Surreal and Expressive Art

Engravings and lithographs that evoke strong emotions, featuring abstract forms and figures, exploring deep psychological and surreal themes through art.

The conviction of the artist, Odilon Redon, 1889 print Two heads with wings and a small figure in a cloak. Print was made as an illustration of the title page of the book "La Damantion de l'Artiste". print maker: Franceprinter: Parispublisher: Brussels . surrealia, surrealistic representations

Engraving by William Ward from 1791 depicting Urias Brief, showing figure detail, posture, and 18th-century engraving techniques.

Anthony What is the object of all this The Devil There is no object! , plate 18 of 24 Made 1896 France. Lithograph in black on light gray China paper laid down on ivory wove paper . Odilon Redon

The Arrest of Schlomé Fuss, from Au Pied du Sinaï Made 1897 France. Color lithograph on ivory wove paper . Henri de Toulouse-Lautrec

Crying woman. A woman covers her face with her hands.

The conviction of the artist, Odilon Redon, 1889 print Two heads with wings and a small figure in a cloak. Print was made as an illustration of the title page of the book "La Damantion de l'Artiste". print maker: Franceprinter: Parispublisher: Brussels . surrealia, surrealistic representations

Czarownica z rycerzem. Goryńska, Wiktoria (1902-1945), graphic artist

Pilgrim of the Sublunary World, plate 5 of 6 Made 1891 France. Lithograph in black on ivory China paper laid down on heavy white wove paper . Odilon Redon

Print by Käthe Kollwitz from 1905, part of the Peasant War series, showing combat scenes, executed with Aquatinta and Vernis Mou on handmade paper.

Berit. Artist: Anders Zorn (Swedish, Mora 1860-1920 Mora). Dimensions: Plate: 7 15/16 × 5 7/8 in. (20.2 × 15 cm)Sheet: 14 5/16 × 10 7/8 in. (36.3 × 27.6 cm). Date: 1905. Museum: Metropolitan Museum of Art, New York, USA.

Hemulå I , Nudes, Wading, Bodies of water

Cain kills Abel, Odilon Redon, 1886 print Cain with lifted club, is about to hit Abel. Abel, seen on the back, sits on the floor. France paper etching the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

The folding chair. Cassatt, Mary, 1844-1926. 1883. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Portrait of an unknown bearded man, Willem Linnig (II), 1852 - 1890 print paper etching anonymous historical person portrayed alone. beard

The Slipper 1859 United States. Etching and drypoint with foul biting in black ink on cream Japanese paper . James McNeill Whistler

Maléfice , Magicians, Magic. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Vigil Made 1856 France. Etching from zinc plate on ivory laid China paper . Jean François Millet

Going on Stage. Georges-William Thornley (French, 1857-1935); after Edgar Degas (French, 1834-1917); printed by Atelier Becquet (French, 19th century); published by Boussod, Valadon, & Company (French, 18th-19th century). Date: 1889-1890. Dimensions: 260 × 153 mm (image); 570 × 394 mm (sheet). Lithograph in green on paper. Origin: France. Museum: The Chicago Art Institute, USA.

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Hanno's Death. Horst Janssen, (German, 1929-1995); printed by Kupferdruckerei Schneider & Co., Berlin; published by Pantheon Presse, Agno, Switzerland. Date: 1973. Dimensions: 220 x 146 mm (image); 223 x 149 mm (plate); 412 x 310 mm (sheet). Etching on gray wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Appearance in the atmosphere, Hein von Essen, 1926 print paper drypoint

Billiards. Anders Zorn; Swedish, 1860-1920. Date: 1898. Dimensions: 178 x 128 mm (image/plate); 400 x 298 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito) ca. 1815 (published after 1867) Goya (Francisco de Goya y Lucientes) Spanish Apart from or after the 1867 edition published in Gazette des Beaux-Arts.. 'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito) 333803

And Another Angel Came Out of the Temple Which is in Heaven, and He Also Having a Sharp Sickle, plate 7 of 12 Made 1899 France. Lithograph in black on cream China paper laid down on ivory wove paper . Odilon Redon

Different Peoples Inhabit the Countries of the Ocean, plate 23 of 24 Made 1896 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Odilon Redon

Man at Kaarslicht, Jan Chalon, 1802 Man lights a candle in a dark room. The print is part of an album. print maker: Amsterdampublisher: LondonLondonLondon paper etching / drypoint Man lights a candle in a dark room. The print is part of an album. print maker: Amsterdampublisher: LondonLondonLondon paper etching / drypoint

Rear View of Lender Dancing the Bolero in Chilpéric 1895 France. Color lithograph on cream wove paper . Henri de Toulouse-Lautrec

Portrait of Félix Barré. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1913. Dimensions: 166 × 136 mm (plate); 245 × 163 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Spookbeeld, Odilon Redon, 1893 - 1894 print A woman, standing and seen from the side. Three larva -like creatures with a face float around her. print maker: Franceprinter: Paris . materialization, appearance of spirit or ghost. devils in the form of (fabulous) animals

Warrior. Félicien Rops; Belgian, 1833-1898. Date: 1882. Dimensions: 212 × 148 mm (image); 212 × 148 mm (plate); 450 × 318 mm (sheet). Heliogravure, with drypoint and aquatint, on ivory wove paper. Origin: Belgium. Museum: The Chicago Art Institute, Chicago, USA.

Symphonie fantastique. Un bal , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Chimera with Green eyes Turns, Bays, plate 7 from The Temptation of Saint Anthony (1st series) Made 1888 France. Lithograph in black on ivory China paper laid down on white wove paper . Odilon Redon

Winter night landscape with a man and a woman wearing a large kettle, Emile Claus, 1859 - 1909 print paper etching kitchen-utensils: cauldron. winter landscape; landscape symbolizing winter (the four seasons of the year)

La prise de Troie. Acte III. Apparition d'Hector , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Wolfram d'Eschenbach sees Elisabeth and the evening star, Henri Fantin-Latour, 1886 print Wolfram sings and plays a song for the evening star on his winch, which at the same time is a harbinger of Elisabeth's approaching death: who is Todesahnung Dämmrung that country ... o du Mein Holder Abendstern. The Wartburg can be seen in the background. Paris paper opera. evening star (Venus or other planet). musician - CC - out of doors

Fairytale creature; Gory, Wiktoria (1902-1945); 1924-1928 (1924-00-00-1928-00-00);

Study from model , Nudes, Artists' models

Arrestation de Schlomé Fuss , Law enforcement, Jews. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Tristan et Iseult. Acte II. Signal dans la nuit , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The fatal Bellman, George Richmond, 1827 print A scene from Macbeth from Shakespeare. A naked man (possibly King Duncan), seen from the front, with a sword in his hands, looks up at the owl in a tree. On the floor behind him lies the head of a woman. On the right a tower with a bell. Above the show a rule text from Lady Macbeth. paper engraving (scenes from) specific works of literature (with AUTHOR, Title)

Head of a Girl. Paul Klee; German, born Switzerland 1879-1940. Date: 1927-1928. Dimensions: 216 x 155 mm (plate); 375 x 257 mm (sheet). Etching, aquatint and plate-tone on ivory Japanese paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Tête d'homme , Alphonse Legros (1837-1911)

The Philosopher. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1930. Dimensions: 212 × 153 mm (plate); 391 × 297 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Terms and naked male figures; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. A medallion with a performance. Around the medallion sculptures of naked figures and putti.

Girl. .

Old woman with headscarf, Théophile Alexandre Steinlen, 1902 print At the bottom of the margin two sketches of the head of a man and a child. paper drypoint old woman

Anthony: "What is the object of all this" The Devil: "There is no object!", plate 18 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 308 × 250 mm (image); 310 × 250 mm (chine); 513 × 348 mm (sheet). Lithograph in black on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Werner van den Valckert from 1612 depicting a sleeping Venus with Amor and two satyrs, showing mythological figures in a detailed composition and naturalistic landscape.

Danaes, Nikolay Semyonovich Moslov (Attributed To), After Rasgrasst Van Rijn, 1857 - 1914 print paper. etching / drypoint (story of) Danae

Manfred et Astarté ,. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

A painter-etcher (self-portrait) , Artists, Zorn, Anders, 1860-1920

Old Beggar Woman 1833-38 Alexandre-Gabriel Decamps French. Old Beggar Woman. Alexandre-Gabriel Decamps (French, Paris 1803-1860 Fontainebleau). 1833-38. Etching with roulette and drypoint; second state of two. Prints

Embers Glow. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Image: 9 15/16 x 8 3/8 in. (25.3 x 21.2 cm). Date: 1890-97. Museum: Metropolitan Museum of Art, New York, USA.

Two Nude Figures: Woman with a Guitare and Boy with a Cup. Pablo Picasso (Spanish, 1881-1973); printed by Eugène Deltre (French, 1864-1934); published by Daniel-Henry Kahnweiler (French, born Germany, 1884-1979). Date: 1909. Dimensions: 131 x 111 mm (image/plate); 600 x 430 mm (sheet). Drypoint on copper plate on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Edmond Morin (1824-1882). "Christmas. What the midnight bells say." Bois, 1875. Museum of Fine Arts of the city of Paris, Petit Palais. Carillonneur, bell, midnight, Christmas, engraving

Redon, Odilon (n.1840-04-22-D.1916-07-06), Plate VIII. She draws from her chest a very black sponge, the cover of kisses ... (Mellerio 141) (main title), 1896. Lithography on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.

Cléo de Mérode , Dancers, Mérode, Cléo de, 1875-1966. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Johannes de Boper, Lodewijk Schelfhout, 1915 print John the Baptist, walking on a path in a mountain landscape. paper drypoint series of scenes from the life of John the Baptist. walking. mountains

An etching and aquatint from 1882 by Max Klinger titled 'First Intermezzo' (Opus II, sheet 6), printed on rolled French China paper, showing figures in artistic composition and visual narrative.

Etching by Max Klinger from A Love (Opus X) depicting the theme of death, 1903.

Der Pilger (ThePilgrim). Artist: Wilhelm von Lehmbruck, German, 1881-1919

Casts from Antique Sculpture: The Parthenon, 1892, 1892 Corcoran Gallery of Art Catalogue, offset lithograph in black on wove paper, image (irregular): 11.75 × 10.8 cm (4 5/8 × 4 1/4 in.), sheet: 23.81 × 15.72 cm (9 3/8 × 6 3/16 in.), James Henry Moser (artist) American, born Canada, 1854 - 1913

Old woman seated in a cottage, with a string of onions on the wall. Bisson Frères (French, active 1840 - 1864)

Lovers in the chamber, pl. 13, Brahms fantasy, op. XII, rejected board; Klinger, Max (1857-1920); 1893 (1893-00-00-1893-00-00);Brahms, Johannes (1833-1897), Partage Plus, Sachs, Carl (1858-1943), Sachs, Carl (1858-1943)-collections, Schlesisches Museum der Bildenden Künste (Wrocław-1880-1945)-collection, lovers, love , modernism (style), music, love scenes

It Was a Veil, an Imprint, plate 1 of 6. Odilon Redon; French, 1840-1916. Date: 1891. Dimensions: 187 × 134 mm (image/chine); 429 × 315 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Mother and Daughter (La Mère Malade). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 7 3/8 × 6 1/4 in. (18.7 × 15.8 cm)Sheet: 13 3/8 × 10 3/16 in. (34 × 25.8 cm). Date: 1897. Museum: Metropolitan Museum of Art, New York, USA.

A lithography by Maximilian Lenz depicting three young women among flowering plants in a park, showing detailed figures, floral elements, and natural environment.

Man Resting On His Spade Artist's working dates 1834-1875 France. Woodcut on ivory wove China paper . Jean François Millet

(UN CUISINIER.). Artist: Paul Gavarni, French, 1804-1866

Title page of a series with the temptation of Saint Antonius; Tentation de Saint-Antione Texte de Gustave Flaubert; Temptation of Saint Antonius. A bird with a men's head. Title page for the first series of ten prints at Gustave Flauberts The temptation of Saint Antonius.

Photo production of (presumably) a print, representing a woman's figure with a box in hand, possibly pandora. Part of photo album with recordings of excavations in Pompeï by Giorgio Sommer.

Mélisande looks at her in the water, Richard Nicolaüs Roland Holst, 1892 print Mélisande is kneeling at a source. She stares at her ring, which has left two circles on the water surface. On either side of the source is a horned head with an oak leaf as a nose. paper ring. spring, source of river or stream. foliated head ~ ornament

Madonna feeding (inventory II); Gory, Wiktoria (1902-1945); 1933 (1933-00-00-1933-00-00);

(UN CUISINIER.). Artist: Paul Gavarni, French, 1804-1866

After the Bath III 1891-92 Edgar Degas French. After the Bath III 359363

Reading Maria Magdalena, Carl Rahl, After Correggio, 1834 print The reading Maria Magdalena is on the floor with the ointment pot for her. paper etching / engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge. reading

Frontispiece for Iwan Gilkin's Damnation de l'artiste Made 1889 France. Lithograph in black on ivory wove paper . Odilon Redon

Student at a table by candlelight, Rembrandt van Rijn, c. 1642 print paper etching

Pinokkio's dream, 1979 print Boy with a long nose in a window, two men, a cricket and a snail. paper. printing ink etching

Figure photography:Rafael (1483-1520) - reproduction, Raimondi, Marcantonio (Ca 1470/1482 -Ca 1527/1534) - reproduction, photography of a work of art (artist)

Frontispiece for Chevaleries sentimentales by Ferdinand Hérold. Odilon Redon; French, 1840-1916. Date: 1893. Dimensions: 136 × 82 mm (image/chine); 283 × 200 mm (sheet). Lithograph printed in dark green on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Puberty 1902 Norway. Etching in black on cream wove paper . Edvard Munch

Etching by Edouard Manet showing a child creating a soap bubble, part of the thirty water-strong original series, created between 1866 and 1905.

Vorderste Stellung, board 5; Erler, Erich (1870-1935), Verlag von P.H. Beyer & Sohn (Leipzig; Publisher; 1897-), Wetteroth, Heinrich (Munich; Graphic Zak 1860-1925); 1918 (1900-00-00-1950-00-00);World War I (1914-1918), Schlesisches Museum der Bildenden Künste (Wrocław- 1880-1945)- collection, cycles, front (war), German graphics, German (culture), Okopy, Reduty, War, World War (1914- 1918), team, soldiers

Pilot. Anders Zorn; Swedish, 1860-1920. Date: 1919. Dimensions: 173 x 113 mm (image); 178 x 117 mm (plate); 323 x 254 mm (sheet). Etching on cream laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Ex libris.

Terms and naked male figures, Carlo Cesio, After Annibale Carracci, 1656 print A medallion with a performance. Around the medallion sculptures of naked figures and putti. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching The (nude) Human figures; 'Humano body' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'

With Castanets. Mehoffer, Józef (1869-1946), graphic artist

Anna Held, from Treize Lithographies Made 1898 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

$Maternité, pl.3; Carriere, Eugene (1849-1906), Maison Moderne (Paris; Publisher; 1897-1903); 1899 (1899-00-00-1899-00-00);Carri \ `ere, Arsene (1899-)-iconography, Carri \` ere, Sophie Desmouceaux (1855-1922)-iconography, Leykam-Lewińska, Aleksandra (1882-1927)-collection, PartaGage Plus, Dar (Protency), Motherhood, modernism (style)$

Woman with a book and an umbrella on a chair outside, 1888 - 1889 print Numbered in the top right: pl. 21. paper drypoint book

Pieter Haaringh: Hands And Hat, Rembrandt van Rijn, 1655 print Fragment of the cut plate with the portrait of Pieter Haaringh. paper etching / drypoint

Life is Hard, plate twelve from Miserere. Georges Rouault; French, 1871-1958. Date: 1945. Dimensions: 480 × 361 mm (image/plate); 654 × 505 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Etching on zinc by Paul Klee from 1904, Woman and Animal, showing a figurative composition including human and animal figures.

Mushrooms, Chris Lebeau, 1912 print paper mushrooms

Bald landscape with a naked man and woman in hug, Willy Jaeckel, 1898 - 1944 print paper (lovers) embracing each other, 'symplegma'

Candlelight , Dressing tables, Mirrors. Frank W. Benson (1862-1951). Prints and Drawings

De ineenstortingen; Les Débcles.A man scratches his head. Print is made for a title page of the book "Les Débcles".

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