Serene Landscapes

Idyllic landscapes in various techniques, presenting tranquil scenes with natural elements and subtle human figures interacting with nature.

Three troisjres. (Robert-Dumesnyl 26; honey Claude Gell�e (said Lorrain) (around 1600-1682). The three goats. (Robert-Dumesnil 26, Mannocci 8). Etching. 1630. Museum of Fine Arts in the city of Paris, small palace.

River face with two figures on the shore. River face with two figures on the shore carrying a bird cage.

Vignette, for E.L.. Lalanne, Maxime (1827-1886). Avery, Samuel Putnam, 1822-1904. Prints. 1882 - 1888. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Four Landscapes. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 174 × 228 mm. Graphite and brush and brown wash, on cream wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Alphonse Legros, The Gate (L'entree du champ) The Gate (L'entree du champ)

Three troisjres. (Robert-Dumesnyl 26; honey Claude Gell�e (said Lorrain) (around 1600-1682). The three goats. (Robert-Dumesnil 26, Mannocci 8). Etching. 1630. Museum of Fine Arts in the city of Paris, small palace.

Souvenir de mon village , Villages, Bodies of water, Alphonse Legros (1837-1911)

Joseph Mallord William Turner, Isis, published 1819 Isis

Le fermier au repos , Farmers, Alphonse Legros (1837-1911)

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Sir Robert Smirke the younger, 1781-1867, British, Cori, 1802-1804. Graphite on moderately thick, moderately textured, beige, wove paper.

Solitude (Solitude (Paysage)). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Beaulieu, Hampshire, Capt. Thomas Hastings, 1778-1854, British, 1827, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 10 1/4 inches (20.3 × 26 cm)

Pagus Nemorosus, Wooded Region”, from The Set of the Large Landscapes. Etcher: Johannes van Doetecum, the Elder, Dutch, active 1554-ca. 1600Etcher: Lucas van Doetecum, Dutch, died before 1584 After: Pieter Brueghel the Elder, Flemish, ca. 1525-1569 Publisher: Hieronymus Cock, Flemish, ca. 1510-1570

Alphonse Legros, Banks of the Saint Pre (Rive du Saint Pre) Banks of the Saint-Pre (Rive du Saint-Pre)

Alphonse Legros, Last Rays (Les derniers rayons) Last Rays (Les derniers rayons)

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Landscape with a man with pigs, Philips Augustijn Immenraet, After Lucas van Uden, 1637 - 1679 print Seventh from a series of eight. Landscape with a pig herd and his pigs, a village in the distance. paper etching / engraving village. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. pig. piglet, suckling pig

Jacob Wilhelm Mechau, A Cività Castellana, 1793 A Cività Castellana

Forest Scene with Tree in Foreground 1628-86 Attributed to Jacques d'Artois Flemish This view of the interior of a forest is abruptly divided in two by the slender, tilting stem of a tree in the central foreground. Done in brush and gray ink, the vivacity of the brushwork, especially in the rendering of foliage, gives the impression of a rapid and quick execution.The identity of the artist responsible is not easily affirmed. When it first entered the Museum in 1975, the sheet was considered a work by the Flemish artist Jacques dArthois. DArthois belonged to the so-called Brussels school of landscapists, known for their rustic views of wooded landscapes, inspired by the nearby Sonian forest (Forêt de Soigne). Other members of this group were Lodewijk de Vadder (1605-1655) and Lucas Achtschellinck (1629-1699). These artists worked in close vicinity of one another, and their drawings and paintings show strong similarities, both in style and subject matter, which makes it difficult to de

Alphonse Legros, Banks of the Saint Pre (Rive du Saint Pre) Banks of the Saint-Pre (Rive du Saint-Pre)

Paysage: Sans titre , Buildings, Alphonse Legros (1837-1911)

La ronde gauloise (réduction). Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Man and Woman in shade of a tree, Guercino, 1601 - 1666 print A wide landscape with a tree in the foreground. A man and a woman rest in the shade of the tree. Italy paper etching landscapes. shadow of an object

Forest face, draughtsman: Anthonie Waterloo, draughtsman: Simon de Vlieger, (rejected attribution), 1619 - 1690, paper, brush, h 235 mm × w 367 mm

Sketch of a garden with obelisk and person at pond. Design for a painting.

The Lonely Tower. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1871. Dimensions: 219 × 277 mm (chine); 400 × 571 mm (sheet). Transfer lithograph in black on tan China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Thomas Major depicting a hunting scene with the death of a deer, showing hunters, weapons, landscape, and the animal, created around 1753.

A Civita Castellana. Jacob Wilhelm Mechau; German, 1745-1808. Date: 1793. Dimensions: 247 × 355 mm (image); 280 × 380 mm (plate); 278 × 501 mm (sheet). Etching on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

La sylphide, Acte 2e (décoration de Ciceri), 1832, Opéra de Paris. Ballet. Lithographs, 23 x 33 cm, B&w

Coolen chases birds from the rice fields, around 1820-1850. Draughtsman: anonymous. Dating: 1850 - 1950. Place: Indonesië. Measurements: h 203 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

In a Wood 1880-1890 France. Drypoint and plate tone on ivory laid paper . Alphonse Legros

Rowing boat on shore at a ruin, Lambert Jacquelart, 1830 - 1910 print paper. etching rowing-boat, canoe, etc.. landscape with ruins

Rijn, Rembrandt van, The cave, The boathouse, verso lower left - stamped, print, prints, Rembrandt . 1645, lower right, height 127 mm, width 133 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1645 - 1645, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Auguste Lepère: Le pommier mort (Picardie), 1913. Auguste Louis Lepère (French, 1849-1918). Etching, from bound volume with seven etchings; sheet: 22.6 x 30.5 cm (8 7/8 x 12 in.); platemark: 13.3 x 15.8 cm (5 1/4 x 6 1/4 in.).

Man and wife in conversation at a village, Hendrik Jozef Franciscus van der Poorten, 1861 print paper etching prospect of village, silhouette of village. conversation, dialogue; conversation piece

View of the Amstelveenseweg Outside Amsterdam, Rembrandt van Rijn, c. 1660 - c. 1662 drawing Get rid of trees and a bridge that leads to a house. Amsterdam cartridge paper. ink pen / brush forest, wood. public road. public road in village Amstelveenseweg

Wooded landscape. Artist: After Jan Brueghel the Elder (Netherlandish, Brussels 1568-1625 Antwerp); Raphael Sadeler II (Flemish, Antwerp 1584-1632 Munich). Dimensions: Sheet: 8 1/16 x 10 11/16 in. (20.4 x 27.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

Le Clovis, Plateau de Bellecroix, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Forest of the Villa Madama outside Rome, Gerard ter Borch (I), 1610, Forest of the Villa Madama outside Rome, with walker., draughtsman: Gerard ter Borch (I), (signed by artist), Rome, 1610, paper, pen, brush, h 275 mm × w 195 mm

View of the Diemerdijk with a Milkman and Cottages ('Het Melkboertje'), Richard Byron, After Rembrandt van Rijn, 1750 - 1799 print paper etching city-view, and landscape with man-made constructions. transportation of milk Diemerzeedijk

The Oak and the Adobe. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 6 3/16 × 8 3/8 in. (15.7 × 21.2 cm)Plate: 4 7/8 × 6 7/8 in. (12.4 × 17.5 cm). Date: 1919. Museum: Metropolitan Museum of Art, New York, USA.

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Capt. Thomas Hastings, 1778-1854, British, Beaulieu, Hampshire, 1827. Graphite on medium, slightly textured, cream wove paper.

Etching by Anthonie Waterloo depicting a rider on a fence, created between 1629 and 1690.

Alphonse Legros, Chailli Seen in a Storm (Chailli Effet d'orage) Chailli Seen in a Storm (Chailli: Effet d'orage)

Le fermier au repos , Farmers, Alphonse Legros (1837-1911)

Stone Blockade off Charleston, South Carolina (from Confederate War Etchings) 1861-63 Adalbert John Volck American. Stone Blockade off Charleston, South Carolina (from Confederate War Etchings) 421346

Additional pencil sketches by Ferdinand Georg Waldmüller illustrating his proficiency in capturing various subjects and scenes with precision.

Landscape ca. 1807-1810 Goya (Francisco de Goya y Lucientes) The print is of great rarity. It is one of only four known impressions printed by Goya in his lifetime. The other impressions are in the Biblioteca Nacional, Madrid, The Art Institute in Chicago and a private collection in Berlin. Within the context of his work, the Landscape sits at an important juncture. It was made after his major series of prints 'Los Caprichos' (1799) and before the 'Disasters of War' (ca. 1810-15). As such, it was produced when Goya was experimenting with individual subjects - not part of a series - and finds parallels with this other work from around the same time. The print was not meant for wide distribution and very few impressions were printed. The personal and somewhat introspective nature of is subject is key to understanding the direction Goya was moving in before the outbreak of the Peninsular War. The composition of the landscape is both balanced and precarious. Imposing natural forms loom ove

The Two Landscapes (Left Tree). Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 2 7/16 x 1 7/8 in. (6.2 x 4.8 cm). Date: ca. 1630. Museum: Metropolitan Museum of Art, New York, USA.

Two plank-hedges, Plate 6 from The Set of theLandscapes. Artist: Willem Pietersz. Buytewech, Dutch, 1590/91-1624

View of Mariakerke, James Ensor, 1900 print paper etching prospect of city, town panorama, silhouette of city. city-view, and landscape with man-made constructions Mariakerke

In the Dunes: Souvenir of the Woods of the Hague. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1869. Dimensions: 120 × 194 mm (plate); 172 × 240 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

. Right a lane with birch on either side, deflecting to the left along the water. At the water a dog that barks against a swan. Right rear a wall with a gate. To the painting by Jan Hackaert: 'De Berkenlaan' or 'De Essenlaan'.

Villa with garden, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. pencil garden

Alphonse Legros, View of a Farm Seen in a Storm (La ferme de Brieux (Effet d'orage)) View of a Farm Seen in a Storm (La ferme de Brieux (Effet d'orage))

Rest. Artist: Jules Ferdinand Jacquemart, French, 1837-1880

Jean-Baptiste-Camille Corot, The Little Shepherd, 1st Plate (Le Petit Berger, 1re planche), 1855, printed 1921, cliché-verre, gelatin printing-out print.

Terrano Bridge, Civita Castellana, John Robert Cozens, 1752-1797, British, ca. 1777, Graphite on thin, slightly textured, cream laid paper, Sheet: 10 1/8 x 7 inches (25.7 x 17.8 cm), arches, Grand Tour, landscape, ravines, rocks (landforms), stones, trees

Landscape with ruin and two figures, Willem Matthias Jan van Dielen, 1859 print Netherlands paper etching landscape with ruins

Le grand cavalier sous bois (The Large Rider in theWoods). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Oak. About Rogalin. Wyczółkowski, Leon (1852-1936), graphic artist

Rijn, Rembrandt van, Netherlands, With, Pieter de, Landscape with a canal and fence, verso lower left - stamped, A farm with a hay barn situated on a canal, on the other side of the water a long fence made of poles., print, prints, height 75 mm, width 205 mm, Noord-Nederlands, 1635 - 1689, print maker, printmaker, 1659 - 1659, third quarter 17th century, paper, papier, etching, etchings, brush, Borstel, 1606-07-15 - 1669-10-08, prentmaker

The Little Boat-House Made 1877 England. Drypoint on ivory laid paper . Francis Seymour Haden

Jesus and the Samaritan Woman, lengthwise. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1923. Dimensions: 292 × 273 mm (image/plate); 352 × 332 mm (sheet). Drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Bridge with statue. A curved bridge over the water. To the right of it a statue on a pedestal, presumably Mary with child, on the back. On the left a mountain and a round building.

Rural landscape Armand Guillaumin (1841-1927). "Rural landscape". Black pencil on white paper, 1869. Museum of Fine Arts of the city of Paris, small palace.

Kasteel van Sévérac, Louis Charles Siccama Time, 1869 print A man on horseback walks with another man along the banks of the Aveyron river. On the hilltop above them is the castle of Sévérac. Left front a fisherman in a rowing boat. paper drypoint / etching Chateau-de-Sévérac (Aveyron, Frankrijk)

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Netherlands, Maaten, Jacob Jan van der, Boslaan, recto lower right - handwritten, print, prints, verso - stamped, iivm f, height 87 mm, width 51 mm, 1820-01-24 - 1879-04-16, print maker, printmaker, 1830 - 1879, paper, papier, etching, etchings

The Skylark. Samuel Palmer; English, 1805-1881. Date: 1850. Dimensions: 124 × 116 mm (plate); 295 × 215 mm (sheet). Etching on ivory chine, laid down on white wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Two sketches of gardens with sculptures and architecture. Design for a painting.

Creation of Adam and Eve; Spacious bible. The paradise with entirely left the creation of Adam. In the middle, EVA is created from the RIB of Adam. Right Adam and Eve who, together with God, walk through the paradise. God The Father always appears in the form of a cloud with the tetragram in the middle. In the foreground different animals, including goats, rabbits, ducks, a turkey and a lion. Under the show four four-line verses in Latin and a four-line verse in Dutch.

Le Deux Pelereus à la Fontaine, 1891, Paul Borel, French, 1878 - 1913, 9 1/4 x 13 7/8 in. (23.5 x 35.24 cm) (plate)11 1/16 x 16 1/16 in. (28.1 x 40.8 cm) (sheet), Etching, France, 19th century

Kernévénas. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1920. Dimensions: 173 × 230 mm (image/plate); 230 × 282 mm (sheet). Drypoint on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Willow. Artist: Samuel Palmer (British, London 1805-1881 Redhill, Surrey). Dimensions: sheet: 6 7/16 x 3 3/4 in. (16.3 x 9.6 cm)plate: 4 5/8 x 3 3/16 in. (11.7 x 8.1 cm)image: 3 9/16 x 3 in. (9 x 7.6 cm). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Ferdinand Boberg. Skåne, Villand's hd., Åhus K: a Nordic

The small lion hunt, with two lions. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 6 1/16 x 4 15/16 in. (15.4 x 12.5 cm). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.

Villa with garden. Design for a painting.

Cabin in ruins in the woods, print maker: Hermanus van Brussel, Hermanus van Brussel, Netherlands, c. 1800 - in or before 1815, paper, etching, h 53 mm × w 63 mm

On the Test Made 1854-1864 England. Etching and drypoint on ivory Japanese paper . Francis Seymour Haden

Two feeders on the ground next to a loaded horse; Various performances and figures; Agreeable Diversité the figures. .

Cornelius Varley, 1781-1873, British, Harlech Castle, ca. 1803. Brown wash, brown gouache, and graphite with pen and brown ink on thick, moderately textured, cream wove paper.

Les bûcherons (1st Plate) , Woodcutters, Trees, Alphonse Legros (1837-1911)

Landscape with wife hanging up, Paulus Lauters (attributed to), 1840 print printer: Brusselspublisher: Antwerppublisher: Paris paper hanging the wash to dry. mother and baby or young child. landscapes (+ landscape with figures, staffage)

Etching and copper engraving by Peter Paul Benazech from 1771 depicting fishing on the line, showing figures, boats, fishing lines, and water.

Pencil sketch by Blasius Höfel depicting scenes in the town of St. Pölten, from his sketchbook 1844-1846.

A pencil drawing by August Xaver Karl von Pettenkofen depicting a scene from the novel Gil Blas.

Two riders with women on the back of the water, Stefano della Bella, 1620 - 1664 print print maker: Francepublisher: ParisFrance paper etching riding a horse, ass, or mule; rider, horseman

Rijn, Rembrandt van, Netherlands, Koninck, Philips, Landscape with a white fence, verso lower left - stamped, Landscape with a white fence in front of a group of trees, a house behind it. On the road three persons., print, prent, prints, height 90 mm, width 163 mm, 1619-11-05 - 1688-04-10, print maker, printmaker, 1659 - 1659, third quarter 17th century, paper, deck paint, etching, etchings, plate tone, Northern Netherlands, 1606-07-15 - 1669-10-08

Fishermen on a waterfront. Leaf 63 Recto from a sketchbook with 95 sheets.

Figures by a Pond. Henri Joseph Constant Dutilleux; French, 1807-1865. Date: 1855-1860. Dimensions: 232 × 286 mm. Charcoal, with stumping, scraping, and erasing, on buff wove paper, laid down on tan cardboard. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

La Madonna del Mulino pressure Sorrento; Grospiesch, Florian (1789-1831); 1823 (1823-00-00-1823-00-00);

Design for wallpaper painting with hilly landscape. Design for a wall painting.

Drawing, Landscape; verso: Grotesque Design; Italy; charcoal, pen and ink on paper

The Hague, Hartogensis, Joseph, Oosterbeeksche Melkmeisje, Girl on a wooden bridge, verso - stamped, print, prints, height 160 mm, width 101 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1857 - 1857, paper, papier, etching, etchings, zinkets

Landscape, Poigny. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1907. Dimensions: 119 x 278 mm (image/plate); 158 x 344 mm (sheet). Etching in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Sabrina's Silvery Flood 1821 William Blake British. Sabrina's Silvery Flood. Thornton's Pastorals of Virgil. William Blake (British, London 1757-1827 London). 1821. Wood engraving; second state. Prints

David Lucas after John Constable, Mill near Colchester, in or after 1846 Mill near Colchester

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