Small Landscape Etchings

Etchings showcasing small, detailed landscapes with varied features like ruins, fields, and processions, reflecting historical environments.

Circus Maximus, 1680 Circus Maximus, seen from the Via Appia Antica. Figures and animals in the foreground. In the lower margin two lines of text in Italian. The print is part of an album. after print by: Praagpublisher: Rome paper engraving Rome. Circus Maximus. Way to the Appian Antica Circus Maximus, seen from the Via Appia Antica. Figures and animals in the foreground. In the lower margin two lines of text in Italian. The print is part of an album. after print by: Praagpublisher: Rome paper engraving Rome. Circus Maximus. Way to the Appian Antica

Etching by Meister der kleinen Landschaften showing small landscapes with detailed architectural and natural features, from 1561.

Etching by Lodovico Mattioli showing a landscape with a procession and a separate landscape featuring ruins, created between 1680 and 1740.

View of Gibraltar, 1726, 1726 print View of Gibraltar. Plate no. 415 in Part XVII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. print maker: Northern Netherlandspublisher: Leiden paper etching Gibraltar

Etching by Jacopo da Leonardis depicting a pastoral landscape with fields, trees, figures, animals, and 18th-century countryside.

Circus Maximus, 1680 Circus Maximus, seen from the Via Appia Antica. Figures and animals in the foreground. In the lower margin two lines of text in Italian. The print is part of an album. after print by: Praagpublisher: Rome paper engraving Rome. Circus Maximus. Way to the Appian Antica Circus Maximus, seen from the Via Appia Antica. Figures and animals in the foreground. In the lower margin two lines of text in Italian. The print is part of an album. after print by: Praagpublisher: Rome paper engraving Rome. Circus Maximus. Way to the Appian Antica

Etching by Jacques Callot around 1630 depicting various representations, including figures, scenes, and objects, executed with detailed line work on paper.

Friedrich M�nter (1761-1830), Flodparti, 1778

Etching by Davide Antonio Fossati from 1743 depicting a hilly landscape with a fortified settlement and a landscape with a procession, illustrating mid-eighteenth-century Italian landscape engraving.

Etching by Robert Daudet from 1778-1780 depicting a Flemish festival and landscape with a bridge, showing figures, festivities, terrain, and structures.

Etching by Davide Antonio Fossati from 1743 depicting a ruin landscape with a fountain and a river landscape with a settlement, illustrating mid-eighteenth-century Italian landscape engraving.

Venus Temple in Greece - Venorij templum.... Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), graphic artist

Etching by Franz Edmund Weirotter, 1750-1771, showing a frozen lake with a sleigh slab, an old tower in the background, and a dilapidated harbor structure.

Pyramus and Thisbe; Metamorphoses from Ovid; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Landscape with the dead pyramus at a fountain. He has stipulated herself because he thought Thisbe was killed by a lion. ThisBe discovers her dying loved one, to which she commits suicide with the sword of Pyramus. Left in the background is the lion under a stone bow. Under the show an explanatory text. The first line from the metamorphoses of Ovid, book 4, fresh rule 61. At the top left the sign of the lion from the zodiac. The print is part of an album.

Boer and a farmer's wife, Claes Jansz. Visscher (II), After Abraham Bloemaert, After Boëtius Adamsz. Bolswert, 1620 print View of a landscape with a farm for which a farmer and a farmer's wife perform work. Amsterdam paper etching farm or solitary house in landscape. farmers

Ruins on the slopes of the Palatijn, on the left the Casa di Tiberio, 1624 - 1650 Ruins on the slopes of the Palatin. On the left the Casa di Tiberio. Figures in the foreground. On the right a man on a horse and a dog. In the lower margin two lines of text in Italian. The print is part of an album. Prague paper engraving / etching Palatijn. Tiberius house Ruins on the slopes of the Palatin. On the left the Casa di Tiberio. Figures in the foreground. On the right a man on a horse and a dog. In the lower margin two lines of text in Italian. The print is part of an album. Prague paper engraving / etching Palatijn. Tiberius house

Jacques Callot (1592-1635). "The great miseries of war, the attack on diligence. Eighth number of a series of 18 pieces" (Lieure 1346, Meaume 571). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99599-9 Etching, engraving

Figures Crossing a River. Artist: Johann Georg Primavesi (German, Heidelberg 1776-1855 Kassel); After Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 6 5/16 × 9 1/16 in. (16 × 23 cm). Date: 1807. Museum: Metropolitan Museum of Art, New York, USA.

Forest landscape with antique ruins, Nicolas Perelle, 1613 - 1695 print Numbered in the bottom right: 2. paper etching landscape with ruins

. Mountainous landscape with three wax women on the shore of a river near a village. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Fall, surrounded by various performances, Johann David Schleuen (I), After Daniel Nikolaus Chodowiecki, 1784 print Various performances contained in frameworks, with the fall in the center of three courses, flanked by the left a garden and on the right farmers in a grain field. Up and below other images, including Thesisus and the Minotaurus in the labyrinth. Numbered in the middle: 3. paper engraving / etching Eve offers the fruit to Adam. (story of) the Minotaur. Theseus kills the Minotaur

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four illustrations from Dutch history. From left to right: The departure of the French from Utrecht; Comet above the Netherlands; Storm surge of 1682; Dike breach at Coevorden., print, prints, verso - stamped, 99, 106, 107, 98, height 111 mm, width 250 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

Resting hunting company in a landscape, Jean Moyreau, After Philips Wouwerman, 1751 print France paper etching Assembly, 'Departure for hunting'. Hunters Resting During The Hunt

Town on peninsula, Matthieu van Plattenberg, Matthieu de Plattemontagne, Matthieu de Platte Montagne, Matthieu Montaigne, 1607-1660, Jean Morin

Arriva alla dogna zu Venedig nicht fern von S.to Marco. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Copper engraving by Johann Sadeler depicting a landscape with a water lock, gardens, and a castle, showing architectural and natural elements, created between 1570 and 1600.

View of Huis Swanenburg, Pieter Hendricksz. Schut, c. 1662 print View of Huis Swanenburg, a country estate located between Oostkapelle and Serooskerke. In the foreground on the left a carriage pulled by two horses. A wealthy lady and gentleman are next to it. Further on a hunting company. The print is part of an album. paper etching city-view, and landscape with man-made constructions. castle. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. the rich Koudekerke. Flushing. House Swanenburg

Lost son broke his money with light cages, Nicolas Cochin (attributed to), 1620 - 1686 print paper etching / drypoint / engraving the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn

View of Verona, 1726, 1726 print View of Verona, in the foreground a resting family. Plate no. 380 in part XVI of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. print maker: Northern Netherlandspublisher: Leiden paper etching Verona

An etching by Jacques-Philippe Le Bas depicting a morning scene, created between 1727 and 1783.

Bogenhausen Bey München; Kobell, Wilhelm von (1766-1853), F. Bruckmann AG (Munich; Publisher; Ca 1850-1937); 1918 (edition); 1818 (matrix) (1918-00-00-1918-00-00);

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Passe-temps" (Pl.76). Lithography, 19th century. Paris, Carnavalet museum. 78051-26 Album Passe-time, team, whale, boat, seaside, drawing, illustration, lithography, sailor, sea, basket, fishing, fishing, character, beach, fish, peche product, portrait, ray, goods transport, wave, sailboat , 19th XIXth XIX 19th 19th 19th century, Scene

Pallazzo dess Ambasciator von Franckreich zu Venedig in Canal Regio. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

View of Arras, 1726; Arras, Capitale d'Artois; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of Arras (Atrecht), some travelers in the foreground. Plate No. 221 in Part X of the Picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

Lusthoff, rain groß Herzogs von Florenz, zu Livorno; Küsel, Melchior I (1626-1683), Baur, Johann Wilhelm (1607-1642); 1682 (1682-00-00-1682-00-00);Album factis, architecture, fountains, German graphics, iconography, German (culture), palaces (archite.), Stairs (archite.), Speafage, band

Breakthrough of the Zuidhollandse Waard, 1421; Breakthrough of the Groote Zuidhollandsche, in the year 1421. Waardbroak van de Zuidhollandse Waardse, 1421. Flooded villages after the Sint Elisabeth flood. Residents climb on a church tower, others in boats on the water.

Landscape with the Merciful Samaritan at the inn, Nicolas Perelle, after Willem van Nielandt (II), After Paul Bril, 1673 - 1695 print Paris paper etching ass, donkey. landscapes. herd, flock. the Samaritan pays the innkeeper

Etching by Giovanni Francesco Grimaldi depicting a mountainous river landscape with three men playing dice, produced between 1630 and 1680.

Parte dell'antica Via Appia fuori di Porta S. Sebastiano circa tre miglia. Part of the ancient Appian Way about three miles outside Porta S. Sebastiano.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1748. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Ruins , Italy, Appian Way (Italy)

To lead the boring hall, approx. 1500; To lead the boring hall. The boring hall in Leiden, the center of the Leiden Laekenindustrie, approx. 1500. Part of the Steel enriches group to the paintings of the historic gallery of the Society Arti et Amicitiae.

View of Huy, Frans Hogenberg, 1588 print paper etching / letterpress printing city-view in general; 'veduta' How

Hilly landscape with country road and some houses, 1614 In the foreground a man and a woman on a country road. The woman wears a suit on the head. The country road runs a wall along houses. On the right a valley. paper etching In the foreground a man and a woman on a country road. The woman wears a suit on the head. The country road runs a wall along houses. On the right a valley. paper etching

Lazio Roma Monterotondo Palazzo del Municipio5. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

F. Kaas (1747-1759), prospects from room, 1750's

Rybaki street in Warsaw; Nich, Edward (1851-1916), Gierymski, Aleksander (1850-1901); 1881 (1881-00-00-1881-00-00);Kłosy (Warsaw - magazine - 1865-1890) - Illustration, Méyet, Leopold (1850-1912) - collection, fishermen (Warsaw - street), Dar (provenance), cows

Spira. On the left on the bank: loading of cargo on a barge with a horse-drawn lift.. Hollar, Wenceslaus (1607-1677), graphic artist, Hogenberg, Abraham (fl. 1608-1659), publisher

Edinburgh, from the Mount. Artist: Alfred-Louis Brunet-Debaines (French, Le Havre 1845-1939 Hyères); After William Ewart Lockhart (British, Eaglesfield, Scotland 1846-1900 London). Dimensions: Sheet: 9 9/16 × 13 11/16 in. (24.3 × 34.7 cm)Plate: 7 1/2 × 10 1/16 in. (19 × 25.5 cm). Date: 1878-79. Museum: Metropolitan Museum of Art, New York, USA.

Mei a June, Adriaen Collaert, After Hans Bol, 1578 - 1582 print Two round lists with spring landscapes and spring scenes. Left May, the month of love. In the foreground music is played, danced and eaten. There are couples everywhere that walk around or play games together. In the middle of the constellation twins. On the right June, the shaving month. Central is the washing and shaving of the sheep and sorting their wool. In the middle of the constellation Cancer. The print is part of a series over the twelve months. Antwerp paper engraving May and its 'labours' (+ with zodiacal signs). small group of musicians, chamber orchestra, jazz band. one pair dancing; man and woman dancing as a couple. festivities (+ eating and drinking ~ festive activities). contest games. shearing (sheep). dipping, washing (sheep or other animals). June and its 'labours' (+ with zodiacal signs)

Etching by Giovanni Maggi dated 1595-1620 depicting river landscapes with ruined buildings and distant city views, showing architectural remains and natural scenery.

Etching and copper engraving by Richard Saint-Non in 1781 depicting towns, countryside, and coastal landscapes in Naples and Sicily.

Face Slot Moermond and the village of Renesse, Pieter Hendricksz. Schut, c. 1662 print Face Slot Moermond and the village of Renesse. In the foreground, some boys help a well -to -do lady in the saddle. A gentleman on horseback waits until she comes. The print is part of an album. paper etching city-view, and landscape with man-made constructions. castle. riding a horse, ass, or mule; rider, horseman. the rich Renesse. Slot Moermond

Benton Castle Looking down the Reach to Milford Haven, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales. Paul Sandby; English, 1731-1809. Date: 1773-1775. Dimensions: 182 × 258 mm (image); 238 × 314 mm (plate); 360 × 525 mm (sheet). Etching and aquatint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A river landscape with figures on a country road in the rain, representing the month of October. In the center, a wooden bridge. To the right a house with a man in a wine vat. At the bottom the astrological symbol of the constellation scorpion. Print from a series of twelve, River Landscape in the Rain: October October The twelve months (series title) Duodecim anni mensium (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Reinier Telle, Northern Netherlands, 1608 - 1618, paper, etching, engraving, h 160 mm × w 213 mm

Etching by Jean Moyreau from around 1756 depicting a drinking tower scene where individuals gather for social drinking, showing 18th-century Flemish leisure customs.

Landscape with gate in Rots, 1614 Landscape with gate in rock including two figures. On the left a wooden staircase that leads to a house on a hill. On the right a river. paper etching Landscape with gate in rock including two figures. On the left a wooden staircase that leads to a house on a hill. On the right a river. paper etching

Tuinderij, laundry, shoemaker and tailor, J.F. Schuster, After Daniel Nikolaus Chodowiecki, 1774 print paper etching shoe-maker, cobbler. bleaching (laundering). tailor, dressmaker

Kustdorp, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print On the left a village with a quay wall. A mounted donkey runs on a road and is a figure. A sailing ship and a barge with a load come from the sea. Print is part of a series of Roman ruins and coastal landscapes to prints by Willem van Nieulandt. This series is a copy of the series, which Claes Jansz Visscher made to Van Nieulandt. paper etching merchant shipping, shipping trade. sailing-ship, sailing-boat. village street

Four performances from Basedow's Elementarwerk, Peter Haas, 1774 print With caption: tab. Lxxx. Copenhagen (city) paper etching rescue work during a flood. rock-formations. historical persons. the soldier; the soldier's life. fighting. city-walls

Flemish Landscape at Zonondergang, Joseph C. Maillet, After Peter Paul Rubens, 1771 print Numbered at the top right: 82. paper etching landscapes in the temperate zone - HH - ideal landscapes (+ landscape with figures, staffage). forest, wood - HH - ideal landscapes. sunset. armorial bearing, heraldry

Etching and copper engraving depicting fishermen by the water and a girl riding a donkey, showing figures, animals, and landscape details. Produced in 1670, emphasizing rural life and composition.

Parte interna di una darsena. , Theatrical productions, Sets Architectural elements, Allen A. Brown Collection

Etching and copper engraving by Jean Moyreau from 1756 depicting the grudge of the drinking tower, showing figures, architecture, and 18th-century engraving techniques.

Copper engraving by Julius Goltz depicting landscapes with trees, hills, rivers, and figures, created between 1575 and 1595.

Bathing of caracalla; Romae Thermae Antonianae; Roman ruins. View of the ruins of the Baths of Caracalla, with figures. Perspective dotted lines connect the buildings and the foreground to the horizon. Reading: Horison (right) and: Base (center front). In Circle. At the top: C.LxxXVIII. Print from a series of six with representations from Roman ruins.

Etching by Lucas van Uden showing the biblical parable of the Good Samaritan integrated into a detailed rural landscape, created between 1615 and 1673.

Circular etching (tondo) by Jean Morin from 1625-1650 showing landscapes with architectural ruins, vegetation, and natural terrain features.

. Leaf with 2 performances. Above a face on the Amstel and Amsterdam in the summer with boats and swimmers. Under a face on the Amstel and Amsterdam with skaters and boats sailing in a swung sailful. Under every image the title. Numbered upper left: No. 155.

'Het Huys te Westerbeeck' , in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 4 3/16 × 6 3/8 in. (10.7 × 16.2 cm). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d..Depiction of the estate at Wetserbeeck. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century. Museum: Metropolitan Museum of Art, New York, USA.

Fischerey Zu Caietta Bey Dem Castell S.MA Trinita; Küsel, Melchior I (1626-1683), Baur, Johann Wilhelm (1607-1642); 1682 (1682-00-00-1682-00-00);Album factis, architecture, German graphics, iconography, German (culture), work (genre scenes), fishermen, genre scenes, relay, band, boats

Etching by Jan van de Velde II from 1616 depicting various landscapes, showing rural scenery, fields, trees, water features, and natural terrain.

Paris under the municipality - March 18-May 28, 1871. (IT)

Landscape with pedestrian and castle, Adriaen van der Kabel, 1648 - 1705 print Landscape with two people sitting in the foreground along a path on which looking at a woman with a basket on the head. In the background a castle on the water. Third print from the series of six. paper etching landscapes

Two landscape pen in frames, Hendrik Spilman, 1742 - 1784 print Two landscape pin in frames. On the right a landscape with a bridge on which a gentleman on horseback and two more people leans one over the handrail of the bridge. On the left a landscape with three conversing figures with mowers and a horse and carriage in the background. Haarlem paper etching landscapes (+ landscape with figures, staffage). landscape with bridge, viaduct or aqueduct. reaping, picking, mowing ~ harvest. four-wheeled vehicle drawn by one animal

Departing hunting company for a house, Jean Moyreau, After Philips Wouwerman, 1759 print France paper etching Assembly, 'Departure for hunting'

Danube views, Upper Austria, Market Urfahr, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

Print, Marina; France; etching on paper; Bequest of George Campbell Cooper; 1896-3-402

Ruina bey Pozzolo nahe der Grotten Sibilla Cumana. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Escape by Hugo de Groot in the book box from Slot Loevestein, 1621, Caspar Jacobsz. Philips, After Andries Schoemaker, After Jacobus Versteegen, c. 1752 - 1789 print Face locking Loevestein with the escape of Hugo de Groot in the book box in the book box, March 22, 1621. Men drag the coffin on a rope. paper etching law and jurisprudence (+ escape from prison). castle Slot Loevestein

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Passe-temps" (Pl.53). Lithography, 19th century. Paris, Carnavalet museum. 78051-3 Passe-time album, rider, horse, drawing, ferrer, illustration, lithography, character, soldier, 19th 19th 19th 19th 19th 19th century, animal

60. Oblasting of Jerusalem by Nabuchodonozor and conquering it; 61. David from Syffeyans to Saul, who was secretly taken away A mug, what does Saul seem to see by guilty, and Dawid promises room; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Turfschip van Breda, 1590, Simon Fokke, 1752 print Intake of Breda through the peat ship. The ship is on the ice in front of the castle. Amsterdam paper etching capture of city (after the siege) Breda

De Scheping, Jan Caspar Philips, 1772 print Two performances on one leaf. Above: the first day of creation. God creates heaven and earth and places the globe between the sun, the moon and the stars. Under: the sixth day of creation. God creates Adam in paradise, where He is surrounded by animals. Amsterdam paper etching creation of sun, moon and stars. God brings Adam to paradise

Copper engraving and etching by Isidore Stanislas Henri Helman circa 1786 showing the departure of a conical body in Cherbourg before King Louis XVI.

. Dike breach at the so-called henernest, outside of Zutphen, March 3, 1784. In the foreground people in panic at the broken-through embankment, in the background the city of Zutphen. Signature at the bottom right: proof.

Victim, pl. 25, fantasy of Brahms, op. XII; Klinger, Max (1857-1920); 1892 (1892-00-00-1892-00-00);Brahms, Johannes (1833-1897), Partage Plus, Prometheus (Mitol.), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Zeus (mitol.), Music, victim (rel.)

St. Caterine's Hill, near Guildford, Surrey, James H. Kernot, active early 19th century, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Etching and engraving, first published state

Heins, Armand, Brussels, Reproduction of an engraving of various kinds of animals, shown at the Exposition Nationale of 1880 in Brussels, by Armand Heins, recto - handwritten, photomechanical print, photomechanical impression, reproduction, page, photographs, photographically illustrated books, height 221 mm, width 302 mm, maker, producer, 1881 - 1882, paper, papier, collotype, Work conception, 1856-08-01 - 1938-12-25

Etching by Stefano della Bella created between 1630 and 1664 depicting port views, showing harbor scenes, ships, and coastal structures.

View of Galien and Kanonschot in honor of their departure, Jacques Rigaud, 1720 - 1754 print paper etching / engraving shipyard, shipdock. trireme, galley

. Destructions due to ice cream in the place Mülheim (am Rhein), 27 February 1784.

Copper engraving and etching by Joseph de Longueil from 1750-1792 showing a panoramic view of Naples and its surrounding landscape.

Heavy Storm in Amsterdam, 1674, 1779 - 1781 print Damage caused by a severe storm in Amsterdam, August 1, 1674. Northern Netherlands paper etching consequences of weather, e.g. After the drought, Before the storm, After the cyclone Amsterdam

Etching by Jan van de Velde II depicting the months of April, May, and June. Produced in 1616, it includes seasonal activities, landscapes, and agricultural motifs.

Print (France)

The four lists of the year. Leaf with 4 performances of the four seasons depicted with landscapes. Under each image a four-line verse in two columns. Numbered at the top right: No 11.

Train station, tank top, Monday, 1897 (dummy title)

Chinese lady with paper in landscape; New inconvested sinesen with great Moeyte complicated and given in it, by P. Schenk Jun (...), second part. A Chinese lady stands on the left with a document in a landscape. Behind her a servant with parasol. Right four figures in a building on stilts in the water. In the background ships. Print is part of an album.

Ruins Discovered at the Corner of Whitcomb Street 1821, unknown artist, ( Banks ), after unknown artist, ( Banks ), 1822, Engraving, Sheet: 13 11/16 x 11 5/8in. (34.8 x 29.5cm)

Arriva zu Neapoli alla Piazza di Spagna. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

View of Kashan, Anonymous, Pieter van der Aa (i), c. 1698 - c. 1725 print View of the Iranian city of Kashan with figures and animals in the foreground. publisher: Leidenpublisher: Amsterdam paper. watercolor (paint) etching / brush prospect of city, town panorama, silhouette of city is the

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