Social Commentary in Prints

Engravings that comment on social issues and domestic life, often infused with humor and satire reflecting human behavior.

Amsterdam, Hoorn, Jan Claesz ten, Luyken, Jan, Title page for: S. Blankaart, Treatise on podagra and flying gout, 1684, Treatment of various sick people, verso - stamped, print, title page, prints, height 139 mm, width 86 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1684 - 1684, paper, papier, etching, etchings, Publication (Event), Publication, 1639 - 1715, publisher

Hudibras Catechized (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 9) 1725-68 William Hogarth British. Hudibras Catechized (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 9) 400738

Amsterdam, Hoorn, Jan Claesz ten, Luyken, Jan, Title page for: S. Blankaart, Treatise on podagra and flying gout, 1684, Treatment of various sick people, verso - stamped, print, title page, prints, height 139 mm, width 86 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1684 - 1684, paper, papier, etching, etchings, Publication (Event), Publication, 1639 - 1715, publisher

Nicolas Delaunay after Sigmund Freudenberger, Le Petit Jour, 1779 Le Petit Jour

The Husband-Beater ca. 1633 Abraham Bosse French. The Husband-Beater 360349

Dissolving the garter, Jan Caspar Philips (attributed to), after Jan Caspar Philips, 1740 - 1760 print Interior of sleeping room, woman sitting in chair, man on knees next to it, the garter is dissolved under her skirts, three women around it. Print no. 9 in a series of twelve prints with two -line verses about the Dutch habits at the marriage around 1750. Northern Netherlands paper etching / engraving the wedding night

Lodewijk de Vrome and the battle of his sons, Daniel Nikolaus Chodowiecki, 1784 print paper etching canopy, baldachin. ruler, sovereign. weeping. crowning with laurel

Dissolving the garter; Facing, marrying and first maternity bed in a decent Dutch household around 1750. Interior of sleeping room, woman on chair seated, man on knees next to it dissolves the garter under her skirts, three women around it. PRENT Nr. 9 in a series of twelve prints with two-legged verses about the Dutch habits at marriage ca. 1750.

Lodewijk XIII and his mistress Marie de Hautefort, Bernard Picart (workshop of), 1731 print Louis XIII, King of France, and his mistress Marie de Hautefort. They are at a fireplace in the bedroom. In the margin a three -faced caption in French. Amsterdam paper etching / engraving courting. palace - AA - civic architecture: inside

Husband-Beater ca. 1633 Abraham Bosse French. Husband-Beater 387797

A Rake's Progress: pl.5. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

A man in sleeping clothes walks into a sparsely lit bedroom. Startled, he looks at a man and woman who have dozed off on the bed leaning against each other., Man catches his wife with lover, print maker: Jacob Folkema, (mentioned on object), intermediary draughtsman: Jacob Folkema, (mentioned on object), 1702 - 1767, paper, etching, h 163 mm × w 107 mm

Man on a couch surrounded by five children while his wife stands next to him, Carl Friedrich Holtzmann, after Johann Eleazar Schenau, 1750 - 1811 print Under the show a one -line text from Psalm 128: 4 and the assignment in German. Print is part of an album. Dresden paper etching the book of Psalms (with BOOK CHAPTER:VERSE). family group, especially parents with their child(ren). cupids: 'amores', 'amoretti', 'putti'. ornament ~ medallion

Empress led before emperor, The emperor watches from his throne how servants bring the handcuffed empress to him. Print top left and right marked: I. Part. - Pag: 138, throne, prisoner with hands bound (variant), Adolf van der Laan (mentioned on object), 1730, paper, etching, h 143 mm × w 84 mm

Charles Primrose with the wallet of Burchell, Daniel Nikolaus Chodowiecki, 1776 print On the right is Charles Primrose, better known as the 'Vicar of Wakefield', with his family behind him. He is about to the wallet of Mr. Throw Burchelli on the ground for the owner's feet. paper etching (GOLDSMITH, The Vicar of Wakefield) specific works of literature (with AUTHOR, title)

Philemon and Baucis, after Rubens (Dutuit 34). Crois, 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

A husband and wife ask a quack doctor for advice about health: he suggests substituting himself for the husband in the wife's affections, and she agrees. Engraving by J.J. Balechou, 1743, after E. Jeaurat.

A Rake's Progress, Plate 4 Reason awakes.... 1735. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Abraham Bosse (1602-1676). "History of the prodigal child. Second issue of a series of 6 pieces. Dutuit page 63". Etching. 1650. Museum of Fine Arts of the City of Paris, Petit Palais. 100466-31 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

L. Truchy, 1721-1764, The Mock Doctor or Dumb Lady Cur'd. Engraving.

Tobias Wordt Blind, Anonymous, After Augustin Braun, 1610 - 1649 print Germany paper engraving Tobit's blindness (Tobit 2 - 3:6)

The Curate and barber disguising themselves. 1726. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Miseries of Human Life: While Deep in Study and Lost in Thought in the Complicated Profession of a Taylor and All on a Sudden Disturbed by the Shrieks of a Woman Crying Cucumbers. Artist: Nicolaus Heideloff (British, 1761-1837); After Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 12 5/8 × 9 1/8 in. (32 × 23.2 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Miseries of Human Life. Date: October 1807. Museum: Metropolitan Museum of Art, New York, USA.

Illustration No. 3 (from 4) To the Pieces of Johannes Evald Harlekin Patriot and The Brutal Klatscher Chodowiecki, Daniel Nikolaus (1726 1801)

Minister Grumbkow and Gaultier tell Friedrich Wilhelm that the state treasury is empty, Daniel Nikolaus Chodowiecki, 1786 print paper etching armchair, seat. conversation, dialogue; conversation piece. interior of the house

Two skeletons surprise a group of gamblers in an inn, by appearing suddenly from behind a curtain. Etching by Lavalée after J. Gamelin, 1778/1779.

A villain is dismantled in a room. .

Drunk company laughs at a woman with mustache, Abraham Lion Zeelander, after Peter Paul Joseph Noël, 1804 - 1856 print In an interior there is a drunk company around a table. On the face of a woman, the man with a writing spring, who shows a drawing of a woman with mustache, signed a mustache. A man next to her grabs the woman and pulls a grimace. Other people cry with laughing at the situation. The man on the left in the foreground keeps his pulse so crooked that the drink flows out. On the wall hangs a print of Saint Arnoldus of Soissons as the patron saint of the beer brewers. Amsterdam paper. etching / engraving moustache - AA - ~ women. laughing. drunkenness

Illustration No. 12 (from 12) to medieval and modern history, posted in: Almanac de Gotha pour l'anneé 1793. Gotha, Chez C. W. Ettinger (copy) Geyser, Christian Gottlieb (1742 1803), Chodowiecki, Daniel Nikolaus (1726 1801)

Pest der darkness.

The depiction shows a man sitting under his wife's slab: he mops the floor while she sits by the fireplace. Design for a print, Man mopping the floor while his wife is sitting by the fireplace., draughtsman: Adriaen Pietersz. van de Venne, 1630 - 1635, paper, pen, brush, h 96 mm × w 129 mm

The Bride Taken Home. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 3/4 × 14 3/4 in. (29.9 × 37.5 cm)Plate: 10 11/16 x 13 3/8 in. (27.1 x 34 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Marriage in the City(Le Mariage à la ville). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.

A Rake's Progress, Plate 3 June 25, 1735 William Hogarth British. A Rake's Progress, Plate 3 401581

So the old people sang, the boy squeaks, Schelte Adamsz. Bolswert, after Jacques Jordaens, 1638 - 1659 print A mother is sitting with a small child who plays on her lap at a set table. In addition to her, her husband blows with convex cheeks on a bagpipe and a little boy plays on a flute while his grandfather and grandmother, both with glasses, sing. The singing old man gives the size with a finger. A big dog rests with its snout on the table and looks at the scene with spent ears. A richly ornamented cartouche is displayed against the wall behind the group with the saying soo d'oude Songen soo Pips the boy (so the old ones sang, so the boy squeaks). Under the performance in the margin is a verse with an allusion to this saying in Latin. paper engraving more than one musician with instrument. vocal music, singing. child(ren) with one or both parents and one or more members of the preceding generation (family group). children playing musical instruments

Jean Michel Moreau after Pierre Antoine Baudouin, Le modèle honnête, 1770 Le modèle honnête

Print, Pomposity, Illustration for "Königl: Grosbrit anische Genealogischer Kalender auf das 1780 Jahr Lauenberg bey J.G. Berenberg"; Germany; stipple and line engraving on paper; 10.2 × 6.3 cm (4 in. × 2 1/2 in.)

9. The idle 'prentice betrayed by a prostitute Date: 1747

The Ferry, Robert Dighton, 1752-1814, British, undated, Pen and black ink, brushed gray ink, gray wash, and black wash on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm), dock, ferry, genre subject, men, stairs, women

Plate One, from A Rake's Progress 1735 England. Etching and engraving in black on ivory laid paper . William Hogarth

Barbier works the mustache of a man at, Abraham Bosse, 1632 print In a sleeping room with a declining four -poster bed, a barber's mustaches pays the mustache of a man with the help of an iron. The man sits on a chair with a sheet. On the right is a lacquer at a table on which scissors, combs and other hairdressing utensils. On the walls Gobelins and a painting by Zeus and Danae. paper etching / engraving barber, barbershop. moustache. making toilet. bed with tester

Five men and women who watch prints, 1747 - 1825 print Court -in the middle with two men who look at prints, on the left a sitting man browses through a Prentalbum, behind him is a woman with a print in her hand. On the right a woman is sitting on a coffin who gets a print from a portfolio, possibly she is a print saleswoman. Next to her two toddlers. paper etching / engraving art collecting. print, e.g.: engraving, etching, lithograph

Oosterlingen in a palace. Oriental figures in a departure. A richly dressed woman on a lounger under a canopy, looks scared to a man who was kneeling in front of her. Right of this is a king with a scepter in his hand alongside his adviser, both they point to the kneeled man.

Vrijage, Jan Caspar Philips (attributed to), after Jan Caspar Philips, 1740 - 1760 print Courtship. Interior with loving pair on the right and a cupid with arrow and arch on the left. Print no. 3 in a series of twelve prints with two -line verses about the Dutch habits at the marriage around 1750. Northern Netherlands paper etching / engraving courting

Charles Emmanuel Patas after Jean Honoré Fragonard, Le pate d'anguilles Le pate d'anguilles

English aristocrat and guests drinking coffee in a drawing room. Sir William laments his ill health to Mr. Jones and son Charles. A servant in livery serves coffee. Of what use are all these things to me when I have not Health! Pl. 3, Vol. 1. Copperplate engraving by William Blake after an illustration by Daniel Nikolaus Chodowiecki from Mary Wollstonecraft's translation of Christian Gotthilf Salzmann's Elements of Morality, London, 1791.

Thomas Tullock, supporter of King Jacobus II in Scotland, is killed by the unexpected rise from his gun, 1690, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing death by accident (non-violent death). firearms

Print made by Bernard Baron, 1696-1762, French, Marriage à la Mode, Plate 3, 1745. Etching with line engraving.

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, engraving, book illustration, prints, engravings, Andries Langedul captured in Antwerp while reading the Bible, 1559, verso - stamped, 74, Andreas Langedul Ao 1559, height 117 mm, width 143 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, etching, etchings, Work conception, Northern Netherlands, after own design by, Publication (Event), Publication, publisher, - 1693-06-26

Establishment of the widow fairs, 1749; To establish the widow fairs in 't Jaer 1749. The establishment of the widow fair or fairs in February 1749. A young couple can be explained in an office the rules of the widow fund. On the wall a list of drawings and an allegoric painting. At the top of a medal or medal on the widow fairs.

Reception of the first Dutch envoy in the US Senate, 1783, Reinier Vinkeles (I), After Jacobus Buys, 1788 - 1790 print Reception of the first Dutch envoy Pieter Johan van Berckel in the US Senate in Princetown, October 31, 1783. Amsterdam paper etching / engraving United States of America

Two men at a waved wig and hat. Oval representation of two men in conversation. One of the men lost his wig and hat. The performance is caught in a ornamental frame.

Several surgeons in a departure, Jan Luyken, 1672 print Several surgeons in a departure, around a figure in a chair. Amsterdam paper etching physician, doctor. patient, sick person. medical examination, medical treatment

La GaieteConjugale. Artist: Nicolas Delaunay, French, 1739-1792

A parson guilty of long tedious sermons has fallen asleep as a veteran relates at length the tactics used at the battle of Dettingen: both ignore a woman who brings them a dish of cooked chicken. Etching by T. Rowlandson, 1784.

Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..., L. Truchy, 1721-1764, after Joseph Highmore, 1692-1780, British, 1745, Engraving

A young man with an exhausted expression after sex pulls on his breeches beside a woman who gazes up at him and holds his arm; on the wall is an image of Cupid pointing to a downward-pointing rocket. Engraving by William Hogarth, 1736.

Bozzy and Madame Piozzi (Frontispiece, "Bozzy and Piozzi" by Peter Pindar) 1780-86 Thomas Rowlandson. Bozzy and Madame Piozzi (Frontispiece, "Bozzy and Piozzi" by Peter Pindar). Thomas Rowlandson (British, London 1757-1827 London). 1780-86. Engraving. George Kearsley (London). Prints

The Liberation of Saint Peter. Luigi Cunego (Italy, 1750/57-after 1819)Domenichino Zampieri (called Domenichino) (Italy, Bologna, 1581-1641). Italy, 1779. Prints; engravings. Etching and engraving

Unequal love, Jacob Goltzius (II), After Hendrick Goltzius, 1548 - 1630 print An old woman is sitting on a chair. A number of coins in her lap. Next to her a young man on a chair. The woman puts her hand on the man's leg, but he turns away from her. The print has a Latin and Dutch caption Haarlem paper engraving youth, adolescent (+ old male (human being)). ugly old woman, hag. pursuit of a woman, prowling. married couple of unequal age - DD - woman older. young versus old age; young and old. money

Joseph de Longueil after Charles Eisen, Le printemps Le printemps

uncatalogued

'The Politicians' 18th century. Creator: Unknown.

Your parents honors; Rich children, poor parents. A rich family is in a leaving around a set table. Right at a large fireplace is the (large) father who does not assume but is placed on a small table. The thankless son who owes his prosperity to his father does not honor his father. In turn, if he is old, he may be despised in the same way by his own son. These two small (small) sons represent the parents on the grandfather in his corner. With caption that clearly becomes clear.

Jupiter and Mercury in the House of Philemon and Baucis Made 1612 Netherlands. Adam Elsheimerís small-scale paintings of mysterious interiors and fantastical landscapes influenced artists throughout Europe, particularly after Hendrik Goudt translated them into prints. Although Goudt engraved only eight of Elsheimerís images, they inspired a generation of printmakers in pursuit of magical light and shadow, most notably Rembrandt.This work depicts a moral tale by Ovid in which the gods Jupiter and Mercury disguise themselves as peasants before visiting a town in Phrygia and asking for a place to sleep. They are met with disdain by everyone except an impoverished couple who generously extend hospitality beyond their means. In turn, Jupiter and Mercury reward the couple with a comfortable life while destroying the rest of the town and everyone in it.. Engraving in black on ivory laid paper . Hendric de Goudt

Clothing Beggars (Vêtir les nus) Abraham Bosse French. Clothing Beggars (Vêtir les nus) 390803

In the start of the bad huys hollow of young luyden (...); Le Mariage à la fashion.

The allegory of sight. Visvs, La veve, from the cycle The five senses". Bosse, Abraham (1602-1676), graphic artist, Langlois, François (1588-1647), publisher

THE BEGINNING. A. DE NEUVILLE

The Diepy Devil; Book illustration for Simon de Vries, Seven Duyvelen ruled and serving the Hedendaeghsche service, Amsterdam, 1682.A Maid Seduced by the Deep-Like Devil Steals A Money Pouch From A Wall Cupboard.

Cecilia or the Story of a Rich Orphan. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1787. Prints; etchings. Etching

A Rake's Progress, Plate V: He Marries, Print made by William Hogarth, 1697-1764, British, 1735, Engraving, Sheet: 14 x 16in. (35.6 x 40.6cm), satire

Plate from Livre de Scènes Comiques. Gabriel Huquier (French, 1695-1772); after Claude Gillot (French, 1673-1722). Date: 1729-1732. Dimensions: 165 × 215 mm (image); 190 × 225 mm (plate); 235 × 315 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Gabriel Huquier.

Baron, Bernard, inventor: William Hogarth, work, Marriage a la mode II, (1000 - 2000), line etching, copperplate, graphic, plate width 46.5 cm, plate height 38.6 cm, leaf width 49.2 cm, leaf height 40.1 cm, image width 44.4 cm, image height 35.5 cm

Young and old woman say goodbye to a Marskramer, Pierre Etienne Moitte, after Jean -Baptiste Greuze, 1757 - 1780 print A young and old woman stand in front of a house with two young children and a dog. The old woman has her hand on the shoulder of a departing Marskramer. The young woman holds her left hand under her chin and makes a 'Napoleonic gesture' (La Geste Napolitain) that symbolizes rejection. Paris paper engraving / etching Rejection. gesture-language. pedlar

Print left of verse numbered 34., Art seller Der Kunsthändler , print maker: Caspar Luyken, anonymous, 1711, paper, etching, h 131 mm × w 87 mm

Drinking and dancing farmers for inn, Willem de Broen, after Adriaen van Ostade, 1705 print A farmer's couple dances for an inn to the music of a Schalmei player. A group of drinking farmers looks at the pair and laughs. Under the show a Dutch verse. Amsterdam paper etching / engraving inn, coffee-house, public house, etc.

Devotion of Cimon or Funeral of Miltiade. Jean François Pierre Peyron; French, 1744-1815. Date: 1782. Dimensions: 134 × 207 mm (image/plate); 165 × 217 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Louis Gerard Scotin after William Hogarth, Marriage a la Mode pl6, 1745 Marriage a la Mode: pl.6

Esau sells his firstborn right to Jacob, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 109 mm × w 151 mm

. In a departure, a family of three-kings evening celebrates. Sung, eaten, drunk and multicated. Broken eggs and a pipe lie on the ground.

William Hogarth, The Idle 'Prentice betray'd by his Whore, & taken in a Night Cellar with his Accomplice, 1747 The Idle 'Prentice betray'd by his Whore, & taken in a Night Cellar with his Accomplice

Goudsmid in his store, Ernst Friedrich Oldermann, After Wilhelm Nerenz, 1818 - 1837 print Presentation from the work 'Goldschmieds Töchterlein' by Ludwig Uhland. Berlin paper jeweller, goldsmith, silversmith. jeweller, goldsmith, silversmith (+ artist at work). adult woman. adult man

Pompeian house (after a painting by Gustave Boulanger). Sarazin (Paryż ; drukarnia ; fl. ca 1846-1880), printing house, Laguillermie, Frédéric (1841-1934), graphic artist, Flameng, Léopold (1831-1911), draughtsman, cartoonist, Boulanger, Gustave (1824-1888), painter

Jacob de Kaarsengieter disputes in the prison in Bruges with brother Cornelis, 1569, 1683 - 1685 print The Baptist Jacob de Kaarsengieter disputes in the prison in Bruges with Brother Cornelis, 1569. Northern Netherlands paper etching persecution of heretics Used

Emperor Hendrik II depicts itself on his sickbed that he is sprayed by a devil; That Wahl Gehed Nicht Wohl.

Two men leaves in books.Two men are busy in a bedroom to look for something in books. Mercurius can be seen in a back room that packs a silver statue of a cupboard.

Visit to the Zoo. Draughtsman: Pieter Bartholomeusz. Barbiers. Dating: c. 1800 - c. 1837. Measurements: h 266 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

Painting of Venus and Penia, goddess of poverty and nurse of Eros, with three amorini (cupids) of desire, appetite and lust. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.

Lycaon transforms into a wolf. Engraved illustration from 'The Temple of the Muses', 1733. This book represented remarkable events of antiquity drawn and engraved by Bernard Picart (1673-1733). n Greek mythology, Lycaon (king of Arcadia), tested Zeus by serving him the roasted flesh of his son Nyctimus, in order to see whether Zeus was truly omniscient. In return for these gruesome deeds, Zeus transformed Lycaon and his offspring into the forms of a wolf; Nyctimus was restored to life.

The taste; The five senses. A pancake bokster is sitting in front of her tent and tries to hit a hearter, who has stolen a pancake on his hands. In the foreground a boy who eats a pancake. The print is part of a series of five prints with the five senses.

Florence, unknown, Siena, Reni, Guido, Italy, Traballesi, Giuliano, Circumcision of Christ, verso - stamped, On a table the Christ child is circumcised. A group of men and women look on. In the foreground an angel holding up a bowl., print, prints, height 499 mm, width 304 mm, Italian, 1727-11-02 - 1812-11-14, print maker, printmaker, 1737 - 1812, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, 1575-11-04 - 1642-08-18, after, after painting by, Publication (Event), Publication, publisher

Opere di Carlo Goldoni, Delle commedie di Carlo Goldoni, avvocato veneto, Baratti, Antonio, 1724-1787, Goldoni, Carlo, 1707-1793, Novelli, Pietro Antonio, 1729-1804, Engraving, 1761

An Academy of Painters. Artist: Pierfrancesco Alberti (Italian, 1584-1638). Dimensions: Sheet: 16 1/4 x 20 9/16 in. (41.2 x 52.2 cm). Date: 1600-1638.Prints representing academy scenes became more common after the first official art academy was established in Florence in 1563. At the Rome venue depicted here, masters (with beards and hats) instruct young artists. The masters teach the principles of disegno, which entails both the ability to render a drawing and the intellectual capacity to conceive its design. One master displays a sheet of sketches to two students at left, while another gives a lesson on geometry in the center. In the background on the right, a group examines a cadaver to learn about anatomy. The paintings and pieces of sculpture that adorn the back wall served as additional aids for the students. Museum: Metropolitan Museum of Art, New York, USA.

Maternal Indulgence Artist's working dates 1765-1792 France. Etching and engraving in black ink on white laid paper . Nicolas Delaunay

Jasmin at the window reads the long awaited reply from the woman he is in love with, after writing her numerous love letters At the door stands the servant who brought the letter, Letter-reading man The interrogated lover , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 247 mm × w 154 mm

In a room, a richly dressed lawyer sits in front of the fireplace at a lectern, in front of which stands a gesturing man in a hat. Near the man stands a young boy who is looking toward the viewer and carrying a ham and sausage. The man may be asking for advice from the lawyer, who makes it clear to the man with a hand gesture that advice costs money. In the background is a bookcase with two busts on it, and behind a fence the silhouette of a figure at a lectern is visible, With the lawyer, print maker: David van der Kellen (1827-1895), 1837 - 1882, paper, etching, drypoint, h 156 mm × w 121 mm

Antwerp, Collaert, Adriaen, Kiliaan, Cornelis, Vos, Maerten de, Galle, Cornelis (I), Solitvdo sive vitae foeminarvm anachoritarvm, Female hermits, Mary of Edessa and Saint Abraham, recto lower right - written, In the left background Mary of Edessa. She is visited by a man who seduces her. After this visit Mary turns away from her faith. Her uncle, Saint Abraham in the foreground. He prays for his niece. In the background the death of Saint Abraham. The print has a Latin caption and is part of a series on the subject of female hermits., print, prints, verso middle - stamped, 261, height 176 mm, width 223 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1570 - 1618, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, 1530 - 1607-04-15, writer, Publication (Event), Publication, South Netherlands (before 1775), 1560 - 1618-06-29, publisher

Ruler / shell collectors / shop / old people give advice to a young man, Cornelis van Noorde, in or before 1767 print Four performances. At the top left: Three workmen take their hat for the Lord in the foreground. At the top right: four men, who collect shells in baskets on the beach. Image with a text about a merchant who sold everything to buy a pearl found in a shell. Bottom left: the interior of a store with a counter. There are three men in the store, one of which holds a sheet of paper. At the bottom right: an interior with a sitting man at a table, a man leaning on a stick and a sitting old woman. They give advice to the standing young man. Haarlem paper etching house personnel, servants. shell fishery. shop, store. interior of the house

Illustration for Boccaccio decamerone. Illustration for Boccaccio Decamerone, History XXVIII. Gillette from Narbonne is wearing a baby on every arm and the count of Rousillon is about to throw its feet.

The death of the widow, leaving her a false child (...) Le mariage à la Mode (series title), draughtsman: Cornelis Ploos van Amstel, William Hogarth, 1748, paper, brush, h 330 mm × w 435 mm

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