Saintly Portraits

Medieval and Renaissance-era portraits of saints, showcasing detailed imagery of figures with religious significance, often embellished with gold leaf.

St Ursula, 1868 Sir Edward Burne-Jones (d.1898), Cartoon for stained glass at St John the Baptist Church, Tuebrook, Liverpool, Applied Arts, 19th Century, Watercolour, Stained Glass, Frame, Cartoon, Female, Religion, Saint, Full-length, Works on Paper

Saint Philip 1384-85 Spinello Aretino (Spinello di Luca Spinelli) Italian. Saint Philip. Spinello Aretino (Spinello di Luca Spinelli) (Italian, born Arezzo 1345-52, died 1410 Arezzo). 1384-85. Tempera and gold on wood. Paintings

One of a pair of pilaster panels 1385 Florentine Spinello Aretino (1350/52-1410) painted these two panels depiciting Saints Philip and James the Greater() for an altarpiece for Monte Oliveto Maggiore near Siena. Other panels from the same polyptych survive in the Pinacoteca Nazionale, Siena; the Szépmuvészeti Múzeum, Budapest; and the Fogg Art Museum, Cambridge, Massachusetts. Another pilaster panel like the two in the Robert Lehman Collection was sold at Sotheby's in London in 1982. An inscription across the base of the altarpiece frame, recorded by Giorgio Vasari when it was still intact, memorialized the frame carver and the gilder alongside the painter: "Simone Cini Fiorentino fece l'intaglio, Gabriello Saracini la messe d'oro e Spinello di Luca d'Arezzo la dipinse l'anno 1385." The three artists received equal payments for their work. The pastiglia Solomonic columns on these two panels are not as well defined as those on 1975.1.23b, which are subtly delineated with punching. The

St Ursula, 1868 Sir Edward Burne-Jones (d.1898), Cartoon for stained glass at St John the Baptist Church, Tuebrook, Liverpool, Applied Arts, 19th Century, Watercolour, Stained Glass, Frame, Cartoon, Female, Religion, Saint, Full-length, Works on Paper

Abruzzo, Pescara, Penne, Palazzo Vescovile, Museo, Italy, 20th century, photo, photography, Europe

Saint James Minor. Dated: c. 1272. Dimensions: painted surface: 48.3 × 22.5 cm (19 × 8 7/8 in.) overall size: 49.8 x 24.2 cm (19 5/8 x 9 1/2 in.) framed: 58.7 x 33 x 6 cm (23 1/8 x 13 x 2 3/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Master of Saint Francis.

Saint Paul and a Group of Worshippers. Dated: 1333. Dimensions: painted surface: 224.8 × 77 cm (88 1/2 × 30 5/16 in.) overall: 233.53 × 88.8 × 5.3 cm (91 15/16 × 34 15/16 × 2 1/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Bernardo Daddi.

Andrea Vanni (1332-1414). Italian painter. Early Renaissance, native Siena. Saint James, 1365. Tempera on wood. National Museum of Capodimonte, Naples, Italy.

Roman sarcophagus. Detail of the central part with a relief depicting the deceased and, at the bottom, two seated figures, a poet or a philosopher holding a parchment, and a muse. Marble. 3rd century AD. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden.

Saint Agatha 1492-1505 Spain. Oil and gold on panel . Raphael Vergos

Portrait of Louis XIII 1639-1649 France. Brush and gray ink and gray wash, with touches of graphite, on paper . Philippe de Champaigne

'Icon: Chirst in Majesty'. Russia, 16th century. Dimensions: 128x82 cm. Museum: State Hermitage, St. Petersburg.

Donor woman from Esterri Aneu, second half of 12th century. Anonymous. Catalonia. Fresco transferred to canvas. From the Old Church of Sant Pere of Esterri Aneu, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

MATES, Joan (14th century-15th century). Saint Sebastian and Crucifixion. ca. 1417 - ca. 1425. Lower detail depicting Saint Sebastian. International gothic. Tempera on wood. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia. Proc: SPAIN. CATALONIA. BARCELONA. Barcelona. Pia Almoina.

San Buenaventura. Dated: 1935/1942. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.). Medium: colored pencil and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Colored woodcut fragment by an anonymous artist, created between 1475-1485, depicting the standing Madonna with detailed composition and figure.

Umbria Terni Narni S. Giovenale, Cathedral13. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Campania Caserta Casertavecchia (environs) S. Pietro ad Montes9. Hutzel, Max 1960-1990 Medieval: Architecture, frescoes Specific Location: Piedimonte di Casolla Object Notes: No information provided by Hutzel. See TCI, Campania, p. 251. General Notes: This monument is actually found in the village of Piedimonte di Casolla, but has been filed in the Hutzel collection under the city of Casertavecchia (environs). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo23. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wszyscy Święci w MNK unknown, Rohault de Fleury, Charles (1801 1875)

Luca Signorelli: Poträts von Luca Signorelli Und between Angelico, Chapel of San Brizio, Dom Von Orvieto. .

The stairs of life, 1922 drawing cardboard. chalk brush

Allegory of Bad Government, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala della Pace, west wall. Detail. Avarice of two bags clamped in a press yellow blue light blue. azure green.

"Ugolino Lorenzetti", Italian (active c. 1320-1360), Saint Catherine of Alexandria, probably c. 1335, tempera on panel

Ippocrate in the midst of plants of all kinds, miniature from the manuscript Plut 73 16 from the Laurenziana Library in Florence.

David holding Goliath s Head, part of the fresco cycle with Stories from the Life of the Virgin, by Taddeo Gaddi, Baroncelli Chapel in the Basilica di Santa Croce Basilica of the Holy Cross - famous Franciscan church in Florence, Italy David holding Goliath s Head, part of the fresco cycle with Stories from the Life of the Virgin, by Taddeo Gaddi, Baroncelli Chapel in the Basilica di Santa Croce Basilica of the Holy Cross - famous Franciscan church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20238093

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)09. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Small chest of the ivories of Saint John and Saint Pelayo. 1059. Deatil of Saint John the Baptist. Mozarabic art. Sculpture on ivory. SPAIN. CASTILE AND LEON. LeÑn. Museum of the Royal Collegiate Church of San Isidoro.

'Madonna Mourning'. Italy, Circa 1490. Dimensions: 148x51 cm. Museum: State Hermitage, St. Petersburg. Author: JACOPO DEL SELLAIO.

Interior fresco, Basilica of Santo Stefano, Sette Chiese, Seven Churches, Bologna, Emilia-Romagna region, Italy

Temperantia 1872 Edward Burne-Jones (1833-1898 British) Watercolor on paper Christie's Images

Detalles del Retablo Mayor de la Prioral de Sant Pere, 1576-1634. Museu de Reus.

Abruzzo, L'Aquila, L'Aquila, Collegiate complex (S. Bernardino), Italy, 20th century, photo, photography, Europe

04/23/2013 Madrid. Supreme Court open house Photo, Isabel Permuy ARCHDC Isabel B Permuy.

San Gregorio I el Magno (540-604), papa desde 590 al 604. Dibujo de un códice francés. Grabado de 1870.

Campania Napoli Naples S. Lorenzo Maggiore42. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Abruzzo, L'Aquila, Celano, Museum, Italy, 20th century, photo, photography, Europe

S PEDRO. Author: EL GRECO. Location: MUSEO HOSPITAL DE SANTA CRUZ. Toledo. SPAIN. APOSTLE PETER.

SAN LORENZO-TALLA EN MADERA S XVII. Location: CONVENTO DE LAS CLARISAS / MUSEO DE ARTE SACRO. MONFORTE DE LEMOS. LUGO. SPAIN.

Abruzzo, L'Aquila, Castelvecchio Subequo, S. Francesco, Italy, 20th century, photo, photography, Europe

Lazio Viterbo Viterbo S. Maria Nuova2. Hutzel, Max 1960-1990 Exterior and interior views of nave and altar in Medieval collection. In Hutzel collection are views of paintings, frescoes, architectural details, throne. Owner: S. Maria Nuova General Notes: Seventy-one catalogued views in Medieval core collection and fifty-one uncatalogued, some of which do not have matching negs. Two numerical sequences have been fused into one; see guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St. Corona. Date/Period: Ca. 1350. Alterpiece. Tempera on panel. Gold ground. Height: 1,550 mm (61.02 in); Width: 480 mm (18.89 in). Author: Master of Palazzo Venezia Madonna.

Hope Giotto di Bondone (c. 1266-1337/Florentine) Fresco Arena Chapel, Cappella degli Scrovegni, Padua

SILLERIA DEL CORO-DET. Author: JUAN DE JUNI. Location: HOSTAL / CONVENTO DE SAN MARCOS. LEON. SPAIN.

Holy Roman Emperor Otto II 955-983 and Byzantine Princess Theophanu 955-991 being crowned by Jesus Christ. Byzantine Empire, 10th century. Othon II et Theophanie, Empire de Bizance, Xe Siecle. Ivory book cover or part of diptych 337 in the Musee de Cluny. Chromolithograph by Franz Kellerhoven after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Fresco fragment from Santa Sofia. Museum: Museum of Mankind, NAPOLES, UK.

Enamel effigy of Geoffrey Plantagenet, Count of Anjou on his tomb, formerly at Le Mans Cathedral, now in the Museum of Archeology and History in Le Mans, circa 1151

Der heilige Matthäus Saint Matthew, polychrome carving, Girona art museum, Girona, Catalonia, Spain Copyright: xZoonar.com/TOLOxBALAGUERx 22282904

CASTAGNO, Andrea del (1423-1457). Dante Alighieri. ca. 1450. Portrait holding a book, from a cycle of famous personages. Fresco transferred to canvas. Renaissance art. Quattrocento. Fresco. ITALY. TUSCANY. Florence. Galleria degli Uffizi (Uffizi Gallery). Proc: ITALY. TUSCANY. FLORENCE. Legnaia. Villa Carducci.

Pedro de Sintra (-ca. 1484). Portuguese navigator serving the Infante Dom Henrique. He explored the coast of West Africa. Around 1462 his expedition reached what is now Sierra Leone, and named it. Sculpture by Alvaro de Brée (1903-1962), 1948. Detail. Maritime Museum. Lisbon, Portugal. Author: Alvaro de Brée (1903-1962). Portuguese sculptor.

FIGURA MASCULINA EN UN CASETON DE LA BOVEDA DE LA NAVE CENTRAL DEL CASTILLO DE QUSEIR AMRA - SIGLO VIII - PINTURA OMEYA. Location: CASTILLO. QUSEIR AMRA.

Tradesman's Sign: Chinese Man. Dated: c. 1939. Dimensions: overall: 55.8 x 38.5 cm (21 15/16 x 15 3/16 in.). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ingrid Selmer-Larsen.

Santa Helena. 1750 - 1900. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Saint George.

Recto: Wiets Jan Nepomucen; Verso: You Florian; Masieski, Jan (Fl. Ca 1750-1800); 1750-1790 (1750-00-00-1790-00-00);

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Femme portant des cruches d'eau. Wilhelm Hammerschmidt (German, born Prussia, died 1869)

Abraham. Artist: Lorenzo Monaco (Piero di Giovanni) (Italian, Florence () ca. 1370-1425 Florence ()). Dimensions: Overall 26 x 16 7/8 in. (66 x 42.9 cm); painted surface 22 7/8 x 16 5/8 in. (58.1 x 42.2 cm). Date: ca. 1408-10.These four Old Testament prophets are among the masterpieces of this leading late Gothic Florentine painter. Each figure holds an identifying attribute and strikes a rhetorical pose. Moses holds the tablets of the Ten Commandments; Abraham's sacrifice of Isaac prefigures that of Christ; David, holding a cither, is considered a direct ancestor of Christ; and Noah's ark prefigures the Church. These intense figures have reminded scholars of the sculpture of Donatello and Ghiberti. Were they arranged single file or superimposed in pairs; did they form an altarpiece or serve some other function We can't say. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Lemercier, Joseph-Rosé, Lavril, Kellerhoven, Franz, Miniature tirée d'un manuscript Grec du comment du Xe Siècle, Reproduction of an illuminated page with a scene from the story of David, recto - printed, print, page, reproduction, photographs, photographically illustrated books, Lavril del., Kellerhowen Lith, height 264 mm, width 226 mm, 1814 - 1872-09-23, print maker, printmaker, 1859 - 1864, paper, papier, chromolithografie, Work conception, after a design by, after a painting by, Frans, 1803-06-29 - 1887-01-01, printer, drukker

Italy, Basilicata, Melfi, XIII century fresco of Santa Margherita church crypt

SaintRomuald. Artist, attributed to: Andrea di Cione (Orcagna), Italian, ca. 1315-1368

Lazio Latina Fondi S. Pietro, Duomo. Hutzel, Max 1960-1990 Painting and sculpture from the church interior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Juan de Juanes (Vicente Juan Masip) / 'The Virgin seated'. Ca. 1555. Grey-brown wash, White lead, Pencil on yellow paper. Museum: Museo del Prado, Madrid, España.

Witz, Konrad (1400-1445). Saint Bartholomew. c. 1435. The saint supporting a knife with a hand, and a book with the other. Renaissance art. Oil on wood. SWITZERLAND. Basel. Fine Arts Museum.

Madonna del Latte, painted mural on a wall in Florence, Italy. circa 14th century. A nearby plaque bears the inscription: 'In memory of Anita Poggiali Buyet'.

Altarpiece of St. Mamante (or Mamete), by Franceschi Francesco dei, 15th Century, 1443-1468, tempera,

DET-PROFETA- PERTENECIENTE AL RETABLO DE SAN BENITO-1526-MANIERISMO ESPAÑOL. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory5. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Lysbeth van Duvenvoorde died in 1472, Anonymous, Northern Netherlands, c. 1430

Lazio Roma Rome SS. Ambrogio e Carlo al Corso3. Hutzel, Max 1960-1990 Medieval: Frescoes. Post-medieval: Architecture, architectural sculpture, sculpture, mosaics, coffers, painting, frescoes Antiquities: Archaeological fragments Object Notes: The church of the Lombard residents in Rome, dedicated to S. Ambrogio, following dedication of S. Carlo Borromeo. Ambulatory, based on Duomo in Milan, is only one left remaining in Rome today. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Deruta (Umbria - PG), Municipal Art Gallery. Perugino, Eternal Father with Saints Rocco and Romano (at the feet of the saints the view of the city of Deruta), detached fresco, datable to 1477-78

Lazio Roma Grottaferrata Museo0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Spain: A hunter with a crossbow, fresco from the Hermitage of San Baudelio de Berlanga, Soria, c. 1125

Angel Guariento di Arpo (ca.1338-ca.1378 Italian) Oil On Board Museo Civico, Padua, Italy

Miniature Relief of Hebrew Prophet Isaiah with Scroll 1200-1225 German Originally these five panels may have been mounted as frame elements for a devotional image or reliquary container.. Miniature Relief of Hebrew Prophet Isaiah with Scroll. German. 1200-1225. Wood, polychromy, gilding. Made in Saxony, Germany. Sculpture-Miniature-Wood

Galleria with the cycle of frescoes by G. B. Tiepolo, Palazzo Patriarcale, Dioezesan Museum with the Tiepolo Galleries, 16th century, Udine, most important historical city in Friuli, Italy, Udine, Friuli, Italy, Europe

Fresco depicting Christ's face, Rupestrian Village of Casalrotto archaeological site, Mottola, Apulia, Italy.

Saints Augustine and Peter. Paolo Veneziano and workshop; Italian, active 1333-1458/62. Date: 1345-1355. Dimensions: 77.4 × 49.5 cm (30 1/2 × 19 1/2 in.). Tempera on panel. Origin: Venice. Museum: The Chicago Art Institute, USA. Author: Workshop of Paolo Veneziano.

retrato del cardenal Juan Martínez Silíceo, siglo XVII , sala rectoral, Real Colegio de Doncellas Nobles, Toledo, Castilla-La Mancha, Spain.

Altarpiece of St. Mamante (or Mamete), by Franceschi Francesco dei, 15th Century, 1443-1468, tempera,

SAN MARCOS - ALTORRELIEVE POLICROMADO - S XVII - BARROCO ESPAÑOL. Author: GREGORIO FERNANDEZ. Location: MONASTERIO DE LAS HUELGAS REALES. Valladolid. SPAIN. SAN MARCO EVANGELISTA.

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Tondo with St Mark Evangelist lion writing-desk book pen dress: garment halo: aureole geometric decoration volutes sheet red green white black brown hues: shades brown yellow.

Design for a window in the Amsterdams Lyceum. Draughtsman: Richard Roland Holst (mentioned on object). Dating: 1922. Measurements: h 1290 mm × w 530 mm. Museum: Rijksmuseum, Amsterdam.

ESTATUTO DE SAN BENITO DE TULEBRAS. Location: DIPUTACION FORAL-BIBLIOTECA. Pamplona. NAVARRA. SPAIN.

Lazio Roma Rome Stimmate di San Francesco05. Hutzel, Max 1960-1990 Baroque church built over an early Roman church; crypt of church still in existence. Views of sculpture, stucco, painting, fresco, gilding. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Effects of Good Government in the City, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico. Detail. White horse protome muzzle: nose harness bit behind blue-dressed standing female figure.

Hennel Landschad von Steinach, died 1377, and his wife Mia von Sickingen. From a grave effigy in a church in Neckarsteinach. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C.R. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

BERRUGUETE , PEDRO DE PINTOR ESPAÑOL . PAREDES DE LA NAVA . 1450 - 1504 " LA MISA DE SAN GREGORIO " (DETALLE) MUSEO ARQUEOLOGICO . BURGOS. Author: PEDRO BERRUGUETE (1450-1503).

Charles, Prince of Viana (1421-1461) or Charles IV of Navarre. Stained glass. Royal Chapel or Church of St. Agueda. Barcelona, Spain.

Polyptych of St Stephen, 1330 - ca1335, by Giotto di Bondone (1266 or 1267-1337), tempera on panel, 84x54 cm.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo42. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo18. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dantis Amor - Finished Study. Date/Period: Ca. 1859-1860. Brown pen, ink and wash on paper. 25 × 24 cm (9.8 × 9.4 in). Author: Dante Gabriel Rossetti.

Bliżej Kultury unknown

FRESCOS BOVEDA - ALVARO DE BAZAN SEGUNDO MARQUES STA CRUZ. Author: CESARE ARBASIA (1540-1614). Location: PALACIO DEL MARQUES DE SANTA CRUZ. VISO DEL MARQUES. CIUDAD REAL. SPAIN.

Old Woman in a purple dress. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack). Dimensions: sheet: 15 3/4 x 10 1/16 in. (40 x 25.6 cm). Date: first half 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Roundel with the Virgin ca. 1150-1200 South Netherlandish. Roundel with the Virgin 464408 South Netherlandish, Roundel with the Virgin, ca. 11501200, Champlev enamel, copper alloy, gilt, Overall: 2 7/16 x 1/8 in. (6.2 x 0.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.420)

Ceiling Panels. Date/Period: 1500. Panel. Height: 36 mm (1.41 in); Width: 39 mm (1.53 in). Author: Lombard Painter.

Romanesque mural of Sant Pau de Casserres, 13th century. Museum: Museu Diocesà i Comarcal de Solsona.

Claude Mellan, The Vernicle of Veronica, 18th century, engraving on laid paper.

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