Satirical Prints and Illustrations

Woodcuts and etchings reflecting social commentary and historical narratives, often depicting scenes of conflict and humor.

Print marked top right: Reyse Fol: 38., Marquise of Barbaran stabbed to death by her husband, print maker: Caspar Luyken, publisher: Willem Broedelet, print maker: Amsterdam, publisher: Utrecht, 1696, paper, etching, h 192 mm × w 128 mm

Mahomed falls into raptures at the feet of his wife Kadiga, Caspar Luyken, Timotheus ten Hoorn, 1696

Print made by George Cruikshank, 1792-1878, British, The Gamekeepers Attacking the Poachers, undated. Etching on medium, slightly textured, cream wove paper.

Honoré Daumier, Les marches du nouveau trone d'Allemagne, 1871 Les marches du nouveau trone d'Allemagne

Print marked top right: Reyse Fol: 38., Marquise of Barbaran stabbed to death by her husband, print maker: Caspar Luyken, publisher: Willem Broedelet, print maker: Amsterdam, publisher: Utrecht, 1696, paper, etching, h 192 mm × w 128 mm

The hook and bouquetick, fucked bouquette with so much ardor is happy, I believe, if it remains a flower (registered title)

Bliżej Kultury Berger, Daniel (1744 1824), Chodowiecki, Daniel Nikolaus (1726 1801)

Lambert Melisz. Flight with his mother in a sled over the ice, 1574. Lambert Melisz. From Westzan flight with his mother in a sled over the ice to Hoorn, February 1574. In the background soldiers at a mill and houses.

Pelgrim comes to a gate, Jan Luyken, 1687 print Amsterdam paper etching pilgrimage, pilgrim(s) under way. knocking at the door

Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697) 1654 Wenceslaus Hollar Bohemian 1 of 30 illustrations etched by Hollar for an edition of The Aeneid.In a square in Carthage, Mercury approaching Aeneas from the air, warning him to leave the city; Ascanius and a middle-aged man standing by at right; stone mason working at centre foreground, workmen shovelling stones and carrying stone blocks at left, others working on buildings in background; statue of Diana in a niche at right; coat of arms below image at centre.. Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697) 380572 Etcher: Wenceslaus Hollar, Bohemian, Prague 16071677 London, Artist: After Franz Cleyn, German, Rostock 15821658 London, Aeneas and Mercury, 1654, Etching and engraving; fifth state of five,the plate reduced, as published in 1697 or 1698, Plate: 10 1/4 7 11/16 in. (26 19.5 cm) Sheet: 13 7/8 7 7/8 in. (35.2 20

Francisco de Goya (1746-1828), Pfalzgreven. Foreign Minister Urquijo as quacks, 1797-1798

Caprichos: You understand...Well, as I say...eh! Look out! Otherwise.... Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Sint-Niklaas-Zilcken in 's Lands Kunst-Huis, Marius Bauer, 1896 Cartoon on Philip Zilcken Following the appearance of his book about modern Dutch etchers in 1896. Zilcken presented as Sinterklaas who distributes presents standing on a stage, Jan Veth holds the curtain on the left. Published in the addition of 'De Kroniek' of December 6, 1896. print maker: Netherlandsprinter: Amsterdampublisher: Amsterdam paper archbishop, bishop, etc. (Roman Catholic). the graphic arts. graphic artist. festivities on St. Nicholas (Eve) (December 5) Netherlands

Drawing by Joseph Lange showing a cavalier being led to a horse, created with brown feather and white chalk on blue paper, depicting figures and horse interaction.

Allegory dedicated to the third State (IT)

Vous aurez beau faire, ma pauvre presse.... Honoré Daumier (1808-1879). Lithographs

Building of the Ark, first half 1700s(). Alessandro Magnasco (Italian, 1667-1749). Black chalk and brush and brown wash; sheet: 32.5 x 25.3 cm (12 13/16 x 9 15/16 in.).

Spotprent op de Franse broederschap, 1793; Fransche Broederschap, gezegt Egaliteit.Cartoon on the French Brotherhood, 1793. A Frenchman and Dutchman embrace each other while the Frenchman steals the stock exchange of the Hollander. Probably following the first French raid in 1793. In the caption, a consultation between the two.

The Prodigal Son Driven from the Tavern. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Theodoor van Thulden after Sir Peter Paul Rubens.

S. Pantaléon, médecin (St. Pantaleon, Doctor), July 27th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Pantaléon, médecin (St. Pantaleon, Doctor), July 27th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Cette pauvre Albion! Ces satanés farceurs de fénians finissent par lui enlever toutes ses affaires.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1866. Prints; lithographs. Lithograph

Petegola ouer Rufiana Magnificho. Prints. 1600 - 1610. Spencer Collection. Masks, Costumes , Italy

Two warriors, one seated on a low foreground rock and holding a war hammer; the other figure seated on the ground behind him, holding a mace across his right shoulder and looking up at the foreground fugure, from Figurine series 1656-1657 Italy. Etching on ivory laid paper . Salvator Rosa

Faust, A Tragedy, 1828, Eugène Delacroix; Author: Johann Wolfgang von Goethe; Translator: Albert Stapfer; Publisher: Printed and co-published by Charles Motte, Paris; Publisher: Co-published by Sautelet et Cie., Paris, French, 1798-1863, 16 3/4 x 11 in. (42.55 x 27.94 cm), Lithographs on chine appliqué, letterpress; bound volume with modern binding, France, 19th century

Incity Illustration No. 12 (from 12) to the topic Bevegszen on marriage and their consequences Reasons for Marreages and their effects, Posted in: Goettinger bags Calender from 1789, Bey Joh. Chr. Lockpick. (Copy) Unknown, Chodowiecki, Daniel Nikolaus (1726 1801)

Bucefalus, et Alexander Magnus opus Praxitelis ante aedes Car: Ferrerij still image. Portraits. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Alexander, the Great, 356-323 B.C, Horses

Copper engraving by Sebald Beham from 1543 depicting an ensign, a drummer, and a Pfeifer, showing military figures and composition.

The Embrace (Picturesque Beauties of Boswell, Part the First) May 15, 1786 Thomas Rowlandson. The Embrace (Picturesque Beauties of Boswell, Part the First). Picturesque Beauties of Boswell. Thomas Rowlandson (British, London 1757-1827 London). May 15, 1786. Etching. Elizabeth Jackson (British, active 1785-87). Prints

Illustrations for Shakespeare's 'Macbeth'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1784. Prints; etchings. Etchings, six per page

A TOURNAMENT.

Quast, Pieter Jansz., Amsterdam, Savery, Salomon, Beggars and farmers, Siet t'verwarde Gaerens ent, The devil confuses the yarn, verso - stamped, A seated woman spins yarn that is wound from a spool onto a reel by a man. Behind them stands the devil who pulls the yarn and confuses it. Title print for a ten-part series with representations of beggars and peasants, which also includes various unfortunate figures from the First English War, ca. 1652-1654., print, cartoon, title print, prints, height 133 mm, width 89 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1638 - 1665, paper, engraving, engraving (printing process), etching, Work conception, 1606 - 1647-06, after a print by, 1652 - 1654

Example: A Man Possessed by the Devil because of Jealousy Jose Guadelupe Posada (Mexican, 1852-1913).. Relief engraving on type metal, 3 1/2 x 5 1/4 in. (8.9 x 13.3 cm). Arts of the Americas

Al Conde Palatino /To the count palatine; board No. 33 from: Los Caprichos” Caprices, ed. II, Madrid ca. 1855 Goya, Francisco de (1746 1828)

Peter Schlemihl Taunted for His Lack of Shadow. Dated: 1836. Dimensions: plate: 18.2 x 12.4 cm (7 3/16 x 4 7/8 in.) sheet: 35.2 x 26.8 cm (13 7/8 x 10 9/16 in.). Medium: etching on chine collé. Museum: National Gallery of Art, Washington DC. Author: Adolf Schrödter.

The clerical press: Not so quickly... December 15 will come soon enough!, from 'News of the day,' published in Le Charivari, December 5, 1866 December 5, 1866 Honoré Daumier. The clerical press: Not so quickly... December 15 will come soon enough!, from 'News of the day,' published in Le Charivari, December 5, 1866. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). December 5, 1866. Lithograph on wove paper; second state of four, proof (Delteil). Arnaud de Vresse. Prints

Caprichos: Wait Till You've Been Anointed. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Which goes up higher than it should, it falls lower than it wants Jacques Lagniet (1620-1672). "Who goes up higher than he should, he falls lower than he wants". Engraving.

Vulson de la Colombière, Marc.

February: Kok with a pie, Theodor Matham, after Joachim von Sandrart (I), 1645 print A cook in a kitchen with a bowl with a pie in his hands. In the foreground meat and poultry and a spit in the background. In the background, a glimpse into drinking and dancing figures, with a roster as a musical instrument. Amsterdam February; 'Febraro' (Ripa). pastry cook. cook. kitchen-interior. improvised musical instruments (kitchen-utensils, etc.). spit ~ cooking

La partie de saute-mouton. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The message of the Czaar, H. van Ooijen, 1898 paper political caricatures and satires. Europe represented allegorically; 'Europa' (Ripa). peace. personifications of countries, nations, states, districts, etc. Russia

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

He who embraces too much, clenches too little; verso: sketch of a hen in the style of Grandvilles drawings. Grandville, Jean-Jacques (1803-1847), draughtsman, cartoonist

Shows a couple walking left by Sebald Beham in a copper engraving, highlighting attire, gesture, and historical context.

Eh! bien, mon brave anglais.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1864. Prints; lithographs. Lithograph

Je n'ai plus besoin de vos services! Je vous rends vos outils. Nous allons nous quitter tous les deux pour longtemps j'espère.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1865. Prints; lithographs. Lithograph

Plate 14: Bertoldino cutting off the ears of a gardener's donkey, from "Bertoldo, Bertoldino, and Cacasenno" 1705-15 Giuseppe Maria Crespi. Plate 14: Bertoldino cutting off the ears of a gardener's donkey, from "Bertoldo, Bertoldino, and Cacasenno". Giuseppe Maria Crespi (Italian, Bologna 1665-1747 Bologna). 1705-15. Etching. Prints

Popłoch w pracowni malarskiej. Adam, Victor (1801-1866), draughtsman, cartoonist

Soldier and small girl. Artist: Hippolyte Bellangé (French, 1800-1866). Dimensions: Sheet: 7 7/8 × 6 11/16 in. (20 × 17 cm)Image: 6 15/16 × 5 13/16 in. (17.6 × 14.7 cm). Date: 1829. Museum: Metropolitan Museum of Art, New York, USA.

A man waving a staff at two chuckling boys Behind him a broken column Bottom right: Page 35 Bottom left: Antique Helicon top right: Pl II, Wizard wielding a staff But how strangely he looked on his nose, when he only screened in a thin wind etc , print maker: Daniël Veelwaard (I), (mentioned on object), intermediary draughtsman: Jacob Smies, (mentioned on object), publisher: François Bohn, Haarlem, 1803, paper, etching, h 186 mm × w 110 mm

The abduction of Lucretia.

Three men moving items in a bedroom, by the light of a candle. Illustration from Fable CLXXXIV, Le Mari, La Femme et le Voleur, The Couple and the Thief Le Mari, La Femme et le Voleur. Fable CLXXXIV , print maker: Reinier Vinkeles (I), (mentioned on object), Amsterdam, 1776, paper, etching, engraving, h 167 mm × w 121 mm

Italy, Wael, Cornelis de, Genre scenes, Peasants fighting in front of an inn, verso lower left - stamped, Two peasants fighting in front of an inn. They kick and hit each other. A dog pulls at the apron of a woman who is trying to separate them. Bystanders look on., print, prints, height 110 mm, width 149 mm, Work conception, Southern Netherlands, 1592-09-07 - 1667-04-21, after print by, 1630 - 1698, paper, papier, etching, etchings, engraving, engraving (printing process), print maker, printmaker

Ce pauvre Louis XIV n'en croyant pas ses yeux. Dated: 1871. Medium: gillotype on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A framed picture falls off a cornice marked 'National Honour'; representing dishonour for Great Britain perceived by the Whigs in the Anglo-Spanish convention on the Falkland Islands. Engraving, 1771.

Lot and his Daughters. Artist: Jan Georg (Joris) van Vliet (Dutch, Deft ca. 1610-ca. 1635); After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 10 7/8 x 8 13/16 in. (27.7 x 22.4 cm). Date: 1620-40. Museum: Metropolitan Museum of Art, New York, USA.

Two begging men on crutches, Gillis van Scheyndel (I), 1638 print Two vanders near a fence. The standing man begs with his hat leaning on a stick. The other man is sitting next to his crutches. A few trees and houses in the background. The print is part of a series of 32 prints with genreta scenes. In the time when this series came about, 'Krepel' was a generic word to describe a physical disability to the lower body. paper etching / engraving beggar. person with a physical disability

The murder of Count Floris I, sleeping under a tree, 1061, Jacobus Buys, 1778 - 1795 drawing Graaf Floris I is murdered under a tree on 28 June 1061 in Nederhemert. Design for a print. paper. ink pen / brush historical persons. murder Nederhemert

Rembrandt van Rijn (1606-1669), David OG Goliath, 1655

Torrentius, Johannes, Quast, Pieter Jansz., Copulating couple, verso lower left - stamped, Man penetrates seated woman who wraps her legs around him, print, prints, erotica, Torrentuis fec., recto lower right - handwritten, height 184 mm, width 136 mm, Northern Netherlands, 1606 - 1647-06, print maker, printmaker, 1600 - 1644, first quarter 17th century, second quarter 17th century, paper, etching, etchings, 1589 - 1644-02-17

Drunken Farmers, Anonymous (Rejected Attribution), After Karel van Mander, 1588 print A farmer with a sword supports a drunk farmer. In the background a hilly landscape with a church. At the bottom of a two -way poem in Dutch. print maker: Low Countriesafter design by: Low Countriespublisher: Amsterdam paper engraving farmers. drunkard. hacking and thrusting weapons: sword. church (exterior)

I beg you, get back into your box. You are going to endanger my equilibrium, from 'News of the day,' published in Le Charivari, January 13, 1869 January 13, 1869 Honoré Daumier. I beg you, get back into your box. You are going to endanger my equilibrium, from 'News of the day,' published in Le Charivari, January 13, 1869. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). January 13, 1869. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

drawing by F. Barrias: Virgil scene from the Aeneidos man with two women in forest, Anonymous.

Fat Warrior on a bridge, Daniël Specelaard (I), After Jacob Smies, 1802 - 1809 print A thick figure, with helmet and sword, on a bridge with soldiers. Top right: pl. VI*. Bottom right: p. 184. Haarlem paper etching political caricatures and satires

The Devil confuses the yarn, Salomon Savery, after Pieter Jansz Quast, 1652 - 1654 print A sitting woman spins yarn who is wounded on a reel by a man of a coil. Behind them is the devil who pulls the yarn and confuses it. Title print for a ten-part series with performances by beggars and farmers in which various unfortunate figures from the first English war are also included, ca. 1652-1654. Amsterdam paper engraving / etching spinning (manufacture of yarn). devil(s) and demons

L'Empereur Nicolas suppliant l'hiver... , Emperors, Nicholas I, Emperor of Russia, 1796-1855. Honoré Daumier (1808-1879). Lithographs

La fuite a dessein. Dated: 1783. Dimensions: plate: 37.3 x 29 cm (14 11/16 x 11 7/16 in.) sheet: 40.9 x 31.7 cm (16 1/8 x 12 1/2 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles François Adrien Macret after Jean-Honoré Fragonard.

Eh! bien, mon petit Savoyard, qu'as tu fait de ta sourie blanche...-Mais la voici Madame..., elle est Française à c't'heure, et elle a pris les couleurs nationales!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1860. Prints; lithographs. Lithograph

Voila une bonne hauteur pour...mon baromètre.... Honoré Daumier (1808-1879). Lithographs

"-What a shame that I am not allowed go hunting," plate 180 from Actualitiés. Honoré Victorin Daumier; French, 1808-1879. Date: 1867. Dimensions: 232 × 197 mm (image); 292 × 237 mm (sheet). Lithograph in black on buff wove paper, with letterpress verso. Origin: France. Museum: The Chicago Art Institute, USA.

Pope, Germania, Germany and Rome title page of Der Floh, Carl von Stur -, artist

Like a Puppet, from 'News of the day,' published in Le Charivari, October 12, 1869 October 12, 1869 Honoré Daumier. Like a Puppet, from 'News of the day,' published in Le Charivari, October 12, 1869. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). October 12, 1869. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

Special Pleading March 1780 Thomas Rowlandson British. Special Pleading. Thomas Rowlandson (British, London 1757-1827 London). March 1780. Etching. Alexander McKenzie (British, active 1780-86). Prints

Wilhelm I, Prince of Orania, Count von Nassau his murder (pistol disgust) by Balthasar Gérard in Delft on 10 July 1584. Steel stitch, without designation. Down German legend.

A 1799 etching and aquatint by Francisco José de Goya y Lucientes from the series Los Caprichos, depicting 'Wait Until They Anoint You', showing figures, gestures, and composition.

Don Quixote hits Sancho Panza to Knight, Caspar Luyken, 1694 - 1696 drawing Don Quixotte hits Sancho Panza in a church kneeling for a statue of saints. Design for a (title) print. paper. ink pen / brush Sancho Panza. becoming a knight, knighting. Don Quixote

Prince Henry, Hotspur and Falstaff (Shakespeare, King Henry IV, Part 1, Act 5, Scene 4). Artist: After John Francis Rigaud (British (born Italy), Turin 1742-1810 Packington). Dimensions: Plate: 22 7/16 × 16 5/8 in. (57 × 42.3 cm)Sheet: 27 5/8 × 21 7/8 in. (70.2 × 55.5 cm). Engraver: Thomas Ryder I (British, 1746-1810). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1796. Museum: Metropolitan Museum of Art, New York, USA.

"- Adelaide, Adelaide.. I think I can see the comet coming!!... - Oh my God... this is the end of the world.... how annoying. They promised it wouldn't come until June 13!," plate 31 from Croquis Parisiens. Honoré Victorin Daumier; French, 1808-1879. Date: 1857. Dimensions: 204 × 259 mm (image); 252 × 360 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Confectioner, Abraham Bosse, 1629 - 1630 print Paris paper etching / engraving wandering or travelling merchant. merchant, salesman. pastry cook. cake, tart, pastry

Wood engraving, Temujin, Published, 1860 Artist: William Holman Hunt Engraver: Joseph Swain, Illustration for Temujin, also known as Genghis Khan, Drawing, Ink, Sketch, Pre-Raphaelite, Illustration, Printing, Engraving

Ohé! ... Combien votre lievre ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Etching by Rembrandt illustrating David and Goliath for Menasse Ben Israel's 'Piedra Gloriosa,' created in 1655.

Un Pauvre père de famille qui... Dated: 1843. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Illustration for the 'Works of J.P.C. Florian'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1796. Prints; etchings. Etching

Martyrdom of Thomas of Canterbury. Line engraving by J. Stowe, 1793, after J. Opie.

Gustave Doré (1832-1883), designer and Eugène Pred'homme (1813-1886), engraver. "Case of flagrant Delict." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101786-19 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Patrouille chinoise en reçonnaissance, from En Chine, published in Le Charivari, November 7, 1859. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 8 1/2 × 10 3/4 in. (21.6 × 27.3 cm)Sheet: 11 13/16 × 11 1/2 in. (30 × 29.2 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: En Chine. Date: November 7, 1859. Museum: Metropolitan Museum of Art, New York, USA.

George Wilhelm Richmann (1711-1753) professor of Natural History at St Petersburg, Russia. Already interested in the electrical nature of thunderstorms, he repeated Benjamin Franklin's kite experiment and was killed by ball-lightning on 6 August 1753. T

Mother and five children, from behind. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 2-Oct-1651. Place: Zwolle. Measurements: h 115 mm × w 104 mm. Museum: Rijksmuseum, Amsterdam.

Night scene with soldiers chasing a fugitive (Mark XIV, 5-52) 1611-74 Leonaert Bramer Dutch. Night scene with soldiers chasing a fugitive (Mark XIV, 5-52) 381627 Artist: Leonaert Bramer, Dutch, Delft 15961674 Delft, Night scene with soldiers chasing a fugitive (Mark XIV, 5-52), 161174, Brush and gray ink, white gouache, on blue paper, sheet: 13 5/8 x 11 in. (34.6 x 27.9 cm). The Metropolitan Museum of Art, New York. Gift of Katrin Bellinger, 2008 (2008.178.12)

Turgot: -Eh, well, my poor Count, it appears that they borrow my name as they have taken yours for the sake of creating the sign of a shop, from 'News of the day,' published in Le Charivari, October 7, 1867 October 7, 1867 Honoré Daumier. Turgot: -Eh, well, my poor Count, it appears that they borrow my name as they have taken yours for the sake of creating the sign of a shop, from 'News of the day,' published in Le Charivari, October 7, 1867. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). October 7, 1867. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

Fustigatio. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Jael Killing Sisera. Draughtsman: Rembrandt van Rijn. Dating: c. 1658 - c. 1659. Place: Amsterdam. Measurements: h 192 mm × w 174 mm. Museum: Rijksmuseum, Amsterdam.

Sir Joseph Banks and the Emperor of Morocco 1788 Thomas Rowlandson Sir Joseph Banks is shown pursuing a butterfly with a scissor-like net, in a walled garden. He steps over a gardener who lies sprawled on the ground, knocks over pots, and loses his hat which flies off behind.The missing poem (trimmed away here):"Lo down the lane alert the Emp'ror flew.And struck once more Sir Joseph's hawk like view;And now he mounted o'er a garden wall!In rush'd Sir Joseph at the garden door,Knock'd down the Gard'ner-what could man do more,And lest him as he chose to rise or sprawl". Sir Joseph Banks and the Emperor of Morocco. Thomas Rowlandson (British, London 1757-1827 London). 1788. Etching. George Kearsley (London). Prints

Van Amburgh. Outdone!. Artist: John Doyle (Irish, Dublin 1797-1868 London). Dimensions: Sheet: 11 7/8 × 17 5/16 in. (30.2 × 44 cm). Lithographer: Alfred Ducôte (British, active 1830-40). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: HB Sketches, No. 561. Subject: Henry John Temple, 3rd Viscount Palmerston (British, 1784-1865); Thomas Spring Rice, 1st Baron Monteagle (British, 1790-1866); William Lamb, 2nd Viscount Melbourne (British, London 1779-1848 Hertfordshire); Daniel O'Connell (Irish, Cahirciveen, Kerry 1775-1847 Genoa); Constantine Henry Phipps, 1st Marquess of Normanby (British, Whitby, Yorkshire 1797-1863 London); George William Frederick Howard, 7th Earl of Carlisle (British, 1802-1864); Henry Richard Fox Vassall, 3rd Baron Holland (British, 1773-1840); Henry George Grey, 3rd Earl Grey (British, 1802-1894); John Cam Hobhouse (British, Bristol 1786-1869 London); Charles Grant, Baron Glenelg (British, 1778-1866); Charles Christopher Pepys, 1st E

Copper engraving by Sebald Beham from 1537 depicting an old couple dancing to the left, showing figures, posture, clothing, and composition.

Two Grenadiers. Dimensions: sheet: 16 x 12.5 cm (6 5/16 x 4 15/16 in.). Medium: brush and brown wash with pen and brown ink over graphite on wove paper laid down on album sheet. Museum: National Gallery of Art, Washington DC. Author: Victor Adam.

Rinaldo and Armida Artist's working dates 1729-1769 Italy. Pen and brown inks (iron gall and bistre) and watercolor on ivory laid paper . Francesco Fontebasso

Christ crowned with thorns. Artist: Annibale Carracci. Draughtsman: Moses ter Borch. Dating: c. 1660. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Honoré Daumier, Grande révolte des rats de montfaucon , 19th century Grande révolte des rats de montfaucon ...

Death Stalking a Woman. Dimensions: sheet: 22.8 x 19.1 cm (9 x 7 1/2 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carl Gotthard Langhans.

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