Sketch Studies

Various sketches and studies showcasing preliminary artwork in pencil, reflecting different artistic styles and techniques.

Edelfelt, Albert, work, Sketch book, drawing, 11.5 cm x 14 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Study, George Hendrik Breitner, 1886 - c. 1903 Page 21 from a sketchbook with 15 sheets. Amsterdam paper. pencil

Järnefelt, Eero, Sketch book, ca. 1905-08, pencil and marker, drawing, 15.5 cm x 24 cm, artist : Järnefelt, Eero, approx. 1905-08, pencil and marker, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

SERIE COLMENAS IV - 1991- ACUARELA/CERA SOBRE MADERA- 119 X 82 CM. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Diebitsch Carl von (1819-1869), ornamentation (without dat.): Frottage of a detail (cut). Pencil on paper, 22.1 x 15.8 cm (including scan edges) Diebitsch Carl von (1819-1869): Ornamentik

Enckell, Magnus, work, Sketch book, (1000 - 2010), drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Luigi Schiavonetti after William Blake, Death's Door, 1808 and 1813 Luigi Schiavonetti after William Blake (Italian, 1765 - 1810), Death's Door, 1808 and 1813, etched copper plate, Rosenwald Collection 1943.3.1756

Edelfelt, Albert, work, Sketch book, drawing, 11.5 cm x 14 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Study for a composition relating to charity

HOMENAJE A LUCIO FONTANA 1971-OLEO. Author: JUAN HERNANDEZ (S XX). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Enkele schetsen voor de historie van Jantje. Historie van Jantje. (niet af) (title on object). Draughtsman: Pieter van Loon. Dating: 1811 - 1873. Measurements: h 86 mm × w 375 mm. Museum: Rijksmuseum, Amsterdam.

Sketch of a ferry with people and cattle, Thomas Simon Cool, 1841 - 1870 drawing paper. ferry

Female Figure (Dancer), 20th century, Forger in the manner of Auguste Rodin, French, 1840-1917, 20 1/2 x 13 in. (52.07 x 33.02 cm) (image), Graphite with watercolor wash on heavy textured paper, France (), 20th century

Abklatsch of the chalk drawing on page 79, c. 1886 - c. 1903 Page 78 from sketchbook XXXII with 92 pages. Amsterdam j: paper

Klomp Johannes Franziskus (1865-1946), unaffected altars, church facility, sculptures and ornaments (0-0): Heiligen figure (Braunschweig Cathedral). Blueprint on paper, 34.1 x 14.4 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Altäre, Kircheneinrichtung, Skulpturen und Ornamente

MULETA ROJA I, 1989, ACRILICO SOBRE PAPEL, 68,5x98,5. Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Head of a figure with a hat, 1845 - 1891 Leaf 12 Verso from a sketchbook with 46 sheets. paper. pencil head (human)

KUPKA, Frantisec, also called Franz (1871-1957). Vertical Planes I. 1912-1913. Abstract art. Oil on canvas. FRANCE. LE-DE-FRANCE. Paris. Centre national d'art et de culture Georges Pompidou (Georges Pompidou National Art and Culture Centre).

Klomp Johannes Franziskus (1865-1946), St. Lambertus, Ense-Bremen. Expansion: key sign of a door wing 1: 1. Pencil, colored pencil on transparent, 87.1 x 144.8 cm (including scan edge). Architecture Museum of the Technical University of Berlin Inv. No. JK 041.038. Klomp Johannes Franziskus (1865-1946): St. Lambertus, Ense-Bremen. Erweiterung

Paris, Denis, Maurice, Programme pour Au-delà des forces humaines de B. Björnson, Au-delà des forces humaines, Poster for the play Au-delà des forces humaines, verso - stamped, print, poster, affiche, prints, enten, height 247 mm, width 322 mm, French, 1870-11-25 - 1943-11-13, print maker, printmaker, 1897 - 1897, paper, papier, lithografie (techniek)

The Four Days Marches battle. Draughtsman: Willem van de Velde (II). Dating: 1666. Measurements: h 220 mm × w 565 mm. Museum: Rijksmuseum, Amsterdam.

Schjerfbeck, Helene, work, Sketch book, 1879-1880, drawing, 13.7 cm x 21, 8 cm, Schjerfbeck, Helene, part: , 1879-1880, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Drawing, Study for a woman, Vintage Festival,” Mendelssohn Glee Club, New York, NY; Robert Frederick Blum (American, 1857-1903); USA; pastel crayon on tracing paper; 38.1 × 18.4 cm (15 in. × 7 1/4 in.)

風圖: "Seventh Month" from the Odes of Bin (Binfeng), 1200s. China, Southern Song dynasty (1127-1279). Handscroll, ink and color on silk; image: 22.5 x 687.2 cm (8 7/8 x 270 9/16 in.).

Edward Goodall, 1795-1870, British, Rolandseck, 1837. Line engraving, engraver's proof.

Abklatsch of the drawing on page 13 Recto, 1834 - 1903 Leaf 12 Verso from a sketchbook with 39 sheets. paper

Molen, 1834 - 1911 Page 6 Verso from a sketchbook with 42 sheets. paper. chalk windmill

Bliżej Kultury Stanisławski, Jan (1860 1907)

A pencil sketch by Carl Schuch showing an indistinct scene with blurred forms, emphasizing line, shading, and composition, circa 1868.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: sheet: 9 5/16 x 3 1/8 in. (23.6 x 7.9 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

SERIE COMIENZO (CON ROJO AMARILLO Y NEGRO) - 1983 - OLEO/LIENZO - 178x130. Author: JOSE GUERRERO (1914-1991). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Enckell, Magnus, work, Sketch book, (1000 - 2010), drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Edelfelt, Albert, work, Sketch book, drawing, 12.5 cm x 21 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Bamboo in Snow, mid 18th century, Miyazaki Impo; Author: Inscription by Kashiwagi Jotei, Japanese, 1763 - 1819, 56 1/8 × 12 5/16 in. (142.56 × 31.27 cm) (image, including text panel at top)75 1/4 × 16 7/8 in. (191.14 × 42.86 cm) (without roller), Ink on paper (image); ink on silk (text), Japan, 18th century

Portrait of a Woman and a Man. Jacob Byerly (American, 1807 - 1883)

Picture frame. Draughtsman: anonymous. Dating: 1809 - 1814. Place: Southern Netherlands. Measurements: h 430 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Textile Design: Pilot; Designed by Maria Jungwirth (Austrian, 1894 - 1968); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.4 × 21 cm (2 1/2 × 8 1/4 in.) Mat: 31.4 × 45.1 cm (12 3/8 × 17 3/4 in.)

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 219r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Pablo Palazuelo, Omphalo V, 1965-1967. Museo de Arte Abstracto Español, Cuenca. Museum: MUSEO DE ARTE ABSTRACTO CUENCA ESPAÑA.

He was the one of the month, the prink horruth, Patterter, 1779 -year-old -17 , -17 , print A page presents a tray to a lady and gentleman. The woman drinks from the glass. The print is loose in an album, see page 30. Amsterdam paper etching house personnel, servants. glass, rummer. serving-dish, platter

(SIN LOCALIZAR). Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), Jo (canceled plate), 1861. Copper plate.

West Islip. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1965-1970. Dimensions: 755 x 1066 mm. Color lithograph, with white paint additions, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Erotic scenes with Krishna and Radha. Draughtsman: anonymous. Dating: 1700 - 1800. Place: Orissa. Measurements: h 117 mm × w 310 mm; h 41 mm × w 215 mm. Museum: Rijksmuseum, Amsterdam.

Verrière project representing the death of Joseph Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Verrière project representing the death of Joseph. Pencil on layer.

Linen mark, Wah ca. 1981-1975 B.C. Middle Kingdom. Linen mark, Wah 564917

A Summer Idyll John Singer Sargent (American, born Italy, 1856-1925). A Summer Idyll, ca. 1877. Oil on canvas, 16 1/4 x 28 1/4 in. (41.3 x 71.7 cm). American Art ca. 1877

Dessin original pour la couverture des Maîtres de l'Affiche.. Chéret, Jules, 1836-1932. text. Prints, Posters. 1896. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

DIBUJO-ESCARMUJOS EN OTOÑO(ESTUDIO)-1989-32X125 CM-PASTEL/PA. Author: MARTA CARDENAS. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

LA PRIMERA DE LAS REINAS - 1988 - TECNICA MIXTA/CARTON - 100X70 CM. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Design for a Stage Set at the Opéra, Paris 1840-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358489

Untitled. William Henry Fox Talbot; English, 1800-1877. Date: 1830-1846. Dimensions: 4.7 × 11.4 cm (image); 7.5 × 11.4 cm (paper); 20.3 × 25.5 cm (mount). Salted paper print. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Sketch of bust, draughtsman: Cristoforo Pomarancio, anonymous, 1585 - 1626, paper, h 342 mm × w 270 mm

"Collection of pencil sketches by Anton Romako depicting various figures and compositional studies, emphasizing form and posture."

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358441

Sketch of a bass relief (verso). Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Shoulder dressed in a jacket with fur collar, c. 1751 Page 71 from a sketchbook with 158 pages. paper. chalk shoulder. coat

Daoguang Tongbao of Daoguang Emperor from Suzhou,jiangsu. Ruler: Daoguang Emperor, Chinese, 1782-1850, ruled 1820-50 Mint: Suzhou, jiangsu Artist: Unknown

Piece of fabric. unknown, author

Meer, Noach van der (II), Amsterdam, Leiden, Tragedy and comedy, verso - stamped, To the left of a stage floor stands Melpomene, the muse of tragedy. To the right stands Thalia, the muse of comedy. In the foreground the man on the left covers his face with his hand, the man on the right laughs and points. Between them is the lyre, the attribute of Apollo., print, prints, height 152 mm, width 97 mm, 1741-04-16 - 1822-02-20, print maker, printmaker, 1751 - 1822, paper, etching, etchings, Work conception, after own design by

John Thomas Serres, 1759-1825, British, Bolt Head, South East, 1/2 South (4 or 5 miles), undated. Watercolor and graphite on medium, slightly textured, cream wove paper.

Frescos, Iglesia de Sant Miquel de Balansat, siglo XIV.Es Amunts.Eivissa.Ibiza.Balearic islands.Spain.

Drawing, Full size sketch for a cartoon for cotton printing:The Arts Les Arts; Possibly by Bonaventure M. Lebert (1759-1836); Manufactured by Hartmann et Fils (France); France; pen and ink on cream colored paper; 54.5 x 25 cm (21 7/16 x 9 13/16 in.)

Victor Hugo. Chinese lounge, decor from Juliette Drouet's house in Guernsey, East Wall. "Armorié Ecusson" panel of a pair of polychrome panels. Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 77933-23 Coat of arms, Chinese art, serious wood, helmet, decor, pair, polychrome panel, Chinese living room, soldier, city

ANTONIA DE IPEÑARRIETA Y GALDOS Y SU HIJO DON LUIS - DETALLE - 1632 - OLEO/LIENZO - NP 1196 -BARROCO ESPAÑOL - CONJUNTO 16127. Author: DIEGO VELAZQUEZ (1599-1660). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Bust length portrait of a man, possibly Sir David Brewster. Henry Collen (English, 1797 - 1879)

Szafa z końca XVIII wieku, ze zbiorów Karola Malczewskiego z Warszawy w 1918 roku - widok z boku w skali 1:5. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Equivalent Made 1923 United States. For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website The Alfred Stieglitz Collection.. Gelatin silver print . Alfred Stieglitz

Landscape Painting of Figure in Woodland Setting. Artist: Unidentified Artist. Culture: China. Dimensions: 4 7/8 x 14 1/2 in. (12.4 x 36.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

'Espía de palabras', 2008, Vinyl, oil and pigment on canvas, 198 x 112 cm. Author: JUAN USLE. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Mr. Barton.. Capt. Henry Craigie Brewster (British, 1816 - 1905)

Eight Views of the Xiao and Xiang River Valley. Unkoku Tōkaku (Japan, 1674-). Japan, 18th century. Paintings; screens. Six-panel screen; ink on gold

Artist Designing After Nature Abraham Pietersz. van Calraet (Dutch, 1642-1722). Artist Designing After Nature, after 1651. Oil on cradled panel, 11 x 17 7/8 in. (27.9 x 45.4 cm). Abraham Pietersz. van Calraet here painted two figures on a low rise overlooking a panoramic view of a hill village and the surrounding flatlands. One, an artist, perches on a portable stool with a sketchbook on his knees, while his companion attends to their horses and steals a look at the scene as it develops on paper. The viewer is drawn into the space of the painting through two devicesthe engaging eye of the brown horse and the empty patch of terrain in the right foreground. The composition offers a glimpse of the working process of a seventeenth-century landscape painter, who might make outdoor sketches that would later serve as studies for larger, finished compositions executed in the studio. European Art after 1651

Pendulum. Ben Nicholson (1894-1982). Oil on canvas. Painted on 10 October 1952. 28 x 23.2cm.

Lazio Viterbo Tarquinia Palazzo Vitelleschi1. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the high

SERIE BINIBASI I - 1991 - ACUARELA/CERA- 36 X 52 CM. Author: JOSE MARIA SICILIA (1954-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Textile, Medium: silk Technique: embroidered on gauze weave, Fragment of silk gauze embroidered with small scale flowers and buds in blue and white on a dark blue ground that is self-patterned with a design of cherry blossoms. Probably a fragment of a summer robe., China, 19th century, embroidery & stitching, Textile

Landscape in Moonlight after 1662 Kano Tan'yū Japanese Kano Tanyū brilliantly recasts landscape motifs taken from the traditional subject Eight Views of Xiao and Xiang Rivers. In an ethereal panoramic view, the artist balances unpainted void with painted form and exploits the separate-but-linked quality of the triptych format. These paintings (1975.268.49-.51) by Tanyū, the Tokugawa shogunates official painter (goyō-eshi), reveal a striking shift of taste from the lush heroic style of the Momoyama period (late sixteenth to early seventeenth century) to the more subdued and erudite style of the Kano school, which dominated Japanese art through the Edo period. All three scrolls bear the signature “Hōin Tanyū,” which indicates that they were made after the influential painter was granted the honorific title Hōin (Seal of the Buddhist Law) from the palace in 1662 at age sixty-one.. Landscape in Moonlight 45419

Pencil study by Moritz von Schwind focusing on body and arm anatomy, likely for the Way of the Cross of St. Nikolaus in Bad Reichenhall, 1862-1863.

SERIE BIELETA II - 1991 - Acuarela - Acrilico y Cera - 37 x 52 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Number 16, Mark Rothko, 1960,Metropolitan Museum of Art, Manhattan, New York City, USA, North America

LA HORA BAIXA - LA LUZ QUE SE APAGA - 1997 - CERA Y OLEO SOBRE MADERA. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

Dragon right of a pair of Tiger and Dragon, 1868, Mori Ippo, Japanese, 1798 - 1871, 40 3/4 x 16 3/4 in. (103.51 x 42.55 cm) (image)69 1/4 x 23 1/4 in. (175.9 x 59.06 cm) (overall, without roller), Ink on silk, Japan, 19th century

Fragments cardboard for the stained glass window in the west facade of Joris van Egmond (bishop of Utrecht 1535-1559) for the Sint Bavo Kerk in Haarlem, Gerrit Boels (workshop of), 1541 drawing Design for a stained glass window. paper. chalk brush Sint-Bavokerk

Petroglyphs on Newspaper Rock, Utah

Luc-Olivier Merson (1846-1920). Geniuses bearing the attributes of the party, sketch for the town hall of the 4th arrondissement, 1888. Museum of Fine Arts of the City of Paris, Petit Palais. Sketch, 19th XIXth XIX 19th 19th 19th century

Storm at sea, Anonymous, After Reinier Nooms, 1650 - 1714 print Copy in mirror image. Very wild sea with sailing ships near a rocky coast. paper etching storm at sea

RETICULA Y TRAMPANTOJO CUESTION DE EQUILIBRIO - 1993 - 50x35,5- DE LA SERIE INVENCIONES. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

TRIPTICO (1 DE LOS 3 CUADROS) - SIGLO XX - EXPRESIONISMO ABSTRACTO. Author: MANUEL VIOLA (1916-1987). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Diane Raised III. Larry Rivers (American, 1923-2002); printed by Frank Akers (American, born 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 245 x 100 mm (image/sheet). Lithograph in red and pink on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Skeletons Holding Seals, second half 19th century, Doi Gōga, Japanese, 1817 - 1881, 53 11/16 × 17 1/2 in. (136.37 × 44.45 cm) (image)83 9/16 × 22 7/8 in. (212.25 × 58.1 cm) (mount, without roller), Ink on paper, Japan, 19th century, Five inky skeletons with spindly limbs dance around, two of whom grasp seals in their bony hands. We can see right through their ribcages but elsewhere their bodies have the bulk and mass of the living; indeed, they are very much alive, and although they raise their

SERIE BIELETA I - 1991 - Acuarela - Acrilico y Cera - 37 x 52 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

MIRO, Joan (1893-1983). The Lark's Wing, Encircled with Golden Blue, Rejoins the Heart of the Poppy Sleeping on a Diamond-Studded Meadow. 1967. Abstract art. Oil on canvas. SPAIN. CATALONIA. Barcelona. FundaciÑ MirÑ (Joan MirÑ foundation).

Border, Block-printed on handmade paper, Between two narrow bands simulating molding is a ribbon entwined with green banding which flows in serpentine horizontal lines. At regular intervals the streamer is tied with shirred ruching., France, 1810-15, Wallcoverings, Border

Sketchbook with 30 magazines, Hendrick van Beaumont, 1696 Sketchbook consisting of 30 magazines with mythological, historical and biblical figures, landscapes, cityscapes, portraits and genre performances, largely drawn to prints. paper. pencil. chalk. omslag: cardboard gods ~ classical mythology. historical persons (portraits and scenes from the life). city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)

Toulouse-Lautrec, Henri de, The milliner, Hatmaker Renée Vert, verso center - stamped, Proof print of stone in gray-green color for lithography with hatmaker Renée Vert which was used as a supporting color next to the key stone with the representation in lines. In addition to filling in surfaces, experiments were also done with spatter work., print, prints, height 402 mm, width 305 mm, French, 1864-11-24 - 1901-09-09, print maker, printmaker, 1893 - 1893, fourth quarter 19th century, paper, lithography (technique), colour printing

Dark Pigtail from behind, Small image I; Schwarzbezopfte von hinten, Kleinbild I. Oskar Schlemmer (1888-1943). Oil and pencil on canvas-board. Signed and dated 1932. 31.5 x 15cm.

Page 51 of the sketchbook: landscape study with architecture Camille Corot (1796-1875). Page 51 Sketch book: Landscape study with architecture, 1868. Pencil on paper.

Frieze with surreal scenes, early 16th century, unknown artist, fresco, Casa dello Zecchiere, Milan, Lombardy, Italy.

SIN IDENTIFICAR - SIGLO XX. Author: SANTIAGO SERRANO (1942-). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

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