Social Interactions in Interiors

Engravings capturing various social scenarios, such as marriage agreements and introductions, showcasing 18th-century interior settings and elaborate costumes.

A man sits in a room on a chair, listening to the man standing in front of him with his hat in his hands. This print was possibly made for the comedy 'De Hagenaar te Enkhuizen' (1758) by Jan Jacob Hartsinck, Two men in an interior De Hagenaar te Enkhuizen (title on object), print maker: Jan Fokke, (mentioned on object), publisher: David Klippink, (mentioned on object), 1758 - 1812, paper, etching, h 136 mm × w 83 mm

Young Lord is introduced to a young lady, Reinier Vinkeles (I), 1797 print Amsterdam paper etching / engraving evening meal, dinner, supper. introducing. picture, painting

Marriage Agreement, René Gaillard, After Charles Joseph Dominique Requirements, in Or Before 1754 print Paris paper etching / engraving the consent (of marriage)

Woman hangs on the arm of a man in a bedroom, William Hogarth, 1736 print The painting with 'Before' falls into the shadow of the bed. In the list, Cupido points to a rocket that falls down. The tract by Aristotle that lies on the floor refers to the Aforism 'Omne Animal Post Coitum Tristen', which refers to the depression that the man radiates. The woman is still in bed and clings to the man's arm. paper etching / engraving one-sided courting; pursuit; difficult choice

Consolation 1765-1775 France. Etching on paper . Nicolas Delaunay

A man sits in a room on a chair, listening to the man standing in front of him with his hat in his hands. This print was possibly made for the comedy 'De Hagenaar te Enkhuizen' (1758) by Jan Jacob Hartsinck, Two men in an interior De Hagenaar te Enkhuizen (title on object), print maker: Jan Fokke, (mentioned on object), publisher: David Klippink, (mentioned on object), 1758 - 1812, paper, etching, h 136 mm × w 83 mm

Moll Hackabout, the mistress of a wealthy Jewish merchant in a richly decorated apartment room, kicks over a tea table as her young lover tip-toes out aided by a maidservant. Engraving by William Hogarth.

Un Neveu qui gagne cruellement une succession. Honoré Daumier (France, Marseilles, 1808-1879). France, 1845. Prints; lithographs. Lithograph

Lotte rom Goethes novel (chart from `Chudożestwiennyj Listok`). Brese, N., graphic artist, Fernlund, draughtsman, cartoonist, Henkel, W. E. (Petersburg ; wydawnictwo ; ca 1850-1870), publisher, Kaulbach, Wilhelm von (1805-1874), painter

Marriage à-la-mode, pl. 2 , Nobility, Spouses, Servants, Hogarth, William, 1697-1764. Marriage à la mode. William Hogarth (1697-1764). Prints

Issuance of a prisoner by borchic patriots. (IT)

Print made by Jacob Gole, 1660-1737, Dutch, Love Scene, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

Woman dives away for a man, Reinier Vinkeles (I), 1802 print In a departure, a young woman with a hat turns away from a man. The woman is supported by a woman with a hood. Amsterdam paper etching / engraving picture, painting. kneeling figure. quill

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore, L. Truchy, 1721-1764, after Joseph Highmore, 1692-1780, British, 1762, Engraving, Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm) and Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm), drapes, genre subject, table, windows

Lady affects consciousness while writing a letter. .

Jean Baptiste Tilliard after Jean Honoré Fragonard, Le magnifique Le magnifique

A Harlot's Progress: pl.2, 1732, etching and engraving, Paulson 1965, no. 122, State i/iv, William Hogarth (artist) English, 1697 - 1764

Interior with a woman who takes a man's wig, Remi Henry Joseph Delvaux (attributed to), 1760 - 1823 print France paper etching / engraving interior of the house. wig

Le duc de Chartres, son epouse et ses enfants. Dated: 1779. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Augustin de Saint-Aubin and Isidore-Stanislas Helman.

Beatrice listens a conversation from Hero and Ursula.

Charles Emmanuel Patas after Charles Monnet, Soeur Jeanne Soeur Jeanne

The Daughters of the Devil (The Creature) ca. 1848-62 Célestin Nanteuil. The Daughters of the Devil (The Creature). Célestin Nanteuil (French (born Italy), Rome 1813-1873 Bourron-Marlotte). ca. 1848-62. Lithograph. Prints

Jean-Baptiste Blaise Simonet, Le danger du tête-à-tête, 1752-1825, etching and engraving on paper.

Love couple caught in a sleeping room, Jacob Folkema, 1702 - 1767 print Three richly dressed figures have entered a sleeping room and a man and woman find it in bed. The man stayed in bed while the woman got out of bed in a nightdress. In the foreground, clothing is pulled over a chair and a stool. Print at the top right marked: Tom. ii. p. 238. paper etching bedroom. interrupted meeting, lovers caught by surprise

Print made by Francis Legat, 1755-1809, British, Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc, 1803. Engraving, unfinished state.

Mayor Jan van Proeijs, 1449, Christiaan Lodewijk van Kesteren, After Reinier Craeyvanger, 1842 - 1897 print Mayor Jan van Proeijs with wife and daughter in the room of their home, prior to the riots, killing the mayor, 3 February 1449. Netherlands paper steel engraving Utrecht

Simeon and Anna with the Christ Child and Mary, The commission in the temple, draughtsman: anonymous, 1700 - 1800, paper, pen, brush, h 176 mm × w 147 mm

Dame a sa toilette. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Charles Eisen.

Le Lever 1771 After Pierre Antoine Baudouin. Le Lever. After Pierre Antoine Baudouin (French, Paris 1723-1769 Paris). 1771. Engraving. Prints

Nicolas Delaunay after Nicolas Lavreince, Le Billet doux, 1778 Le Billet doux

Pamela undresses, Louis Truchy, After Joseph Highmore, 1745 print Pamela is sitting on the edge of a four -poster bed and takes off her stockings. Mrs is in bed. Jenkins: her mistress, with sleeping cap. Right at the right spied her son dressed as a wife Pamela. England paper etching / engraving male literary characters (Pamela). spying on someone. putting on or taking off stockings. defence of chastity

Borderscène, Nicolaas Verkolje, 1683 - 1726 print In a brothel a young man fell asleep on the lap of a woman of light morals, she orders him. Behind them a second man is intoxicated with kissing and wine. print maker: Delftpublisher: Amsterdam paper brothel. the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. theft

Anonymous at Martinet. "Italian comedy Anonymous at Martinet. "Italian comedy - Blaise Scene Savetier". Engraving.

Christian Thomasius helps one of witchcraft suspected old woman out of the cell, Daniel Nikolaus Chodowiecki, 1800 print Numbered at the top right. With caption and page reference in German. Berlin paper etching witch-hunt, persecution of witches and sorcerers

Historical scene with interior with three people, Pieter Bartholomeusz. Barbiers, 1782 - 1837 drawing Interior with two men and a woman around a table. paper. graphite (mineral). ink pen

The Embroiderer 1757 Jean Jacques Flipart. The Embroiderer. Jean Jacques Flipart (French, 1719-1782). 1757. Etching. Prints

Dutch nursery, Pieter Tanjé, Cornelis Troost, 1757

Drinking Scene, Print made by Jacob Gole, 1660-1737, Dutch, after unknown artist, (R. B.), undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 9 3/16 × 6 13/16 inches (23.4 × 17.3 cm) and Image: 8 1/8 x 6 3/4 inches (20.7 x 17.2 cm), alcohol, arch, carafe, chairs, couple, cravat, curls, dress, drinking, drinking glass, drunk, food, genre subject, hats, interior, laughing, leisure, lovers, men, necklace, party, pleasure, smiling, tables, women

Copper engraving by Jean Jacques Le Veau depicting a shepherdess in the Alps, created between 1774 and 1786, showing pastoral life and mountain landscape.

Two women hold the hand of a sleeping man in the water, John Greenwood, 1768 print Interior with two young women who keep the hand of a sleeping young man in a bowl with water. There is a painting on the wall. paper sleeping in bed. picture, painting

Katharina II., Empress of Russia.

Louis XV (King of France), Paris, Jeaurat, Edme, Etienne, France, L'Amour petit Maitre, Dressed Amor in Company, verso - stamped, print, prints, height 386 mm, width 263 mm, 1688 - 1738, print maker, printmaker, 1732 - 1732, paper, papier, etching, etchings, engraving, engraving (printing process), 1699-02-09 - 1789-12-14, after, after painting by, Publication (Event), Publication, publisher, uitgever, 1710-02-15 - 1774-05-10, granter of privilege

The Sermon on Love Artist's working dates 1776-1822 France. Engraving on paper . Charles Clément Bervic

A Visit to the Aunt December 20, 1794 Thomas Rowlandson. A Visit to the Aunt. Thomas Rowlandson (British, London 1757-1827 London). December 20, 1794. Etching and aquatint. S. W. Fores (London). Prints

Design for scene from the comedy De Nieuwe Waereld, Jan Punt, 1758 drawing Design for a print in the work 'The New World' by Nicolaas Willem op den Hooff. paper. ink. pencil pen / brush group of actors, troupe; actors on the stage. (scenes from) specific works of literature (with AUTHOR, Title)

Print trader Emilie with an admirer in her store, 1782 print Numbered page 217. paper etching art dealer

The smell; Odor / lodeaur; The five senses, represented by elegant pairs of ladies and gentlemen. A lady is sitting at a table on which a censer and a box with perfume bottles. A man offers her a basket with flowers. The print is part of a series of the five senses.

La toilette. Dated: 1774. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Joseph Voyez after Sigmund Freudenberger.

Woman in Katzwijm, Pieter de Mare, after Frans van Mieris (I), 1768 - 1784 print A lady in Katzijm, a letter is on her lap. In front of her is an embroidery on a chair and her maid looks at her with folded hands delivered. A crib in the background. Leiden paper etching / engraving fainting, swooning. letter, envelope. maid ~ house personnel. (other forms of) needlework, e.g.: crocheting, knitting, embroidering

Flirt Jean-Honor� Fragonard (1732-1806). The Flirt. Lavis Bister.

The Squire's Daughter, Lamenting the Loss of her Robin, Print made by unknown artist, eighteenth century, Published by Robert Laurie, 1755-1836, British, 1794, Mezzotint on medium, slightly textured, cream wove paper, Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm), Plate: 13 7/8 × 10 inches (35.2 × 25.4 cm), and Image: 12 3/4 × 10 inches (32.4 × 25.4 cm)

Debutades signs the contours of the shadow of her loved one on the wall. Her father butades, a potter of Sicyon, so discovers the art of sculpting. (A variant of the story of the discovery of drawing.)

Print made by Francis Legat, 1755-1809, British, Hamlet: Act IV, Scene V, Elsinore -- King, Queen, Laertes, Ophelia, etc, 1803. Engraving.

Miss Ann Catley in the character of Euphrosyne in John Miltons Comus. She first played the role at Covent Garden Theatre in 1772. Actress and singer, later Mrs. Lascelles, wife to Lieutenant-Colonel Francis Lascelles. Copperplate engraving published in The Universal Magazine, Thomas Lowndes, London, 1777.

Antony and Cleopatra, Act 1, Scene 2: Charmian-"Good Sir, give me good fortune" January 1, 1817 John Hall British. Antony and Cleopatra, Act 1, Scene 2: Charmian-"Good Sir, give me good fortune" 395651

Dutch maternity room, Pieter Tanjé, after Cornelis Troost, 1757 print In the maternity room, a minus gives the baby to eat while another woman watches. On the right the mother is in a four -poster bed. Her husband is sitting next to her. Amsterdam paper etching / engraving lying-in room. bed with tester. midwife, 'accoucheuse'. feeding a baby. cradle, crib

Cecilia or the Story of a Rich Orphan. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1787. Prints; etchings. Etching

Murder of Willem van Oranje, 1584; De Veugt Live Immermeer Pride 't Snoodste Moordggle.The Prince of Orange in Delft Murdered by Balthasar Gerards, July 10, 1584. Willem van Oranje is shot on a staircase at the open by by Balthasar Gerards. Due to the view of the tower of the new church.

Le neglige, ou la toilette du matin. Dated: 1741. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas after Jean Siméon Chardin.

Evening Artist's working dates 1758-1815 France. Etching on paper . Emmanuel Jean Nepomucene de Ghendt

Last Hours of Queen elizabeth - from painting by Paul Delaroche: Elizabeth I was Queen of England and Ireland from 17 November 1558 until her death in 1603. Sometimes referred to as the Virgin Queen, Elizabeth was the last of the five monarchs of the House of Tudor. Hippolyte Delaroche, commonly known as Paul Delaroche (1797 1856) was a French painter born in Paris.

Harlekijn makes a woman in a garden, Simon Henri Thomassin, after Jean Antoine Watteau, 1725 print paper etching types in 'commedia dell'arte': Harlequin

French Revolution. King Louis XVI of France and the Royal Family take cover in the Assembly after the assault on the Tuileries (August 1792) and the suspension on the functions of King Louis XVI. Engraving in History of France, 1900.

Rate, Torquato.

The Good-natured Man. Miss Richland and theBailiff. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Signing of the Death Warrant of Lady Jane Grey. Charles Kennedy Burt (American, 1823-1892). Engraving;

A Rake's Progress, Plate 5 June 25, 1735 William Hogarth British. A Rake's Progress, Plate 5 399556

Shooting The Sportsman's Repast, John Raphael Smith, 1752-1812, British, after John Raphael Smith, 1752-1812, British, 1801, Mezzotint, Sheet: 17 7/8 x 22in. (45.4 x 55.9cm), dinner, food, meal

Young woman reading a letter, Louis Bernard Coclers, 1780

Marriage A-la-Mode, Plate IV April 1, 1745 Simon Francis Ravenet, the elder French. Marriage A-la-Mode, Plate IV 406328

Last gathering of Louis XVI and his family. View in a room with Louis XVI that says goodbye to its grieving family members. Text in English in undermarge.

A Harlot's Progress, Plate 1 before April 1732 William Hogarth British. A Harlot's Progress, Plate 1 401166

Charles-Nicolas Cochin (1715-1790). "The ear maker and the mussel mesh, illustration for the tales of La Fontaine, around 1743". Drawing. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, listening, EPIER, ESPION, MAPER EARCH, Illustration of storytelling, mold, character, mesh, gallant scene, seduction, seduce, couple

Joseph tells his dreams, Rembrandt van Rijn (mentioned on object), 1638, paper, etching, h 110 mm × w 83 mm

Joconde: Le depart. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: after Jean-Jacques-François Le Barbier I.

Maria Antonia is run from the temple to the criminal prison Ilustracja Geyser, Christian Gottlieb (1742 1803), Schubert, A.

Henry the Eighth and Anne Boleyn. 1728. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Woman is presented to Man, Jan Punt, 1739 print A father introduces his young daughter to a man. Scene from the play Le Mariage Forcé (married against will and thanks), van Molière. Amsterdam paper etching / engraving (MOLIERE) specific works of literature (with AUTHOR, Title). parental agreement ~ marriage

Lord Ogleby with Canton (a valet) and Brush in a scene from Colman and Garrick's The clandestine marriage. Engraving by H. Meyer, 1821, after G. Clint.

Amsterdam, Luyken, Jan, Daniel kneeling in prayer at a window is spied on, verso - manuscript in brown ink, print, prints, verso - stamped, 166, height 113 mm, width 150 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

March, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after William Hamilton, 1751-1801, British, 1793, Engraving

Meabirdship, Pieter van den Berge, 1694 - 1737 print A tea -making company consisting of three ladies around a table. In the background you can see a cupboard with showapy service. Two devils view the scene of the side. Under the show a verse of four lines in Dutch about the fashion of drinking tea. On either side a dialogue between the two devils in German. Amsterdam paper etching afternoon tea

Beatrice Cenci and her stepmother Lucrezia incite Olimpio Calvetti and Marzio da Fiorani to kill Count Francesco Cenci, who is sleeping in the next room. Etching, ca. 1850.

Meeting with the parents; The sex, marrying and first maternity bed in a decent Dutch household around 1750. The man meets the parents of his upcoming. Interior with two men and two women around the table. PRENT Nr. 2 in a series of twelve prints with two-legged verses about the Dutch habits at marriage ca. 1750.

Duchess of Devonshire and Lady Georgina Cavendish, George Keating, 1762-1842, Irish, after Sir Joshua Reynolds RA, 1723-1792, British, 1787, Mezzotint on moderately thick, slightly textured, blued white, wove paper, Sheet: 14 1/4 × 16 7/16 inches (36.2 × 41.8 cm), Plate: 13 3/4 × 15 15/16 inches (34.9 × 40.5 cm), and Image: 12 1/4 × 15 15/16 inches (31.1 × 40.5 cm)

Illustration for Gellert's 'Six Fables and Six Stories'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1775. Prints; etchings. Etching, laid down

Józef August (1721 1728) Prince Saxon. Birth scene. Parents: Elekorowa Saska Maria Józef (1699 1757) (later Queen of Poland) and Prince Frederick August (later August III). Schenk, Leonard (1696 1767), Schenk, Peter (1646 1715)

Portrait of Rubens' sons, Albert and Nikolaus 1752 Jean Daullé. Portrait of Rubens' sons, Albert and Nikolaus. Jean Daullé (French, Abbeville 1703-1763 Paris). 1752. Engraving. Albert Rubens (Flemish, 1614-1657). Prints

Voyons Lodie! voyons! - Lariflaflafla!. Artist: Paul Gavarni, French, 1804-1866

Hubert François Gravelot, Oui, je la connais Traitre, et je connais ton Coeur Oui, je la connais Traitre, et je connais ton Coeur

Pomposity, Illustration for 'Königl: Grosbrit anische Genealogischer Kalender auf das 1780 Jahr Lauenberg bey J.G. Berenberg', Daniel Nikolaus Chodowiecki, German, 1726 - 1801, Stipple and line engraving on paper, A pompous looking man enters a room in which a party is assembled. The poem warns against judging too severely a pompous man because: if he loses the important look on his face, nothing remains of him., Germany, 1779, Print, Print

Imitation d'anacreon: Le portrait d'iris. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: French 18th Century.

Hendrik XIII receives a knight, Daniel Nikolaus Chodowiecki, 1795 print Different figures are etched in the margin in a sketchy way. Berlin paper etching History. armorial bearing, heraldry. ruler, sovereign. knight

Theater scene from Jacob Simonsz de Rijk, Pieter Bartholomeusz. Barbiers, 1782 - 1837 drawing paper brush group of actors, troupe; actors on the stage. (scenes from) specific works of literature (with AUTHOR, Title)

Unidentified Periodical / Play Illustration, Isaac Taylor, 1730-1807, British, undated, Gray wash with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 3 5/8 inches (14 × 9.2 cm), door, genre subject, men, woman

Interior with sleeping elegant lady in chair, Elisabeth Claire Tardieu, After Etienne Jeaurat, 1741 - 1773 print Paris paper engraving / etching sleeping in chair. lover with love-letter

Malvolio speaks to Olivia in a room, to the amusement of Maria. Stipple engraving by T. Ryder after J.H. Ramberg.

La Toilette des Morts, from "Illustrated London News" July 25, 1863 William Luson Thomas Charlotte Corday, who murdered the Jacobin Jean-Marie Marat, is seen here imprisoned in the Conciergerie (a medieval palace in Paris) awaiting execution. An artist who has just finished her portrait packs away his paints, and a jailor who wears a Cap of Liberty cuts Charlotte's hair to prepare her for the guillotine. The print is based on a painting shown at the Royal Academy in 1863 titled "Charlotte Corday-Her last toilette before her execution." The image offers a grim variation on a woman's dressing ritual, with the jailor replacing a hairdresser, and the canvas taking the place of a mirror.. La Toilette des Morts, from "Illustrated London News". After Edward Matthew Ward (British, London 1816-1879 Windsor). July 25, 1863. Wood engraving. William Luson Thomas (British, London 1830-1900 Chertsey, Surrey). Prints

Vie debauche de l'Enfant Prodigue, Print made by Johann Jacobus Haid, 1704-1767, and Johann Elias Haid, 1739-1809, German, undated, Mezzotint with etching on moderately thick, slightly textured, beige laid paper, Sheet: 14 1/2 x 18 3/16 inches (36.8 x 46.2 cm), Plate: 12 15/16 x 16 5/16 inches (32.8 x 41.4 cm), and Image: 11 11/16 x 16 3/16 inches (29.7 x 41.1 cm), bottles, card games, card table, cards, drinking, drinking glasses, embracing, food, gambling, games, genre subject, kissing, man, pears, servant, son, wine, women

'A Rake's Progress - 2: The Levée', 1733. Artist: William Hogarth.

Dutch Morning, Pierre François Basan, after Frans van Mieris, 1733 - 1797 print print maker: Francepublisher: Paris paper etching / engraving dress, gown: morning dress. training of dogs. maid ~ house personnel. armorial bearing, heraldry

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