Sculptural Fragments

Collection of ancient sculptural remnants from varied cultures, highlighting unique techniques and figures, such as tomb markers and ceremonial pieces.

Hearing stone with a performance of climbing lion, c. 1575 - c. 1625 Hearing stone with a show of climbing lion to the left (heraldic), placed in profiled window. A double -headed eagle in the half windows on the sides. The half windows on the top and bottom are filled with half medallions with star motif. Southern Netherlands earthenware Hearing stone with a show of climbing lion to the left (heraldic), placed in profiled window. A double -headed eagle in the half windows on the sides. The half windows on the top and bottom are filled with half medallions with star motif. Southern Netherlands earthenware

Lazio Roma Rome S. Paolo83. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief Fragment with Falcon on a Standard. Egypt, Ptolemaic Period (305-31 BCE). Sculpture. joLimestone

Hearing stone with a performance of climbing lion, c. 1575 - c. 1625 Hearing stone with a show of climbing lion to the left (heraldic), placed in profiled window. A double -headed eagle in the half windows on the sides. The half windows on the top and bottom are filled with half medallions with star motif. Southern Netherlands earthenware Hearing stone with a show of climbing lion to the left (heraldic), placed in profiled window. A double -headed eagle in the half windows on the sides. The half windows on the top and bottom are filled with half medallions with star motif. Southern Netherlands earthenware

Fragment figurki kobiety na łożu. unknown, author

Trial Piece Worked on Both Sides, c. 1391-1353 BC. Egypt, probably Thebes, New Kingdom, Dynasty 18, reign of Amenhotep III. Limestone; overall: 34.4 x 24 x 7 cm (13 9/16 x 9 7/16 x 2 3/4 in.).

Relief Fragments Depicting a Court Scene. Dimensions: H. 23.5 cm (9 1/4 in); w. 53.3 cm (21 in). Dynasty: Dynasty 18. Reign: reign of Akhenaten. Date: ca. 1353-1336 B.C..At the left of this block, the elbow of a royal figure and the curved back of a throne are visible. The royal figure is seated beneath a kiosk or pavilion, one pillar of which is visible, decorated with birds and plants. At the right is a woman, probably one of the princesses, stands behind the kiosk. Museum: Metropolitan Museum of Art, New York, USA.

Relief fragment: foreigner with feather in his hair and Nubian ca. 1961-1917 B.C. Middle Kingdom. Relief fragment: foreigner with feather in his hair and Nubian 545478

SARCOFAGO. DEPOSITO: MUSEO FREDERIC MARES . BARCELONA, CATALÑA, ESPAÑA.

Campania Caserta Capua Museo Campano23. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Mud jar sealing indicating King Narmer's estate ca. 3100 B.C. Predynastic, Late Naqada III. Mud jar sealing indicating King Narmer's estate. ca. 3100 B.C.. Clay (mud). Predynastic, Late Naqada III. From Egypt, Fayum Entrance Area, Tarkhan, Tomb 414, BSAE excavations 1911-1913

Pinax. Votive tablet decorated with sphinx with double Egyptian crown protecting the tree of life. 6th century BC. Clay. From the Necropolis of Puig des Molins, Ibiza (Balearic Islands). National Archaeological Museum. Madrid. Spain.

Relief or plaque of chancel with representation of Luke the Evangelist. Winged bull with halo holding the book of his Gospel. Stone. 6th-7th centuries. From the Miradero of Toledo, Spain. Museum of the Councils and Visigothic Culture. Toledo. Spain.

Hamsa Tile. Sri Lanka, Panduvasnuvara, 12th century. Architecture; Architectural Elements. Terracotta

Cylinder seal ca. 15th-14th century B.C. Mitanni. Cylinder seal 324519

Temple Model. Culture: Aztec. Dimensions: Height 6-3/8 in.. Date: 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Hearing stone with a performance of climbing lion, c. 1575 - c. 1625 Hearing stone with a show of climbing lion to the left (heraldic), placed in profiled window. A double -headed eagle in the half windows on the sides. The half windows on the top and bottom are filled with half medallions with star motif. Southern Netherlands earthenware Hearing stone with a show of climbing lion to the left (heraldic), placed in profiled window. A double -headed eagle in the half windows on the sides. The half windows on the top and bottom are filled with half medallions with star motif. Southern Netherlands earthenware

Relief with royal foot ca. 1353-1336 B.C. New Kingdom, Amarna Period. Relief with royal foot 545004

Fragment of a terracotta plaque late 5th century B.C. Greek Drapery of a dancing womanThe original representation showed a kalathiskos dancer ( see 53.5.39).. Fragment of a terracotta plaque 254766 Greek, Fragment of a terracotta plaque, late 5th century B.C., Terracotta, 3 5/8 in. x 3 in. (9.2 cm x 7.6 cm). The Metropolitan Museum of Art, New York. Gift of the Archaeological Institute of America, 1953 (53.5.41)

Raised relief fragment 664-610 B.C. Late Period, Saite see 23.3.468. Raised relief fragment. 664-610 B.C.. Limestone, varnish. Late Period, Saite. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, MMA 509), 1st chamber W. wall; bottom register, MMA excavations, 1922-23. Dynasty 26

Inscribed Brick of King Ur-Nammu. Mesopotamia, circa 2112-2095 B.C.. Architecture; Architectural Elements. Clay

Magical Figure ca. 1802-1550 B.C. Late Middle Kingdom-Second Intermediate Period These tablets of unfired clay with attached crude faces were found as a group by the Museum's excavators at Lisht South in loose surface sand west of the mastaba of Senwosretankh, a high official and possibly the architect of the pyramid complex of Senwosret I (ca. 1961-1917 B. C.), east of which he erected his own very elaborate mastaba tomb (see acc. nos. 33.1.2 and other pieces). The mud figures and little coffin (acc. no. 33.1.66) that had contained some of them must have been buried, however, considerably later than the early twelfth dynasty tomb close to which they were found. In fact, during the thirteenth and following dynasties people deposited a number of objects in the by then sacred area around a legendary ruler's pyramid and its dependant monuments, believing conceivably that potent magical powers could thus be released. These flat mud figures, for instance, are inscribed in now much-faded red

Anonymous. Sarcophagus foot panel: character surmounted by a cross. Molded plaster. VIIIth century. Paris, Carnavalet museum. Small stylized character with apart, open hands, surmounted by a cross. Cross, panel, character, plaster mold, sarcophagus, archeological vestige

Aguila sobre el nopal,lapida originaria del templo de Huitzilopochtli. Museo Nacional de antropologia. Estado de Mexico D.F. Mexico.

Magical Figure ca. 1802-1550 B.C. Late Middle Kingdom-Second Intermediate Period These tablets of unfired clay with attached crude faces were found as a group by the Museum's excavators at Lisht South in loose surface sand west of the mastaba of Senwosretankh, a high official and possibly the architect of the pyramid complex of Senwosret I (ca. 1961-1917 B. C.), east of which he erected his own very elaborate mastaba tomb (see acc. nos. 33.1.2 and other pieces). The mud figures and little coffin (acc. no. 33.1.66) that had contained some of them must have been buried, however, considerably later than the early twelfth dynasty tomb close to which they were found. In fact, during the thirteenth and following dynasties people deposited a number of objects in the by then sacred area around a legendary ruler's pyramid and its dependant monuments, believing conceivably that potent magical powers could thus be released. These flat mud figures, for instance, are inscribed in now much-faded red

Magical Figure ca. 1802-1550 B.C. Late Middle Kingdom-Second Intermediate Period These tablets of unfired clay with attached crude faces were found as a group by the Museum's excavators at Lisht South in loose surface sand west of the mastaba of Senwosretankh, a high official and possibly the architect of the pyramid complex of Senwosret I (ca. 1961-1917 B. C.), east of which he erected his own very elaborate mastaba tomb (see acc. nos. 33.1.2 and other pieces). The mud figures and little coffin (acc. no. 33.1.66) that had contained some of them must have been buried, however, considerably later than the early twelfth dynasty tomb close to which they were found. In fact, during the thirteenth and following dynasties people deposited a number of objects in the by then sacred area around a legendary ruler's pyramid and its dependant monuments, believing conceivably that potent magical powers could thus be released. These flat mud figures, for instance, are inscribed in now much-faded red

Hearthstone, from Antwerp Belgium, with narrow frame, with lion in Dutch garden, fire stone fireplace component ceramics brick, fired Hearth of the Antwerp type with narrow frame depicting the Dutch lion with raised sword and shield standing in the Dutch garden with above the year 1608 two standing lions on either side. date 1608 building history heating history Holland

Figure of a Reclining Satyr. Egypt, 1st century BCE - 1st century CE. Sculpture. Terracotta

Relief with offerings and bowing officials ca. 1353-1336 B.C. New Kingdom, Amarna Period. Relief with offerings and bowing officials. ca. 1353-1336 B.C.. Limestone, paint (mostly modern). New Kingdom, Amarna Period. From Egypt; Probably originally from Amarna (Akhetaten); Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu). Dynasty 18

Lazio Latina Sezze Antiquarium Comunale6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Court musician lady, fragment of a painting from a tomb, China. Chinese Civilisation, Tang Dynasty, 8th century.

Lazio Roma Grottaferrata Museo06. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico00. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Egyptian Plank. Egypt, 1315 - 333 BCE. Sculpture. Wood

Lazio Latina Terracina Museo Archeologico4. Hutzel, Max 1960-1990 Antiquities: Stone figures, both full-length and busts; ancient altars, sarcophagi, inscriptions and stone fragments from the Temple of Giove Anxur and from the ancient town. Object Notes: Hutzel campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia01. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragment of a Stela Depicting Plowing, Harvesting, and Fowling 2175 BCE-2035 BCE Egypt. Limestone . Ancient Egyptian

Fireplace with image. Fireplace with an image of two man's heads.

Steinstele Stone stele, 10th century, Goiuria, Arkeologi Museoa, Museo Aqueologico, Bilbao, Bizkaia, País Vasco, Spain Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 22845569

Aimé-Jules Dalou (1838-1902). "Peasant who returned from the grass on a wheelbarrow". Terracotta. 1897. Museum of Fine Arts of the City of Paris, Petit Palais. Wheelbarrow, peasant, return grass, terracotta

Hearing stone with representation of a men's and women's head from the side, separated by a flowering plant, c. 1525 - c. 1575 Hearing stone with the representation of a men's and women's head from the side, separated by a flowering plant. Southern Netherlands earthenware Hearing stone with the representation of a men's and women's head from the side, separated by a flowering plant. Southern Netherlands earthenware

Sealing with the Name of Amun ca. 1550-1295 B.C. New Kingdom The ancient Egyptians used stamped mud sealings to secure shrine doors, boxes, and stone and pottery jars. At some point in its history, this sealing was exposed to fire and has become terra cotta, making it somewhat more stable. The seal is a cartouche surmounted by two ostrich plumes with a sun disk between them. The hieroglyphs Inside the cartouche read "Amun-Re, Lord of the Thrones of the Two Lands in Ipet-sut (Karnak).". Sealing with the Name of Amun. ca. 1550-1295 B.C.. Burned clay. New Kingdom. From Egypt. Dynasty 18

Relief of a woman with a hairpin - see 26.3.353-5 ca. 2051-2030 B.C. Middle Kingdom This fragment depicts a woman wearing beaded head bands and a hairpin. For an example of the hairpin, see 07.228.165.For other reliefs from the tomb of Neferu, see 26.3.353* and 31.3.1.. Relief of a woman with a hairpin - see 26.3.353-5 552054

Inscribed Stone from Hatshepsut's Valley Temple ca. 1479-1458 B.C. New Kingdom. Inscribed Stone from Hatshepsut's Valley Temple. ca. 1479-1458 B.C.. Quartzite, ink. New Kingdom. From Egypt, Upper Egypt, Thebes, Asasif, Birabi, Foot of Hatshepsut's causeway, Ptolemaic radim, MMA excavations, 1915-16. Dynasty 18

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo8. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Panel fragment. Culture: Iran. Dimensions: 2.13 x 4.17 in. (5.41 x 10.59 cm). Date: ca. 8th-7th century B.C..This object is one of three related fragments in the collection of the Metropolitan Museum, said to be from Ziwiye, which depict hunting and battle scenes (51.131.9; 51.131.11; 51.131.12). Stylistic differences suggest they were carved by different artisans, but all three show a familiarity with the scenes depicted in the stone reliefs that decorated Assyrian palaces. Because of their similarity to the Assyrian reliefs, they have been classified as Assyrian style ivories. They were likely used as furniture decoration. On this piece, a mounted and armored warrior at right tramples over the collapsing body of an enemy. Although difficult to see because of the worn surface of the plaque, his upturned face is visible below the horse's muzzle, as is his right hand which reaches up to grab the warrior's down-thrust spear. At left, two bearded archers in short skirts with hair gathere

Lazio Roma Velletri S. Clemente, Cathedral79. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Excerpt of a grave with sculpture ,, 1497 Fragment of the left side of the gravestone of Arent van Malsen. The fragment has a round and leaf vines in midfield. The excerpt is part of seven fragments of an incomplete gravestone (BK-NM-8657-B-1 to BK-NM-8657-B-8). Berne . Bern (Gelderland) Fragment of the left side of the gravestone of Arent van Malsen. The fragment has a round and leaf vines in midfield. The excerpt is part of seven fragments of an incomplete gravestone (BK-NM-8657-B-1 to BK-NM-8657-B-8). Berne . Bern (Gelderland)

Relief with hieroglyphic label "Lord of Cats' Town" ca. 2353-2150 B.C. Old Kingdom Discovered in the Middle Kingdom pyramid complex of Amenemhat at Lisht, this fragment can be dated stylistically to the later Old Kingdom. It shows a standing figure of a male deity, who is either animal or bird headed, wearing a wig and holding a scepter. Above him is a hieroglyphic label that reads: "Lord of Cats' Town.". Relief with hieroglyphic label "Lord of Cats' Town" 551093

Wall painting of Panebmontu. 20th Dynasty, reigns of Ramesses III and Ramesses IV (1182-1145 BC). Representation of Panebmontu, one of the sons of Hekmaetre-nakht, dressed with the characteristic leopardís skin of the funerary priest.

Inscription from the 4th c. of Palaia Epidaurus, the ancient theatre of the city. Classical Greek art. Relief on rock. GREECE. PELOPONNESE. ARCADIA. Epidaurus. Archaeological Museum of Epidaurus. Proc: GREECE. PELOPONNESE. ARCADIA. Epidaurus.

Panel fragment ca. 8th-7th century B.C. Iran. Panel fragment 324176

Paleo-Christian decorative brick, baked clay, 5th century, Andalusia, Visigoth - early medieval, Valladolid Museum , Castile and Leon, Spain.

Funerary Cone of the Chief of the Madjay Penre ca. 1550-1295 B.C. New Kingdom This cone has the impression of a stamp seal inscribed for a chief of the Medjay named Penre who was also overseer of the foreign lands belonging to Kharu and first charioteer of his majesty. For a drawing of this impression see http://www.funerarycones.com/, number 524.. Funerary Cone of the Chief of the Madjay Penre Funerary Cone of the Chief of the Madjay Penre ca. 1550-1295 B.C. New Kingdom This cone has the impression of a stamp seal inscribed for a chief of the Medjay named Penre who was also overseer of the foreign lands belonging to Kharu and first charioteer of his majesty. For a drawing of this impression see http://www.funerarycones.com/, number 524.. Funerary Cone of the Chief of the Madjay Penre. ca. 1550-1295 B.C.. Pottery. New Kingdom. From Egypt, Upper Egypt, Thebes. Dynasty 18

Lazio Roma Rome S. Agnese fuori le Mura4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, fresco painting Object Notes: Erected in 342 by Costanza, daughter or niece of Constantine on the site of the catacombs holding the remains of S. Agnese. Marble staircase dates from 1590. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Capitoline Triad, Minerva, Jupiter and Juno, Funerary cippus or tomb marker. Artist: Unknown.

Wall Fragment from a Tomb Depicting Tomb Owner and Offerings. Egyptian, Saqqara, tomb of Merttetiiyt. Date: 2060 BC-2025 BC. Dimensions: 71.1 × 61 × 14 cm (28 × 24 × 5 1/2 in.). Limestone. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.

Reconstruction of the temple pediment of the Sulis Minerva. This was the front of the temple and was originally supported by four huge columns. Roman.

Inscribed Stone from Hatshepsut's Valley Temple ca. 1479-1458 B.C. New Kingdom. Inscribed Stone from Hatshepsut's Valley Temple. ca. 1479-1458 B.C.. Limestone, ink. New Kingdom. From Egypt, Upper Egypt, Thebes, Asasif, Birabi, Foot of Hatshepsut's causeway, Ptolemaic radim, MMA excavations, 1915-16. Dynasty 18

Lazio Viterbo Viterbo Museo Civico51. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Mold ca. 1550-1295 B.C. New Kingdom. Mold. ca. 1550-1295 B.C.. Terra cotta. New Kingdom. From Egypt. Dynasty 18

Maldives: Detail of an inscription in Evela Akuru script on a pre-Islamic six-faced coral stone stele found at Ameeru Ahmad Magu, Henveiru Ward, Male Island, c. 9th century CE

A marshal is wearing a himation which has slipped to exposit his well-built body. He moves suddenly in an attempt to prevent the horses from running into the group of elderly men progressing slowly towards the east.5th Century BC frieze from the Parthenon, Athens, Greece.

Relief: fragments of a siege scene. Culture: Assyrian. Dimensions: 7.01 x 7.95 in. (17.81 x 20.19 cm). Date: ca. 704-681 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Relief fragment, tomb of Meketre, Kheker ca. 1981-1975 B.C. Middle Kingdom. Relief fragment, tomb of Meketre, Kheker 562783

Ampurias. Southern wall. Built in 1st century b. C. Phallus. Relief. Catalonia. Spain.

Fragment of a limestone statue of a male votary (worshipper) probably 1st half of the 6th century B.C. Cypriot The fragment comes from an over-life-sized statue. Preserved are traces of the figure's navel and part of his belt, decorated in low relief. The subject is Herakles in combat with the lion, between oriental vegetation.. Fragment of a limestone statue of a male votary (worshipper) 242145

Prehistory, Spain, Bronze Age. Granite idol. From Hernan-Perez.

Terracotta relief with depiction of a one winged goddess, standing on two ibexes. From Ras Shamra (Ugarit). First Babylonian Empire. Dated at the beginning of the 2nd millennium BC. Louvre Museum. Paris, France.

Emilia-Romagna Ferrara Ferrara Palazzo dei Diamanti4. Hutzel, Max 1960-1990 Post-medieval: Many views of facade, sides, and courtyard of 16th c. structure, including detailed views of windows and architectural sculpture, portal leading into courtyard and colonnade, capitals, portals, and sculpture inside courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragment of relief ca. 1981-1952 B.C. Middle Kingdom. Fragment of relief. ca. 1981-1952 B.C.. Limestone. Middle Kingdom. From Egypt, Memphite Region, Lisht North, Pyramid Temple of Amenemhat I, MMA excavations, 1912-13. Dynasty 12

SARCOFAGO. DEPOSITO: MUSEO FREDERIC MARES . BARCELONA, CATALUÑA, ESPAÑA.

Reliefs of Osuna. 3rd-2nd centuries BC. Ashlar of Group A. Reliefs depicting a ritualized battle between two young men, accompanied by processions to the sound of the music. Ashlar with a rider. Iberian culture. Osuna (Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.

Lazio Viterbo Viterbo Museo Civico81. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Relief fragment, tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Relief fragment, tomb of Meketre. ca. 1981-1975 B.C.. Limestone, paint. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, MMA 1101), MMA excavations, 1920. Dynasty 12

Fragment of a Dish Dedicated by Two Kings to the Goddess Hathor of Dendera ca. 1988-1952 B.C. Middle Kingdom. Fragment of a Dish Dedicated by Two Kings to the Goddess Hathor of Dendera. ca. 1988-1952 B.C.. Slate. Middle Kingdom. From Egypt, Memphite Region, Lisht North, Cemetery, MMA excavations. Dynasty 11-12

Relief fragment, tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Relief fragment, tomb of Meketre. ca. 1981-1975 B.C.. Limestone, paint. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, MMA 1101), MMA excavations, 1920. Dynasty 12

Raised relief fragment 664-610 B.C. Late Period, Saite see 23.3.468. Raised relief fragment. 664-610 B.C.. Limestone. Late Period, Saite. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, MMA 509), 1st chamber N. door, MMA excavations, 1922-23. Dynasty 26

Zapotec stone slab fragment depicting a seated dignitary below the jaw of a serpent which symbolises the link between the world and the underworld. 600-800 AD

Capital of lesene. 2nd century AD. Capital on marble plaque that was part of the architectural decoration of the residential sector. National Archaeological Museum. Tarragona. Spain.

Figural Ostracon with a Monkey Climbing a Tree. Egypt, New Kingdom, 19th - 20th Dynasty (1315 - 1081 BCE). Tools and Equipment; ostraka. Limestone

Lazio Viterbo Viterbo Museo Civico60. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Weutral tomb slab, grooved relief in the south aisle, St., Sankt, Saint

Relief with a construction scene ca. 1353-1336 B.C. New Kingdom, Amarna Period. Relief with a construction scene 545018

Relief Panel. Unknown

Hearthstone, from Antwerp Belgium, without frame, with winged deer in glass, fire stone fireplace component ceramics brick, baked Hearth stone of the Antwerp type without frame showing two winged deer placed in two panes with laurel leaf motif and accompanied by the year 162 the half-panes at the top and bottom are filled with lily pattern. year 162 heat building history

Cameo fragment from a kantharos (drinking cup) with an Egyptianizing scene 27 B.C.-A.D. 14 Roman Period, Augustus Many artworks of the Roman Period in Egypt represent the taste of wealthy urban merchant and rich farming classes of Roman Egypt. Wide trade of luxury works is evident, and Greco-Roman style dominates. Since Egyptian pharaohs had first authorized Greek trading colonies and employed Greek mercenaries in the seventh century BC., there was a considerable Greek presence in Egypt. With Alexander's conquest, Macedonian Greek Ptolemies ruled as successors to the pharaohs, and Ptolemaic Greek and eastern Mediterranean soldiery was heavily settled in parts of Egypt. Although the Ptolemaic kings maintained traditional Egyptian religious and political forms, elite society, of mixed Greek and Egyptian descent, aspired to Greek culture in many respects. With the replacement of a Ptolemaic pharaoh in Memphis and Alexandria by a Roman emperor in Rome, the status of Greek culture and art,

Tombstone statue (Balbal), Bishkek, Kyrgyzstan, Central Asia, Asia

Relief of an attendant's hand holding a necklace - see 26.3.353-3 ca. 2051-2030 B.C. Middle Kingdom. Relief of an attendant's hand holding a necklace - see 26.3.353-3. ca. 2051-2030 B.C.. Limestone, paint. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Neferu (TT 319, MMA 31), MMA excavations, 1923-25. Dynasty 11

Limestone grave stele of Sogenes. Culture: Greek, Cypriot. Dimensions: Overall: 9 3/8 x 11 3/8 x 2 7/8 in. (23.8 x 28.9 x 7.3 cm). Date: ca. 3rd-2nd century B.C..The stele is fragmentary and only the first two lines of the Greek inscription can be read: "Sogenes, (son) of Sokrates.". Museum: Metropolitan Museum of Art, New York, USA.

Hearing stone with a representation of a men's and women's head in two profiled windows, anonymous, c. 1550 - c. 1599 Hearing stone with a representation of a men's and women's head and Profil, placed in two profiled windows. The half and quarter windows at the top and bottom are filled with flower decorations in laurel opportunities. Southern Netherlands earthenware Hearing stone with a representation of a men's and women's head and Profil, placed in two profiled windows. The half and quarter windows at the top and bottom are filled with flower decorations in laurel opportunities. Southern Netherlands earthenware

Boss with Feline (Possibly a Leopard) within a Roundel. Afghanistan, 6th-8th century. Ceramics. Clay

Australia, Northen Territory, Kakadu ntl. park, Aboriginal Rock Painting

Fragment of a wall decoration with a figure playing a harp ca. 6th century A.D. Sasanian Stucco reliefs were commonly used to decorate the iwans and reception halls of elite Sasanian houses. Many examples were found in excavated houses in the Ctesiphon area including this fragment from Maaridh V which depicts a partially preserved figure playing a harp. It would most likely have been part of a larger scene of musicians and dancers.The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928-29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint ex

Płyta grobowa Drakona. unknown, author

Lazio Roma Rome S. Agnese fuori le Mura4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, fresco painting Object Notes: Erected in 342 by Costanza, daughter or niece of Constantine on the site of the catacombs holding the remains of S. Agnese. Marble staircase dates from 1590. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cylinder seal with hunting scene late 9th - early 7th century B.C. Assyrian. Cylinder seal with hunting scene 324512

Stożek pogrzebowy Pawaha. unknown, author

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Fresco Fragment. Unknown

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