Symbolic Emblems and Designs

A collection of intricate emblems featuring a starry ring, an obelisk, and ornamental musical instruments, showcasing historical artistry and symbolism.

Instrument awarded by feline animal, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. musical instruments; group of musical instruments Royal Palace

Ring met ster / Obelisk waarin iemand naar boven klimt; Durat Et Luce / Vel Sic Enitar; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a ring with a star above it. Under a landscape with an obelisk in which someone climbs up with wings. A laurel wreath on the obelisk. The inventions of Matthias Corvinus and Hungary Wladislaus II.

Instrument awarded by feline animal, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. musical instruments; group of musical instruments Royal Palace

Plan for a Formal Garden, Pen and ink, brush and watercolor on paper, Two plans of a circular formal garden, with paths radiating from a central grass plot. Upper plan included measurements., France, 1785, Drawing, Drawing

Firemarks. Dated: 1935/1942. Dimensions: overall: 44.4 x 36.6 cm (17 1/2 x 14 7/16 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Drawing, Design for Metalwork; Italy; pen and ink on paper

Drum and two wind instruments; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Shells and fishing, Philips Galle, 1587 print Ornamental frame with fish around two shells with the Latin title of a seventeen-piece series about electricity and water nymphs. paper engraving scallop, shell ~ ornament. fishes

Fitting design; Wyspiały, Stanis Aw (1869-1907); 1900 (1900-00-00-1900-00-00);Reynel, Leon (1887-1931), Reynel, Leon (1887-1931) - collection, gift (provenance), Poland (culture), Polish drawings, craft - project

Large wind instrument; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Plate Eight, from Book of Ornament Made 1704 France. Simon Gribelin IIís charming set of 12 engravings makes up a book of ornament patterns that could be copied by artists and perused by enthusiasts. The detailed images in the New Book of Ornament Useful to All Artists alternate between sinuous frames with historical and mythological cartouches and more schematic images in the shape of medallions, decorative bands, and jewelry.. Engraving on paper . Simon Gribelin, II

Several designs, Anonymous, After 1703 print Mirrored German copy of Pierre Bourdon's Livre Premier, Livre Second End Livre Troisieme: Essais de Engraving (1703). Leaf from series of seven designs for watchmakers, goldsmiths, sculptors and engravers. paper etching ornaments ~ art

Designs for Tobacco and Powder Boxes, Watches, Seals, and other Goldsmith Ornaments, from the set 'Neues sehr dienliches Goldschmids Büchlein', Paul Decker, 1677-1713, Lorenz Beger, 1663 - 1735, Engraving on paper, The numbers have been erased. Twenty-six various designs, mostly for watches., Germany, ca. 1705, Print, Print

Ornamental ceiling design in Achtkant, Elias van Nijmegen, 1677 - 1755 drawing pencil. paper. ink. chalk pen / brush (decorated) ceiling

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan for a fortress, fort or reinforcement (hexagon), depicted three times among each other: on a map, seen from above in a landscape and in a bird's flight perspective in a landscape. In the corner at the top right the number 54 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching fortifications, military engineering. mathematics. river. landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc.

Violin and other Negres instruments, in gold before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. musical instruments; group of musical instruments Royal Palace

Design Illustrating an Excursion to the Countryside 1839 Hermann Kestner German. Design Illustrating an Excursion to the Countryside 419569

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Weapon of Willem III, Prince of Orange. Weapon of Willem III with a crown and three helmets, decorated with the garter, in multiple circles. In the four corners a weapon with a crown.

Edith Miller, Trivet, c 1937 Trivet

Drawing, Design for a bracelet; Italy; 1940-86-842

Instrument Negres; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Venus and Cupid, Felice Giani, Italian, 1758-1823, Red crayon on grey-brown paper over traces of graphite on cream laid paper, In center, circular medallion with Venus shown kneeling in opened shell upon sea. Putti shown beside her. Laterally are pen sketches at left of putto and right of Venus. Cupid dancing holding arrow and bow., Italy, 1800-1815, figures, Drawing, Drawing

Marmormosaik im Fußboden der Kirche S. Vitale zu Ravenna, 1842., Berlin, Publisher, bei G. Reimer. Decoration and ornament, Marble, Chromolithographs

Drawing, Design for necklace and earring; Italy

Design for a memorial sign with w and a coat of arms. .

Fan. Dated: c. 1936. Dimensions: overall: 29 x 23.1 cm (11 7/16 x 9 1/8 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Rosalia Lane.

Schmalz Otto (1861-1906), travel sketches from Austria, Germany, Italy and Spain (14.08.1893): Halberstadt: Cathedral (details choir stalls). Pencil on paper, 42.5 x 30.7 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Österreich, Deutschland, Italien und Spanien

Netherlands, Diamond-shaped pendant with emergency coin from the siege of Leiden, 1574, 1574. Obverse the coat of arms of Leiden, reverse a sailing ship, at the top a ring., print, picture, historical object representation, prints, Frederik Muller Historieplaten, height 158 mm, width 102 mm, print maker, printmaker, 1700 - 1799, 18th century, 18e eeuw, paper, papier, etching, etchings, Work conception

Albrecht Dürer, The Third Knot (with a black circle on a white medallion), probably 1506 1507 The Third Knot (with a black circle on a white medallion)

Print (France)

Water, Hans Janssen, 1615 - c. 1630 print Oval with ornamental tiflines and leaf vines. Neptunus is at the top. paper etching

Panels of Ornament, nos. IIII-VI ("Designs for Various Ornaments," pl. 2) May 1, 1777 Michelangelo Pergolesi These designs for panels of ornament, numbered IIII to VI, include standards at left and right and acanthas leaves at center. The print comes from a group of prints that Pergolesi made and published serially in London between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, then with Arabic numbers). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).. Panels of Ornament, nos. IIII-VI ("Designs for Various Ornaments," pl. 2). May 1, 1777. Etching; printed

Bowl. Dated: 1935/1942. Dimensions: overall: 17.7 x 16.9 cm (6 15/16 x 6 5/8 in.). Medium: graphite and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Designs for Four Decorated Tables. Artist: Antonio Asprucci (Italian, Rome 1723-1808 Rome). Dimensions: sheet: 15 5/16 x 9 7/16 in. (38.9 x 24 cm). Date: 1723-1808. Museum: Metropolitan Museum of Art, New York, USA.

Bound Print (France)

A drawing by the Straßburger Meister from around 1510-1540 depicting the coat of arms of Solms, executed in brown-black and reddish ink.

Large Pendant with Two Double Crosses, Surrounded by Six Large and Sixteen Small Table-Stones. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Vestigia delle Terme di Tito. Vault decoration in room 10. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Brenna, Vincenzo (1745-1820), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

Ink drawing on sign paper by Adolf Loos from school days depicting a tower cross (Turmkreuz), showing structural detail and architectural study, dated February 4, 1886.

Plate 8, Collection des tableaux et arabesques antiques, trouvés à Rome dans les ruines des thermes de Titus: avec un avant-propos et un texte explicatif abrégé des planches, Ponce, Nicolas, 1746-1831, Engraving, 1805. L. C. Chateau Sculp below plate mark.

Stefan Batory's royal coat of arms and the rector's emblem; Ruszczyc, Ferdynand (1870-1936); 1919 (1919-00-00-1919-00-00);White eagle (coat of arms), Partage Plus, Pogoń (coat of arms), dragon teeth (coat of arms), Stefan Batory University (Vilnius - university - 1579-1939), Crowns of the rulers, projects, purchase (provenance)

Cut Tin Candle Holder. Dated: c. 1936. Dimensions: overall: 35.6 x 24.2 cm (14 x 9 1/2 in.) Original IAD Object: 13" in diameter. Medium: watercolor and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Irene M. Burge.

Klingholz Fritz (1861-1921), floral ornaments (without date): View. Pencil watercolored, gold heighted on paper, 27.8 x 23.5 cm (including scan edges) Klingholz Fritz (1861-1921): Florale Ornamente

Sexes with dolphins, satek heads and vase, anonymous, after Jean Mariette, 1670 - 1725 print Four lids of snuff boxes. Left and right upstairs with dolphins and a mask. Left below with terms on either side of a vase. At the bottom right with Saterkopen. Germany paper etching snuff-box. dolphin ~ ornament. satyr(s) (in general). vase ~ ornament

Print, Designs for Firearms Ornament; Print Maker: de La Collombe (French, active 1702 - 1739); Published by Gilles Demarteau (Belgian, active in France, 1722 - 1776); France; etching and engraving on laid paper

Textiles: a large fabric printing machine, section. Engraving.

Tin plate in the Bavarian National Museum.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Plates (Tableware)

Hildesheim, spätgothische Oblatenschüssel. .

EKS with the inscription Skarbiec; Ruszczyc, Ferdynand (1870-1936); around 1905 (1903-00-00-1907-00-00);Partage Plus, purchase (provenance)

Round panel with eagle and a four-poster bed; Designs for religious and profane objects; Invenzioni Various Di Mobili Ed Utensili Sacri E profani; Invenzioni Various Di Mobili Ed Utensili Sacri E profani per USI Comuni della Vita. Print is part of an album.

Design for a Decorative Border, c. 1500 - c. 1600 print Putti keeps an empty diamond -shaped field up on two points located. Shaded background. Germany (possibly) paper engraving

Boucheron, Fleuri evening bag (main title), 1945. Ink and gouache on the front, pastel fat on the back on layer. Petit Palais, Museum of Fine Arts of the City of Paris.

Print, "Pendant in the Form of a Bowknot," Plate 3 from "Goldsmith Ornament Designs"; Heinrich Raab (German, active Nuremberg 1640 - 1650); Published by Paul Furst (German, ca. 1605 - 1666); engraving on off-white laid paper; Plate: 5.1 x 3.8 cm (2 x 1 1/2 in. ) Sheet: 5.9 x 7.1 cm (2 5/16 x 2 13/16 in. )

Medallion with floral motifs. Draughtsman: anonymous. Dating: 1725 - 1750. Measurements: h 304 mm × w 176 mm. Museum: Rijksmuseum, Amsterdam.

Image of the Présentoir used by ZM den Koning when laying the first stone on November 17, 1863. Top view of a Tazza as Présentoir used in the firstest assisting of the National Monument by King Willem III in The Hague on 17 November 1813. Central De Arrival of the Prince of Orange in Scheveningen in 1813, surrounded by portraits of Van Hogendorp, van der Duyn van Maasdam, from Limburg Stirum and Oldenbarneveld TRULING. Printed on the same magazine as a side view of the présentoir.

Dish with Bacchus, 1572 - 1582 print Bacchus, driving in a car that is pulled by a satater. Bacchants, saters and children follow him. At the back, Silenus drives on a donkey. Germany (possibly) paper

Fifteen Letter Monograms (ABC-UC), Daniel de Lafeuille, c. 1690 - c. 1691 print From series of 29 partially numbered sheets with number monograms. Amsterdam (possibly) paper engraving letters, alphabet, script

Giovanni Guerra drawing of Bomarzo executed in pen and brown wash with bister ink, showing architectural and landscape details.

Plate Five, from Book of Ornament Made 1704 France. Simon Gribelin IIís charming set of 12 engravings makes up a book of ornament patterns that could be copied by artists and perused by enthusiasts. The detailed images in the New Book of Ornament Useful to All Artists alternate between sinuous frames with historical and mythological cartouches and more schematic images in the shape of medallions, decorative bands, and jewelry.. Engraving on paper . Simon Gribelin, II

Drawing, Ceiling Decoration; Designed by James Byres; England

Drawing, Project for the Coat of Arms of a Prelate; Italy; red chalk on laid paper

Robert Stewart, Pa German Dish, 1939 Pa. German Dish

Plate 3, Descripción histórica y cronológica de las dos piedras que con ocasión del nuevo empedrado que se está formando en la plaza principal de México, se hallaron en ella el año de 1790, León y Gama, Antonio de, 1735-1802, Unknown, Print, 1832

Bound Print (France)

Eyelet Embroidery. Dated: c. 1937. Dimensions: overall: 35.7 x 28.1 cm (14 1/16 x 11 1/16 in.) Original IAD Object: 5" wide. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Towner.

A Winged Victory in the Right Spandrel of an Arch, Felice Giani, Italian, 1758-1823, Pen and black ink, graphite, brush and wash on paper, Right half; a triangle with a Nike holding in her outer hand a bar with a trophy, and in her inner hand a wreath. The outlines of the arch and of the case, and the keystone are sketched. Inscribed in black chalk: fama del arco”., Italy, ca. 1805, figures, Drawing, Drawing

Two chandeliers in the town hall of Kampen, Anonymous, c. 1882 - in or before 1887 photomechanical print Town hall paper collotype / photolithography Chandelier, a candlestick Town hall

A Condolence Card. Emily Wilcox; American, 19th century. Date: 1825-1835. Dimensions: 359 x 314 mm. Stencil in black on buff wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Copper engraving 'The First Cause' from the 'S' series by the Tarocchimeister, around 1485, depicting a symbolic figure representing the first cause in the tarot series.

Owl game, 1842 - 1873 print. gameboard The owl game. A circular board game with compartments containing objects, animals and dice. In the middle an owl with a mirror. Under the show the rules in two columns. Arnhem paper letterpress printing board-games. board-games of chance. owls

Egyptian sphynx from the obelisk of the sun, Campus Martius, serpent with tail in its mouth, scarab bettle, head of Sphynx, Horus with whip emerging from a lotus. Vignette of Egyptian Symbols. Copperplate engraving by D. Smith after an illustration by Richard Dagley from Gems, Selected from the Antique, with Illustrations, John Murray, London, 1804.

Five Weapons, Anonymous, 1600 - 1699 Five performances on an album magazine. The first three with the weapon of the Amsterdam Bicker family: a celebrated shield with a crossbar in the first and last fifteen minutes and three helmet sticks in the second and third fifteen minutes. This was combined with a weapon with two crossed scales and an image of a Moor at the first performance. The fourth weapon is related to the Van Swieten family: three violins with the sticks down. Up and below a dog. The fifth weapon shows a shield with two trees and a third tree as a helmet sign. Below that a grape branch. The prints are part of an album. paper engraving Five performances on an album magazine. The first three with the weapon of the Amsterdam Bicker family: a celebrated shield with a crossbar in the first and last fifteen minutes and three helmet sticks in the second and third fifteen minutes. This was combined with a weapon with two crossed scales and an image of a Moor at the first performan

Drawing, Ceiling Decoration; Designed by James Byres; England

Design for a Ring, Plate 30 from 'Livre d'Aneaux d'Orfevrerie' 1561 Pierre Woeiriot de Bouzey II Design for a ring with a raised setting. It could either be a ring watch or a seal ring. The band of the ring is decorated with a male and female figure, both completely naked and strechted across the band. They are connected at top with their hands caught in a small strapwork scroll. Plate 30 is from a book of forty designs for rings by the goldsmith and engraver Woeiriot published in Lyon, France, after Woeiriot returned to France from a visit to Rome. The French edition, titled Livre d'aneaux d'orfévrerie de l'invention de Pierre Woeiriot Lorrain, appeared in 1561. An Italian edition, the Libro d'anella d'orefici del inventione de Piero Woeirioto di Loreno, appeared in the same year.. Design for a Ring, Plate 30 from 'Livre d'Aneaux d'Orfevrerie'. 1561. Engraving

Tragedy, Juno, Jupiter in Hymen, C. Le Meunnié, After Richard de Lalonde, 1784 - 1785 print Four soffites as trophies and two vases. Top left tragedy with a hat and bars, right above Juno with peacock springs, left under Jupiter with winged scepter and lightning bolts, right below Hymen with a torch, arrows and wreaths. Paris paper etching / engraving 'Tragedia' (Ripa). (story of) Juno (Hera). (story of) Jupiter (Zeus). (story of) Hymen(aeus)

Design for family crest of Cornelis Maarschalk, mayor of Haarlem. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 280 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Drawing (Italy)

Butter Mold. Dated: 1935/1942. Dimensions: overall: 29.2 x 22.9 cm (11 1/2 x 9 in.) Original IAD Object: 4 1/2" in diameter. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Florence Choate.

Ten European Coins, Jacques Callot, 1662 print Ten European coins, depicted in two columns of five. This print is part of a series of ten prints with performances of coins that were put into circulation in Europe between 1522 and 1629, mainly in Germany and Italy. Of each coin, the front and back are shown next to each other, connected by a cartouche with the letters AR (Argentum - silver) or AV (Aureum - Gold). The silver coins cover the first nine sheets and part of the tenth leaf, which also shows gold coins. print maker: Nancypublisher: Paris paper etching coin

A mask within a circle with a pearl frame, inside an oval bead necklace, at the ends with ribbons connected to discs with rosettes (left ribbon other than right), design for furniture stroke, with a lock plate () in the middle, Mask, draughtsman: Giuseppe Valadier, (workshop of), Rome, c. 1785 - c. 1800, paper, pen, brush, h 292 mm × w 502 mm

Plate Six, from Book of Ornament Made 1704 France. Simon Gribelin IIís charming set of 12 engravings makes up a book of ornament patterns that could be copied by artists and perused by enthusiasts. The detailed images in the New Book of Ornament Useful to All Artists alternate between sinuous frames with historical and mythological cartouches and more schematic images in the shape of medallions, decorative bands, and jewelry.. Engraving on paper . Simon Gribelin, II

Etching by Stefano della Bella showing an oval cartridge with amorets, letters, and symbols, created between 1630 and 1664, combining decorative motifs and heraldic imagery.

Ex Libris and a design for a monogram, 1876 - 1924 Also a sketch of a decorative motif with a wicker basket. Page 2 Recto from an album with 17 sheets. paper. chalk ex-libris. magic mathematical figures; magic numbers, words, monograms

Warsaw. End piece of curtain rod of thin sheet brass, from the equipment at the White House at the Royal Łazienki Park - front views and side longitudinal section. Kotarbiński, Mieczysław (1890-1943), draughtsman, cartoonist

Jacques Callot (1592-1635). "The currencies, ninth board, bonds 781-790, Meaume 613. Eau-tie. 1st half of the 17th century. Museum of Fine Arts in the city of Paris, Petit Palais. 99609-6 Etching, engraving

George E Rhone, Wall Painting and Niche Restoration Drawing, c 1939 Wall Painting and Niche: Restoration Drawing

Drawing, Design for a buckle; Italy; 1940-86-825

A mantel clock crowned with a globe, flanked by personifications of Astronomy and Truth. The pendulum is surrounded by four decorations for dials or watchcases and ten other ornaments.Copy of sheet 4 from the Nouveaux Liure de Boites de Pendulles series, published by Daniel Marot around 1706. Sheet from second edition., Pendule crowned with globe Nouveaux Liure de Boites de Pendulles de Coqs et Etuys de montres et autres necessaire au Orlogeurs (series title), print maker: anonymous, Daniël Marot (I), Netherlands, (possibly), after 1706 - before 1800, paper, etching, h 276 mm × w 186 mm

The Queen of the Fishes, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.

OnWerpen Voor Formle Tuinen; The way to draw on the ground all kinds of designs. .

Honey Dish. Dated: c. 1936. Dimensions: overall: 28.2 x 22.7 cm (11 1/8 x 8 15/16 in.). Medium: graphite and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Marie Famularo.

Royal Almanac of Lodewijk XIV, 1705, 1705 - 1706 print Cartoon on King Louis XIV as a sun god sitting in the middle of the sun with the 24 rays. Each jet is a crime committed by the king. With verses and explanation in Dutch. Part of a series of 7 cartoons on the French and allies from the year 1705. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires

Design for Ceiling Decoration. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Owl game, anonymous, 1600 - 1699 print Germany paper engraving board-games

Bassin de cuivre doré, incrusté en émail, ouvrage du commencement du XIIIe. siècle.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Drawing by an anonymous artist depicting a design for an astrolabe, with an image frieze in ink and mathematical scaffolding in Bister and red chalk, dated 1560-1570.

Weighing Scale, James Bruce, 1730-1794, British, undated, Pen and brown ink, pen and black ink, and gray wash on moderately thick, moderately textured, beige laid paper, Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)

'Shield Presented to the Prince and Princess of Prussia'. 19th century. Artist: John Burley Waring

Albrecht Dürer's 'Knot with a White Disc' (after 1507) is a woodcut showing a knot design with a central white disc, emphasizing symmetry, line work, and decorative composition.

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