Sketch Studies

A series of artistic sketches depicting various subjects including figures and clouds. Subtle pencil lines convey depth and artistic expression.

Three round shapes, not closed, 1605 drawing A lying open oval, followed by an open circle and a horizontal open oval. This drawing is part of an album. Rotterdam paper. ink pen / calligraphy calligraphy. circle (~ planimetry, geometry)

Standing woman. Possibly Mrs. Weber. Leaf 5 Recto from XXII sketchbook with 30 sheets.

Clouds, 1875 Page 18 Verso from a sketchbook with 38 sheets. paper. pencil clouds

Vrouwenhoofd, in profiel.Page 36 From sketchbook XXXIII with 47 pages.

Studies. Leaf 7 Recto from a sketchbook with 25 sheets.

Studies. Possible beams and hinges. Leaf 10 Verso from a sketchbook with 23 sheets.

Bush and a man in a long jacket.Leaf 27 recto from a sketchbook with 42 sheets.

Three round shapes, not closed, 1605 drawing A lying open oval, followed by an open circle and a horizontal open oval. This drawing is part of an album. Rotterdam paper. ink pen / calligraphy calligraphy. circle (~ planimetry, geometry)

Design, possibly for a flying machine. Leaf 35 Recto from a sketchbook with 53 sheets.

Gastone Primon, Three Abstract Sketches, 1951, pen and ink on paper.

Standing naked woman with the arms for the chest. Leaf 5 Verso from a sketchbook with 28 sheets.

Design for a pulleys. Design for the Reformed Church in Vreeland. Leaf 11 Recto from a sketchbook with 27 sheets.

Cup of a man with a beard and hat. Leaf 21 Verso from a sketchbook with 23 sheets.

Aircraft parts. Among other wheels. Leaf 19 Recto from a sketchbook with 42 sheets.

Collection circles on lines. Leaf 3 verso and 4 recto from a sketchbook with 41 sheets.

Standing man In addition to a tonnes loaded handkar.Leaf 25 Recto from a sketchbook with 45 sheets.

Glider. Leaf 18 Verso from a sketchbook with 42 sheets.

Perspective exercise with a rectangle, 1816 - 1852 Page 28 Recto from a sketchbook with 94 sheets. paper. pencil. ink brush mathematical perspective. shadow of an object

Right hand. The sketch is inspected. Leaf 31 Verso from a sketchbook with 38 sheets.

Outline city concept. Wire-frame style

Cup of a woman. Also a study of two eyes and a nose. Leaf 23 Verso from a sketchbook with 21 sheets.

Outline city concept. Wire-frame style

Swirl storm at sea. Leaf 30 Recto from a sketchbook with 58 sheets.

Drawing..

Cloud air. Page 27 and page 28 from a sketchbook with 16 sheets.

Design for a buffet cabinet. Leaf 4 recto from a sketchbook with 25 sheets.

Study. Leaf 7 Verso from sketchbook XIV with 17 sheets.

Dancing woman.leaf 16 verso and leaf 17 recto from sketchbook lvii with 29 sheets.

Studies, including a letter 'C', c. 1900 Leaf 10 Verso from a sketchbook with 15 sheets. paper. pencil fancy letters

Studie.Page 9 From a sketchbook with 25 sheets.

Figures on the street. Leaf 23 Verso from sketchbook XXII with 30 sheets.

Gearbox sketch. Vector

Design for the hook of an umbrella. .

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Landscape withtrees, Graphite, Wove, 27.5 × 35.4 cm (10 13/16 × 13 15/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Decorative patterns. Leaf 41 Recto from a sketchbook with 60 sheets.

Flyer during the arrival in Tirana. .

Design for a composition panel. Design for cutlery.

Cogs and Gears of Clock. Vector

Ghost Chamber with the Tall Door (New Version). Artist: Paul Klee (German (born Switzerland), Münchenbuchsee 1879-1940 Muralto-Locarno). Dimensions: 24 in. × 16 5/8 in. (61 × 42.2 cm). Date: 1925.In the early 1920s, Klee painted a series of ghost chambers with eerie lines of perspective that reduce everything to skeletal transparency. As Klee rarely used perspective, he applied it in these works-always interiors-solely to show its delusive effects, a theory he relayed to his students in his Bauhaus lectures on the subject in November 1921. He demonstrates that perspective can be playful in this watercolor of an orange room cluttered with black wire utensils and with a tall violet door from which seemingly radiate the black perspectival lines. Museum: Metropolitan Museum of Art, New York, USA.

Stiehl Otto (1860-1940): Sketch and photo album 2: St. Nicolaikapelle, Obermarsberg

Drawing..

Two Tunisians. The figures make a hand movement that appears on blows. Page 129 From a sketchbook with 67 sheets.

Man.Torn.Favorable part .. Kockums AB (depicted name), shark (depicted name)

Optical illusion. Unknown

Studies. Leaf 23 Recto from a sketchbook with 60 sheets.

Optical illusion. Unknown

Stage design: scene with figure

Fotogramm. Artist: László Moholy-Nagy (American (born Hungary), Borsod 1895-1946 Chicago, Illinois). Dimensions: 23.8 x 17.8 cm (9 3/8 x 7 in.). Date: 1925.Moholy-Nagy played a key role at the Bauhaus in both Weimar and Dessau from 1923 to 1928, and at the New Bauhaus (later the Institute of Design) in Chicago from 1937 until is death in 1946. His major contribution to avant-garde photography was the new vision (das neue Sehen), in which he advocated a new approach to the medium, proposing the use of such techniques as the manipulation of light in cameraless photograms. Moholy-Nagy made this image by placing commonplace domestic objects on a sheet of photographic paper and exposing it to light. The resulting spatial, tonal, and gestural qualities of these abstract compositions challenged traditional modes of visual apprehension and representation.Dancing on the Roof label text:Although Moholy did not invent the photogram technique--which involved placing objects on photographic paper a

Virgo and Libra #1, Celestial & Astrological Charts

Study. Leaf 13 Verso from a sketchbook with 79 sheets.

Decors opera, Clouds carrying zephyrs, vintage engraved illustration. Magasin Pittoresque 1867.

illustration of English tales, folk tales, and ballads.

Ramp concept outline. Vector

Four front heads of a man with thought, anger, crying and surprise. .

Backdrop with models built to advertise SJ travel agency.

Studies. Possible architecture studies. Leaf 7 Recto from a sketchbook with 30 sheets.

Image of pallets

Redevelopment of apartment, sketch

Artwork: "We Must be Pretty High - I Can Not Even See the Ground" Artist: Thieband. Country: Unknown

Cartoon - The Meeting of North and South Poles Arthur George Racey (1870-1941)

Edda (depicted - name).Edda (depicted - name)

A set of thin elements on the topic of Geo-Position.

Knot, 1947, Anni Albers, gouache on paper, Bauhaus.

Ancient knight Helmet on the Grunge background. Vector illustration.

Skiopticone image with motifs moving different types of clouds.Stratus.

Artwork: "Target Japan" Artist: Maltby Skyes. Country: Unknown

Concept blueprint 3d rendering. Concept blueprint. My design and 3d rendering model. Concept blueprint 3d rendering

Drawing..

Light, vintage engraved illustration.

Illustration depicting a type founding machine for making printers type. Dated 19th century

Plan of Boxford made by Moses Dorman, Jr. dated 1830 ,. Massachusetts. Office of the Secretary of State

Returning Mongolian pirate ships, 1863 print Fiery explosion of a ship on a wild sea. In the waves of drowning people and burning shipwrecks. In the air, between the flames of the explosion, bodies and loose limbs. paper color woodcut battle (+ naval force). wave. projectiles, explosives, etc.

Painting

vector Statue of Liberty

Artwork: "Air to Ground Radioman" Artist: R. Hartl. Country: Unknown

sketches of bald heads of skinny teenagers with hand-drawn by black pencil on white paper

In fog , illustration to the fool rope by O, Karl Wiener -, artist

Cartoon depicting a chaotic meeting of railway shareholder's in which investors are venting their opinions regarding the dividend they will receive on their investments. Illustrated by Richard Doyle (1824-1883) a notable illustrator of the Victorian Era. Dated 19th century

Military silhouettes

Postcard to Philip Zilcken, Alphonse Stengelin, 1914 Belen cardboard. ink writing (processes) / pen / collotype painting (including book-illumination, miniature-painting)

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