Sibyls and Saints

Artworks featuring mythical and religious figures, depicted in traditional attire with symbolic elements, capturing ethereal qualities.

The Persian Sibyl standing with a banderole in hand. To the right a vista of a landscape. Title in lower margin and numbered lower left: 4., Persian Sibyl Sibylla Persica Ten Sibyls (series title) Sibillaru decem (series title), print maker: Raffaello Schiaminossi, (mentioned on object), Raffaello Schiaminossi, Italy, 1606 - 1609, paper, etching, h 190 mm - w 129 mm

Frygische Sibille, Raffaello Schiambinossi, 1606 - 1609 print The Frygic Sibille standing and leaning on a writing tablet with the left hand. She points up with the right hand. Title and a Latin text in the end margin. Numbered bottom left: 9. Italy paper etching sibyls. writing tablets

Saint Bartholomew, knife in his right hand, from the series 'Piccoli Santi' (Small Saints) ca. 1500-1527 Marcantonio Raimondi Italian. Saint Bartholomew, knife in his right hand, from the series 'Piccoli Santi' (Small Saints) 342547

Saint Paul 1514 Albrecht Dürer German. Saint Paul 391245

The Persian Sibyl standing with a banderole in hand. To the right a vista of a landscape. Title in lower margin and numbered lower left: 4., Persian Sibyl Sibylla Persica Ten Sibyls (series title) Sibillaru decem (series title), print maker: Raffaello Schiaminossi, (mentioned on object), Raffaello Schiaminossi, Italy, 1606 - 1609, paper, etching, h 190 mm - w 129 mm

The young drinker. A young man is sitting on a bench at a vine, a glass of lips and a second glass in hand, a book, an hourglass and a torn money show on the ground at his feet. Under the show four lines of Dutch text, which is warned to the consequences of excessive drinks: time, money and health you lose with it. Pendant of a print of an old man in shabby circumstances.

Martin Schongauer, Saint Lawrence, c 1490 1491 Saint Lawrence

Holy Apollonia With Deput with Tand, Anonymous, After Marcantonio Raimondi, 1500 - 1575 print paper engraving the virgin martyr Apollonia of Alexandria; possible attributes: book, crown, palm-branch, tooth in pincers

Friedrich August I, Elector of Saxony 1701/1800

The 'Jonah' engraving (c.1470) by Meister der Propheten und Sibyllen depicts the prophet Jonah, focusing on figure, gesture, and narrative elements related to the biblical story.

Lucas Cranach the Elder, Saint James the Greater Saint James the Greater

Soldier, Seated. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

King Charles II, standing. Engraving by W. Sherwin, 16--.

Martin Schonguer (around 1450-1495). Saint Jean-Baptiste (Bartsch 54). Engraving (chisel), 1475-1480. Museum of Fine Arts of the City of Paris, Petit Palais. 76854-23 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

Strasbourg, Baldung Grien, Hans, Christ as Salvator Mundi, verso lower left - stamped, Christ as Salvator Mundi standing with a globe (orb) in his left hand. With his right hand he makes a gesture of blessing. He is surrounded by clouds and small angels., print, prent, prints, enten, height 221 mm, width 154 mm, German, 1484 - 1545-09, print maker, prentmaker, 1519 - 1519, first quarter 16th century, paper, papier, houtsnede

Copper engraving 'The Saint Barbara' by Israhel van Meckenem, created in the last third of the 15th century, depicting Saint Barbara with architectural and religious attributes.

Copper engraving by Marcantonio Raimondi depicting Saint Matthias, created around 1510-1520.

Paul with sword and book, Lucas Cranach (I), 1510 - 1515 print Saint Paul is standing with his attributes, a sword and book, between two ornaments with a horn of abundance above both left and right on which a putto is located. Germany paper the apostle Paul of Tarsus; possible attributes: book, scroll, sword

Chalk drawing by Francesco Curradi showing a monk in a long coat kneeling on his right knee, emphasizing gesture and drapery.

Heinrich Aldegrever, John, 1539 John

Frederick von Montefeltro, Duke of Urbino.

Poverty; Pauperitas; Virtues and vices. Personification of poverty (pauperitas). A man in old clothes dressed, his arm in a mitella, in his other hand a walking stick. Eleventh print from a series of fourteen with personnifications of virtues and vices.

Martin Schonguer (around 1450-1495). The twelve apostles: Saint Thomas (Bartsch 44). Engraving (chisel), 1480-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 76854-15 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

Holy Rochus as a pilgrim with pilgrim staff and bump on leg, Marcantonio Raimondi, 1500 - 1527 print paper engraving the confessor and pilgrim Roch(us) (Rocco, Rock) of Montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet

Saint Stephen. Dated: c. 1490/1491. Dimensions: sheet (trimmed to plate mark): 16.3 x 11.4 cm (6 7/16 x 4 1/2 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Arndt, Johann.

Saint John, book in right hand chalice in left, from the series 'Piccoli Santi' (Small Saints). Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 3 5/16 x 2 in. (8.4 x 5.1 cm). Date: ca. 1500-1527. Museum: Metropolitan Museum of Art, New York, USA.

Oude Man, Frederick Bloemaert, After Abraham Bloemaert, After 1635 - 1669 print A standing man with loose clothing. Utrecht paper engraving old man

Woodcut by the school of Albrecht Dürer from 1518 depicting Saint Sebald in a niche, showing figure, robe, and architectural setting.

Broeck, Crispijn van den, Antwerp, Sadeler, Johann (I), People from the Old Testament, Esdras, Ezra, verso lower left - stamped, The Jewish high priest Ezra in a landscape. He has a book in his hands. The thirty-seventh print of a 39-part series with people from the Old Testament as the subject., print, prints, height 114 mm, width 82 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1575 - 1575, paper, engraving, engraving (printing process), Work conception, 1524 - 1591

Depicts Andreas by Sebald Beham as a copper engraving print, showing the figure in detailed traditional composition.

Jacques Bellange, The Blind Hurdy Gurdy Player The Blind Hurdy Gurdy Player

Pauperitas; Design drawings for the deterrent series of various allegorical figures. Design for a print.

Saint Christopher Facing Left (reverse copy) n.d. After Albrecht Dürer German. Saint Christopher Facing Left (reverse copy) 391290

Christ ca. 1510 Lucas van Leyden Netherlandish. Christ 364759

Hans Baldung Grien, Saint Simon, 1519 Saint Simon

Costume Plate: Bearded Man from Spain ca. 1557-58 Engraved by Enea Vico Italian. Costume Plate: Bearded Man from Spain 383584 Artist: Engraved by Enea Vico, Italian, Parma 15231567 Ferrara, Costume Plate: Bearded Man from Spain, ca. 155758, Engraving, sheet: 6 1/4 x 4 1/16 in. (15.8 x 10.3 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 (64.657.11)

Fine Zacheus, Willem Isaacsz. van Swanenburg, after Abraham Bloemaert, 1611 print Zacheus, Tollenaar in Jericho, kneels when bags with money and a money box. There is a book on a table and his headgear. There is a vase in the niche behind him. In the distance Christ is at the fig tree, where Zacheus has climbed. Under the performance is a six -line, Latin text with a description of the scene. print maker: Leidenafter design by: Utrecht (possibly) paper engraving calling of Zacchaeus, who is sitting in a fig-tree (Christ passing through Jericho). money-chest, treasure-chest, money-box. purse, money-bag

St. James the Greater ca. 1435-1491 Martin Schongauer German. St. James the Greater 367044

Bliżej Kultury Motz, Johann Michael (Ca 1694 1758), Will, Johann Martin (1727 1806)

Depiction of Apostle James the Greater, illustrated with traditional iconography, created as a copper engraving by Hendrick Goltzius in 1589.

Antwerp, Aertssens, Hendrik, Netherlands, Bolswert, Boëtius Adamsz., Bloemaert, Abraham, Amsterdam, Sacra eremvs ascetarvm, Hermits, S. Ammon Nitriota, Saint Ammonius the Great as a hermit, verso bottom center - stamped, print, book illustration, prints, height 145 mm, width 90 mm, Southern Netherlands, 1580 - 1633-03-25, print maker, printmaker, 1590 - 1612, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, South Netherlands, publisher, 1622 - 1663

Title print with the prophet Isaiah with paper roll and two putti, Nicolas Chaperon, 1649 print The prophet Isaiah sitting on a throne with a paper roll with series title. Left and right are two naked children with Garlande and assignment to Aegidius (Gilles) Renard. print maker: Francepublisher: ParisFrance paper etching Isaiah (not in biblical context); possible attributes: branch with leaves, saw, scroll or book

Saint James the Lesser. Dated: probably 1589. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.

Theolocia XXX Theology. Mantegna, Andrea, 1431-1506. 1550. Ladenspelder, Johann, approximately 1511-approximately 1580. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Copper engraving by Meister FVB depicting James the Less, showing figure, posture, and religious composition, dated around 1480-1500.

This copper engraving by Marcantonio Raimondi, circa 1503-1510, depicts Saint John the Baptist holding a staff and a scroll in a devotional scene.

Martin Schonguer (around 1450-1495). Les Douzes Apostles: Saint Jacques leues (Bartsch 36). Engraving (chisel), 1480-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 76854-7 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

Jacques Callot (1592-1635). "The great apostles: Saint Thomas: tenth number of a series of 16 pieces" (Lieure 1306, Meaume 112). Etching. 1631. Museum of Fine Arts of the City of Paris, Petit Palais. 99592-15 Etching, engraving

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Kaunitz, Dominik Andreas Graf von.

Copper engraving by Tarocchimeister depicting the allegorical figure representing wisdom, created before 1467.

Keizer Lodewijk de Vrome, Michel Wolgemut (workshop of), 1493 print A king with government apple and scepter, back. The show is part of the Surprise Keizers in the Liber Chronicarum. The text identifies the man as Emperor Lodewijk de Vrome. The print is part of an album. paper letterpress printing king. emperor

The Prophets: Amos, c. 1470-1475. Attributed to Baccio Baldini (Italian, c. 1436-1487). Engraving;

Sangallo, Antonio Da.

Kiss couple. Sheet 8 from the twelve-part episode of the large wedding dancers (1538)

Italy, Westerhout, Arnold van, Imagine del padre S. Agostino dottore di Santa Chiesa, Church Father Augustine of Hippo and his tomb, Saint Augustine of Hippo wears the bishop's robes, in his hands a writing quill and a burning heart. Below that his tomb, on top a four-line inscription in Italian. In the frame at the bottom a seven-line caption in Italian., print, prent, prints, prenten, height 195 mm, width 133 mm, Zuid-Nederlands, 1651-02-21 - 1725-04-18, print maker, printmaker, 1695 - 1725, paper, papier, engraving, engraving (printing process), etching

Heraclius

Bliżej Kultury Motz, Johann Michael (ca 1694 1758), Eichler, Gottfried (1715 1770)

David playing harp after Dominicin (Dutuit 26, White 2) Cornelis II Bloemaert, said the young person (1603-1692). David playing the harp according to the Dominicin (Dutuit 26, White 2). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Copper engraving by Marcantonio Raimondi from around 1520-1522 depicting Andrew the Apostle, showing figure, posture, hands, facial expression, and clothing details.

Antwerp, Galle, C., Rubens, Peter Paul, Clouwet, Petrus, SS Apostolorum Icons, Saint Thomas, verso bottom center - stamped, The print shows Saint Thomas. In his left hand a spear. In his right hand a book. The series consists of prints based on paintings by Peter Paul Rubens., print, prints, height 259 mm, width 135 mm, Southern Netherlands, 1629-04-09 - 1670-04-29, print maker, printmaker, 1639 - 1670, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

House, John.

Martin Schongauer, Saint Agnes, c 1475 Saint Agnes

A flagellant resting on a stone. Etching.

Pyrrho still image. Portraits. 1660. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Greeks , To 499, Men , Clothing & dress , Greece , To 499, Headgear , To 499, Philosophers , To 499, Shoes , To 499, Pyrrhon, of Elis

Saint Peter repenting for treason S. Petrvs poenitens (title on object) V, print maker: Schelte Adamsz. Bolswert, (mentioned on object), Peter Paul Rubens, publisher: Martinus van den Enden, (mentioned on object), 1596 - 1659, paper, engraving, h 126 mm × w 89 mm

Med - King Darius, Jeremiah Falck, After Claude Vignon, 1645 print Darius, King of the Medes, is with a crown and scepter next to an angel and a bear. The four wind directions blow in the background. print maker: Parisafter design by: France paper engraving (story of) Darius, king of Persia - fabulous, clearly legendary extensions ~ person from classical history

Print, The Resurrection, from The Little Passion Series; Designed by Albrecht Dürer (German, 1471-1528); Germany; woodcut on off-white laid paper; 14.3 × 10.5 cm (5 5/8 × 4 1/8 in.)

Iron engraving by Albrecht Dürer, 1515, depicting a seated male figure in a pose expressing suffering, showing anatomy and drapery.

Tattenbach, his Erasmus graph.

Erasmus of Rotterdam. Dimensions: image: 28.4 x 15 cm (11 3/16 x 5 7/8 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Holbein the Younger.

Selnecker, Nicholas.

St. Agnes. Martin Schongauer; German, c. 1450-1491. Date: 1450-1491. Dimensions: 152 × 103 mm. Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Cléobule ca. 1639-40 Jean Couvay French. Cléobule 391016

Standing man wearing a turban. Attributed to Giovanni Bellini (Italian, about 1431/1436 - 1516)

Rubens, Peter Paul, work name: Stigmatization of Francis of Assisi, line etching, graphics, sheet width 10.2 cm, sheet height 13, 9 cm

Saint Jerome. Line engraving after A. Dieu.

Artist: Lucas van Leyden, Netherlandish, 1494-1533, Christ as the Man of Sorrows with the Instruments of thePassion, Engraving, sheet: 12.1 × 7.6 cm (4 3/4 × 3in.), Made in The Netherlands, Netherlandish, 16thcentury, Works on Paper -Prints

Heinrich VIII., King of England Stecher: Isselburg, Peter

Saint Agnes. Pen and ink drawing after I. van Meckenem.

Bliżej Kultury unknown

Drawing by Sébastien Le Clerc of a noblewoman from Padua using brown, gray, and red ink on a leaf with a pierced decorative strip, dated between 1650 and 1664.

Bembo, Pietro Stecher: Stimmer, Tobiasprinter: Waldkirch, Konrad vonverleger: Waldkirch, Konrad from print: Basel publisher: Basel

The Monk, from the Dance of Death. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 3 in. × 2 3/16 in. (7.6 × 5.5 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: Dance of Death, after Holbein. Date: 1651.A monk, carrying a collection box and accompanied by a dog, is seizedfrom behind by Death. Museum: Metropolitan Museum of Art, New York, USA.

Galle, Cornelis (II), Rubens, Peter Paul, Bolswert, Schelte Adamsz., SS. Apostolorum Icones, S. Ioannes, Saint John the Evangelist with chalice, verso center - stamped, print, prints, height 251 mm, width 134 mm, Southern Netherlands, 1586 - 1659-12-12, print maker, printmaker, 1596 - 1659, paper, papier, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, 1615 - 1678-10-18, publisher

Portrait of Laurens Jansz. Coster, Pieter Jansz Saenredam, 1630 print Laurens Jansz is standing in a field in front of the city of Haarlem. Coster, one of the inventors of book printing. He is wearing a hat and a fur collar, and has a plate with his titles in one hand and a printing letter in the other. In the background the contours of Haarlem, with the Sint-Bavokerk. Haarlem paper etching / engraving head-gear: hat (+ men's clothes) Haarlem

The personification of the fame points to a monument with a poem. On the monument are the clubs and lion skin of Hercules. On the left the hero attributes of Lauwerkrans, sword, helmet and breast kuras. The preportrait and a book with laurel wreath are in the foreground.

The Smoker at the Window, c. 1648-50. Adriaen van Ostade (Dutch, 1610-1684). Etching;

A brown, red, green, and gray ink drawing by Sébastien Le Clerc depicting a woman from Negroponte, glued on a leaf with a pierced decorative strip, circa 1650-1664.

Theologia (Theology). Dated: c. 1465. Dimensions: sheet: 18.5 x 10.3 cm (7 5/16 x 4 1/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

Water. Jacques de Gheyn II (Flanders, Antwerp, 1565-1629). Flanders, circa 1588. Prints; engravings. Engraving

Portrait of a Man Standing. Dimensions: Overall (approximate): 52.6 x 35 cm (20 11/16 x 13 3/4 in.) support: 55.3 x 35 cm (21 3/4 x 13 3/4 in.). Medium: black and red chalk with charcoal on laid paper. Museum: National Gallery of Art, Washington DC. Author: Anthony Van Dyck.

Kerkvader Hieronymus, Roeland Van Bolten, After Giuseppe Cesari, After Jacob Matham, After 1600 - 1608 print The H. Hieronymus sat in a church vault. He is half naked, but still wears his cardinal robe. His cardinal's hat lies next to him on a bench. He is writing and his work instruments (ink pot, books, pen) are also depicted. The lion he once helped, his personal attribute, lies next to him. The print carries a inscription with Hieronymus' name and a Latin caption. The series concerns the four church fathers. print maker: Zwolle (possibly)after painting by: Romeafter print by: Haarlem (possibly)publisher: Amsterdam paper engraving St. Jerome as Doctor of the Latin Church in his study with book, pen and ink; lion and cardinal's hat beside him. the four Latin (Western) Fathers of the Church together: Ambrose (usually as bishop), Jerome (usually as cardinal), Augustine (usually as bishop), Gregory the Great (usually as pope)

Leopold I., Roman-German Kaiser.

Hans Sebald Beham (1500-1550). "The twelve apostles: Santiago Le Major, n ° 9. (Hollstein (Volume 3, page 34); Bartsch 51)". Chisel. 1545. Museum of Fine Arts of the city of Paris, Petit Palais. 123048-25 Chisel, 16th 16th XVI 16th 16th 16 Center

Saints Peter and Paul, 1785, etching and engraving on laid paper, plate: 45.9 × 30.2 cm (18 1/16 × 11 7/8 in.), sheet: 46.6 × 30.2 cm (18 3/8 × 11 7/8 in.) trimmed within platemark, mount: 47.5 × 32 cm (18 11/16 × 12 5/8 in.), De Vesme, 1906: no. 8, State undesc. iv/iv, Gaetano Gandolfi (artist) Bolognese, 1734 - 1802, Guido Reni (artist after) Bolognese, 1575 - 1642, Ludovico Inig (printer) Italian, active late 18th century

Democritos Publisher: Hertel, Johann Georgaufner: Goetz, Gottfried Bernhardstecher: SET SETTEKY, BALTHASAR SIGMUND

Bildnis des Ludolphus

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