Scenic Landscapes

Prints illustrating landscapes and urban environments, capturing moments of daily life and historical events in serene settings.

A farmer with a pack horse on a path near a village. In the middle a meadow with cattle and in the background on the right a ruin (of the Huis ter Kleef in Haarlem). Eighteenth print of a series of 36 prints of landscapes, divided into six parts, Farmer with a pack horse on a country road Playsante landscapes and entertaining poems (title series)., print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, brush, pen, h 150 mm × w 280 mm

Ruins on the Rapenburg at Leiden, after the Buskruit Disaster of 12 January 1807, Leendert Overbeek, 1807, Ruins on the south side of the Steenschuur at Leiden, after the Buskruit Disaster of 12 January 1807. In the center, the sunken yacht is lifted from the water of the canal., draughtsman: Leendert Overbeek, print maker: Leendert Overbeek, Netherlands, 1807, paper, etching, brush, h 410 mm × w 576 mm, h 339 mm × w 502 mm

Soldiers in St. James Park, Thomas Rowlandson, 1756-1827, British, undated, Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper, Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm) and Mount: 6 x 8 1/4 inches (15.2 x 21 cm), building, drum (musical instrument), genre subject, hats, horses (animals), men, park (grounds), soldiers, trees, uniforms, military, wall, women, City of Westminster, England, Europe, London, St. James's Park, United Kingdom

A farmer with a pack horse on a path near a village. In the middle a meadow with cattle and in the background on the right a ruin (of the Huis ter Kleef in Haarlem). Eighteenth print of a series of 36 prints of landscapes, divided into six parts, Farmer with a pack horse on a country road Playsante landscapes and entertaining poems (title series)., print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, brush, pen, h 150 mm × w 280 mm

Travelling in France, Thomas Rowlandson, 1756-1827, British, between 1785 and 1789, Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, blued white, laid paper, Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm), buildings, carriages, crutches, curtains, gates, genre subject, horses (animals), men, paper (fiber product), parasol, piglets, pigs, reins, riding crops, signs, travel, trees, wheels, windows, women, writing (processes), Europe, France

Depicts fireworks display, created by Johann Ziegler in 1783 as a colored etching. Shows explosion patterns, spectators, and night sky.

Country inn near river bridge , Swine, Animal feeding, Women domestics, Bridges, Taverns Inns. Thomas Rowlandson (1756-1827). Prints and Drawings

Celebration of the 4th June at Eton, Charles G. Lewis, 1808-1880, British, after William Evans of Eton, 1798-1877, British, 1837, Lithograph on moderately thick, slightly textured, beige, wove paper, Sheet: 16 13/16 × 20 5/16 inches (42.7 × 51.6 cm) and Image: 13 3/4 × 19 1/16 inches (34.9 × 48.4 cm)

Allegory ofSpring. Artist: Lodewijk Toeput (Pozzoserrato), Flemish, ca. 1550-ca. 1605

GRABADO-AMSTERDAM. Location: PRIVATE COLLECTION. France.

Thomas Greenwood, died 1797, British, Cottage Scene, undated. Watercolor with pen and brown ink on Very thick, slightly textured, beige wove paper.

Tuskulanum. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Żamett, Albert (1821-1877), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Arrival of King William I in Brussels, 1815, Johann Nepomuk Gibèle, After Pierre Jean Baptiste Leroy, 1825 - 1826 print Arrival of King William I in Brussels on March 30, 1815. The procession of carriages accompanied by cavalry goes through a gate into the city. At the bottom of the weapon of King William I. part of a series of records of the arrival and inauguration of William I in Brussels. Brussels paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Brussels

The Adelphi Terrace, unknown artist, after Thomas Malton the Younger, 1748-1804, British, OR after Thomas Malton, 1726-1801, British, 1795, Aquatint, hand-colored

The Vicar of Wakefield: The Esquire's Intrusion, Thomas Rowlandson, 1756-1827, British, ca. 1817, Watercolor, with pen and red-brown ink over graphite on medium, smooth, blued white wove paper, Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm), bushes, children, dogs (animals), gate, genre subject, horses (animals), hunting, landscape, men, stag, table (support furniture), tea kettle, trees, vicar, women, England, Europe, United Kingdom, Wakefield, Yorkshire

Jan Gabrielsz. Sonjé, Gate leper house with leprosy servant on the waterfront, Rotterdam, cityscape painting painting material wood oil, Oil on panel topography Schie Rotterdam Noord Provenierswijk Schiekade Leproos Leprosy house Provenier Proveniershuis health care barge

Figures in a Garden. Artist: Jean Démosthène Dugourc (French, Versailles 1749-1825 Paris). Dimensions: 12 1/2 x 17 1/4 in. (31.7 x 43.8 cm). Date: 1784. Museum: Metropolitan Museum of Art, New York, USA. Author: JEAN DEMOSTHENE DUGOURC.

John Preston Neale, 1771/80-1847, British, Kingston Lacy, Dorset, undated. Brown wash, graphite, and white gouache with pen and brown ink on medium, slighlty textured cream wove paper mounted on very thick, smooth, card.

Paris, Rigaud, Jacques, Vue du Chateau de Marli prise du bas du grand parterre, View of the small parterre of the garden of the Château de Marly, In the bottom margin two lines of French text., print, optic print, prints, optic prints, height 247 mm, width 474 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, papier, cardboard, watercolor (paint), watercolour, etching, etchings, brush, Borstel, French, 1681 - 1754, print maker, printmaker

View of Campo S. Polo; Francesco Guardi, Italian, 1712 - 1793; about 1790; Pen and brown ink and brown wash over black chalk; 19.2 x 28.6 cm (7 9/16 x 11 1/4 in.)

Kenyon Perl, Sir Charles John Holmes (Preston, England, 1868 - 1936) 1929-35

Art of Scaling. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Samuel Alken (British, London 1756-1815). Dimensions: Sheet: 11 15/16 × 13 5/16 in. (30.3 × 33.8 cm). Date: 1791. Museum: Metropolitan Museum of Art, New York, USA.

John Ferneley, 1782-1860, British, Archery Meeting in Bradgate Park, Leicestershire, 1850. Oil on canvas.

Design for a wall decoration, John Devoto, active 1708-1752, British, undated, Pen and black ink and watercolor on slightly textured, moderately thick, white laid paper, Sheet: 5 5/8 × 4 inches (14.3 × 10.2 cm), architectural subject, decoration (process), design

View of a Country House with Sowers in the Field, Hendrick Avercamp, c. 1610 - c. 1615, A distinguished homestead; in the foreground sowing countrymen and some travelers., draughtsman: Hendrick Avercamp, c. 1610 - c. 1615, paper, pen, brush, h 131 mm × w 191 mm

A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers. Thomas Rowlandson (1756-1827). Pencil, pen and ink and watercolour. 13.9 x 21.5cm.

The View of the Fair in Hyde Park, August 1st, Matthew Dubourg, active 1786-1838, British, after John Heaviside Clark, c.1771-1863, British, 1814, Aquatint, hand-colored

A Posting Inn 1787 Thomas Rowlandson. A Posting Inn. Thomas Rowlandson (British, London 1757-1827 London). 1787. Etching and aquatint. Prints

William Henry Brooke, 1772-1860, Irish, Fountain, Cremorne. Watercolor.

Enraged Vicar, from Miseries of Human Life. Thomas Rowlandson (English, 1756-1827); published by Rudolph Ackermann (English, 1734-1834). Date: 1807. Dimensions: 262 × 367 mm. Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Thomas Gainsborough RA, 1727-1788, British, Travellers on Horseback Approaching a Village with a Spire, between 1765 and 1770. Watercolor over black chalk and gum on medium, slightly textured, cream laid paper, laid down on (laminated wove paper) card.

Josi, Christiaan, Eeckhout, Gerbrand van den, Doomer, Lambert, Amsterdam, Ploos van Amstel, Cornelis, Village view with large tree, Inn in Anrath, verso - stamped, Inn 'Zur blauen Hand am Kirchhof' in Anrath. In the doorway a woman with a child in her arms. Next to the inn a large tree and some figures underneath it. On the left a pig., print, prints, height 137 mm, width 186 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1821 - 1821, paper, paper drawing, etching, etchings, roulette, 1624 - 1700-07-02, intermediary draughtsman, after a drawing by, 1621-08-19 - 1674-09-29, Publication (Event), Publication, Nederlands, 1768 - 1828-11, publisher

style of Paul Sandby RA, 1731-1809, British, Landscape with a man playing a pipe under an old tree, undated. Watercolor, gouache, pen and black ink, graphite, black chalk on medium, slightly textured, cream wove paper.

Le Defilde Derriere Baaden. Die Klause Hinter Baaden.

Chicken Court, Dirk Kuipers, 1775 drawing paper. watercolor (paint) brush domestic birds kept outside the house

Samuel Howitt, 1756-1822, British, A Coach and Four Passing Through Chippenham, Wiltshire, undated. Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream, wove paper.

The Belv, print maker: Johannes Franciscus Christ, (mentioned on object), Johannes Franciscus Christ, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), printer: Amsterdam, publisher: Nijmegen, 1809 - 1845, paper, h 250 mm - w 335 mm

View of a Gloucestershire Country House: A Garden View, with Picnic Party in Center Foreground, Thomas Robins the elder, 1715-1770, British, ca. 1755, Oil, pen and ink on vellum, varnished, Sheet: 16 3/8 x 24 3/8in. (41.6 x 61.9cm), architectural subject, baskets, bowling green, chairs, country house, dog (animal), espalier trees, fan (costume accessory), garden, genre subject, honeysuckle, lawn bowls, leisure, picnic, sporting art, table, tray, walls, windmill, Churchdown, England, Gloucestershire, St. Bartholomew's Church

France. Arrival of King Louis XIV (1638-1715), preceded by his guard, at the former Palace of Versailles. Engraving by Huyot based on a painting by Flemish painter Adam Frans van der Meulen (1632-1690), engraved by Adrien François Baudouin (Adriaen Frans Boudewyns) (1644-1719), 1685. Detail. XVIIme siècle: lettres, sciences et arts, France 1590-1700 (17th century: letters, sciences and arts), by Paul Lacroix. Published in Paris by Librairie de Firmin-Didot et Cie, 1882.

follower of John Thirtle, 1777-1839, British, Richmond Castle, Yorkshire, undated. Watercolor and graphite on medium, moderately textured, cream wove paper.

Anonymous drawing depicting a scene by a waterfall, executed in black pen and watercolor, early 19th century.

The garden of plants and fountains (front). Georges Michel (1763-1843). The garden of plants and fountains (front), Paris (Fifth arrest). Watercolor and black stone.

In the yard of a farmhouse, Edmund Dorrell, 1778-1857, undated, Watercolor, pen, in brown ink, red ink, graphite, and scraping out on moderately thick, moderately textured, beige, wove paper, Sheet: 11 3/8 x 16 1/16in. (28.9 x 40.8cm), architectural subject

Square with people in the rain, Pieter Bartholomeusz. Barbiers, 1782 - 1837 drawing Imagination of the saying 'After rain comes sunshine'. paper. watercolor (paint). graphite (mineral). ink pen / brush square, place, circus, etc.

Anthony Cardon, 1772-1813, Flemish, Racing: The Return from Coursing, 1803. Hand colored stipple engraving.

View of London with St. Pauls in the Distance: Woman and Children with a Baby Carriage 1787 Julius Caesar Ibbetson One of a pair, this watercolor portrays well-to-do women and children enjoying fine weather on a hill-top at Kilburn, northwest of London. Beyond the figures, cows screen a prospect punctuated by the dome of St. Pauls Cathedral, with the river in the middle distance a tributary of the Thames that runs from Hampstead, through Kilburn down to Hyde Park. In this fine early example, Ibbeston's assured handling of line combines with delicate watercolors in a way that demonstrates the influence of Paul Sandby. A keen observer of contemporary life, the artist conveys English upper class contentment just before the outbreak of the French Revolution.. View of London with St. Pauls in the Distance: Woman and Children with a Baby Carriage. Julius Caesar Ibbetson (British, Farnley Moor 1759-1816 Masham). 1787. Watercolor, pen and ink. Drawings

J.M.W. Turner and Walter Fawkes at Farnley Hall. Date/Period: 1820 to 1824. Painting. Oil on canvas. Height: 686 mm (27 in); Width: 889 mm (35 in). Author: John R. Wildman.

Capt. Francis Grose, 1731-1791, British, A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Sudeley Castle, Gloucestershire, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

'View of Dresden and a Monument to General Moreau'. Circa 1815. Dimensions: 57,5x77 cm. Museum: State Hermitage, St. Petersburg. Author: Franz Täubert.

Auguste Lepère, Pond in the Tuileries (Le bassin des Tuileries), 1898 Pond in the Tuileries (Le bassin des Tuileries)

Races at the Champ de Mars Auguste Ricard of Montferrand. "Races at the Champ de Mars, 1814". Watercolor.

Arts and Sciences, Decoration on the Noordermarkt, 1795, A. Verkerk, 1795 print Arts and Sciences, Allegorical Decoration Founded on the Noordermarkt in Amsterdam at the Alliantie Party on June 19, 1795. Minerva sitting in the clouds with shooting shell (equality) above a wreath and fire. Playing apollo on the winch at the top. print maker: Netherlandspublisher: Amsterdam paper etching festivities on events of national importance (+ festive decoration ~ festive activities). specific aspects, allegorical aspects of Minerva; Minerva as patroness. Equality, Equity, Fairness, Righteousness; 'Equalità', 'Equità', 'Giuditio giusto', 'Ordine dritto e giusto', 'Ugualità' (Ripa) (+ symbolical representation of concept) Amsterdam. Northern market

Watercolour - Mr. Angerstein's Villa, Blackheath George Heriot (1759-1839)

View of a Palace in a Hilly Landscape, Henri Sallembier, 1780 - 1820 painting Face along a driveway to the front of a palace. In the garden in front of the palace a carriage, riders and walkers. Pendant of SK-A-4277. canvas. oil paint (paint) palace. city-view in general; 'veduta'

Sawrey Gilpin, 1733-1807, British, Castle below mountains with horses by a river, undated. Watercolor, pen and black ink and graphite on medium, moderately textured, cream wove paper.

Il Bucintoro and the ceremony Weniecin with the sea in the widen, in: urbis venetiarum prospectus celebriores ex antonii canal tabulis xl aere expressi ab antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (state), album, festivities, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, celebrations, Wduty, Italian (culture), boats, holidays (customs)

Promenade at seven in the Spa (in: Les délices de Spa et de ses environs). Lauters, Paulus (1806-1875), graphic artist, Fourmois, Théodore (1814-1871), graphic artist, Dewasme-Plétinckx, Antoine (1797-1851), publisher

Near Hackney. Landscape. Watercolor, pen and brown ink, pen and gray ink on medium, cream, moderately textured laid paper. Height: 454 mm (17.87 in); Width: 359 mm (14.13 in). Author: UNKNOWN ARTIST.

Royal Hunt in Windsor Park, James Pollard, 1792-1867, British, after Matthew Dubourg, active 1786-1838, British, 1820, Aquatint, hand-colored, Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)

Cuckfield , Taverns Inns, Horses, Carriages & coaches, Streets, Street vendors. Thomas Rowlandson (1756-1827). Prints and Drawings

Figures by a Ferry. Painting. Watercolor. Height: 114 mm (4.48 in); Width: 184 mm (7.24 in). Author: Thomas Rowlandson.

Thomas Rowlandson, 1756-1827, British, Customs House at Boulogne, 1790s. Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, blued white, laid paper.

The Cart Horse (from The Life of a Racehourse, or The High-Mettled Racer) July 20, 1789 Thomas Rowlandson. The Cart Horse (from The Life of a Racehourse, or The High-Mettled Racer). The Life of a Racehorse, or the High Mettled Racer, plate 4. Thomas Rowlandson (British, London 1757-1827 London). July 20, 1789. Hand-colored etching and aquatint. S. W. Fores (London). Prints

Design for a Monument to the First Punjab War, 1845-46 ca. 1846 Anonymous, British, 19th century This monument was conceived after the Treaty of Lahore (March 9, 1846) ended the First Punjab War, a conflict between Sikh princes and the British East India Company in northwest India, which resulted in significant territory being ceded to Britain. A large sculptural panel on the front commemorates the Battle of Sobraon (February 10, 1846) where British and Bengali troops prevailed over their Sikh opponents after intense hand-to-hand fighting. A panel at right, rendered obliquely, is identified as showing the Battle of Moodkee (December 18, 1845) at the start of the war. No related monument appears to have ever been built, probably because the Second Punjab and Crimean Wars (1848-9, 1853-56) diverted funds and attention. The unknown designer was influenced by Nelsons Column (1840-43), recently erected in Trafalgar Square and similarly adorned with battle reliefs and recumbent lions.. Desi

View of the New Country Prison at Abingdon, Berkshire, Henry Hoppner Meyer, ca. 1782-1847, British, after W. Waite, undated, Aquatint, hand-colored on moderately thick, slightly textured, cream, wove paper, Sheet: 16 1/4 × 18 9/16 inches (41.3 × 47.1 cm) and Image: 13 3/8 × 17 inches (34 × 43.2 cm)

Drawings by Rowlandson: Titlepage design 1863 Frederick W. Pailthorpe British. Drawings by Rowlandson: Titlepage design 364042

View of a avenue in the vicinity of the Steintor in Hamburg, Anonymous, After Jacques de Foisse, 1785 print Hamburg paper. watercolor (paint) etching / brush avenue, boulevard, promenade, esplanade Hamburg. Stone gate

France, Paris, Daumont, Jean-François, View of the garden of the count of Althann in Vienna, print, optic print, prints, optic prints, height 282 mm, width 448 mm, Publication (Event), Publication, French - 1775, publisher, 1745 - 1775, paper, papier, cardboard, prepared paper, watercolor (paint), watercolour, deck paint, etching, brush, schilder, cutting, haken, perforating, perforateren, print maker, prentmaker

Campo San Salvador ze Scuola Grande di San Teodoro, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Tooting, William Ellis, 1747-1810, British, after William Ellis, 1747-1810, British, 1793, Aquatint, Sheet: 7 1/4 x 9 1/4in. (18.4 x 23.5cm)

Jan III Sobieski from families On the terrace in Wilanów, the ear of the poem of the canon of Ustrzycki "Sobiesciada" (1686), study to the picture; Gerson, Wojciech (1831-1901); 1889 (1889-00-00-1889-00-00);Jan III Sobieski (King of Poland - 1629-1696), Jan III Sobieski (King of Poland - 1629-1696) - iconography, Maria Kazimiera (Queen of Poland - 1641-1716), Maria Kazimiera (Queen of Poland - 1641-1716) - iconography, Ustrzycki, Jędrzej Wincenty ( -1710), Wilanów (Warsaw), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, purchase (provenance)

Engraving; black ink and watercolor on paper

'The Botanical Garden seen from the Paseo del Prado', ca. 1790, Oil on panel, 58 cm x 88 cm, P07661. Author: LUIS PARET Y ALCAZAR (1746-1799). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

The Tuileries Gardens, Paris, with the Arc de Triomphe in the Distance 1858. William Wyld (1806-1889) English painter. Lake Fountain Trees Garden Design

Paris - The statue of freedom on the place of revolution The statue of freedom on the place of the revolution, 18th century, revolution period. Anonymous drawing.

GRABADO-CAFE GODDET. Location: MUSEE CARNAVALET. France.

James T. Willmore, 1800-1863, British, Bedford, Bedfordshire, 1831. Line engraving, 1st state on thick, smooth, cream, wove paper, with gray chine colle.

London from Greenwich Hill Signed and dated in brown paint, lower right: " 18. H.D. monogram Dawson.69", Henry Dawson, 1811-1878, British

unknown artist, eighteenth century, The Encampment in the Museum Garden, 1783. Aquatint, hand-colored.

Festival of July 14 year IX / ...

Canterbury , Cities & towns, Cathedrals, Carts & wagons. Thomas Rowlandson (1756-1827). Prints and Drawings

Joseph Grozer, ca. 1755-1798, British, Evening or the Sportsman's Return, 1795. Mezzotint, printed and hand colored.

Face in Bruges, Adrianus Everssen, 1828 - 1897 drawing Drawing is part of an album. Used paper. ink. watercolor (paint). deck paint. pencil pen / brush city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). canals, waters (in city). sailing-ship, sailing-boat Used

Coaching: The Royal Mails Preparing to Start for the West of England, Frederick Rosenberg, active 1816-1832, after James Pollard, 1792-1867, British, 1831, Aquatint, hand-colored, Sheet: 19 3/4 x 25 3/8in. (50.2 x 64.5cm)

The water wagon , Carts & wagons, Water, Dogs, Horses. Thomas Rowlandson (1756-1827). Prints and Drawings

Louis XV (King of France), Paris, Rigaud, Jacques, Les Bains d'Apollon, View of the Bosquet des Bains d'Apollon in the Garden of Versailles, In the lower margin three lines of French text., print, optic print, prints, optic prints, height 244 mm, width 478 mm, Publication (Event), Publication, French, 1681 - 1754, publisher, 1691 - 1753, paper, paperboard, cardboard, watercolor (paint), watercolour, etching, etchings, brush, print maker, printmaker, 1710-02-15 - 1774-05-10, granter of privilege

A part of the Augarten , Partie de lAugarten st budget, Johann Andreas Ziegler -, Artist, Artaria , Co, Verlag, publishing house

The Temple of Apollo and Cascade in the Pavlovsk park by Quarenghi, Giacomo Antonio Domenico (1744-1817)/ State Open-air Museum Pavlovsk Palace, St. Petersburg/ 1800s/ Italy/ Pen, ink, watercolour on paper/ Classicism/ Landscape

James Baily, active 1815-1834, The Mail Arriving at Temple Bar, 1834. Aquatint, hand-colored.

Tivoli, from Dreger Gallerie Dollerie Scenen to the theater newspaper, th vol, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Le Palais Royal Garden Walk 1787 France. Engraving on paper . Louis Lecoeur

The Müller and his child, by Raupach Gallerie Droller Scenen to the theater newspaper, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Plate 19, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." A two-horse coach stands outside of "The Dolphin Inn" at right. At left, a group of women and children inspect a peddler's basket of ribbons.. Plate 19, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Milkmaids in St. James's Park, Westminster Abbey Beyond, Benjamin West, 1738-1820, American, active in Britain (from 1763), ca. 1801, Oil on panel, Support (PTG): 39 5/8 × 56 1/2 inches (100.6 × 143.5 cm), children, church, cityscape, cows, dogs (animals), genre subject, hobbyhorse, milk, milkmaid, park (grounds), soldiers, toy, England, London, St. James's Park, United Kingdom, Westminster Abbey

The Repository of Arts, Literature, Fashions, Manufactuers, &c., 2nd series, volume 12 July-December 1821 Rudolph Ackermann, London British. The Repository of Arts, Literature, Fashions, Manufactuers, &c., 2nd series, volume 12. July-December 1821. Illustrations: etching, engraving, aquatint, lithography, hand-coloring. Rudolph Ackermann, London (active 1794-1829)

Print made by unknown artist, The Royal Palace of Hampton Court. Hand-colored engraving on wove paper.

Raftered Hall with Figures in 16th Century Dress, James Pattison Cockburn, 1778-1847, British, undated, Watercolor, gouache, and pen and brown ink on medium, slightly textured, beige wove paper, Sheet: 12 x 8 1/4 inches (30.5 x 21 cm), architectural subject, armors, costume, crests, dogs (animals), figures, flags, rafters, stained glass, windows

Thomas Bradshaw, Born 1767, British, Album of Landscape and Figure Studies: Catterick Bridge. Pen, brush and ink, watercolor.

Poczta w Warszawie. Gerson, Wojciech (1831-1901), draughtsman, cartoonist, Tysson, Karol (fl. 1840-1878), painter

The Dipping Well in Hyde Park, James Godby, active 1790-1820, British, after Francis Wheatley, 1747-1801, British, 1802, Engraving

At the Theater with Self-portrait, by D'Azeglio Massimo, 1817 - 1818, 19th Century, watercolor. Italy, Lazio, Rome, National Gallery of Modern Art. Whole artwork. Private box wallpaper spectator self-portrait painter Massimo d'Azeglio monocle top hat theater wallpaper facing stalls audience show stage curtain.

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