Saintly Figures in Art

Engravings of biblical figures, particularly saints, depicted with religious symbolism, showcasing detailed line work and historical attire.

Portrait of Macedonius from a series of portraits in Historie der Kerken en ketteren van den beginne des Nieuwen Testaments tot het jaar onses Heeren 1688 by Godfried Arnold 1701, Portrait of Macedonius Macedonius Historie der Kerken en ketteren tot het jaar onses Heeren 1688 , print maker: Romeyn de Hooghe, Romeyn de Hooghe, Netherlands, 1701, paper, etching, engraving, h 270 mm × w 160 mm

St Philip, from Apostles Artist's working dates 1450-1491 Germany. Engraving on paper . Martin Schongauer

Saint Philip. Dated: c. 1490/1500. Dimensions: sheet: 18.5 x 10 cm (7 5/16 x 3 15/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master FVB.

Saint Peter, keys in right hand, book in left, facing right, from the series 'Piccoli Santi' (Small Saints). Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 3 1/4 x 1 15/16 in. (8.2 x 4.9 cm). Date: ca. 1500-1527. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Macedonius from a series of portraits in Historie der Kerken en ketteren van den beginne des Nieuwen Testaments tot het jaar onses Heeren 1688 by Godfried Arnold 1701, Portrait of Macedonius Macedonius Historie der Kerken en ketteren tot het jaar onses Heeren 1688 , print maker: Romeyn de Hooghe, Romeyn de Hooghe, Netherlands, 1701, paper, etching, engraving, h 270 mm × w 160 mm

Simons, Menno Radierer: Hooghe, Romeyn de

St Anthony 1470-1475 Germany. Engraving on ivory laid paper . Israhel van Meckenem, the younger

Portrait of Photius IcononClasta, Romeyn de Hooghe, 1701 print Portrait of photius icononclasta from a series of portraits in the history of the churches and Ketteren from the beginning of the new will until the year Onses Lords 1688 of Godfried Arnold (1701). Netherlands paper etching / engraving

Apostel Filippus met Kruis, Marco tooth, after Marcantonio Raimondi, after Rafaël, 1517 - 1527 print paper engraving the apostle Philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword

Saint Paul, Albrecht Dürer, German, 1471-1528, Engraving on laid paper, The full-length figure of the bearded Saint, standing, turned toward the right, his head facing left. He holds an open book on his left arm, his right hand pointing to a passage. A sword lies on the ground at his feet. A view of the sea in the background. The artist's monogram and date, '1514', appears lower right on the wall behind the figure., Germany, 1514, religion, Print, Print

St Philip, from the series: Christ, Paul and the Twelve Apostles, Lucas van Leyden, artist, circa 1510, Netherlands, engraving, Born in the city of Leiden, Lucas van Leyden was the first Dutch engraver to achieve wide acclaim in his lifetime. He made about 200 prints, mostly engravings, but also woodcuts and a few etchings. He met Albrecht Dürer in 1521 during the German artist's year-long visit to the Netherlands, and Dürer drew Lucas's portraits and bought a set of his prints. It is likely that Lucas simultanously acquired some of Dürer's prints, as his influence is evident in van Leyden's work in the early 1520s.

Martin Schongauer (German, c. 1450-1491), Saint Thomas, c. 1480, engraving

Saint Catherine of Siena standing holding flowers and book in her right hand, a heart and crucifix in her left, from the series 'Piccoli Santi' (Small Saints). Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: 3 1/8 x 1 11/16 in. (8.0 x 4.3 cm). Date: ca. 1500-1527. Museum: Metropolitan Museum of Art, New York, USA.

Depicts Logic, personification of reasoning, from the 'S' Tarot series by Tarocchimeister, created around 1485 as a copper engraving. Shows figure, attributes, and symbolic elements.

St. Andrew. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Portrait of Geertruida of Saxony, Countess of Holland and Dirk V; Gertrudis Saxony; Graves and gravingen from Holland and Zeeland; Principles Hollandiae et Zijneiae.Geertruida van Saxen, Countess of Holland. Standing, Full. She was Raining During The Minority of Dirk V, Who is Next To Her. The Print Serves as an illustration at a book about the history of the graves of holland

Dancing Couple Stepping to the Left, from The Small Wedding Dancers. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 2 1/16 × 1 1/2 in. (5.3 × 3.8 cm). Date: 1538. Museum: Metropolitan Museum of Art, New York, USA.

A Couple Standing. Master S; Netherlandish, active 1500-1525. Date: 1500-1525. Dimensions: 44 x 25 mm (plate). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Eduard IV., King of England.

Dancing Couple Stepping to the Left, from The Small Wedding Dancers 1538 Heinrich Aldegrever German. Dancing Couple Stepping to the Left, from The Small Wedding Dancers 428731

Saint Simon 1523 Albrecht Dürer German. Saint Simon 391242

Personification of Winter (Hyems), Jacob Matham, 1588 - 1602 print Winter (Hyems) Personified by an old man leaning on a stick and a fire pot in his hand, with a landscape with figures on the ice in the background. Presentation in an ornamental oval cartouche. At the top of the signs of the zodiac belonging to the winter: fishing, Capricorn and Waterman. Haarlem paper engraving winter, 'Hyems'; 'Inverno' (Ripa) (+ with zodiacal signs of the winter season)

Saint Philip. Engraving by S. Bianchi after G. Petrini after Raphael.

Engelmund from Utrecht, Saint.

Grammar, plate 21 from Arts and Sciences 1460-1470 Italy. The deck of fifty so-called Tarocchi are not tarots in the modern, fortune-telling sense, nor were they intended as playing cards. No cut-out impressions mounted for play are known, and they lack the suits and numbers of a regular deck. Instead, these delicately engraved didactic allegories are grouped in five numbered ranks describing the workings of the spheres of man, the muses, the liberal arts, the cosmos, and the heavens in order of increasing significance, and offer a didactic sequence to educate courtly youths or possibly university students, who could have used them as flashcards or a pamphlet.. Engraving in black on cream laid paper . Master of the E-Series Tarocchi

Lucas Cranach the Elder's woodcut depicts Saint John the Evangelist, emphasizing figure, gesture, and religious symbolism.

Saint Thomas, Petrus Clouwet, After Peter Paul Rubens, 1639 - 1670 print The print shows the holy Thomas. A rocket in his left hand. A book in his right hand. The series consists of prints based on paintings by Peter Paul Rubens. paper engraving the apostle Thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones

Saint Matthias. Dated: c. 1470/1480. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem after Master E. S.

St. James the Less, 1545-1546. Hans Sebald Beham (German, 1500-1550). Engraving;

De gli habiti antichi et moderni di diuerse parti del mondo libri dve, De gli habiti antichi et moderni di diuerse parti del mondo libri dve, Vecellio, Cesare, ca. 1521-1601, 1590

Copper engraving 'Saturn' from the 'S' series by the Tarocchimeister, around 1485, depicting Saturn as a symbolic planetary figure in the tarot series.

Copper engraving by an anonymous artist depicting a small standing Madonna figure, created in the 16th century.

Clair-obscur woodcut by Antonio da Trento depicting Saint Paul in brown tones, created with three plates around 1524-1527.

Antwerp, Baltens, Peeter, Vos, Maerten de, Ditmaer, Jan, Wierix, Hieronymus, Christ and the Twelve Apostles, and St. Paul, S. Iacobvs Maior, H. James the Greater, verso under - stamped, Saint James the Greater stands between two columns in an architectural frame. In one hand he holds an open book, in the other his pilgrim's staff. In the background a view of a hilly landscape. In the frame at the bottom a two-line caption in Latin., print, prent, prints, prenten, height 331 mm, width 237 mm, Zuid-Nederlands, 1553 - 1619-11-01, print maker, prentmaker, 1578 - 1578, paper, papier, engraving, engraving (printing process), 1538 - 1603, Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1528 - 1584, publisher

H. Bartolomeüs, Anonymous, After Hieronymus Wierix, After Jan Ditmaer, After Maerten de Vos, 1580 - 1613 print The Holy Bartolomeus is between two columns in an architectural frame. Under his arm he holds a book, a knife in his hand. In the background you can see how he is skinned alive by soldiers. In the context at the bottom of a three -faced caption in Latin. after print by: Antwerppublisher: Cologne paper engraving the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff. column, pillar ~ architecture. Bartholomew flayed alive

Haarlem, Goltzius, Hendrick, Matham, Jacob, Prophets of the Old Testament, Jeremiah, verso lower left - stamped, The prophet Jeremiah, looking up., print, prints, height 250 mm, width 165 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1589 - 1589, paper, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01, after a design by, Publication (Event), Publication, publisher

Portrait of David Jorisz., Romeyn de Hooghe, 1701 print Portrait of David Joris from a series of 28 portraits in the second part of History of Churches and Ketteren from the beginning of the new will until the year Onses Lords 1688 from Godfried Arnold (1701). Netherlands paper etching / engraving

Johannes de Doper, Caspar Merian, after Hans Holbein (II), after Ambrosius Holbein, 1676 print paper etching / letterpress printing John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. Folly, Foolishness; 'Pazzia', 'Sciocchezza', 'Stoltitia' (Ripa)

Portrait of Charles the Bold, Duke of Burgundy. In the background a view of the coast. In the margin the name and function of the person portrayed in Latin, Portrait of Charles the Bold Dukes of Burgundy , print maker: Simon van de Passe, (mentioned on object), Northern Netherlands, 1605 - 1647, paper, engraving, h 187 mm × w 142 mm

Schönborn, Franz Georg Graf.

Copper engraving by Martin Schongauer depicting Simon, created in the last third of the 15th century.

Wszyscy Święci w MNK Piotr Wyszkowski (Kraków), Bezan, Roman (1811 1876)

Frederick I. The victorious, Elector of the Palatinate.

Passe, Crispijn van de (I), Bloemaert, Abraham, Utrecht, Simeon blessing the Christ child, verso lower left - stamped, Simeon in the temple. He has the Christ child in his arms. In the margin a two-line Bible quotation in Latin., print, prent, prints, prenten, height 278 mm, width 187 mm, 1564 - 1637, print maker, printmaker, 1574 - 1637, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, publisher

Pen drawing with gray wash by Sébastien Le Clerc depicting a Venetian patrician, mounted on paper with a pierced decorative strip, created between 1650 and 1664.

Keizer Karel de Grote; Carolus magnus; Liber Chronicarum.A king with a mate and scepter, for feet. The show is part of the sequence emperors in the Liber Chronicarum. The text identifies the man as emperor Charles the Great. The print is part of an album.

Jacob II. King of England.

Philipp Melanchthon. Lucas Cranach (German, 1515-1586). Woodcut;

H Engelmundus England, Jacob Matham, 1607 - 1611

Jeremiah. Jacob Matham (Holland, Haarlem, 1571-1631). Holland, 1589. Prints; engravings. Engraving

The Beggars: One-Eyed Woman , c. 1623. Jacques Callot (French, 1592-1635). Etching;

Power; Fortitvdo; Seven virtues and knowledge. Landscape with female personification of effect. She stands next to a column and keeps the capter of her arm.

Depicts Philip by Sebald Beham as a copper engraving print from 1545, showing the figure in detailed traditional composition.

Arithmetic, plate 25 from Arts and Sciences 1460-1470 Italy. The deck of fifty so-called Tarocchi are not tarots in the modern, fortune-telling sense, nor were they intended as playing cards. No cut-out impressions mounted for play are known, and they lack the suits and numbers of a regular deck. Instead, these delicately engraved didactic allegories are grouped in five numbered ranks describing the workings of the spheres of man, the muses, the liberal arts, the cosmos, and the heavens in order of increasing significance, and offer a didactic sequence to educate courtly youths or possibly university students, who could have used them as flashcards or a pamphlet.. Engraving in black on cream laid paper . Master of the E-Series Tarocchi

Dancing Couple, plate eight from The Large Wedding-Dancers Made 1538 Germany. Engraving in black on ivory laid paper . Heinrich Aldegrever

Robed woman standing next to a plinth, her right hand bears a palm branch, a harp rests against the plinth ca. 1620-88 Claude Mellan French. Robed woman standing next to a plinth, her right hand bears a palm branch, a harp rests against the plinth 399535

Laan, Adolf van der, Dutch costumes, Man in cape, recto - stamped, Man in a landscape, dressed according to the Dutch fashion of 1710-1720. Full-length and seen from the front. Dressed in a cape and with a hat in his hand. The print is part from a sixteen-part series of prints depicting Dutch costumes., costume print, prints, verso - stamped, height 146 mm, width 99 mm, 1690 - 1742-05-09, print maker, printmaker, 1710 - 1755, first quarter 18th century, second quarter 18th century, paper, etching, etchings, Work conception

Portrait of Duke John IV of Brabant, attributed to Frans Huys, 1546 - 1562

Anna von Bretagne.

Sebald Beham, Simon Peter, 1545 Simon Peter

Dialectic: a young woman standing in a decorated interior and touching her right index finger to her left middle finger in a counting gesture, at her feet is a toad seated on a stack of books, from the series 'The liberal arts' (Les arts liberaux) 1633-35 Gilles Rousselet French. Dialectic: a young woman standing in a decorated interior and touching her right index finger to her left middle finger in a counting gesture, at her feet is a toad seated on a stack of books, from the series 'The liberal arts' (Les arts liberaux) 399270

Sibille from cumae; Sibylla cumaea; Twelve sibilles. Sibille from Cumae, standing in a landscape. In her hand she holds a folded piece of paper. Six fresh rules in Latin under the print.

Woman from Vienna Made 1642 Bohemia. Etching on gray Asian paper . Wenceslaus Hollar

Brown ink drawing by Sébastien Le Clerc depicting an Armenian figure with gray-lavated shading, glued on a leaf with pierced decorative flower strip dated between 1650 and 1664.

The portraits of illustrious men: Joan of Arc Fran�ois Bignon (circa 1620) and Zacharie Heence (1611-1669). "The portraits of illustrious men: Joan of Arc (1412-1431)". Burin engraving. 1650.

Jacques Callot (1592-1635). "The great apostles: Saint Jacques the minor: ninth number of a series of 16 pieces" (Lieure 1305, Meaume 113). Etching. 1631. Museum of Fine Arts of the City of Paris, Petit Palais. 99592-14 Etching, engraving

Copper engraving by Meister E.S. from the second third of the 15th century depicting Matthew, showing religious iconography and detailed figure work.

Sigismund, Duke to Saxony BF von Würzburg.

Copper engraving by Marcantonio Raimondi around 1510-1520 depicting Saint Laurentius, showing him with a gridiron and palm, traditional iconography on paper.

Périandre ca. 1639-40 Jean Couvay French. Périandre 391019

Leyden, Lucas van, Italy, Schiaminossi, Raphael, Saint Bartholomew, verso - stamped, Saint Bartholomew with a knife in his hand. Two-line Latin text in the lower margin., print, prints, height 153 mm, width 104 mm, Italian, 1572 - 1622, print maker, printmaker, 1605 - 1605, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1494-06 - 1533-08

Arrie 1647 Gilles Rousselet French. Arrie 391451

A brown ink drawing with gray lavated washes by Sébastien Le Clerc depicting a girl from Metz, glued on a leaf with a pierced decorative strip, created between 1650 and 1664.

Dirt the v

Portrait of Eutyches from a series of portraits in Historie der Kerken en ketteren van den beginne des Nieuwen Testaments tot het jaar onses Heeren 1688 by Godfried Arnold 1701, Portrait of Eutyches Eutyches Historie der Kerken en ketteren tot het jaar onses Heeren 1688 , print maker: Romeyn de Hooghe, Romeyn de Hooghe, Netherlands, 1701, paper, etching, engraving, h 270 mm × w 160 mm

St. Simon Peter, 1545-1546. Hans Sebald Beham (German, 1500-1550). Engraving;

Mary, Queen of Scots mid-to late 17th century After Claude Vignon French. Mary, Queen of Scots. After Claude Vignon (French, Tours 1593-1670 Paris). mid-to late 17th century. Engraving. Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

Nobile Cetella (Franchese); Ancient habits, modern et worldwide .....

Jacques Callot, Saint Matthias, published 1631 Saint Matthias

The Merchant (from the Tarocchi, series E: Conditions of Man, #4), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving hand-colored with gold;

Lady with hat and mof, seen on the left, Jacques Callot, 1620 - 1623 Standing lady, dressed in a suit with a wide collar, a hat on the head, the hands in front of the belly in a sleeve. In the background a dancing couple and a group of spectators. This print is part of a series of 12 prints with noblemen in costumes that were worn in Lorraine in the first quarter of the 17th century; Half of the series concerns men's costumes, the other half shows ladies' costumes. Nancy paper etching clothes, costume (+ women's clothes). dress, gown (+ women's clothes). nobility and patriciate; chivalry, knighthood. head-gear: cap (+ women's clothes). muff (+ women's clothes). neck-gear: collar (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes) Lorraine

Antwerp, Cock, Hieronymus, Collaert, Hans (I), The four evangelists, Evangelist Marcus, recto lower right - stamped, The evangelist Marcus, standing in front of an antique building, behind him the lion, his attribute. Book in left hand. Top left in frame a Latin text., print, prent, prints, height 120 mm, width 76 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1530 - 1580, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, Southern Netherlands, 1518 - 1570-03-10, publisher

Karl von Bourbon.

Sibille Van Cumae, Raffaello Schiambinosso, 1606 - 1609 print The Sibille van Cumae standing with a banderole in hand. On the right a glimpse to a landscape. Title and a Latin text in the end margin. Numbered bottom left: I. Italy paper etching Cumaean sibyl. banderole

Sganarelle F�lix Henri Braquemond (1833-1914). Sganarelle. Pencils on Papait, 19th century.

Hope (Spes).

Pulcheria, Ostroman Empress, Holy.

Karl I, the big, Roman emperor.

Bliżej Kultury Strachowski, Bartłomiej (1693 1759)

Fat Beggar with Eyes Cast Down. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Taste, Anonymous, After Abraham Van Diepenbeeck, 1600 - 1676 print Personification of the Sense Taste. A woman eats fruit from the fruit basket that is on the table in front of her. print maker: Low Countriesafter design by: Southern Netherlandspublisher: Southern Netherlands paper engraving taste, tasting (one of the five senses) - AA - female human figure. fruits

Wszyscy Święci w MNK Jabłoński, Marcin (1801 1876)

Dancing Couple, plate four from The Large Wedding-Dancers. Heinrich Aldegrever; German, 1502-c.1560. Date: 1538. Dimensions: 117 x 78 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Femme de Macédoine, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 12 18th century Simon Francis Ravenet, the elder French. Femme de Macédoine, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 12 413633

Thales van Milete, Jacques de Gheyn (III), 1616 print An old man, in full, sitting by a window (which shows boats off a coast), dressed in a long cloak, a large book next to him, a wise stick in the right hand, measuring instruments in the foreground. Under the show a seven -line Latin poem. This print is part of a series of eight prints: a title print and seven numbered portraits of Greek sages. print maker: Netherlandspublisher: Delftpublisher: The Hague paper etching the seven wise men of Greece: Bias, Chilon, Cleobulus, Periander (alternatively Myson), Pittacus, Solon, Thales

Moses with the tablets of the law and a staff. Draughtsman: anonymous (possibly). Dating: 1480 - 1540. Place: Florence. Measurements: h 230 mm × w 145 mm. Museum: Rijksmuseum, Amsterdam.

Copper engraving by Meister E.S. showing a coat of arms, created in the second third of the 15th century, depicting heraldic symbols and shield design.

Karl VI., Roman-German Kaiser.

Saint Thaddeus. Dated: published 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Sigibert I, King of Franconia.

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