St. Francis Receiving Stigmata

Illustrations depicting St. Francis in prayer receiving the stigmata from Christ, surrounded by visions and symbols of faith.

Stigmatization of Saint Francis, Federico Barocci, 1581 - 1585 print The holy Francis kneeling by a tree, the arms spread, the gaze aimed at a crucifix above him in the sky. Seen a brother on the back in the background, reading while he walks in the direction of a church. Urbino paper etching / engraving / drypoint stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ

Francis of Assisi receives the stigmata from Christ, Hieronymus Wierix, After Maerten de Vos, 1584 print During his stay at the Monte Alverna, the H. Franciscus receives the stigmata from Christ. He is in prayer together with another believer. The kneeled saint has a vision of the crucified Christ. Rays from Christ's wounds fall down on the body of Francis. In the context of the margin a two -way caption in Latin. Antwerp paper engraving stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ

Maria with the child and the holy Anna.

The temptation of the H. Antonius. The H. Antonius has been kneeling to pray in a cave. There are a book and a skull on a rock for him. Around him fly, walk and sit demons in the form of wonderfully shaped animals or people with animal lemans. There are books on the floor.

Stigmatization of Saint Francis, Federico Barocci, 1581 - 1585 print The holy Francis kneeling by a tree, the arms spread, the gaze aimed at a crucifix above him in the sky. Seen a brother on the back in the background, reading while he walks in the direction of a church. Urbino paper etching / engraving / drypoint stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ

Reconciliation from Jakob and Esau. The Esau and Jacob brothers embrace. Right behind Esau is his army. Left the cattle and the kneeled women and children of Jacob. Under the show the title and four four-line verses in Latin.

Copper engraving and etching by Gilles Rousselet from 1620-1686 showing the grave of Christ, with tomb details, religious elements, and surrounding landscape.

Angel shows a skull to two men. A bare angel sits on her knees and holds a skull that she shows on two men. The front man carries a robe and turban, the rear a harness and helmet.

This 16th-century etching titled 'Grave of Christ' depicts the burial of Jesus, capturing a pivotal moment in Christian theology.

Holy family under a tree, Anonymous, Hans Sebald Beham, 1521 print paper fruits: pear. Holy Family (alone), 'Trinitas terrestris'

A 1666 copper engraving by Claude Mellan illustrating the proclamation to Maria, showing detailed figures and religious iconography in a structured composition.

Kruisdraging, Andrea Andreani, After Alessandro Casolani, 1591 print Christ collapses under the weight of the cross. Link in the foreground the bright Maria. Italy paper Christ meets Mary, who sometimes swoons ('Lo Spasimo') ~ Christ carrying the cross

Saint Marana of Syria and Saint Cyrra as Kluizen Councils with chains; SS. Marana et Cyrra; Kluizenaars; Sacra Eremus Ascetriarum sainty Marana from Syria and Saint Cyrra as a blurred counters kneel in prayer and wear heavy chains around their neck. On the Verso is a fragment of French text from the edition.

Déposition de Croix , Angels, Saints, Spiritual leaders, Pietà, Jesus Christ, Mary, Blessed Virgin, Saint, Mary Magdalene, Saint. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

A chalk and feather drawing by Domenico Mondo from around 1750 depicting the Madonna appearing to St. Augustine and Rita.

Angel and child with compass, Boëtius Adamsz. Bolswert, 1624 print paper engraving compass

Holy Macarius Romanus of Mesopotamia as hermit; S. Macarius Romanus; Municipants; Sacra Ericvs Ascetarvm.saint Macarius Romanus or Mesopotamia Among The Rocks With Lion. There is a fragment of french text on the Verso.

Woodcut by Leonhard Beck depicting Saint Udalricus from the Sipp saints associated with Emperor Maximilian I. Produced 1518 on wooden stick.

Maria the child's soaking; Lactavit youbere de Coelo Pleno. Maria sucks the Christ child into a landscape.

Copper engraving by Johann Sadeler serving as publisher, depicting the shepherds adoring the newborn Jesus, created between 1579 and 1600.

Holy Nicolaas as helper of shipwrecked, 1751 print paper etching the bishop Nicholas of Myra (or Bari); possible attributes: anchor, boat, three golden balls (on a book), three purses, three children in a tub, three maidens

Christ on the Kruis, Willem Hendrik Franquinet, after Pierre Prud'Hon, 1795 - 1854 print Paris paper the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Ste. Marie-Madeleine (St. Mary Magdalen), July 22nd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. Ste. Marie-Madeleine (St. Mary Magdalen), July 22nd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Crucified man in Heuvellandschap, Johannes Josephus Aarts, 1881 - 1934 print A naked man is nailed to a cross. He is wearing a thorns. At the foot of the cross there are two women in robes and two naked, bearded men. Three naked figures on a hill in the background. paper counterproof violent death by crucifixion. man (showing himself) undressed, quasi-nude. low hill country - HH - ideal landscapes

Temple with exceptionally large statue in Arakan, Romeyn de Hooghe (Possible), After Wouter Schouten, 1676 print Large statue of clay, in a temple on a mountain in Arakan. The local residents make their sacrifices to the image, watched by the Dutch. paper engraving / etching temple, shrine ~ non-Christian religions. statues, paintings, etc. ~ objects of worship (non-Christian religions) Batavia

Christ on the Cross, Samuel William Reynolds, After Pierre Prud'hon, 1825 - 1828 print Paris paper etching the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

L'Enfance du Christ. Repos de la Sainte Famille (1re planche) , Families, Angels, Saints, Spiritual leaders, Jesus Christ, Mary, Blessed Virgin, Saint, Joseph, Saint, Berlioz, Hector, 1803-1869. Enfance du Christ. Repos de la Sainte Famille.. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Reconciliation from Jakob and Esau. The Esau and Jacob brothers embrace. Right behind Esau is his army. Left the cattle and the kneeled women and children of Jacob. Under the show the title and four four-line verses in Latin.

Maria Magdalena in a cave, 1593 - 1597 print Maria Magdalena in a cave, halfway, in a praying attitude for a cross, a book and an ointment pot. The show is diamond -shaped; Along the top two edges a line of Latin text. Netherlands paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Déposition de Croix , Angels, Saints, Spiritual leaders, Pietà, Jesus Christ, Mary, Blessed Virgin, Saint, Mary Magdalene, Saint. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

H. Hieronymous in prayer. .

God calls Adam and Eva to account, Jan van Vianen, After Gerard Hoet (I), 1720 - 1728 print God calls Adam and Eva to account in paradise, after they have eaten the tree of knowledge of good and evil. Illustration of the Bible text Gen. 3: 9. Under the show the title in Hebrew, English, German, Latin, French and Dutch. publisher: Amsterdampublisher: The Hague paper engraving God calls Adam and Eve to account for their deed

A 1516 wooden print by Leonhard Beck showing Saint Leopoldus, part of the series of saints associated with Emperor Maximilian I's family.

God the Father and the Holy Spirit, Cornelis Schut (I), 1618 - 1655 print paper etching God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe. Holy Ghost represented as a dove (in flames)

Master J.N. (German or Netherlandish, active late 16th century), The Coronation of the Virgin with Angel Musicians and All Saints, c. 1590, pen and black ink with gray wash on laid paper

Saint Francis of Assisi embracing Christ on the cross. Etching by L. Flameng after B.E. Murillo, 1860/1880.

Christ on the Cross, Hieronymus Wierix, After Maerten de Vos, 1584 print Christ hangs on the cross that stands on a hill. Maria Magdalena mourns at the foot of the hill, her ointment pot next to her. On the left next to the cross the sun, while the right above the city of Jerusalem is thunderstorms. In the context of the margin a two -way caption in Latin. Antwerp paper engraving crucified Christ with Mary Magdalene, who usually weeps and embraces the cross. sun and moon in the sky at either side of the cross of Christ (+ variant)

Archangel Michael kills the dragon; Isagogia Historia De Constantino Max: Imperatore Instatuta Militie Angelicae Aureatae Constantinianae Sub Titulo Magni Martyris S Georgii; History of the Order of the Holy Joris. The Archangel Michael, floating with sword and shield, kills the dragon. Above God float the Father, Christ and the Holy Spirit in the form of a pigeon.

Christ with his disciples in the forest.Christ Stands with His disciples in a glade in the forest at a lake.

Christ in the Hof van Getsemane. Christ prays to God in the court of Getemane. In the cloud sky a group of angels of which one wears a mislike. In the background there are three students to sleep Petrus, James and John.

Three Capuchins Seated Allart van Everdingen Dutch. Three Capuchins Seated 384352

Martyrdom of Saint Ursula with arrow in her chest and supported by angel; S. VRSVLA.

Crossbreak; The round passion. From series of twelve prints. Picture framed. Christ the Cross cared, helped by man. Soldier with rope Christ.

Saint Francis of Assisi having a vision of a winged seraph on mount La Verna. Etching by R. Sciaminossi after J. Ligozzi, ca. 1612.

A painting showing Archangel Michael striking a demon with a lance, while God the Father appears above in angelic glory, rendered with brown brush and green-blue oil paint highlights.

The three Maria's at the grave. The three Maria's at the entrance to the grave, and the three Maria's at the empty Tomb of Christ. They are approached by an angel sitting on the edge of the tomb.

A copper engraving and etching by Cornelis Martinus Vermeulen from 1664-1708 depicting the prophet Elijah performing a sacrifice in the presence of King Ahab, showing figures, gestures, and detailed clothing.

Holy Christoffel, Albrecht Altdorfer, 1513 print Saint Christoffel wadends through the river with the Christ child on his back. He is burdened by the weight of the child and holds on to his staff. Germany paper St. Christopher, with the infant Christ on his shoulders, wading through the water and carrying his staff (palm-tree); sometimes a hermit stands on the further bank beside a chapel, a lantern in his hand

The Entombment, Rembrandt van Rijn, c. 1654 print paper etching / drypoint Christ's entombment (possibly by angels)

Belgian lion at an altar, Eugène Verboeckhoven, 1829 print De Leeuw tramples a yoke. He puts a snake into the head. The personification of freedom offers him a laurel wreath. Above that a cross with the words: inhoc signo vinces. Under the image: Pro Aris et Focus. Numbered in the top left: 290. paper beasts of prey, predatory animals: lion. personifications of countries, nations, states, districts, etc.. altar. Freedom, Liberty; 'Libertà' (Ripa). yoke Dutch Republic

Hemelvaart Van Maria, Carlo Cesio, After Giovanni Lanfranco, 1636 - 1686 print Maria is taken to heaven by Engelen. Angels hold a crown over her head. print maker: Italyafter drawing by: Italyafter painting by: Rome paper etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

First day of creation: separation between light and darkness, 1645 - 1646 print God the Father floats above the earth. He separates the light from the dark and day of night. The print is part of an album. paper letterpress printing division of light and darkness

Last judgment, Cornelis Visscher (II), After Peter Paul Rubens, 1644 - 1650 print Christ sits troning as a judge on a cloud in heaven in the Last Judgment. He makes a gesture and is surrounded by angels, kings, church fathers and his apostles. Above him a pigeon flies and God lies with the globe on a cloud. Among the angels, women and men are attacked by all kinds of devils and animals and taken to hell. Haarlem paper engraving Last Judgement

Benjamin West, The Crucifixion, 1796 1797 The Crucifixion

Holy family under a tree, Anonymous, Hans Sebald Beham, 1521 print paper Holy Family (alone), 'Trinitas terrestris'. fruits: pear

Clair-obscur woodcut by Hans Wechtlin, circa 1515, depicting Saint Hieronymus with detailed line work and tonal plates, showing traditional religious iconography.

Holy Family with Deer Made 1871 France. Lithograph (etching transfer) on cream China paper laid down on white wove paper . Rodolphe Bresdin

Design drawing for a communion diploma for Norbertine Lammers, Leo Gestel, 1935 drawing Angels hold a banner above a praying child. On the left two figures in a boat and a figure for a house. On the right a horse, cow and calf. tracing paper. pencil. ink pen horse. cow. lamb. Holy Communion ~ Protestant service. historical persons - BB - woman. girl (child between toddler and youth). kneeling figure. angels

Christ Op de Olives, Anonymous, 1630 - 1750 print Christ on the Mount of Olives embraced by an angel. paper drypoint / engraving agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

Sailing angels with the Christ child. .

Christ carrying the cross 19th century Anonymous. Christ carrying the cross. Anonymous. 19th century. Wood engraving. Prints

Andreas of Crete, saint.

H. Franciscus from Assisi speaks to the birds. The sacred Francis of Assisi, founder of the Franciscander order, stands with a tree and speaks to a few birds.

A copper engraving and etching by Johann Hainzelmann from 1656-1693 showing the Ascension of Maria Magdalena, depicting religious narrative and gestures.

Saint Hieronymus in Een Grot, Albrecht Altdorfer, c. 1506 - 1538 print The saint Hieronymus as a recluse in a cave. Kneeling and praying for a crucifix. Behind him the lion. Germany paper personal devotion of St. Jerome

Bishop surrounded by seven angels, Giovanni Battista Vanni, After Correggio, 1609 - 1660 print A bishop on clouds, surrounded by seven angels. print maker: Italyafter painting by: Parmapublisher: Rome paper etching angels. archbishop, bishop, etc. (Roman Catholic)

. A devil figure with wings blows to three monks. This cover their ears. Eagniestigiest print from the series of Los Caprichos.

Archangel Michael. The Archangel Michaël with a large cross trambles a monstrous being, half devil half hose.

John the Baptist and the Levites.

Colored woodcut by Urs Graf d. Ä. from 1509 showing Christ praying in Gethsemane, with figures, gestures, and landscape elements.

Death of King Philip.. Prints. 1777 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Philip, Sachem of the Wampanoags, d. 1676 , Death and burial

Photo production of the painting H. Michaël by Guido Reni in the S. Maria della Concezione in Rome, Anonymous, After Guido Reni, 1851 - 1900 photograph Rome paper. cardboard albumen print picture, painting Santa Maria of the conception of the Capuchins

Paulus Verkondight the word on his first apostolic journey; Scenes from the Acts of the Apostles ..

Ste. Marie des Neiges (Our Lady of the Snow), August 5th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. Ste. Marie des Neiges (Our Lady of the Snow), August 5th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Saint Sara of Libya as a harm; Sancta Sara; Kluizenaars; Sacra Eremus Ascetriarum.

Christ Crucified between the two Thieves: 'The Three Crosses', George Bickham (II), Rembrandt van Rijn, 1760 - 1765 print Copy to Rembrandt's print of the same name. paper etching the crucifixion of Christ: prelude to Christ's death on the cross (Matthew 27:34-44; Mark 15:23-32; Luke 23:33-43; John 19:18-24)

Emblem with bishop that protects a man against the temptations of a devil, Anonymous, After Boëtius Adamsz. Bolswert, 1623 print A man is on the edge of the abyss at the purgatory and is lured by the devil with wealth and abundance. However, a bishop stops him. Behind the man follows a procession of loose men and women who are doomed to the purgatory. Antwerp paper engraving the life of man

Annunciation, Isaac Duchemin (attributed to), after Adriaan de Weerdt, 1573 print This print is part of an album. paper engraving the Annunciation: Mary sitting

The Resurrection of Lazarus 1620-74 Jan Lievens. The Resurrection of Lazarus. Jan Lievens (Dutch, Leiden 1607-1674 Amsterdam). 1620-74. Etching; laid down on canvas. Prints

Christ crucified between the two thieves: an oval plate, anonymous, after Rembrandt van Rijn, after 1641 print paper etching the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

The Holy Family. Maria with the Christ child on your lap. Around her Joseph, the Saint Catharina with the wheel, John the Evangelist with the poison cup and an angel.

Crucifixion of Christ , Crucifixions, Jesus Christ. George Bellows (1882-1925). Prints and Drawings

Caltnadel print 'The Three Crosses' by Rembrandt van Rijn, created in 1653, showing the crucifixion of Christ with two thieves and onlookers.

Heilige Andreas, Anton Maria I Zanetti, After Parmigianino, 1722 print The holy Andreas with the cross in his hands. Italy paper the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll

Holy family with Johannes de Boper, Jan van Somer, 1655 - 1700 print Maria shows the Christ child while Joseph reads a book. Next to Maria is the young John the Baptist. paper Holy Family with John the Baptist (as child)

A brown ink drawing by Martin Johann Schmidt depicting Christ falling a second time under the cross as the seventh Station of the Cross, with lavated shading and white highlights on blue-gray paper.

Emblem with men painting portraits of saints to follow their example; Den Wech des century life. Two men and a spiritual sitting behind an easel and painting portraits of a saint. An angel shows them a group of saints to whose example they can live. The devil hinders one of the men to paint, he pulls him from behind his stool.

Mary Magdalene. Maria Magdalena, kneeling for a cave and in worship for a crucifix.

Abraham leaves for Sichem / proclamation to De Herders, Cornelis Visscher (II), After Jacopo Bassano, 1638 - 1772 print This print was used to illustrate two different Biblical scenes. First, 'Abraham leaves for Sichem'. Abraham looks at an angel who has appeared in the sky. The angel shows him the way to the city of Sichem, in the Canaan area. Abraham is surrounded by shepherds and a shepherdin who milks a sheep. In the background of the hilly landscape is a village and some shepherds are concerned with their cattle. Secondly, the print is used to illustrate the subject 'The proclamation to the shepherds'. With the last subject, the print is also included in Royaal Bibles. print maker: Haarlempublisher: Amsterdampublisher: Amsterdam paper etching / engraving annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Praying monk. Draughtsman: Gesina ter Borch (signed by artist). Dating: 1643 - c. 1687. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

The flight into Egypt: a sketch: St Joseph, Rembrandt van Rijn, c. 1628 print paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Lucas describes Maria, Karl Palzow, 1830 print The evangelist Lucas is behind his easel and looks at the appearance of Maria in a tent flanked by two angels. With him the ox as his symbol. Print is part of a cover with text and a series of eighteen lithographs to paintings by Dutch masters. paper St.Luke painting or drawing the Madonna (i.e. Mary and the Christ-child), sometimes Joseph present

Maria Magdalena, Anonymous, After Crispijn van de Passe (I), 1600 - 1610 print Maria Magdalena, kneeling for a cave and in worship for a crucifix. engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

A woodcut by Leonhard Beck from 1517 depicting Saint Erentrudis, part of the saints associated with Emperor Maximilian I's family and court.

Lucas de Evangelist, Antoine Sallaert, 1590 - 1650 print Lucas the Evangelist is painting Mary with Christenkind. The easel supports on the back of the ox lying at his feet. Brussels paper Luke the evangelist; possible attributes: book, (winged) ox, portrait of the Virgin, surgical instruments, painter's utensils, scroll

Moritz von Schwind, A Monk with a Bagpipe Player, 1846 49 A Monk with a Bagpipe Player

The adoration of the shepherds: a night piece, Rembrandt van Rijn, c. 1657 print paper etching / drypoint adoration of the Christ-child by the shepherds; Mary and Joseph present

Woodcut print by Christian Rohlfs depicting the Three Kings. The image shows biblical figures and symbolic elements, created using woodcut technique.

Elijah cursed the youths of Bethel. The children of Bethel destroyed by bears. Old Testament. Antique bible illustration by Gustave Dore (1832-1883)

st, Augustinerstrasse - Augustinian church - tomb of Archduchess Marie Christine, Paul Ledermann -, producer

A copper engraving from 1518-1520 depicting Saint John, highlighting early Renaissance iconography and detailed printmaking techniques.

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