Scenes from Daily Life

Lithographs capturing humorous and poignant moments in daily life, with engaging narratives illustrated through expressive characters.

Ce malheureux lièvre doit être.... Honoré Daumier (1808-1879). Lithographs

Embarquement d'une dame. Honoré Daumier (1808-1879). Lithographs

On dit que le chien est ami de l'homme.... Honoré Daumier (1808-1879). Lithographs

Ce malheureux lièvre doit être.... Honoré Daumier (1808-1879). Lithographs

Souvenirs of the seat of Paris / 12 / Aerostier / My let go Here, the v'là! (IT)

Au camp de Chalons -Voila Abdel Kader! Je vais courir le voir -Que t'es bête! T'aurais beau courir! C'est un homme qu'on a jamais pu attraper.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1865. Prints; lithographs. Lithograph

A Sébastopol. - C'est insupportable.... Honoré Daumier (1808-1879). Lithographs

Going Down Stream (Avallant). Dated: 1862. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles-Francois Daubigny.

Inconvénient de chasser...où il y a trop de gibier. Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, Monsieur Prudhomme Je me noie! , 19th century Monsieur Prudhomme ... Je me noie! ...

Un jour de revue , Emperors, Politicians, Government officials, Napoleon III, Emperor of the French, 1808-1873, Montalembert, Charles Forbes, comte de, 1810-1870. Honoré Daumier (1808-1879). Lithographs

If the Hunter has Cold Hands... the hare doesn't have cold feet, plate 22 from Émotions De Chasse. Honoré Victorin Daumier; French, 1808-1879. Date: 1858. Dimensions: 212 × 260 mm (image); 274 × 356 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Grande révolte des rats de montfaucon, from Les Hippophages, published in Le Charivari, October 21, 1856 October 21, 1856 Honoré Daumier French. Grande révolte des rats de montfaucon, from Les Hippophages, published in Le Charivari, October 21, 1856. Les Hippophages. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). October 21, 1856. Lithograph; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

The passengers had recognized Mrs. Branican, vintage engraved illustration. Jules Verne Mistress Branican, 1891.

Ça mord, quelle chance! Je vous défends.... Honoré Daumier (1808-1879). Lithographs

Figure studies, Jan Weissenbruch, 1832 - 1880 drawing paper. watercolor (paint). pencil brush postures of the human figure

Vintage Book Drawing print for Treasure Island, by Robert Louis Stevenson. "One more step Mr.Hands, said I, and I'll blow your brains out" p.216

A visit to the Kabyles. / 413 (registered title) | News. (Title of the whole)

So I have bagged a partridge!... Oh well, it's just a sparrow!..., from 'Hunting sketches,' published in Le Charivari, October 19, 1864 October 19, 1864 Honoré Daumier. So I have bagged a partridge!... Oh well, it's just a sparrow!..., from 'Hunting sketches,' published in Le Charivari, October 19, 1864. 'Hunting sketches' (Croquis de chasse). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). October 19, 1864. Lithograph on newsprint; second state of two (Delteil). Prints

Honoré Daumier (French, 1808-1879), Ma femme ça mord ça mord!, 1846, lithograph

M. Coste, s'apercevant qu'a force de tirer ses poissons... , Scientists, Coste, M. Jean Jacques Marie Cyprien Victor, 1807-1873. Honoré Daumier (1808-1879). Lithographs

La levée du camp. Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, Et plus un grain de poudre! , 19th century Et plus un grain de poudre! ...

Mrs. Partington Hancock struggling with the Republican tide., 1880, 19th century engraving, USA, America

Look, Papa, a Monkey! (Tiens Papa!...un singe!...) Honoré Daumier (French, 1808-1879). , July 30, 1858. Lithograph on newsprint, Sheet: 9 1/2 x 14 3/16 in. (24.2 x 36.1 cm). European Art July 30, 1858

Quelle nature!...Les sites deviennent d'une largeur!... - Et d'une longueur! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

M. Prudhomme. - Mon fils, salute ce monument.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1855. Prints; lithographs. Lithograph

- But, Dumanet ..., what are you doing here ... / 19. (registered title) | In Mexico (set of all)

Utrechtse Maskerade of 1851: Explanation, 1851 print Leaf with reduced representations of the eight scenes, with legend and explanation. Part of the series of eight prints of the Maskerade of the students of the Utrecht Hogeschool representing episodes from Dutch history, 25 June 1851. See also the explanation of the Presenting of the Prent, published separately. Utrecht paper letterpress printing students' pageant

Honoré Daumier, Une Révolte a Bord, 1843 Une Révolte a Bord

An itinerant salesman selling reproductions of antique and modern sculptures from a timber board he balances on his head. Etching by J.T. Smith, 1815.

Painting. Olszewski, Kazimierz (Fl. 1874 Ca 1900)

Amsterdam, Gogh, Vincent van, De Spitter, Print with title and caption, supplement to 'De Kroniek'. Signed and dated., print, cartoon, prints, height 60.5 cm, width 40.2 cm, Dutch, 1853-03-30 - 1890-07-29, designer, 1895-02-17 - 1895-02-17, fourth quarter 19th century, paper, lithography (technique)

An Encounter in Open Water - Hello.. down there.. Captain.., what's new in Paris - Nothing new really.. still no one goes to the Gaieté or the Ambigu - Don't you have anything else to tell me - Oh yes,.. I forgot.. I hope you like it.. shut up!,” plate 11 from Les Canotiers Parisiens 1843 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

The Banqueters, plate 9: What a pitiful idea we have..., 1849. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.5 x 25.5 cm (14 x 10 1/16 in.); image: 25.4 x 20.7 cm (10 x 8 1/8 in.).

Commençant à trouver que l'imperiale des omnibus..., from Croquis Parisiens, published in Le Charivari, February 10, 1858 February 10, 1858 Honoré Daumier French. Commençant à trouver que l'imperiale des omnibus..., from Croquis Parisiens, published in Le Charivari, February 10, 1858. Croquis Parisiens. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). February 10, 1858. Lithograph on newsprint; second state (Delteil). Aaron Martinet (French, 1762-1841). Prints

C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 October 2, 1856 Honoré Daumier French. C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856. Les Hippophages. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). October 2, 1856. Lithograph; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Write your protocol ... I have a idea that they will change home. (Registered title) | News. (Title of the whole)

Dune landscape with a man digging in a basket Verscheyden Beaches and water gesichten gedaen by Jan Percelles (series title), print maker: Gillis van Scheyndel (I), print maker: Jan Porcellis, (rejected attribution), intermediary draughtsman: Jan Porcellis, Noord-Nederland, 1645, paper, etching, h 73 mm × w 94 mm

THE SWEDISH ARCTIC EXPEDITION: A SAMOIEDE SACRIFICIAL ALTAR, 1876

Un jour de revue. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier, Dire que je n'ai pas pu tirer , 19th century Dire que je n'ai pas pu tirer ...

Cartoon at the Ministry of Heemskerk, 1874, 1874 print The Ministry of Heemskerk, 1874. Heemskerk as a little boy who is allowed to ride on the Netherlands Lion under the supervision of the Dutch Virgin who sits in a beach chair on the beach of Scheveningen. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 35, 1874. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper personifications of countries, nations, states, districts, etc.. beach (as place of recreation) Scheveningen

Cascade de Coo. Les personnes avides d'émotions peuvent s'en procurer de très vives en faisant cette promenade en bateau.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1872. Prints; lithographs. Lithograph

Two men on a rowing boat save a drowning person, Honoré Daumier, 1843 Paris paper caricatures (human types). rowing-boat, canoe, etc.. river. saving a person from drowning Seine

Honoré Daumier, L'Album des Charges du Jour: Mr. PrudhommeMon fils, rappelle toi..., 1860, lithograph on paper.

Honoré Daumier (French, 1808-1879), Ayant eu la facheuse idée d'aller en mer, 1852, lithograph

Visvangst, Edmond Charles Joseph Yon, After Ulysse BUTIN, 1877 print paper commercial fishery

Ayant eu la facheuse idée d'aller... en mer. Dated: 1852. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

C'est peut-être bon, mais c'est égal.... Honoré Daumier (1808-1879). Lithographs

Parisien commencant a regretter ... la chasse au lion ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier, Parisien commencant a regretter la chasse au lion , 19th century Parisien commencant a regretter ... la chasse au lion ...

Fortune (La fortune). Dimensions: 59.8 cm x 42.8 cm, 27.3 cm x 24.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: ADOLPHE WILLETTE.

En Voila un de plaisir!. Dated: 1841. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Les Martyrs. Paul Gavarni (French, 1804-1866). Lithograph;

Honoré Daumier, En pleine eau, 1847 En pleine eau

Honoré Daumier, Une plaisanterie dont ne se lasse , 19th century Une plaisanterie dont ne se lasse ...

- I wonder why this beast is following me all the time.. I'll happily be paying 6 sous to jump on a bus, plate 1 from Émotions De Chasse 1854 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Man Flailing. Dated: 1850s. Dimensions: sheet: 13.3 × 10.3 cm (5 1/4 × 4 1/16 in.). Medium: graphite on heavy wove paper. Museum: National Gallery of Art, Washington DC. Author: Felix Octavius Carr Darley.

Les baigneuses prudentes. Honoré Daumier (1808-1879). Lithographs

Portada del semanario "El Cañón Krupp", nº 1, editado en Barcelona 21 abril 1874. Dibujo satírico sobre la situación política en España tras el golpe de estado del general Pavía.

Martin of Aragon (1356-1410). King of Aragon, Valencia, Sardinia, Corsica and Count of Barcelona from 1396 and King of Sicily from 1409 (as Martin II). Engraving. Museo Militar, 1883.

Honoré Daumier, Bertrand et Raton, 19th century Bertrand et Raton

Vospominanie o Malorossii", s risunka professora Sokolova.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Si tu ne tais pas ton bec, Adophe (sic), nous aurons desmots.. Artist: Paul Gavarni, French, 1804-1866

Parisiens regrettant vivement.... Honoré Daumier (1808-1879). Lithographs

Désagrément d'aller à la pèche.... Honoré Daumier (1808-1879). Lithographs

Portrait of a nobility, probably Admiral Nelson, Anonymous, 1822 - 1845 print The portrayed person stands on a ship and hangs over the edge of a ironed sail with the wind in his back. In his hand he has binoculars. Under the portrait the words: the nobility. Dordrecht paper. historical persons. sail. binoculars, spy-glass, etc.

A New Way to Float Down the River of Life. - Radiguet you rascal, to hell with you, your boat and your new invention.... it is your fault that the entire outing went down the drain. - Come, come now.... no reason to scream hell. I am just angry about my boot-maker... since my shoes are being filled with water coming from the holes in the pockets of my pants., plate 3 from Les Canotiers Parisiens. Honoré Victorin Daumier; French, 1808-1879. Date: 1843. Dimensions: 201 × 256 mm (image); 264 × 342 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Les Intrépides. Honoré Daumier (France, Marseilles, 1808-1879). France, 1834. Prints; lithographs. Lithograph

The bathe at Newport , Swimmers, Beaches

Fishermen in a boat, Anonymous, After Henry William Bunbury, 1775 - 1825 print Cartoon with four figures in a boat, a young man punters, two men fishing with rods, a fourth man smokes sitting on a chair a pipe. England paper etching angling. political caricatures and satires

Honoré Daumier, Commencant a trouver que l'impèriale , 19th century Commencant a trouver que l'impèriale ...

Plus souvent que tu m'attraperas encore à satisfaire ta fantasie.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1847. Prints; lithographs. Lithograph

Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea, Print made by William Hogarth, 1697-1764, British, After William Hogarth, 1697-1764, British, 1747, Etching and line engraving, Sheet: 10 5/8 × 13 3/4 inches (27 × 34.9 cm)

Un Parasol dans une position difficile. Dated: 1859. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

John Bull in France 1788 Thomas Rowlandson. John Bull in France. Imitations of Modern Drawings (). After Henry Wigstead (British, 1745-1800 Margate). 1788. Hand-colored etching and aquatint. Prints

Riddle (sieve) makers near Zamosc, Poland, 19th century engraving

Robin Hood and Friar Tuck, with a Slight Alteration in the Dramatis Personae, Print made by John Doyle ('H.B.'), 1797-1868, Irish, Printed by A. Ducôte, active 1832-1840, British, Published by Thomas McLean, 1788-1875, British, 1834, Lithograph, hand-colored on moderately thick, smooth, beige wove paper, Sheet: 11 7/8 x 17 1/2 inches (30.1 x 44.4 cm) and Image: 9 5/16 x 13 11/16 inches (23.7 x 34.8 cm), bandit, belt, boots, caricature, carrying, crossing, feather, folklore, friar, hat, historical subject, parody, political, politicians, river, satire, satirical, sketches, story, tights

Honoré Daumier, Enlèvement d'une fille de l'air, 19th century Enlèvement d'une fille de l'air

Cake-and-zopie. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 153 mm × w 163 mm. Museum: Rijksmuseum, Amsterdam.

Les débats (ou l'union) et l'Assemblée Nationale s'amusant à gonfler un colosse.... Honoré Daumier (1808-1879). Lithographs

Winslow Homer, Fly Fishing, Saranac Lake, 1889, etching and aquatint on beige wove paper.

Facsimile of an anonymous engraving satirising the pre-Raphaelite painting Sir Isumbras at the Ford by Sir John Everett Millais printed London 1857 From A Catalogue of a Collection of Engravings Etchings and Woodcuts by Richard Fisher published 1879

- Tarteifle! .... he eats too much! ... / 1 (registered title) | In Veneto (title of all)

Neuville, Alphonse Marie de (n.1835-05-31-D.1885-05-19), 19. The bank of the Seine (Marius makes the effect of being dead to someone who knows it) (Dummy title), 1866. Graphite pencil. Ink and raises of white gouache on paper. Houses of Victor Hugo Paris - Guernsey.

Drunkenness. Illustration for `volatile sketches from popular life 'by a.f.j. Heron. Design for a print.

The attachment of the eastern border , Caricature to Friedrich Ludwig Jahn, MP of the National Assembly in Frankfurt , Samuel Stern, publisher

Delights of Fishing. Charles Turner (English, 1773-1857); after Sir Robert Frankland (English, 1784-1849); published by Thomas McLean (English, active c. 1790-1860). Date: 1823. Dimensions: 200 × 262 mm (image); 235 × 285 mm (plate); 262 × 350 mm (sheet). Hand-colored etching and aquatint on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

'Help! Help! or, Wanted a Water Act', 1883. Artist: Unknown

At sea baths. Planche N7 (letter registered (letter)) | 4th suite of 1863. (Title Title)

Frederick Stuart Church, "I Want to Go Home", and Constructing Railroad Ties, 1872, wood engraving on paper.

Return of the exposure (registered title) | News. (Title of the set)

Illustration for Punch, January 9, 1929: A Brush at the Masthead, Leonard Raven -Hill, 1928 - 1929 drawing A Brush at the Masthead; The Dutch Invasion of London: "In Matters of Painting the Charm of the Dutch is Grudging So Little and Lending So Much". Announcement of an exhibition of Dutch seventeenth-century painting in the Burlington House in London: a man (punch) on the quay greets a sailing ship with sails on which the names of the painters stand and the banner "Dutch Art". Design for a print. paper. ink pen sailing-ship, sailing-boat. temporary exhibition, 'Salon' Burlington House

The Idle 'Prentice Turned Away and Sent to Sea (Industry and Idleness, plate 5) September 30, 1747 William Hogarth British. The Idle 'Prentice Turned Away and Sent to Sea (Industry and Idleness, plate 5) 399824

On the air of a burning fever. (Registered title) | News. (Title of the whole)

Oh! Le gueux ... il a été mourir la ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Spring Farm Work - Grafting, from Harpers Weekly, April 30, 1870. Artist: Winslow Homer, American, 1836-1910

Haarlem, Berendrecht, Johannes Pietersz., Porcellis, Jan, Northern Netherlands, Scheyndel, Gillis van (I), Various beaches and water views done by Jan Percelles, Dune landscape with a man, with a basket on his arm, verso lower left - stamped, print, prints, height 74 mm, width 95 mm, 1595 - 1660-12-24, print maker, printmaker, 1618 - 1645, paper, papier, etching, etchings, 1584 - 1632-01-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Netherlands, 1590 - 1645, publisher

Illustration highlighting the fear of Socialism in Britain 1880

La Mer. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Dimensions: Sheet: 16 15/16 × 11 3/4 in. (43 × 29.8 cm)Plate: 15 1/2 × 10 15/16 in. (39.4 × 27.8 cm). Date: 1850-1914. Museum: Metropolitan Museum of Art, New York, USA.

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