Satirical Cartoons

Humorous engravings from the 18th and early 19th centuries, showcasing exaggerated characters and comedic scenarios, often reflecting societal issues with vibrant colors.

London, Williamson, Thomas, Rainsford, M., Cruikshank, Isaac, A Fraternal Embrace!, Napoleon Squeezes the Dutchman, 1803, verso - stamped, Napoleon holds a fat Dutchman and squeezes him so hard that the coins roll out of his pockets. Another Frenchman catches the gold coins in his hat and asks the general to squeeze even harder. On the left John Bull (Great Britain) looks on laughing. Probably related to the terms of the Peace of Amiens of 1802., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 247 mm, width 346 mm, English, 1764 - 1811, print maker, printmaker, 1803-05-27 - 1803-05-27, paper, papier, etching, etchings, hand colouring, Work conception, after a design by, Publication (Event), Publication, publisher

Doctor Drainbarrel Conveyed Home in order to Take His Trial for Neglect of Family Duty November 30, 1810 Thomas Rowlandson A plump doctor is pushed down a hill in a wheelbarrow by a countryman. His wife walks beside the wheelbarrow, holding his wig, hat, and stick, and angrily threatens him with her fist, while a dog runs in front. At left in the background is an inn with villagers seated outside.. Doctor Drainbarrel Conveyed Home in order to Take His Trial for Neglect of Family Duty. Thomas Rowlandson (British, London 1757-1827 London). November 30, 1810. Hand-colored etching. Prints

unknown artist, ( H.W.), The Russian Bear and her Invincible Rider Encountering the British Legion, 1791. Etching, hand-colored.

Leap Year. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English, active 1785-1825). Date: 1816. Dimensions: 220 × 325 mm (image); 255 × 359 mm (plate); 261 × 363 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

London, Williamson, Thomas, Rainsford, M., Cruikshank, Isaac, A Fraternal Embrace!, Napoleon Squeezes the Dutchman, 1803, verso - stamped, Napoleon holds a fat Dutchman and squeezes him so hard that the coins roll out of his pockets. Another Frenchman catches the gold coins in his hat and asks the general to squeeze even harder. On the left John Bull (Great Britain) looks on laughing. Probably related to the terms of the Peace of Amiens of 1802., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 247 mm, width 346 mm, English, 1764 - 1811, print maker, printmaker, 1803-05-27 - 1803-05-27, paper, papier, etching, etchings, hand colouring, Work conception, after a design by, Publication (Event), Publication, publisher

The Duelist's or Sunday's Amusement, Isaac Cruikshank, 1756-1810, British, 1798, Etching, hand-colored, Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)

King Joe and Co. Making the Most Of Their Time Previous To Quitting Madrid September 25, 1808 Thomas Rowlandson. King Joe and Co. Making the Most Of Their Time Previous To Quitting Madrid. Thomas Rowlandson (British, London 1757-1827 London). September 25, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The Affectionate Farewell, or Kick for Kick April 17, 1814 Thomas Rowlandson Napoleon stands next to a gibbet that reads: "The Isle of Elba." He says "Votre tres humbler Serviteur Monsieur Tally." Next to him Tallyrand aims a violent kick and swings his cane, holdings a paper marked: "Abdication of the last dying speech of a murderer who is to be delivered into the hands of the Devil the first fair wind" and saying: "Va t'en Coquin. I'll crack your Crown you pitiful Vagabond." Behind are the victims of the many French campaigns, a line of men on crutches.. The Affectionate Farewell, or Kick for Kick. Thomas Rowlandson (British, London 1757-1827 London). April 17, 1814. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Beheading (untitled), Richard Newton, 1777-1798, British, 1796, Etching, hand-colored, Sheet: 6 1/2 x 8 3/8in. (16.5 x 21.3cm)

Grand manœuver! (The) : Or the rogues march to the Island of Elba , Exiles, Gallows, Crowds, Napoleon I, Emperor of the French, 1769-1821. George Cruikshank (1792-1878). Prints and Drawings

The tables turnd. Billy in the Devils claws. Billy sendindng the Devil packing , Politicians, Prime ministers, Devil, Confiscations, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806. James Gillray (1756-1815). Prints and Drawings

Retort Courteous or the Disloyal Address returned without Ceremony, Richard Newton, 1777-1798, British, 1797, Etching, hand-colored, Sheet: 8 7/8 x 13 1/4in. (22.5 x 33.7cm)

The Wrangling Friends or Opposition in Disorder, () John Nixon, ca. 1760-1818, British, 1791, Etching, Sheet: 9 5/8 x 14 3/8in. (24.4 x 36.5cm)

King Joe and Co. Making the Most Of Their Time Previous To Quitting Madrid. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 9 11/16 × 14 1/2 in. (24.6 × 36.8 cm)Plate: 9 3/4 × 13 5/8 in. (24.7 × 34.6 cm). Publisher: Thomas Tegg (British, 1776-1846). Subject: Joseph Bonaparte (French, 1768-1844). Date: September 25, 1808. Museum: Metropolitan Museum of Art, New York, USA.

The broken nose. (IT)

Baking ships for the British, 1798, Thomas Rowlandson, 1798 print Cartoon in which the Dutch, French people and Spaniards frantically bake warships in a 'Dutch Oven', 1798. John Bull looks laughing and urges them to work harder. Following the warships built for the French fleet that were destroyed by the English fleet under Admiral Nelson at the Zeurgen in the Mediterranean. Up to the top left: No. 19. London paper etching bread, loaf. oven ~ kitchen. navy (+ sailing-ships). personifications of countries, nations, states, districts, etc.

Greys and duns : Or a prime bang up for the bit , Carriages & coaches, Horses, Debt. Thomas Rowlandson (1756-1827). Prints and Drawings

More Miseries: The Bottom of Mr Figg's Old Whiskey Broke Through. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 7/8 × 15 1/16 in. (25.1 × 38.2 cm)Plate: 9 13/16 × 13 15/16 in. (25 × 35.4 cm). Series/Portfolio: More Miseries of Human Life. Date: 1807. Museum: Metropolitan Museum of Art, New York, USA.

Napoleon squeezes the Dutchman, 1803, 1803 print Napoleon holds a thick Dutchman and squeezes him so hard that the coins roll out of his pockets. Another Frenchman catches the gold pieces in his hat and asks the general to squeeze even harder. On the left, John Bull (Great Britain) watches laughing. Probably related to the conditions of the Peace of Amiens of 1802. paper etching personifications of countries, nations, states, districts, etc.

The reconciliation between Britania and her daughter America , Politics & government, International relations, Hugging, Britannia Symbolic character, Indians of North America, United States, History, Revolution, 1775-1783

The Maid of Bath or Mac in her Teens, Isaac Cruikshank, 1756-1810, British, 1792, Etching

fine arts, Cruikshank, George (1792 - 1819), graphic, ""A visit to Cockney Farm"", aquatinta, G. Humphrey, London, 1819, Munich Stadtmuseum,

Thomas Rowlandson, A Squall in Hyde Park, 1791 A Squall in Hyde Park

Renewed friendship between the Netherlands and England, 1799, Thomas Rowlandson, 1799 print Cartoon in which British soldiers chase the French from the Netherlands, a reference to the British-Russian invasion of 1799. A grateful Dutchman shakes the hands of an English sailor. A Dutch woman with a bare bosom pours a glass of gin. In the background the ships of the British fleet, rights of French flee with leaves of bags stolen. London paper etching shaking hands, 'dextrarum junctio'

Three Weeks After Marriage, or the Great Little Emperor Playing at Bo-Peep May 15, 1810 Thomas Rowlandson Marie Louise, at right, holds the imperial crown and sceptre, and threatens Napoleon who crouches behind a chair. She raises the crown overhead, as if to hurl it at Napoleon. She exclaims, "By the Head of Jove, I hate him worse than Famine or Diseases Perish his Family, let inveterate Hate Commence between our Houses from this Moment, And meeting never let them bloodless part.". Three Weeks After Marriage, or the Great Little Emperor Playing at Bo-Peep. "Tegg's Caricatures". Thomas Rowlandson (British, London 1757-1827 London). May 15, 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

() Isaac Cruikshank, 1756-1810, British, The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, 1787. Etching, hand-colored.

Tri narodnyia kartinki o pol'ze ospy. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---, () James Gillray, 1757-1815, British, 1789, Etching, hand-colored, Sheet: 8 x 12 7/8in. (20.3 x 32.7cm)

The Lower Political Court (IFF 38). (dummy title) | Caricature boards 1831. (title of all)

6 / In front! CITOLIANS OF FOUILLY-LES-OIES! ... / Let's go correct Paris! ............. (IT)

The Belle-Alliance. George Cruikshank (English, 1792-1878); published by George Humphrey (English, c. 1773-1831). Date: 1819. Dimensions: 245 × 347 mm (image); 249 × 353 mm (plate); 255 × 357 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Easter in the Old World Barnyard, from Puck. Joseph Keppler; American, 1838-1894. Date: 1895. Dimensions: 295 x 465 mm (image); 330 x 490 mm (sheet). Color lithograph on newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Regency dandies say their farewells at a coaching inn. Passengers and guards in great coats sit on coaches, porters bring luggage. Bull and Mouth Inn on Bull and Mouth Street, London. Bob bidding adieu to his friends and Life in London. Handcoloured copperplate engraving from Real Life in London, or, the Further Rambles and Adventures of Bob Tallyho, Esq. and His Cousin The Hon. Tom Dashall, through the Metropolis, Jones, London 1821. Anonymous imitation of Pierce Egans Life in London.

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

Thomas Rowlandson, The Poll, 1784 The Poll

The English dance of death, first volume, Plate 24: The masquerade , Masquerades, Death, Skeletons, Crowds. Thomas Rowlandson (1756-1827). Prints and Drawings

'Card with Letter ""'. 1814. Dimensions: 8,3x11 cm. Museum: State Hermitage, St. Petersburg. Author: Ivan Terebenyov.

Etching - Curious Dogs, from the North Pole; or the Return of the Arctic Expedition ! !

Billy & Harry in Their Glory or a Great Man Kicked Out of Place, Isaac Cruikshank, 1756-1810, British, 1798, Etching, hand-colored, Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)

Fumigation of De Corsicaan, 1813, Thomas Rowlandson, 1813 print Bartlepent on Napoleon after his loss in the Battle of Leipzig, 1813. A small figure of Napoleon is angry to stamp feet on top of a large wooden vessel with Dutch gin causing the lid. Representatives from different European countries all smoke pipe and blow tobacco smoke to the emperor. At the front of a thick Dutchman was sitting on a barrel of herring and a cheese, on the right the English John Bull, a Prussian hussar and others. On the left the king of Württemberg, an Austrian and a Spaniard. The print includes a separate explanation. paper etching pipe ~ tobacco. smoke. personifications of countries, nations, states, districts, etc.

Wine distribution at Champs Elysees.

Stage Coach and Six 1786-93 Thomas Rowlandson. Stage Coach and Six. Thomas Rowlandson (British, London 1757-1827 London). 1786-93. Hand-colored etching. () S. W. Fores (London). Prints

An Irish Howl March 1, 1799 Thomas Rowlandson. An Irish Howl. Thomas Rowlandson (British, London 1757-1827 London). March 1, 1799. Hand-colored etching. James Whittle (British, 1757-1818). Prints

Dressed as a beadle Joseph Hume kicks over a basket containing oranges, the wares of the Duke of Cumberland who is dressed as a female street seller. Coloured lithograph by H.B. (John Doyle), 1836.

Political-Dandies(TI)

() James Gillray, 1757-1815, British, The Sick Prince, 1787. Etching, hand-colored.

Napoleon dominates the powers of Europe

The seven swabs and the hare, monogrammist KD, c. 1820 - c. 1850 print Political allegory based on the fairy tale of the Grimm brothers over the Seven Zwaben (Schwaben) who attack a hare with a lance. The Zwaben are presented as various European characters including a Frenchman, a Catholic priest and a Dutchman. The attacked Haas stands next to a stone with the coat of arms of the English royal family. paper .

Henry Heath, , active 1824-1835, British, Integrity a Farce or Every Man tried by his actions, 1826. Etching.

The good load !! (IT)

Solving the Rijnbond, 1813, Thomas Rowlandson, 1813 print Cartoon on the disintegration of the Rijnbond after the loss of Napoleon in the Battle of Leipzig, October 1813. In the workshop of an alchemist, Napoleon is put in a large German boiler by the representatives of different European countries. The boiler is fired by the Dutchman and the Brit. Around the kettle are laughing Frederik I, King of Württemberg, Karel XIV Johan van Sweden, a Prussian hussar and some others. On the left the Pope Pius VII with two measuring cups in hand, here sat at a table with three other men. On the right a Spaniard with a mortar marked 'Saragossa'. print maker: Englandpublisher: London paper etching alchemy

Isaac Cruikshank, 1756-1810, British, The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty, 1795. Etching, hand-colored.

The York Magician Transforming a Foot-Boy to a Captain February 25, 1809 Thomas Rowlandson The Duke of York stands at left dressed as a magician, in a fur cap and long gown holds out a wand inscribed "Petticoat Influence." A young man dressed as an officer, stands beneath the wand, while smoke or clouds rise from his feet. The Duke says: "By the Mystery of my Art, no more be a Foot-boybut rise a Captain". The young man says: "Bless me how soon a foot-boy is turned to a Gentleman."This state lacks the order of the Magician star on the Duke's coat. For a state with the star, see 59.533.1303.. The York Magician Transforming a Foot-Boy to a Captain. Thomas Rowlandson (British, London 1757-1827 London). February 25, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Thomas Rowlandson, The Inn Yard on Fire, 1791 The Inn Yard on Fire

Robert Isaac Cruikshank, 1789-1856, British, The Needless Alarm. A Smoking Party, 1830. Hand-colored etching.

The Tyrant of the Continent is Fallen, Europe is Free, England Rejoices May 1, 1814 Thomas Rowlandson British Napoleon shown with his throne overturned, being grasped about the knees by the devil. He looks at the sword of justice in the sky, and a voice that says: "Thou'rt doom'd to Pain, at which the Demn'd will tremble, And take their own for Joys". The Tyrant of the Continent is Fallen, Europe is Free, England Rejoices. Thomas Rowlandson (British, London 1757-1827 London). May 1, 1814. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Annibal Scratch, active 1791, Master Billy's Hobby-Horse, or his Triumphal entry into Downing Street (from: Caricature, vol. 5), 1784. Etching, hand-colored.

Unknown, L'Elégance parisienne, No. 2: Le Désagrément d'aller à cheval, c. 1805, hand-colored etching on paper.

fine arts, Rowlandson, Thomas (1756 - 1827), graphic, ""More Miseries or the Bottom of Mr. Figgs old Whiskey broke through"", copper engraving, 1807, private collection,

Englishmen in November, Frenchmen in November. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 15 3/4 x 24 in. (40 x 61 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: November 25, 1788.Issued in London at the height of the American Revolution, this print summarizes the situation in 1779 from Britain's point of view. As in traditional allegories, the figures represent specific nations, but their dramatic interaction anticipates the new kind of satire soon to come from Rowlandson and Gillray. John Bull stands at the center as an inattentive military volunteer dozing against a staff topped with Britannia's attribute, the cap of Liberty. He is being attacked from all sides. An Indian, traditional emblem of America, takes Liberty's cap in a reference to the Declaration of Independence by the Thirteen Colonies in 1776. A Dutch toper slyly steals John Bull's purse while France is represented by an emaciated dandy restrained by a rugged Highla

Modern bacchantes. (IT)

Henry Thomas Alken, 1785-1851, British, Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's, 1823. Hand colored soft-ground etching.

Mr. Mahieu: I ask for a personal fact .... / N ° 21. (Registered Title)

Sports of a Country Fair. Part the Third. Thomas Rowlandson (English, 1756-1827); published by Thomas Tegg (English, 1776-1845). Date: 1810. Dimensions: 220 × 325 mm (image); 250 × 348 mm (plate): 255 × 392 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

The Feast of the Craftsmen, Posse of Angely Gallerie Droller Scenen for the Theaterzeitung, th year, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1757-1815, British, 1797, Etching, hand-colored, Sheet: 9 1/4 x 13 7/8in. (23.5 x 35.2cm)

Manière d'entrainer les Cosaques. Honoré Daumier (1808-1879). Lithographs

Dutch people want Napoleon Kissen, 1811, William Elmes, 1811 print Cartoon in which a Dutch person ask for permission to kiss the backside of Emperor Napoleon, during the visit of the emperor and emperor to Amsterdam on October 9, 1811. Banging fat Dutchmen with blowjobs blowing tobacco smoke to Napoleon and his wife Marie Louise Sit on barrels of gin. On the left a fipping frog sitting on a barrel with herring, in the foreground two chained dogs in a ray. Central Willem Scholten from Oud-Haarlem, president of the court in Amsterdam. Presentation in a large crowd on a fantasized Dutch market or square. paper etching pipe ~ tobacco. tailless amphibians: frog. animals acting as human beings Amsterdam

Cartoon at the Potter, approx. 1830. Cartoon at the Potter, leader of the uprising and member of the provisional reign of Belgium in 1830. The Potter presented as a man who carries a harness that has been built out of all kinds of pots. In his hand he holds a plate with an image of a beggar and the inscription 'Belgian Veryheid'. Under his left foot, he tranbles a banner on which symbols of wealth and prosperity and the inscription 'Hollandsch yuk'. Different small figures (insurgents and others) drop off him.

Isaac Cruikshank, 1756-1810, British, The Rape of Helen, 1792. Etching, hand-colored.

State Physicians Bleeding John Bull to Death!!, G Cruikshank cartoon 1816. From left: Lord Brougham, Prince Leopold and Princess Charlotte, Chancellor of Exchequer, John Bull, Castlereagh, George IV, Prussia, Austria, Russia taking gold.

News / Her Majesty Guillaume wanting to use Badinguet the officer / firefighters in WillemShoé. / N ° 31.

N ° 4 / La Constitution (Ti)

Isaac Cruikshank, 1756-1810, British, The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4), 1791. Etching, hand-colored.

The Caricatures (Jourroom) / (N ° 156) / PL. 326 E22./de the real pensée proses to traverses les populations. (Ti)

Henry Heath, active 1824-1835, British, Set of six: Tit-Bits No. 3 Five vignettes on a sheet. Hand colored etching.

Still had it better to fold that break Still had it better bend that break ". Anonymous print.

News (4) / - God protects France / Belly starving has no ears. (IT)

The Landing of Sir John Bull & His Family, at Boulogne sur mer Published 1792 England. Hand-colored etching and aquatint on paper . James Gillray

Economy by George Cruikshank, 1792-1878, artist. Published: London 1816. print : etching, hand-coloured. Brougham, in the guise of John Bull, appears to the Regent, holding up a broom which points towards a small scene surrounded by clouds. The Regent, who has been revelling over a large bowl of punch, falls back terrified, overturning his chair. Brougham, arm extended towards the Regent, declaims: Retrench! Retrench, reflect on the distressed state of your country. The Regent falls on to McMahon, a tiny figure on hands and knees, gazing up at Brougham; he supports himself with his right hand on the knee of Lady Hertford. The vision above Broughams head is of the Regent and McMahon, both ragged, seated facing each other at a plain wooden table on which are a jar of spring water and a lighted candle-end stuck in a bottle. The Regent gnaws a bare bone; McMahon (in miniature) takes up a small fish by the tail.

Plate 11, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." Three scenes are shown, that at top showing a man selling plaster busts. The middle scene shows jockies on horses racing downhil pursued by horses and carriages. The lower scene shows a dairy maid cleaning her churn by a river with three cows behind and a man watching at right. Plate 11, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

A Fist Fight, With the Prince Regent Among the Spectators, George Dance RA, 1741-1825, British, or Nathaniel Dance RA, 1735-1811, British, undated, Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 11 3/16 × 16 3/4 inches (28.4 × 42.5 cm), buildings, crowd, fighting, fist, men, musicians, people, prince, regent, spectators, sporting art, women

The Life and Age of Man / Stages of Mans life from the cradle to the grave. Artist: Nathaniel Currier, American, 1813-1888

'Political Carnival. From 'La Caricature' (sheet 2)'. France, 1831. Dimensions: 19,9x35,1 cm. Museum: State Hermitage, St. Petersburg. Author: Jean Jacques Grandville.

Royal Egout The royal sewer "(caricature on the flight of the royal family in Varennes). Anonymous. Print.

Englishmen in November, Frenchmen in November November 25, 1788 Thomas Rowlandson British Issued in London at the height of the American Revolution, this print summarizes the situation in 1779 from Britains point of view. As in traditional allegories, the figures represent specific nations, but their dramatic interaction anticipates the new kind of satire soon to come from Rowlandson and Gillray. John Bull stands at the center as an inattentive military volunteer dozing against a staff topped with Britannias attribute, the cap of Liberty. He is being attacked from all sides. An Indian, traditional emblem of America, takes Libertys cap in a reference to the Declaration of Independence by the Thirteen Colonies in 1776. A Dutch toper slyly steals John Bulls purse while France is represented by an emaciated dandy restrained by a rugged Highlander, a reminder that Scottish volunteers helped make up for the British armys poor state of preparation.. Englishmen in November, Frenchmen in N

Hounds Finding. James Gillray (English, 1756-1815); after Brownlow North (English, 1778-1829). Date: 1800. Dimensions: 245 × 345 mm (image); 250 × 350 mm (plate); 285 × 400 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A Sun Setting in a Fog, With The Old Hanover Hack Descending, James Gillray, 1757-1815, British, 1783, Etching, hand-colored, Sheet: 8 5/8 x 13 1/8in. (21.9 x 33.3cm)

The memorable day of Versailles, on Monday, October 5, 1789, a huge people of men and women, weapon of spikes, epeos, rifles, taken out of Paris goes to Versailles in after dine, it is Bread we need and not laws The memorable day of Versailles, on Monday, October 5, 1789, an immense people of men and women, armed with spikes, of rifles, taken out of Paris goes to Versailles in the after din�, it is Bread that we need and not laws ... ". Anonymous print.

The Consultation. Artist: After Thomas Rowlandson (British, London 1757-1827 London). Artist and publisher: Samuel Alken (British, London 1756-1815). Dimensions: Sheet: 11 7/16 × 13 9/16 in. (29.1 × 34.5 cm). Date: September 1785. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Rowlandson, 1756-1827, British, Suitable Restrictions, 1789. Etching, hand-colored.

The Progress of the Emperor Napoleon November 19, 1808 Thomas Rowlandson. The Progress of the Emperor Napoleon. Thomas Rowlandson (British, London 1757-1827 London). November 19, 1808. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

How to Escape Losing November 22, 1791 Thomas Rowlandson This print and its companion, "How to Escape Winning" (59.533.438) respond to a pair of races held at Newmarket, on October 20 and 21, 1791. Centered on the Prince of Wales's prize thoroughbred Escape, these launched a scandal since, in the first, Escape was favored to win but finished last of four. The next day, Escape won handily over two of the same rivals, rewarding both the Prince and his jockey Samuel Chifney for bets placed at odds increased by the horse's recent loss. Accusations of cheating ensured and an investigation was launched by Sir Charles Bunbury, head of the Jockey Club. Although Chifney swore he had not held Escape back in the first race he was, perhaps unjustly, prevented from running further races and the Prince sold his stables soon after; he did stand by Chifney, however, and continued to pay him a generous salary.. How to Escape Losing. Thomas Rowlandson (British, London 1757-1827 London). November 22, 179

John Bull Arming The Spaniards October 3, 1808 Thomas Rowlandson. John Bull Arming The Spaniards. Thomas Rowlandson (British, London 1757-1827 London). October 3, 1808. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The In's and the Outs of the Jesuits Treatment of his Friends, Richard Newton, 1777-1798, British, 1797, Etching, hand-colored, Sheet: 8 5/8 x 16 1/8in. (21.9 x 41cm)

Joyful and triumphant return of the Prussian don-quiches in Germany. / After the conquest of France, under the conduct of the Austrian eagle. (IT)

A Rough Sketch of the Times as Delineated by Sir Francis Burdett 1810 Thomas Rowlandson An 1811 reissue of a print first published in 1810. A scene of drunken disorder at a dinner of men, all elderly except for a young man who dances atop the table. Most of the men fight savagely with fists, bottles, and fire irons.. A Rough Sketch of the Times as Delineated by Sir Francis Burdett. "Tegg's Caricatures". Thomas Rowlandson (British, London 1757-1827 London). 1810. Hand-colored etching; reprint. Thomas Tegg (British, 1776-1846). Prints

News // An effect of the dryer / 5.

Entrance of S.M. Napoleon, Anonymous. Entrance to Her Majesty Napoleon I, Emperor of the French in his good town of Paris, March 20, 1815 (the hundred days). Water-loud colored.

Royal extinguisher (The) : Or the King of Brobdingnag and the Lilliputians , Kings, Queens, Nobility, Politicians, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830. George Cruikshank (1792-1878). Prints and Drawings

'Card with Letter ""'. 1814. Dimensions: 8,3x11 cm. Museum: State Hermitage, St. Petersburg. Author: Ivan Terebenyov.

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