Sketchbook Studies

Pencil sketches capturing figures and landscapes, showcasing the raw artistic process and compositional exploration through preliminary drawings.

Figures and a hired horse, George Hendrik Breitner, 1886 - 1923 Page 18 from a sketchbook with 9 sheets. Amsterdam paper. chalk horse. adult man. city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)

John Flaxman, Group of Figures Group of Figures

Abklatsch of the chalk drawing on page 19. Page 18 from a sketchbook with 17 sheets.

A pencil work by Ferdinand Georg Waldmüller consisting of different sketches, highlighting various forms, figures, and compositional studies.

Sailing boats and figures on a beach, c. 1825 - c. 1829 Leaf 83 Recto from a sketchbook with 95 sheets. paper. pencil beach (+ landscape with figures, staffage). sailing-ship, sailing-boat

Drawing, Jerusalem, general view; Frederic Edwin Church (American, 1826-1900); USA; pencil, oil paint on cardboard; 32.9 x 51 cm (12 15/16 x 20 1/16 in.)

Lalanne, Maxime (n.1827-11-27-D.1886-07-29), La Défense de Paris during the war (1870-1871), Bastion 65. (Faithful title), 1870. Musée Carnavalet, Histoire de Paris .

Figures and a hired horse, George Hendrik Breitner, 1886 - 1923 Page 18 from a sketchbook with 9 sheets. Amsterdam paper. chalk horse. adult man. city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)

River face with a moored sailing ship, c. 1840 Leaf 12 Verso from a sketchbook with 24 sheets. paper. pencil river. sailing-ship, sailing-boat

Drawing, Ocean Swells; Winslow Homer (American, 1836-1910); USA; charcoal, white chalk on gray wove paper; 33.7 x 50.5 cm (13 1/4 x 19 7/8 in.)

Near Saint Lawrence Station, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 12 1/2 inches (23.5 × 31.8 cm)

Drawing, Still life; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 11.6 × 16.6 cm (4 9/16 × 6 9/16 in.)

Freshwater Bay, 12 August 1829, Capt. Thomas Hastings, 1778-1854, British, 1829, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 13 1/4 inches (23.8 × 33.7 cm)

Capt. Thomas Hastings, 1778-1854, British, At Shanklin, Isle of Wight, 1827. Graphite on medium, slightly textured, cream wove paper.

Portofino, The Italian Riviera of Genoa, Sir Robert Smirke the younger, 1781-1867, British, 1802, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 7/16 inches (22.7 × 29.1 cm)

A pencil sheet by Ferdinand Georg Waldmüller showing various sketches, focusing on form, structure, and observational study.

Abklatsch of the chalk drawing on page 2 Verso, 1875 - 1934 Page 3 Recto from sketchbook Li with 11 sheets. Paris (possibly) j: paper

Wulkan Camaldoli na horyzoncie, Nisida i Posillipo od strony morza; przylądek Miseno i miasto Baje od strony morza; Procida i Ischia od strony przylądka Miseno. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

From della Porta di Santa Lupia - del Portico, Vicenza, Sir Robert Smirke the younger, 1781-1867, British, 1804, Graphite on thin, moderately textured, beige, wove paper, Sheet: 9 5/8 × 15 3/16 inches (24.4 × 38.6 cm)

Abklatsch of the chalk drawing on page 58, 1875 - 1934 Page 59 from sketchbook XLVIII with 62 pages. The Hague (possibly) paper

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387293

Smoothly Ruszczyc, Ferdynand (1870-1936); 1899-1900 (1899-00-00-1900-00-00);Partage Plus, landscapes, purchase (provenance)

Simberg, Hugo, work, Sketch book (226 pp.+covers), 1905-07, drawing, 17.2 cm x 18 cm, Simberg, Hugo, 1905-07

Smudged image from following page. From: An 1876 sketchbook., 1876, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

Thomas Girtin, 1775-1802, British, Thetford, Norfolk, ca. 1796. Graphite on medium, slightly textured, cream wove paper.

Jean Baptiste Camille Corot, Wagon Going to Town (Le Charriot allant a la ville), 1860 Wagon Going to Town (Le Charriot allant a la ville)

Rain Effect, c. 1879, Camille Pissarro, French, 1830-1903, 6 5/16 x 8 1/2 in. (16.03 x 21.59 cm) (plate)8 3/16 x 12 1/16 in. (20.8 x 30.64 cm) (sheet)15 3/4 × 19 3/4 × 1 1/8 in. (40.01 × 50.17 × 2.86 cm) (outer frame), Aquatint, France, 19th century

Study, Abklatsch of a chalk drawing, George Hendrik Breitner, 1909 Page 27 from a sketchbook with 21 magazines. Amsterdam paper

Holmberg, Werner, work, Sketch book, engraving, drawing, 16.5 cm x 22 cm, Holmberg, Werner, timing: untimed, signature

The chase. Alken, Henry Thomas, 1784-1851. 1820 - 1830. Drawings. George Arents Collection. Sports , Great Britain, Sports in art, Hunters, Fox hunting, Accidents

Sketchbook Folio, Dark Ocean under Dramatic Sky with Possible Shipwreck Debris; William Trost Richards (American, 1833-1905); USA; pen and black ink on off-white wove paper; 19.8 x 10.7 cm (7 13/16 x 4 3/16 in.) Sheet: 19.5 x 12.3 cm (7 11/16 x 4 13/16 in.)

Capt. Thomas Hastings, 1778-1854, British, Sandown Bay, Isle of Wight, August 1828, 1828. Graphite on medium, slightly textured, cream wove paper.

Woman and Child on the grounds of a ruin, 1859 - 1864 The two figures stand by a tree on a piece of land on which there are scattered stones. Leaf 39 Verso from a sketchbook with 77 sheets. paper. pencil. watercolor (paint) brush ruin of a dwelling, house, castle, etc.. fence, wall, paling

Capt. Thomas Hastings, 1778-1854, British, East Cowes, Isle of Wight, 1829. Graphite on medium, slightly textured, cream wove paper.

Mouth of the Ofanto River, near Barletta, Italy, Henry Swinburne, 1743-1803, British, 1777 to 1778, Pen and brown ink, over graphite on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm) and Sheet: 2 1/2 × 7 3/16 inches (6.4 × 18.3 cm)

Le Pêcheur sur le Pont (The Fisherman on the Bridge) 19th century Rodolphe Bresdin French. Le Pêcheur sur le Pont (The Fisherman on the Bridge) 429719

Guillaume Lethière, Semi-circular staircase (Escalier en demi-lune), early 19th century, Charcoal.

Woman seated on bench in a garden or public park - unidentifiedillustration. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Joanna Lion Cachet cordes sitting in a chair.Leaf 6 recto from a sketchbook with 25 sheets.

Pietra Mala, Henry Swinburne, 1743-1803, British, 1777 to 1778, Pen and brown ink and graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 4 5/8 × 8 3/16 inches (11.7 × 20.8 cm)

Lalanne, Maxime (n.1827-11-27-D.1886-07-29), Headquarters of Paris: Bastion study (dummy title). Lead mine. Carnavalet museum, history of Paris.

Abklatsch of the chalk drawing on page 89, 1888 - 1907 Page 88 from a sketchbook with 72 sheets. paper

Harold Gilman, 1876-1919, British, Landscape with a Fence, undated. Pen and black ink on moderately thick, slightly textured, cream laid paper.

Edelfelt, Albert, work, Sketch book, drawing, 21.5 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Nissance de Vénus, Stan I; Jasi Ski, Feliks Stanis AW (1862-1901), Botticelli, Sandro (1444 cars 1445-1510), Wittmann ch., Imprimérie (couples 1902); 1893 (1893-00-00-1893-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, Venus (mitol. , Poland (culture), purchase (provenance)

The Man with a Sickle Made 1894 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

Sir Robert Smirke the younger, 1781-1867, British, Ruins of Sparta, 1802-1804. Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper.

Giovanni Fattori, Holy Cow (Pio bove), 1888 1890 Holy Cow Pio bove

Drawing by Franz von Pausinger depicting Crown Prince Rudolf during an orientation trip, rendered in coal on paper in 1881, illustrating travel scenes, figures, and surrounding landscapes.

Rocky Landscape with a Man Walking to the Right, First Version.Segers applied greenish brown paint with swift strokes of the brush. Presumably this was the first layer of colour, and he would subsequently paint the sky and other passages, like he did in the adjacent impression (RP-P-OB-822).

Port w Aleksandrii. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Sketches. From: Marine and Marken sketchbook., circa 1870-1871, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

Sketches of Randwerk, Gerrit Willem Dijsselhof, 1876 - 1901 drawing paper. pencil. chalk ornament derived from plant forms

Harold Gilman, 1876-1919, British, Norwegian Landscape, undated. Pen and black ink on moderately thick, slightly textured, cream wove paper mounted on board.

Landscape with arched ruin, Jan van de Kerkhove, after Frédéric van de Kerkhove, 1873 - 1881 print paper etching landscape with ruins

PLOUMANACH Ary Renan (1858-1900). Ploumanach. Paris, museum of romantic life.

Granada Spain with a Benedictine Church and Sierra Elvira Mountain Region in Background, Henry Swinburne, 1743-1803, British, 1775 to 1776, Pen and black ink on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm) and Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)

Edward Francis Finden, 1791-1857, British, Bacharach on the Rhine, 1832-1834. Line engraving, engraver's proof (early) on moderately thick, slightly textured, beige wove paper.

Sketchbook Peter Frederick Rothermel (American, 1817-1895). Sketchbook, 1857. Graphite with ink and watercolor on cream, medium-weight, slightly textured wove paper, 5 11/16 x 8 5/8 x 3/8 in. (14.4 x 21.9 x 1 cm). This forty-two-page sketchbook contains drawings by the history painter Peter Frederick Rothermel of scenes in Genazzano, Italy, forty miles east of Rome. He documented the local architecture, sculpture, landscape, and people, while also including sketches for narrative subjects. The costumes and daily life of the townfolk are captured in several skillful figure studies, including this image of a man leaning against a stone wall. American Art 1857

Untitled (possibly Caesar and His Legions) 1876-1886 France. Photogravure in black on cream wove paper . Rodolphe Bresdin

On the belly of female act, Gustav Klimt -, artist

The Channel Sketchbook, Joseph Mallord William Turner, 1775-1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body component), marine art, sea, sketchbook, steamers

Landscape. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 11 1/2 × 8 3/8 in. (29.2 × 21.3 cm)Plate: 7 1/2 × 5 in. (19.1 × 12.7 cm). Date: 1909. Museum: Metropolitan Museum of Art, New York, USA.

. .

A pencil sketch by Blasius Höfel from September 16, 1838, depicting Galizinberg, recorded in his sketchbook from 1830-1844.

Valley of Hinnom, Haceldama James Tissot (French, 1836-1902). , 1886-1887 or 1889. Pen and ink, Sheet: 5 3/4 x 9 3/16 in. (14.6 x 23.3 cm). European Art 1886-1887 or 1889

Schmalz Otto (1861-1906), travel sketches from Bavaria, Austria and Italy (01.03.1887): Naples: Sacramen houses in the museum (detail relief crossing). Pencil on paper, 42.8 x 30.8 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Bayern, Österreich und Italien

Heuvellandschap.Page 28 From a sketchbook with 27 sheets.

Sappho at a small lake (from portfolio with 26 landscape drawings). .

The IJ, at night.

Vignette for biography of Gestel by Prof. dr. W. van der Pluym. Draughtsman: Leo Gestel. Dating: 1935 - 1936. Measurements: h 210 mm × w 246 mm. Museum: Rijksmuseum, Amsterdam.

View of Narni 1826 France. Graphite on ivory laid paper . Jean Baptiste Camille Corot

Trzy widoki wybrzeża hiszpańskiego w okolicach Gibraltaru. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

New York. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1935. Dimensions: 155 × 212 mm (image, ma×.); 206 × 284 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA.

Christian Kongstad Petersen (1862-1940), motif from the ugly Aelling, 1934

Sketchbook Folio, Large Rocky Cliffs and Choppy Ocean; William Trost Richards (American, 1833-1905); USA; graphite on cream wove paper, bound; 12.5 x 10.2 cm (4 15/16 x 4 in.) Sheet: 18.9 x 11.7 cm (7 7/16 x 4 5/8 in.)

Muukka, Elias, work, Sketchbook, 42 drawn pages, ca. 1910-1914, drawing, 15 cm x 29 cm, Muukka, Elias, approx. 1910-1914

The Damrak, draughtsman: Marius Bauer, 1877 - 1932, paper, h 100 mm × w 140 mm

Lake of Gennesaret near Medgel James Tissot (French, 1836-1902). , 1886-1887 or 1889. Pen and ink on paper mounted on board, Sheet: 7 1/16 x 10 1/4 in. (17.9 x 26 cm). European Art 1886-1887 or 1889

Italy, Fragment of representation with some galleys and boats at sea, recto, print, prints, ca. 1509-1510, height 158 mm, width 192 mm, print maker, printmaker, 1509 - 1510, first quarter 16th century, paper, engraving, engraving (printing process)

Gezicht op Castel Sant'Angelo in haven van galei schepen te Malta. Vue prise sous le chteau St. Ange dans le Port des Galères à Malthe (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 256 mm × w 731 mm. Museum: Rijksmuseum, Amsterdam.

Berndtson, Gunnar, work, Sketch book, drawing, 9 cm x 11.5 cm, Berndtson, Gunnar

Drawing, Figures Overlooking Bay and Small Boat, Cullercoats, England; Winslow Homer (American, 1836-1910); USA; charcoal on heavy off-white wove paper; 10.8 × 27.3 cm (4 1/4 × 10 3/4 in.)

Drawing by Ferdinand Boberg. Stockholm, Djurgården 7287, Källhagen Nordic

Hadleigh Castle, Print made by David Lucas, 1802-1881, British, after John Constable, 1776-1837, British, 1830 to 1832, Mezzotint on moderately thick, slightly textured, cream wove paper, Sheet: 15 1/4 x 19 1/2 inches (38.7 x 49.5 cm), Plate: 11 x 14 5/8 inches (27.9 x 37.1 cm), and Image: 10 1/2 x 14 1/4in. (26.7 x 36.2cm), castle, cliff, clouds, landscape, rain, ruins, England, Essex, Europe, Hadleigh Castle, United Kingdom

Sketch - No. 7 Anonymous

So -called Holbeintisch - a fragment from the scenes Hunting (DIE JAGD); Jasper, Viktor (1848-1931), Verlag der Gesellschaft für Verviewielfältigege Kunst (Vienna; Publisher; 1871-1934), Herbst, Hans (1470-1552); around 1880 (1875-00-00-1885-00-00);

Sappho in een bos, Maurice Dumont (attributed to), 1879 - 1899 print France paper (story of) Sappho, the poetess

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Landscape by ariverbank, Black chalk, brown wash, Composition board, 35.8 × 53.1 cm (14 1/8 × 20 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

St. Pierre's Cottage, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, 1st state on moderately thick, slightly textured, beige, wove paper, Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm) and Image: 3 1/4 × 3 1/2 inches (8.3 × 8.9 cm)

Woman by a boat on the Waterkant, Cornelis Vreedenburgh, 1890 - 1946 print paper etching rowing-boat, canoe, etc.. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Landscape withtrees, Watercolor, black chalk, Wove, 35.4 × 50.5 cm (13 15/16 × 19 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Edelfelt, Albert, work, Sketch book, drawing, 11 cm x 20 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Konela (with a rider in the foreground). Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

The Eddystone Lighthouse, Print made by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1824-1825, Mezzotint; engraver's proof (a)

Holmberg, Werner, work, Sketch book, drawing, 22.5 cm x 29 cm, Holmberg, Werner

Faces on Stal, Hans Collaert (I), After Hans Bol, After Jacob Grimmer, 1575 - 1580 print Two prints on a leaf. Two faces in the village of Stal. Reconstructed from two fragments. Southern Netherlands paper engraving city-view, and landscape with man-made constructions Brussels

My Backyard, Number Two Julian Alden Weir (American, 1852-1919). My Backyard, Number Two, 1890. Etching and drypoint on laid paper, 7 7/8 x 5 15/16 in. (20 x 15.1 cm). American Art 1890

Umbria Terni Terni Palazzo Spada8. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

of 3