Satirical Lithographs

Humorous and critical depictions of society through caricatures from the 18th and 19th centuries, highlighting social behaviors in a whimsical yet thought-provoking manner.

Praying pair, Jan de Visscher, After Adriaen Brouwer, 1643 - 1692 print In a simple interior, two figures are praying at a table. The front figure is on a stew and has taken his hat. Northern Netherlands paper etching prayer at table, saying grace. head-gear. foot-stove

Prends garde, mon cher, la roche tarpéinne... , Kings, Louis Philippe, King of the French, 1773-1850. Honoré Daumier (1808-1879). Lithographs

ARTE S. XVIII. ESPAÑA. GOYA, Francisco (Fuendetodos, 1746-Burdeos, 1828). Pintor y grabador español. "NADIE NOS HA VISTO... ". Aguafuerte que perteneece a la colección de 84 grabados titulada "CAPRICHOS" de temática satírico-fantasmagórica, editados en el año 1799. Reproducción de M. Seguí i Riera.

Fallait pas me tutoyer, j'suis dans.... Honoré Daumier (1808-1879). Lithographs

In carnival. Planche N1 (letter registered (letter)) | 3rd suite of 1863. (Title Title) | AFTER DINPER (registered title (letter))

Odo of Cluny, holy.

Maybe the firemen really shouldn't leave just yet, from 'News of the day,' published in Le Charivari, October 4, 1866. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 10 3/16 × 8 1/4 in. (25.9 × 21 cm)Sheet: 14 1/8 × 10 3/8 in. (35.9 × 26.4 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: October 4, 1866. Museum: Metropolitan Museum of Art, New York, USA.

Pivonnet is dragged away from a cafe, Paul Gavarni, 1840 print Paris paper drunkard. disguise. crying, shouting

Praying pair, Jan de Visscher, After Adriaen Brouwer, 1643 - 1692 print In a simple interior, two figures are praying at a table. The front figure is on a stew and has taken his hat. Northern Netherlands paper etching prayer at table, saying grace. head-gear. foot-stove

One hunt follows the next and none is alike, from 'News of the day,' published in Le Charivari, September 15, 1866 September 15, 1866 Honoré Daumier. One hunt follows the next and none is alike, from 'News of the day,' published in Le Charivari, September 15, 1866. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). September 15, 1866. Lithograph on newsprint; third state of three (Delteil). Arnaud de Vresse. Prints

Réflection intime d'un épicier. Honoré Daumier (1808-1879). Lithographs

Print, Illustration for Hamlet: The Death of Hamlet (V,2); France; lithograph on paper; 33.6 × 23.2 cm (13 1/4 × 9 1/8 in.); 1896-31-109

L'inconvénient d'avoir des domestiques ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Last grip of Badinguet. (IT)

Honoré Daumier, S'étant placé sur une pente dangereuse, 19th century S'étant placé sur une pente dangereuse

A woodcut by Cecil van Haanen depicting a woman kneeling in armor before a man, showing figures, posture, and compositional elements.

Honoré Daumier, Embrassons nous, 1867 Embrassons nous

The Ghost on the Terrace 1843 Eugène Delacroix French In 1834 Delacroix began a series of lithographs devoted to Hamlet, creating moody images that mirror the troubled psyche of the prince. Choosing key scenes and poetic passages, the artist's highly personal and dramatic images were unusual in France, where interest in Shakespeare developed only in the nineteenth century. Here, in act 1, scene 5, the prince has followed his father's spirit to learn that he is: ""Doom'd for a certain term to walk the night, / And for the day confined to fast in fires,/ Till the foul crimes done in my days of nature/ Are burnt and purged away." When the ghost reveals that he was murdered by Hamlet's uncle and demands revenge, his son responds with hesitancy with shocked surprise. Gihaut frères published the artist's thirteen-print set in 1843, with a second expanded edition of sixteen issued by Bertauts in 1864. Cooly received at first, the prints eventually were recognized as one of the artist's most s

Le mauvais côté des nouveaux omnibus. Honoré Daumier (1808-1879). Lithographs

Two Dancing Boerenparten, Auguste Danse, After Peter Paul Rubens, 1897 print paper etching / drypoint folk dancing (men and women together)

Honoré Daumier, Déjà relevée!, 1871 Déjà relevée!

Francisco de Goya y Lucientes / 'No one has seen us'. 1797 - 1799. Etching, Japanese chisel, Burnished aquatint on laid paper. Museum: Museo del Prado, Madrid, España.

Un autodafé au XIXe siècle. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

King Picrochole ordering an attack on the kingdom of Grandgousier, engraving from the book Les Heros de Rabelais, by Theophile Fragonard and Jules de Lamarque, from L'Illustration, Journal Universel, No 410, Volume XVII, January 3-10, 1851.

Den Haag, Nijhoff, Martinus, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Atjeh beteuggeld, Cartoon about piracy at Atjeh, 1884, The Hague, Cartoon about the defeat of piracy at Atjeh. Plate published in the weekly De Nederlandsche Spectator, no. 25, 1884., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1884 - 1884, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1826-12-26 - 1894-09-24, publisher

. Etching on paper . Thomas Rowlandson

(13) / The marshascusée versa learning that she won the victory ...

The drunk , Alcoholism, Fighting. George Bellows (1882-1925). Prints and Drawings

Guide, allons-nous-en... au nom du ciel... Dated: 1846. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Je vous assure que vous serez très bien assise. Dated: 1871. Medium: gillotype on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier, Plaisirs de la paternité, 1847 Plaisirs de la paternité

Drawing, Sketch for a monument to be fastened to a wall; Domenico Mondo; Italy; pen with bistre washes and black chalk with washes on paper

Courtship in High Life December 15, 1785 Thomas Rowlandson British. Courtship in High Life. Thomas Rowlandson (British, London 1757-1827 London). December 15, 1785. Hand-colored etching and aquatint. Prints

No matter how much I rock him, it is impossible to make him fall asleep, from 'News of the day,' published in Le Charivari, June 21, 1866. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 1/4 × 8 7/16 in. (23.5 × 21.5 cm)Sheet: 14 3/16 × 11 1/16 in. (36.1 × 28.1 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: June 21, 1866. Museum: Metropolitan Museum of Art, New York, USA.

N ° 9 / We walk to civilization, yes we are by train, it does not hurt. (IT)

The Tailors Baffling the Bailiff, Print made by George Cruikshank, 1792-1878, British, undated, Etching on moderately thick, slightly textured, beige wove paper, Sheet: 9 5/16 x 5 3/8 inches (23.7 x 13.6 cm), Plate: 6 11/16 x 3 11/16 inches (17 x 9.4 cm), and Image: 3 11/16 x 3 1/8 inches (9.4 x 8 cm), attics, bags, candles, caricature, genre subject, hats, humor, illustration, manager, men, policeman, roof, saws, scissors, spying, surprise, tailors

Adolf Schrödter, Peter Schlemihl Taunted for His Lack of Shadow, 1836 Peter Schlemihl Taunted for His Lack of Shadow

Honoré Daumier (French, 1808-1879), Voyons! debout, on nous regarde, 1866, lithograph on newsprint

Three Figure Studies of Woman and Man, Albertus Brondgeest, 1796 - 1849 print Figure study of sitting woman with headscarf on the back and heads of the same woman from the side and man seen from the front. Netherlands paper etching postures of the head

Looking everywhere for their king, from 'News of the day,' published in Le Charivari, October 4, 1867 October 4, 1867 Honoré Daumier. Looking everywhere for their king, from 'News of the day,' published in Le Charivari, October 4, 1867. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). October 4, 1867. Lithograph on newsprint; third state of three (Delteil). Arnaud de Vresse. Prints

Aquellos polbos /Those specks of dust; board No. 23 from: Los Caprichos” Caprices, ed. II, Madrid ca. 1855 Goya, Francisco de (1746 1828)

The Het Land Van Rembrandt / Velasquez Recycle, Marius Bauer, 1895 print Print with title and caption, addition to 'De Kroniek'. Signed and dated. Amsterdam paper political caricatures and satires. painter working from live model

Le triomphe de la loi du 31 Mai. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

93! 93! C'est l'épouventail du Jobard... , Kings, Louis Philippe, King of the French, 1773-1850. Honoré Daumier (1808-1879). Lithographs

The skeleton of Death and Father Time sprawl beneath the angel of Eternity. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Le Pruth. - Ah ça!...quel drole de jeu.... Honoré Daumier (1808-1879). Lithographs

Great revolt of the rats of Montfaucon which don't want their feed to be taken away by scientists, plate 12 from Les Hippophages. Honoré Victorin Daumier; French, 1808-1879. Date: 1856. Dimensions: 213 × 280 mm (image); 278 × 363 mm (sheet). Lithograph in black on buff wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Adélaïde...il me semble que je vois...la comète!.... Honoré Daumier (1808-1879). Lithographs

Citizens and soldier bid their hands to reconcile, Vinzenz Katzler -, Lithographer, Anton Benko, Printer

Louis Philippe surprised by the Queen of England in Windsor Park (IT)

Dépisté!. Honoré Daumier (1808-1879). Lithographs

The windows / widow-thiers. (IT)

Bacchis enunes en monime; Bacchis enunes sent by mitridate to Monime, one of the most favored wives of him who had to choose the kind of death that crumpled more, she then tried to struggle with her diadem (...); Geschiefenis van Het Romeinse Rijk; Frontspice of the Romanistoria. Monime Zit op Een AanLigbed. Met Haar Voet of her Vertrapt Ze Een Kroon. Naast Haar Bed of her Stat Bacchide Enunes.

Francisco de Goya (Spanish, 1746-1828). De que mal morira (Of what ill will he die), 1796-1797. From Los Caprichos, no. 40. Etching and aquatint. Plate: 213 mm x 148 mm (8.39 in. x 5.83 in.). Second state.

Lithograph by Honoré Daumier from 1867 on Chinese paper depicting Rocambole threatening in a scene related to the Orient, showing figures, architecture, and interaction.

Press receives tax on advertisements imposed, Honoré Daumier, 1870 Paris paper political caricatures and satires. press, journalism

Honoré Daumier, Le Marchand d'habits, 1842 Le Marchand d'habits

Discharged from Military Service. Dated: c. 1914/1919. Dimensions: overall: 31.9 x 47.7 cm (12 9/16 x 18 3/4 in.). Medium: brush and black-brown ink and black crayon on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Amanda, tu ne reconnaitrais pas une etre que tu as tantaime!. Artist: Paul Gavarni, French, 1804-1866

Two misers wrestle with Death over their hoard of gold Date: 16th century

A deputy's nightmare: -Oh my friend, what has happened -I dreamed I was invalidated, from 'News of the day,' published in Le Charivari, December 7, 1869 December 7, 1869 Honoré Daumier. A deputy's nightmare: -Oh my friend, what has happened -I dreamed I was invalidated, from 'News of the day,' published in Le Charivari, December 7, 1869. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). December 7, 1869. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

Vaccination of a child according to the Giulio Monteverde sculpture was drawing Etienne Bocourt. Chapon, Léon Louis (1836 1918), Monteverde, Giulio (1837 1917), Bocourt, Etienne Gabriel (1821 1905)

Strephon and Chloe, Print made by James Bretherton, ca. 1730-1806, British, after Henry William Bunbury, 1750-1811, British, Published by S. W. Fores, 1785-1825, 1801, Etching on medium, moderately textured, beige laid paper, Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm), Plate: 9 3/8 x 11 15/16 inches (23.8 x 30.3 cm), and Image: 8 1/2 x 11 7/16 inches (21.6 x 29 cm), actors, advertisement, audience, bag wig, bow (costume accessory), caricature, casement windows, costume, dance, dancing, dress, frill, gesture, gown, grin, grotesque, humor, interior, man, parody, performance, play, poem, ruffles, satire, sign, smiling, stage, Strephon and Chloe, 1731, tricorne, wig, windows, woman

Netherlands, Wijs, Kornelis Jzn de, Musing, Woman with a jug at a water pump, A young woman stands lost in thought with a jug in her hand at a water pump., print, prints, height 104 mm, width 66 mm, Dutch, 1832-02-27 - 1896-02-04, print maker, printmaker, 1842 - 1896, paper, papier, chine collé, etching, etchings

Helle reaching for her brother Phrixus on his flying golden ram trying after falling off into Hellespont (now the Dardanelles). Dolphins caper alongside. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.

Ou Venise commence à espérer. Honoré Daumier (1808-1879). Lithographs

Joseph Haynes, 1760-1829, British, Banditti and Woman (no.8 of 10). Etching.

Honoré Daumier, Avantages des terrasses italiennes, 1846 Avantages des terrasses italiennes...

The Poll April 12, 1784 Thomas Rowlandson A see-saw representing the election taking place between Wray and Fox at the polling booth behind them in Covent Garden. Mrs. Hobart is on the left side of the see-saw with Lord Hood and Sir Cecil Wray standing beside her, and the Duchess of Devonshire is on the right side with Charles James Fox standing beside her.. The Poll. Thomas Rowlandson (British, London 1757-1827 London). April 12, 1784. Etching. William Humphrey (British, 1742-in or before 1814). Samuel Hood, 1st Viscount Hood (British, 1724-1816). Prints

Pudentia also spiegel in de hand, johann Gottfried Thelott, after domenicino, c. 1721 - print after painting by: Romepublisher: Augsburg paper engraving mirror. Prudentia (Prudence) as Roman personification

Honoré Daumier (French, 1808 - 1879). On parle d'faire d'nouvelles élections, 1869. From Actualités. Lithograph on newsprint paper. Image: 213 mm x 200 mm (8.39 in. x 7.87 in.). Third of three states.

Remove it's soide (IT)

The carrier of vegetables.

The Republic calls us! Let us be victorious or die, from 'News of the day,' published in Le Charivari, September 20, 1870 September 20, 1870 Honoré Daumier. The Republic calls us! Let us be victorious or die, from 'News of the day,' published in Le Charivari, September 20, 1870. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). September 20, 1870. Lithograph on wove paper; first state of two (Delteil). Prints

Mrs! Do not forget this poor little abandoned there! (registered title) | News. (Title of the whole)

Reproduction of drawing: Juliusz Kossak (1824-1899), Running competition; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, unknown, woodcutter

NEW YORK

Honoré Daumier, Vois comme ils avaient abimè , 19th century Vois comme ils avaient abimè ...

Carnaval. Paul Gavarni (French, 1804-1866). Lithograph;

HOMBRE ASESINANDO A UN MONJE - ALBUM H, 34 - 1824-1828 - CARBONCILLO - 190x150 mm. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

THE MAD CLOAK, BY GUSTAVE DORE

News. / 307 // - So they believe that I'm dead! / 8

Honor� Daumier (1808-1879); , Through the workshops, 1862

Man with fur hat is drawn to his ear. A man with fur hat on the head is drawn to his ear by a man pointing to a painting that stands against a fence.

Refusing with energy to a deadly operation. / 242 (title registered) | The seat of Paris (title of all)

The Liberation of a Prisoner, plate 20, from Raccolta di alcuni disegni del Barberi sic da Cento detto il Guercino (Collection of Some Drawings Engraved after Barbieri da Cento, called Guercino). Etcher: Giovanni Ottaviani, Italian, 1735-1808 After: Guercino (Giovanni Francesco Barbieri), Italian, 1591-1666

Ulysse, a son retour a Ithaque, est reconnu par Télémaque Truffaut, Georges (French painter, 1857-1882). still image. Art reproductions. 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Homer. Odyssey, Kissing, Fathers and sons, Odysseus (Greek mythology), Telemachus (Greek mythology)

Honoré Daumier, Recevant la férule, 19th century Recevant la férule

Quest-ce que tu dirais dune bague comme ca, toi, quon donnerait a ton epouse?…. Artist: Paul Gavarni, French, 1804-1866

At the stall; Geoffroy, Jean (1853-1924); 1890-1900 (1890-00-00-1900-00-00);

Print, Veronica; France; wood engraving on paper; 4.7 × 5.3 cm (1 7/8 × 2 1/16 in.); 1945-200-487

Un Baiser de circonstance. Honoré Daumier (France, Marseilles, 1808-1879). France, 1867. Prints; lithographs. Lithograph

A man comes to the rescue a woman, Bernard Picart, 1704 print A woman kneels on the edge of the water to fill her. A man comes to the rescue. They wear contemporary clothing. Paris paper etching courting. courtesy, manners; etiquette

Seated man, Frederick Bloemaert, After Abraham Bloemaert, After 1635 - 1669 print A man sits on a rock, a stick next to him, the eyes stored upwards. paper engraving farmers

Nouvelle manière dont ces messieurs se mettent à payer.... Honoré Daumier (1808-1879). Lithographs

Croyez-moi! prenez mon bras... Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier, Tout est perdu! Fors la caisse, 19th century Tout est perdu! Fors la caisse

The Goat without a Beard. Monkeys shave a foppish goat in a barber's shop. A monkey in apron sharpens a razor on a strop, while others prepare shaving cream and bib. Wigs and perruques hang on the wall, a water pot on the floor. Copperplate engraving by William Blake after an illustration by John Wootton from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.

Friedrich Freiherr von Münch-Bellinghausen, Eligius Franz Josef Frh, Münch von Bellinghausen Ps, Friedrich Halm is overshadowed by Heinrich Laube title page of Der Floh , Karl Klic -, Caricaturist, Johann Tomassich, realization

The new Cinderella, from 'News of the day,' published in Le Charivari, July 10, 1866 July 10, 1866 Honoré Daumier. The new Cinderella, from 'News of the day,' published in Le Charivari, July 10, 1866. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). July 10, 1866. Lithograph on wove paper; second state of three (Delteil). Arnaud de Vresse. Prints

Honoré Daumier, Ah! ben le convoi peut se flatter de l'échapper, 1843 Ah! ben... le convoi... peut se flatter de l'échapper...

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