals (+ hunting with falcon, hawk; falconry)

Figures at a farm in the rain: March, Jan van de Velde (II), 1608 - 1618 print A landscape with figures on a country road in front of a farm with a haystack in heavy rainfall representing the month of March. At the bottom of the astrological symbol of the constellation Ram. Print from a series of twelve. Northern Netherlands paper etching / engraving landscape symbolizing March. Aries (zodical sign of March). farm (building). (farm) wagon, freight wagon, cart. rain

Landweg with two figures, Andries Cornelis Krijeer, 1797 - 1835 print On a country road a figure with a hat stands on and a bag on his back. A man is sitting on a couch in front of the house on the Landweg. In the background the contours of a church and a mill. Amsterdam paper etching landscapes. windmill. church (exterior)

Winter landscape with farm, Simon Poelenburg, after Jan van de Velde (II), 1602 - 1649 print On the ice of a speed for a thatched farm, a wealthy man and woman watch how a man binds his skates. There is a farmer on a rowing boat. Three pigeon sill are attached to the wall of the farm. A large well for the farm. Amsterdam paper etching skates (winter sports). rural housing, e.g. country-house, villa, cottage. dove-cote. well

Variae campestrum fantasiae. A stone bridge., 1620-1655, by Herman van Swanevelt. Gift of Bishop Monrad, 1869.

Winter landscape with skaters, Anthonie van den Bos, 1778 - 1838.

The House with the Stepped Gable, from Verscheyden Landtschapjes (Various Little Landscapes), Plate 7 ca. 1616 Willem Pietersz. Buytewech. The House with the Stepped Gable, from Verscheyden Landtschapjes (Various Little Landscapes), Plate 7. Willem Pietersz. Buytewech (Dutch, Rotterdam, 1591/92-1624). ca. 1616. Etching; Begemann's second state of three. Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Prints

The Ninepin Players 1846 France. Etching on buff chine . Charles Émile Jacque

Country road to a farm, left two seated farmers, draughtsman: Georges Michel, 1773 - 1843, paper, h 80 mm × w 105 mm

Repair work on the broken leakdijk at Vianen. The broken leakdijk in 1624. Men with branch bosses on their back walking through the dry riverbed of the leak. Boats are drained. The Lekdijk is restored with branches. In the distance the tower of the church of the village of Vianen and the Dom tower of Utrecht.

Winter landscape withskaters. Engraver: Andries Jacobsz. Stock, Dutch, ca. 1580-after 1648 After: Jacques de Gheyn II, Dutch, 1565-1629

Boerenhuizen aan het water. Bladen afkomstig uit Schetsboek van 165-1651 (series title). Draughtsman: Jan van Goyen. Dating: 1650 - 1651. Measurements: h 98 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

Joseph Mallord William Turner, Water Mill, February 1, 1812, Etching and mezzotint printed in brown inks.

Peter Haas (1756-1904), Amor at Mylon's cabin, (1781)

Adriaen van Ostade, The Spinner, 1652 The Spinner

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Herberg in Anrath, Cornelis Ploos van Amstel, after Lambert Doomer, after Gerbrand van den Eeckhout, 1759 - 1821 print Inn 'Zur Blauen Hand Am Kirchhof' in Anrath. In the doorway a woman with child on her arm. Next to the inn a large tree and some figures underneath. On the left a pig. The print is loose in an album, see page 47. Amsterdam paper etching village. trees. pig

Dorp Bij Nacht, Matthäus Merian (I), after Adam Elsheimer, 1603 - 1645 print paper etching night. village

Three farmers for farm, Pieter Janson, 1780 - 1851 print A standing and two sitting farmers in front of a farm. Smoke comes out of the chimney. paper etching / brush farm or solitary house in landscape (+ city(-scape) with figures, staffage)

Landscape with Farmhouse. Artist: After Abraham Bloemaert (Netherlandish, Gorinchem 1566-1651 Utrecht); Boetius Adams Bolswert (Netherlandish, Bolsward ca. 1580-1633 Brussels). Dimensions: sheet: 6 1/16 x 9 5/8 in. (15.4 x 24.4 cm). Date: 1613. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with village, Johannes Gronsveld, after Adriaen Hendriksz. Verboom, 1679 - 1728 print Landscape with village through which a river flows. Between two houses a bridge with two figures. On the right a country road with wife and child and a sitting woman who carries a basket on her back. Second print from a series of six with landscapes. Amsterdam paper etching / engraving landscapes (+ landscape with figures, staffage)

Published in la Revue Fantaisiste, Vol. II, 15 mai 1861: Entrance to a Village, 1861. Rodolphe Bresdin (French, 1822-1885), Auguste Deltre. Etching; sheet: 14.7 x 10 cm (5 13/16 x 3 15/16 in.).

Grafdelvers for a church, Jan van de Cappelle (attributed to), after Jan van Goyen, 1640 - 1679 print For a village church, a number of men in the cemetery are digging a grave. A river runs next to the church. A man stands on a low bridge and pushes a barge under the bridge with a stick. Netherlands paper etching grave digger

Goyen, Jan van, Netherlands, Cappelle, Jan van de, Landscape with wooden bridge, verso - stamped, A wooden bridge over a canal near a village. Two people are standing on the bridge. In the water is a boat with two fishermen. A man carrying two buckets walks along the bank., print, prent, prints, height 135 mm, width 173 mm, Noord-Nederlands, 1624 - 1679-12-22, print maker, printmaker, 1640 - 1679, paper, papier, etching, etchings, Nederlands, 1596-01-13 - 1656-04-27, Work conception

The Barn, 1647. Adriaen van Ostade (Dutch, 1610-1684). Etching;

Man with bag and walking stick at Ruin, Jacques Callot, 1621 print On the right in the foreground is a man with a bag around the shoulder, leaning on a stick. In the background a tower and a ruin for which pigs roam. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Nancy paper etching walking-stick, staff, cane (+ men's clothes). bag (+ men's clothes). ruin of a dwelling, house, castle, etc.. ruin of a building ~ architecture. pig. piglet, suckling pig

Landscape With Two Mills 17th century School of Rembrandt (Rembrandt van Rijn) Dutch. Landscape With Two Mills 347944

Farmer's wife, Anthonij van der Haer, after Jan Baptist Weenix, after Jan Weenix, c. 1745 - 1785 print Northern Netherlands paper etching farm or solitary house in landscape (+ city(-scape) with figures, staffage)

Netherlands, Everdingen, Allaert van, Rowing boat on the bank of a river, View of the bank of a river with two people sitting next to a rowing boat. In the background three people by a wooden house and a dilapidated barn., print, prints, height 100 mm, width 135 mm, Noord-Nederlands, 1621-06-18 - 1675-11-08, print maker, printmaker, 1631 - 1675, paper, papier, etching, etsen

Cottage near the Entrance to a Wood 1644 Rembrandt (Rembrandt van Rijn) Dutch For a painter whose primary concern was the human figure, Rembrandt drew and etched a remarkably large number of landscapes. This view of a cottage near the edge of a wood, although characteristic in subject matter, is exceptional among his landscapes for its fluidity of line, profusion of wash, and large scale. This is the artist's largest landscape drawing, and one in which the cottage architecture somewhat overwhelms nature. Although the number of drawings firmly attributed to Rembrandt has diminished in recent years, following more rigorous and systematic evaluations of his drawn oeuvre, this impressive sheet has stood its ground. The drawing is signed and dated 1644 in the same pen and ink used to lightly sketch in the main elements.The painter and topographical draftsman Lambert Doomer (1624-1700) copied this drawing on several occasions. We may surmise that he owned Rembrandt's original, for it was pro

Kaufmann, P., Les Misérables - Cosette à la Fontaine. Ink and feather on thick paper. Houses of Victor Hugo Paris - Guernsey.

Ploos van Amstel, Cornelis, Saftleven, Herman, Amsterdam, Print, Schuitenmakerswerf, verso - stamped, A shipyard with some figures, a house and a barn., print, prints, height 92 mm, width 65 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1761 - 1761, paper, paper drawing, etching, etchings, crayon method, transfer, color printing, Dutch, 1609 - 1685-01-05, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Shed with Cottage, from The Small Landscapes. Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); After The Master of the Small Landscapes (Netherlandish, 16th century). Dimensions: sheet: 5 3/16 x 7 3/8 in. (13.2 x 18.8 cm). Former Attribution: Formerly attributed to Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1559-61. Museum: Metropolitan Museum of Art, New York, USA.

A Woman Standing by a Seated Man Thomas Wijck Dutch. A Woman Standing by a Seated Man 398880

Adriaen van Ostade, Interior of a Barn, 1647 Interior of a Barn

Orindo Rancho. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 4 3/4 × 6 5/8 in. (12 × 16.8 cm)Plate: 4 × 5 11/16 in. (10.2 × 14.4 cm). Date: 1920. Museum: Metropolitan Museum of Art, New York, USA.

Adriaen van Ostade, Interior of a Barn, 1647 Interior of a Barn

Design for a print, Landscape with two figures in a boat in front of a farm., draughtsman: Hendrik Jozef Franciscus van der Poorten, 1799 - 1874, paper, h 47 mm × w 70 mm

Flemish landscape with two men and a dog for a farm, Pierre Louis Surugue, after David Teniers (II), 1750 print On the right in the foreground a farm with two men and a dog in front, a shepherd with his herd of sheep on the left on a hill. print maker: Parispublisher: ParisFrance paper etching / engraving farm or solitary house in landscape. landscapes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Lost son as a pork keeper, Jan Saenredam, after Abraham Bloemaert, 1618 print In the front, a man sends the lost son away. The cow next to the man is milked by a woman. On the right a farm with working men and women. Various animals can be seen in the yard. At the back left is the lost son among a few pigs with a trough. Under the show a ten -line, Latin text. print maker: Northern Netherlandsafter design by: UtrechtHaarlempublisher: Amsterdam paper engraving the prodigal son tends the swine and eats from their trough

Rural landscape with a pond with a trap - cane basket, on the left, two walking figures (); A farm and rows of buildings on both sides of the sandy road. Bruegel, Pieter, I (ca 1525-1569), draughtsman, cartoonist, Mistrz małych pejzaży (fl. ca 1555), draughtsman, cartoonist, Doetecum, Lucas van (-1584/1589), engraver, Doetecum, Joannes van I (1528/1532-1605), engraver, Cock, Hieronymus (ca 1510-1570), publisher

Chinoiserie Ornament ca. 1760-85 Jean Pillement. Chinoiserie Ornament. Jean Pillement (French, Lyons 1728-1808 Lyons). ca. 1760-85. Etching

Landscape with Two Figures.

Kate, Mari ten, Amsterdam, Gruyter jr., Willem, Flood at Beesd, 1855, verso - stamped, Landscape with flood at Beesd in 1855. In the background flooded farms and the church tower of Beesd are visible., print, prent, prints, prenten, height 145 mm, width 235 mm, 1817-09-04 - 1880-01-07, print maker, printmaker, 1832 - 1880, paper, papier, etching, etchings, aquatint, roulette, drypoint, dry needle, Dutch, 1831-03-04 - 1910-03-26, intermediary draughtsman

Trekkar in a hay boat outside Zwolle. Leaf 1 Recto from a sketchbook with 55 sheets.

The Bossu Violin Player (Bartsch 44) Adriaen van Ostade (1610-1685). The Bossu Violin player (Bartsch 44). Forte, in 1654. Museum of Fine Arts in the city of Paris, small palace.

The Kermess Under the Great Tree. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 5 × 9 in. (12.7 × 22.9 cm). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.

Siège des Maubeuge, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and pen and black ink with touches of brown ink and pen;

Allart van Everdingen, The Carpenter, probably c 1645 1656 The Carpenter

The Guardians of the House, or the Acrobat's Companions 1872-1882 France. Drypoint and roulette on ivory laid paper . Félix Hilaire Buhot

Rijn, Rembrandt van, Hieronymus, reading in an Italian landscape, verso middle right, print, prints, CC (with a crown above it, in a purple area), height 261 mm, width 210 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1655, third quarter 17th century, cartridge paper, etching, etchings, drypoint, dry needle, burin, plate tone, Work conception, after own design by

Pres St. Rambert(Bujey). Artist: Eugène Bléry, French, 1805-1886

Winter landscape with in the foreground a skater, seen from behind, and a squatted skater. On the left a path with a woman and a boy. In the background a church. In front of the sky, landscape with skaters., print maker: Johannes Christiaan Janson, 1778 - 1823, paper, etching, h 104 mm × w 85 mm

The Hague, Heppener, Jan, Landscape with stone bridge and castle, verso - stamped, print, prints, height 73 mm, width 108 mm, 1826 - 1898-03-01, print maker, printmaker, 1855 - 1855, paper, papier, chine collé, etching, etchings, drypoint, dry needle

Design for wallpaper painting with Dutch landscape. Draughtsman: Jurriaan Andriessen. Dating: c. 1752 - c. 1819. Measurements: h 206 mm × w 129 mm. Museum: Rijksmuseum, Amsterdam. Author: Jurriaan Andriessen.

Abraham Casting Out Hagar. Dated: 1603. Dimensions: plate: 46.5 x 36 cm (18 5/16 x 14 3/16 in.) sheet: 47 x 36 cm (18 1/2 x 14 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Abraham Bloemaert Jacob Matham.

Antwerp, Wijngaerde, Frans van den, Hoecke, Robert van den, Various camps, Setting up a tent, verso - stamped, print, prints, height 93 mm, width 136 mm, Southern Netherlands, 1622-11-30 - 1668, print maker, printmaker, 1632 - 1679, paper, papier, etching, etchings, Publication (Event), Publication, 1614-07-08 - 1679-03-17, publisher

Woman with a basket for a farmhouse on the water, Hermanus Jan Hendrik Rijkelijkhuizen, 1857 print Utrecht paper etching / drypoint farm or solitary house in landscape. trees. small canal, ditch

unknown, Abraham and the three angels, verso - stamped, The three angels visit Abraham and sit at the table that he has set for them. They promise him that he and Sarah will have a son. Abraham holds a bowl in his hands. Sarah listens in the doorway and laughs. In the distance a landscape with a river. Based on the Bible text in Gen. 18:18., print, prent, prints, prenten, height 118 mm, width 153 mm, print maker, prentmaker, 1600 - 1700, paper, papier, etching, etchings, verlener van privilege

December, Julius Goltzius, after Gillis Mostaert (I), 1596 - 1652 print Winter landscape with winter scenes. December is the slaughter month. In the foreground, a pig is smoked by a family. Part of a series of the twelve months, where every month is depicted with the human activities and its climatic characteristics that are typical of her. print maker: Antwerppublisher: Amsterdam paper engraving January and its 'labours'. conserving, preserving, e.g.: canning. salt (+ preserved foods)

Binnen place with wife who fills trog at Hok van Dier, Johannes Alexander Rudolf Best, 1807 - 1855 print paper etching faí§ade of inner court. giving water, feeding (cattle)

Genre scene two traders in front of a country house; Before the Italian inn (according to the image of Adam Pynacker (or Pijnacker; 1622 1673) from the Louvre Museum in Paris) Chataigner, Alexis (1772 1817), Gregorius, Bovinet, Edme (1767 CA 1832 or 1937), Pynacker, Adam (1620/1621 1673)

Dear ones in the garden of a monastery. Draughtsman: Gesina ter Borch. Dating: c. 1658. Place: Zwolle. Measurements: h 197 mm × w 115 mm. Museum: Rijksmuseum, Amsterdam.

The farm, Jacob de Gheyn (II), 1603, In the foreground right, a farmer milks a cow and a woman with a yoke on her shoulders talks to a young man leaning against a willow. At the edge of the field a farmhouse with a dovecote near a wooden fence., draughtsman: Jacob de Gheyn (II), 1603, paper, pen, h 195 mm × w 311 mm

The woman looking at the nacelle (Bartsch 75) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The woman looking at the nacelle (Bartsch 75). Water-strong on paper, 1645-1675.

The Prophet Elie Arriving at the House of Sareptas' Widow. Jan Saenredam (Netherlandish, 1565-1607); after Abraham Bloemaert (Dutch, 1566-1651). Date: 1604. Dimensions: 422 x 318 mm (image/plate); 441 x 321 mm (sheet). Engraving on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

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