Scenic Etchings and Representations

Timeless etchings depicting idyllic landscapes and mythical themes, showcasing detailed landscapes with historical and mythological references.

Numbered lower right: 78. Sicile, View of the quarry near Campo Bello, Selinunte Vuë prise dans les Carrieres de Campo bello près de Selinunte , print maker: François Allix, (mentioned on object), intermediary draughtsman: Claude-Louis Chtelet, (mentioned on object), publisher: Jacques-Gabriel Clousier, print maker: France, intermediary draughtsman: France, publisher: Paris, 1781 - 1786, paper, etching, engraving, h 203 mm × w 283 mm

View at Isola di Sora, Sir Richard Colt Hoare, 1758-1838, British, 1790, Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper, Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm) and Contemporary drawn border: 16 x 21 5/8 inches (40.6 x 54.9 cm), cityscape, Grand Tour, island, landscape, Sora

James Mason, 1710-1783, British, Untitled (duplicate of B1977.14.11857), 1862. Engraving.

Mercury and Herse, Print made by John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1842, Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper with cream chine-collé, Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm), Plate: 24 5/8 × 18 7/8 inches (62.5 × 47.9 cm), Image: 21 1/4 × 18 inches (54 × 45.7 cm), and Chine collé: 18 1/2 × 15 1/8 inches (47 × 38.4 cm), arches, bridges, landscape, men, religious and mythological subject, river, temple, trees, women

Landscape with the skin of Marsyas, Richard Earlom, After Claude Lorrain, 1775 print London paper etching cattle. (high) hill - HH - ideal landscapes. punishment of Marsyas: he is flayed by Apollo

Newburg. 1760 - 1890. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Newburgh (N.Y.)

Venus and Adonis, Nicolas Perelle, after Willem van Nieulandt (II), After Paul Bril, 1673 - 1695 print Paris paper etching dog. landscapes with waters, waterscapes, seascapes (in the temperate zone). Venus trying to prevent Adonis from going hunting

Arcadian landscape with a river, Johannes Glaber, 1656 - 1726 print An arcadian landscape with a river. Ruins along the shore. In the foreground a man with a spear and a sitting woman. Both are in Roman clothing. A city in the background. The print is part of a series with Arcadian landscapes. unknown paper etching river. pastorals, Arcadian scenes. landscape with ruins (+ city(-scape) with figures, staffage)

Landscape with Juno that entrusts to Argus, Richard Earlom, After Claude Lorrain, 1776 print London paper etching city-view, and landscape with man-made constructions - II - ideal landscapes. river - HH - ideal landscapes. Juno appoints Argus to watch the cow (Io metamorphosed)

Numbered lower right: 78. Sicile, View of the quarry near Campo Bello, Selinunte Vuë prise dans les Carrieres de Campo bello près de Selinunte , print maker: François Allix, (mentioned on object), intermediary draughtsman: Claude-Louis Chtelet, (mentioned on object), publisher: Jacques-Gabriel Clousier, print maker: France, intermediary draughtsman: France, publisher: Paris, 1781 - 1786, paper, etching, engraving, h 203 mm × w 283 mm

Wszyscy Święci w MNK Theoores: The EIB Grourants the early 1797 1886), Half themeg, fr., Lorran, Loland, Lorerans, Claude (1600 1982)

View of Trsat with figures at a fordable place, Jacques-Philippe Le Bas, after Van Ruysdael, c. 1760 print print maker: Parispublisher: ParisFranceFrance paper etching / engraving landscapes (+ landscape with figures, staffage). ford. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. herd, flock. armorial bearing, heraldry Croatia

Junction of Severn and Wye, Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching, aquatint, and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper, Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)

Seascape with Bacchus and Ariadne. Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome); Engraved by François Vivares (French, Saint-Jean-du-Bruel 1709-1780 London). Dimensions: image: 11 5/16 x 15 1/16 in. (28.8 x 38.3 cm)plate: 12 5/16 x 15 7/8 in. (31.3 x 40.3 cm)sheet: 15 1/4 x 18 1/4 in. (38.7 x 46.3 cm). Publisher: Arthur Pond (British, London 1701-1758 London). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with figures and on the left a man in a punt, Bartholomeus Barbiers, after c. 1750 - 1808 drawing paper. graphite (mineral). ink pen / brush

Landscape with Tobias, De Vis and the Engel, Richard Earlom, After Claude Lorrain, 1776 print London paper etching cattle driving, cattle driver. landscape with bridge, viaduct or aqueduct - II - ideal landscapes. river - HH - ideal landscapes. the angel Raphael tells Tobias to cut the fish to pieces. Tobias captures the fish and pulls it on the land

Cottage Scene Near Colchester, Essex (1 of 2), Francis Jukes, 1747-1812, British, after William Redmore Bigg, 1755-1828, British, 1797, Color aquatint, Sheet: 10 3/4 x 12 3/4in. (27.3 x 32.4cm)

View of the Grotta del Cane. 1801 - 1833. Morghen, Raffaello, 1761-1833. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Poussin Nicolas (1594-1665), landscape with Diogenes (approx. 1750): reproductive graphics according to Poussin. Pressure on paper, 55.7 x 76.5 cm (including scan edges) Poussin Nicolas (1594-1665): Landschaft mit Diogenes

View of Lake Albano, with five shepherds, Richard Earlom, After Claude Lorrain, 1774 print London paper etching cattle. making music; musician with instrument - CC - out of doors. castle. lake More from Albano (Lazio)

Sir Richard Colt Hoare, 1758-1838, British, View of Vicovaro, obin, Vicus Varii, 1786 to 1819. Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper.

No. 95. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Forest landscape with monument for Salomon Gessner (1730-1788), in the foreground on the right a man with a winch, Forest landscape with monument for Salomon Gessner, draughtsman: anonymous, 1740 - 1800, paper, brush, h 342 mm × w 447 mm

The RuralLovers. Artist: François Vivarès, French, 1709-1780 After: Thomas Gainsborough, British, 1727-1788

. Landscape. Design for painting above mantle or door

Landscape with musical orpheus and Eurydice, bitten by a snake. In landscape with river in the foreground Orpheus playing the winch, surrounded by nymphs. Left EURYDICE that is bitten by a snake. Hilly landscape with castle in the background.

The Amphitheatre on the Springenberg in Cleves, draughtsman: Gerbrand van den Eeckhout, draughtsman: Hendrik Feltman, (rejected attribution), draughtsman: Anthonie van Borssom, (rejected attribution), after 1660 - 1663, paper, pen, brush, h 205 mm × w 307 mm

Die Abend. Evening. Le soir.. Wijnants, Jan, 1631 or 1632-1684. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Horses, Bodies of water, Dead trees

Arcadian landscape featuring a sarcophagus, drawn in black chalk and graphite pencil with gray shading.

Landscape with some figures, Giuliano Giampiccoli, After Marco Ricci, 1739 - 1740 print Venice paper etching landscapes in the temperate zone

Landscape with two figures and a cart on a sloping path, Sébastien Bourdon, 1626 - 1671 print Paris paper etching / engraving landscapes. 'en route', traveller under way. (farm) wagon, freight wagon, cart

Johann Heinrich Müntz's 1770-1776 drawing depicts a wide valley with standing trees, a river monument, a rural figure, and a fortress in the background, executed in black-gray pen and watercolor over pencil.

Vuë du Cours du Crati en de la Vallée délicieuse òu étoit située l'Antique Ville de Sybaris, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, plate 53, facing page 95.

No. 91. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Etched by Joseph Mallord William Turner, 1775-1851, British, The Castle above the Meadows, 1808. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Dirt Road Landscape (recto); Landscape (verso). James "Drunken" Robertson (English, active 1815-1836); or David Cox, the elder (English, 1783-1859). Date: 1815-1836. Dimensions: 240 × 314 mm. Pen and brown ink with watercolor over graphite (recto) and graphite (verso) on off-white wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Flatford Mill, Print made by David Lucas, 1802-1881, British, after John Constable, 1776-1837, British, 1844, Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper, Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm), Plate: 7 x 8 1/4 inches (17.8 x 21 cm), and Image: 5 5/8 x 7 1/8 inches (14.3 x 18.1 cm), East Bergholt, England, Europe, Flatford, Suffolk, United Kingdom

Landscape with Ruins, from a series of4. Artist: Fabio Berardi, Italian, 1728-1788 After: Giuseppe Zais, Italian, 1709-1781

No. 42. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Peasants Going to Market. Line engraving.

View of Lucan House, John James Barralet, 1747-1815, British, 1782, Watercolor, pen and black ink and pen and brown ink on medium, slighlty textured, cream laid paper mounted to medium, slightly textured, cream laid paper, Sheet: 4 7/8 × 7 1/4 inches (12.4 × 18.4 cm) and Mount: 6 × 8 inches (15.2 × 20.3 cm), bridge (built work), cows, genre subject, horses (animals), landscape, men, trees, women, Dublin, Europe, Ireland, Leinster, Lucan

About 100 years before Christ Birth, Anonymous, c. 1789 - c. 1810 drawing Netherlands paper. ink pen / brush extinct, 'historical' peoples (with NAME)

The passage of the ford after Dujardin (Dutuit page 129) Karel Dujardin (1622-78). The passage of the ford after Dujardin (Dutuit page 129). Burin, 1652-1660.

Richmond Hill and Bridge, Surrey, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

Print made by James C. Allen, active 1821-1831, British, Ivy Bridge, Devonshire, 1816. Etching; open etching on medium, slightly textured, cream wove paper.

W. R. Smith, active 1819-1851, Richmond Hill and Bridge, Surrey, 1827-1838. Line engraving, engraver's proof, touched.

Du Jardin, Karel, work, Man and dog, 1659, line etching, graphics, plate width 18 cm, plate height 14.2 cm

Morning, 1823. Engraver: Samuel William Reynolds. After: Richard Wilson. Publisher: William Bernard Cooke

An etching with lavated washes by Adrian Zingg from the late 18th to early 19th century depicting a view of Dresden.

James T. Willmore, 1800-1863, British, Richmond Terrace, Surrey, 1827-1838. Line engraving, engraver's proof (early).

Reste Van Herculatémpel Binnen Muren Van Oude Agrigento; Debris from the Temple of Hercules in the enclosure of the old agrigentum; Travel to Italy, Sicily and Malta - 1778. TEKENING UIT HET ALBUM 'TRAVEL IN Italy, Sicily and Malta', 1778.

Edward Goodall, 1795-1870, British, Richmond Hill, 1826. Line engraving on medium, slightly textured, cream, wove paper, with beige, chine colle.

An etching by Jacob Wilhelm Mechau from 1792 and 1794 depicting the Fontana Blandusia, also known as Aqua Aurea, and the Egeria Fountain in Tivoli, illustrating architectural and water features.

Shooting, Plate IV, William Woollett, 1735-1785, British, after George Stubbs, 1724-1806, British, 1771, Engraving with etching, Sheet: 17 1/2 x 21 15/16in. (44.4 x 55.7cm) and Image: 15 3/8 x 20 13/16in. (39.1 x 52.9cm)

Landscape with worship of the Golden Calf, Richard Earlom, After Claude Lorrain, 1776 print On the left, Moses breaks the Tables of the Law. London paper etching on seeing the idolaters Moses breaks the tables of the law. the people dance around the golden calf ~ Exodus. Aaron builds an altar and offers a sacrifice to the golden calf

Lago di Nemi. Dated: 1792. Dimensions: plate: 27.9 x 37.2 cm (11 x 14 5/8 in.) sheet: 39.2 x 49.2 cm (15 7/16 x 19 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Christoph Dies.

Falcon hunters and bird catchers, Jean Moyreau, After Philips Wouwerman, 1757 print Numbered below: No. 84. print maker: Francepublisher: ParisFrance paper etching / engraving bird hunting. fowling, fowler

View of the Mosel Valley below Trier with the Rocks of Pallien in the Foreground. Johann Anton Alban Ramboux; German, 1790-1866. Date: 1824-1827. Dimensions: 340 x 445 mm (image); 540 x 647 mm (sheet). Lithograph on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Susanna and the elders; Casta placente superis; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. A homes with Susanna and the elders. Susanna, bathed at a fountain in a garden. The two elders come to her. From the house in the background the residents flow out to see what is going on. Right two peacocks, two chickens and a rooster. In the distance, the two parents are put to death (then. 13: 7). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Chteau.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Heinrich Theodor Wehles drawing depicts a classical ideal landscape with an aqueduct and music-making shepherds, created with brown pen, brown and gray brush, laved over pencil in 1799.

Etched by Joseph Mallord William Turner, 1775-1851, British, The Straw Yard, 1808. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

The Abbey of Llan Egnerst or Vale Crucis, and Castle Dinas Bran. Paul Sandby; English, 1731-1809. Date: 1776. Dimensions: 239 × 315 mm (plate); 320 × 463 mm (sheet). Etching and aquatint in sanguine on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Etched by Joseph Mallord William Turner, 1775-1851, British, Ville de Thun, Switzerland, 1816. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Print made by James Charles Armytage, 1802-1897, British, Mont Ferrier, France, 1837. Line engraving on medium, slightly textured, cream wove paper.

A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr, Print made by Thomas Vivares, c.1735-c.1790, British, after George Robertson, 1749-1788, British, Published by John Boydell, 1720-1804, British, 1778, Line engraving on medium, moderately textured, cream laid paper, Sheet: 18 1/2 x 22 1/4in. (47 x 56.5cm), Plate: 15 3/4 x 21 1/2in. (40 x 54.6cm), Image: 13 3/4 x 20 1/2in. (34.9 x 52.1cm), and Frame: 23 1/4 × 29 1/4 × 1 1/8 inches (59.1 × 74.3 × 2.9 cm)

Palidoro. Reinhart, Johann Christian (1761-1847), graphic artist

Chateau de Monas, Near Orange, France, Print made by James T. Willmore, 1800-1863, British, after James Duffield Harding, 1798-1863, British, Published by Fisher, Son & Co., active 1821-1848, British, 1836, Line engraving and etching on medium, slightly textured, cream wove paper

Etched by Joseph Mallord William Turner, 1775-1851, British, Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham, 1819. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Fishermen by Moonlight ca. 1750-1800 Joseph Vernet. Fishermen by Moonlight. Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1750-1800. Colored aquatint. Prints

Italian Landscape with a Tomb 1783 Sir George Howland Beaumont British. Italian Landscape with a Tomb. Sir George Howland Beaumont (British, Great Dunow, Essex 1753-1827 Coleorton, Leicestershire). 1783. Brush and gray wash, over black chalk. Drawings

Game Keepers. To the Right Honorable. Lord Viscount Torrington, Richard Earlom, 1743-1822, British, after George Stubbs, 1724-1806, British, And after (landscape by) Amos Green, 1735-1807, British, 1790, Uncolored proofs, open letter, Sheet: 15 5/16 x 25 5/8in. (38.9 x 65.1cm)

A country village : With cart and numerous figures in foreground , Villages, Covered wagons, Trees, Horses. Thomas Rowlandson (1756-1827). Prints and Drawings

Graftombe van Jean-Jacques Rousseau op Het Ile des Peupliers te Ermenonville, Jean Michel Moreau, 1778 print publisher: ParisFrance paper etching grave, tomb. island Ermenonville

Joseph Mallord William Turner and JC Easling, Hedging and Ditching, published 1812 Hedging and Ditching

Richard Earlom after Claude Lorrain, Landscape No 162 from Liber Veritatis Landscape No. 162 from Liber Veritatis

View of Philadelphia, United States of America, drawing by Theodor Alexander Weber (1838-1907) from a photograph, from The White Conquest, 1875, by William Hepworth Dixon (1821-1879), from Il Giro del mondo (World Tour), Journal of geography, travel and costumes, Volume V, Issue 18, April 5, 1877.

Italian landscape with shepherds and cattle resting at Rots, Dancker Danckerts, after Nicolaes Pietersz Berchem, 1643 - 1666 print paper etching bovine cattle. rocks. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Plate 16th. New York, from Weehawk.. Wall, William Guy (b. 1792). Prints. 1831. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.)

Meleager and Atalanta, William Woollett, 1735-1785, British, Benjamin Thomas Pouncey, active 1772-1799, British, after Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), 1779, Line engraving and etching on moderately thick, slightly textured, cream laid paper, Sheet: 17 1/2 x 21 5/8 inches (44.5 x 54.9 cm), Atalanta and Meleager hunting, boar, hunting, religious and mythological subject

Robert Wallis, 1794-1878, British, Margate, Kent, 1832. Line engraving and etching, 3rd state on moderately thick, smooth, beige, wove paper.

Europa Lorrain, Claude, 1600-1682. still image. Reproductive prints. 1859-10-01. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Bulls, Seas, Mythology, Jupiter (Roman deity), Kidnappings, Zeus (Greek deity), Deception, Europa (Greek mythology)

Landscape with Figures. Artist: Formerly attributed to Thomas Gainsborough (British, Sudbury 1727-1788 London); Possibly by George Frost (British, Barrow 1745-1821 Ipswich). Dimensions: Sheet: 7 11/16 x 5 7/8 in. (19.5 x 15 cm). Date: 18th or early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

James Bourne, 1773-1854, British, Alderwasley, Derbyshire, undated. Watercolor and graphite on medium, slightly textured, cream wove paper.

View in the Queen Charlotte Sound, New Zealand. Maoris in encampment with boats in sound. bookplate artwork from Views in the South Seas / from drawings by John Webber, circa 1790s

Distant View of Chester, Print made by William Byrne, 1743-1805, British, after Joseph Mallord William Turner, 1775-1851, British, Published by Thomas Cadell the younger, 1773-1836, British, 1810, Etching and line engraving on medium, slightly textured, cream wove paper

France, French crown, Bella, Stefano della, The four elements, Terra, Earth, verso - stamped, A landscape with four men resting in the foreground on the left. In the background a man on horseback., print, prints, height 87 mm, width 192 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, granter of privilege

Haymakers 1787 Thomas Rowlandson. Haymakers. Thomas Rowlandson (British, London 1757-1827 London). 1787. Etching and aquatint. John Harris (British, ca. 1740-1812). Prints

La Machine Hydraulique. Charles-François Daubigny (French, 1817 - 1878)

No. 51. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Plate 4: a Corinthian capital on the ground to left in the foreground, a monument with figures in low relief to left in the middleground, various animals and two shepherds to right, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome) ca. 1643-48 Stefano della Bella Italian. Plate 4: a Corinthian capital on the ground to left in the foreground, a monument with figures in low relief to left in the middleground, various animals and two shepherds to right, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome) 413359

Gegend bei Aichen bei Salzburg (The Region near Aichen near Salzburg). Dated: 1830. Dimensions: plate: 15.8 x 20.7 cm (6 1/4 x 8 1/8 in.) sheet: 22.5 x 28.8 cm (8 7/8 x 11 5/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: Ludwig Richter.

Chalk drawing by Erzherzogin Marie Christine Habsburg-Lothringen depicting a rocky riverbank, executed in the second half of the 18th century.

August. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jan Van de Velde II.

La machine hydralique. Daubigny, Charles François (1817-1878). 1862. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Isis, plate 68 from Liber Studiorum Published 1819 England. Etching and engraving in brown on ivory laid paper . Joseph Mallord William Turner

Das Malerische und Romantische Rheinland: Blankenheim, 1928. Henry Winkles (British, 1801-1900), after Theodor Verhas (German, 1811-1872), Kurt Schroeder. Etching in blue; sheet: 24.1 x 32.7 cm (9 1/2 x 12 7/8 in.); platemark: 15.1 x 22.4 cm (5 15/16 x 8 13/16 in.).

The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843.

Landscape with traveling company, Balthasar Anton Dunker, after Jan Brueghel (I), 1772 print Numbered at the top right: 14. Paris paper etching landscapes. 'en route', traveller under way. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). caravan (trailer)

David Lucas after John Constable, Stoke by Neyland, in or after 1829 Stoke-by-Neyland

Landscape with figures and city, Jan van Huchtenburg, After Adam Frans van der Meulen, 1674 - 1733 print Hilly landscape with three riders on the right and bossage on the left. In the middle of the background a city with a city gate. paper etching / engraving landscapes (+ landscape with figures, staffage)

of 2