Symbolic Prints

Etchings and illustrations exploring themes of death, temptation, and mythology, characterized by dark tones and expressive figures, conveying deep emotions.

Perseus and the sea monster, Johannes Josephus Aarts, 1881 - 1934 print Perseus floats through the air with his flying shoes. He keeps the severed head of Medusa above the sea monster to which Andromeda has been sacrificed. paper (story of) Perseus

Hanno's Death. Horst Janssen, (German, 1929-1995); printed by Kupferdruckerei Schneider & Co., Berlin; published by Pantheon Presse, Agno, Switzerland. Date: 1973. Dimensions: 220 x 146 mm (image); 223 x 149 mm (plate); 418 x 313 mm (sheet). Etching on greenish-gray wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

A pond followed by a prostitute; ... d'ABord Une Flaque d'eau, ensuite une prostitute, le coin d'un temple, une figure de soldat, un char avec deux chevaux blancs qui se combaster; Tentation de Saint-Antoine (1); Temptation of Saint Antonius. A water with on the horizon to light up to the light a man with a helmet, a building, a woman with long hair and a car drawn by two horses. Under the image the text: "First a pond followed by a prostitute, a corner of a temple, a soldier, a chariot drawn by two white horses". First print of ten from the first series of illustrations for Gustave Flauberts The temptation of Saint Antonius.

Bewaffnung in einem Gewölbe, Blatt IV aus dem Zyklus: Bauernkrieg. Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Kollwitz, Käthe (1867-1945), graphic artist

Perseus and the sea monster, Johannes Josephus Aarts, 1881 - 1934 print Perseus floats through the air with his flying shoes. He keeps the severed head of Medusa above the sea monster to which Andromeda has been sacrificed. paper (story of) Perseus

Marches Ascoli Piceno Offida S. Maria della Rocca9. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture; frescos (13th and 14th century). Post-medieval: Frescos (15th century); painted ceramic sculpture. Several views of the imposing Romanesque exterior, and extensive coverage of the frescoes located in the crypt and the main altar. General Notes: Prints 20, 22, and 56 have no matching negatives. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Narni S. Maria in Pensole3. Hutzel, Max 1960-1990 Medieval: 1982--39 photos Architecture, architectural sculpture (including mosaic) (12th century) 1987--76 photos Architecture, architectural sculpture, wall painting (12th century). Post-medieval: 1982--5 photos Frescoes 1987--8 photos Architecture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Engel Met Schild, François Nicolas Chifflart, 1835 - 1901 print print maker: Franceprinter: Parispublisher: Paris paper etching / drypoint female angels. protective weapons: shield. horn, trumpet, cornet, trombone, tuba

La Femme à l'éventail. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1876. Prints. Soft-ground and aquatint

Untitled, plate from Je regardais et je vis... Jean de Caldain (French, 19th century); in homage to Odilon Redon (French, 1840-1916); printed/published by Auguste Clot (French, 1858-1936). Date: 1896. Dimensions: 150 × 177 mm (image/chine); 481 × 314 mm (sheet). Lithograph in black on light grey China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), Aphrodite (Venus) (main title), 1915. Gypsography, drawing in brown, black and brown. Petit Palais, Museum of Fine Arts of the City of Paris.

Bloem, Carel Adolph Lion Cachet, 1874 - 1945 drawing cardboard. pencil pen flowers

Odilon Redon (French, 1840 - 1916). And there fell a great star from heaven, burning as it were a lamp (Et il tombe du ciel une grande etoile ardente), 1899. From Apocalypse de Saint-Jean par Odilon Redon. Lithograph on thin grey wove chine collé on heavy wove paper. Image: 303 mm x 232 mm (11.93 in. x 9.13 in.).

Walter Gramatté, Scene in the Cafe with the Cripple, 1918 Scene in the Cafe with the Cripple

YES. Jerichau (1890-1916), Allegorisk Composition, (1916)

Etching by Joris Hoefnagel depicting the punishment of lovers, created between 1560 and 1600.

Head of a muleteer facing right ca. 1860-70 Mariano Fortuny, 1838-1874 Spanish. Head of a muleteer facing right. Mariano Fortuny, 1838-1874 (Spanish, 1838-1874). ca. 1860-70. Etching. Prints

Head Against the Light (The Artist's Sister) 1912 Umberto Boccioni Italian. Head Against the Light (The Artist's Sister). Umberto Boccioni (Italian, Reggio 1882-1916 Sorte). 1912. Ink on paper. Drawings

Study for the figure of Sarah in the now-lost painting,Tobias Brings His Bride Sarah to the House of His Father, Tobit, 1863 Henri Lehmann. Study for the figure of Sarah in the now-lost painting,Tobias Brings His Bride Sarah to the House of His Father, Tobit, 337663

"Etching on handmade paper by Lovis Corinth from 1919-1920 depicting the education of Achilles, showing figures, interaction, and detailed composition in mythological context."

Copper engraving and etching by Pieter Nolpe, created around 1652, depicting the biblical story of Elijah fed by ravens, including figures, birds, and natural landscape.

Around a blue of light, I saw the shapes of the evil, Hein von Essen, c. 1928 print paper

Emile Bernard (1868-1941). Following original etchings, in the 1st state on Japan, for "the end of Satan. First state of the etchings. N ° 42." Jesus came out, carrying a cross on the shoulder ". Etching and aquatious. 1935. Paris, house of Victor Hugo. 101109-22 Annies thirty 1930 30, aquatinte, Calvary, Catholic, Cross Stations, Chretian, Drawing, Eau-Forte, Illustration, New Testament, Little Work, Biblical Character, Porter Cross, Biblical Scene, Suffering

Hotei and Chinese Child Acrobats. ink on paper. Origin: Japan. Period: Edo period. Date: ca. 1840s. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Saint George and the Dragon. Dated: 1880s and c. 1892. Dimensions: overall: 53.7 x 37.5 cm (21 1/8 x 14 3/4 in.). Medium: charcoal heightened with pastel on tan wove paper. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

Nude woman playing lyre / H.P. | Library of Congress

Consuela II ,

This etching by Giacopo Giovannini depicts the Holy Family fleeing to Egypt, created between 1685 and 1717. The work emphasizes biblical narrative and figures in motion.

The Haunted House: To All Appearances, It Was a Hand of Flesh and Blood Just Like My Own, 1896. Odilon Redon (French, 1840-1916), printed by Auguste Clot (French, 1858-1936). Lithograph on China paper laid on wove paper; image: 24.5 x 17.8 cm (9 5/8 x 7 in.); sheet: 24.8 x 31.3 cm (9 3/4 x 12 5/16 in.).

On Stage I. Edgar Degas; French, 1834-1917. Date: 1876. Dimensions: 120 × 162 mm (imge/plate); 159 × 244 mm (sheet). Soft ground etching and drypoint in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Hilaire Germain Edgar Degas.

Odilon Redon (French, 1840 - 1916). And the devil that deceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are (Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou est la bete et le faux prophete), 1899. From Apocalypse de Saint-Jean par Odilon Redon. Lithograph on thin grey wove chine collé on heavy wove paper. Image: 272 mm x 237 mm (10.71 in. x 9.33 in.).

Embers Glow. Theodore Roussel; French, worked in England, 1847-1926. Date: 1890-1897. Dimensions: 251 × 211 mm (image/plate); 280 × 243 mm (sheet). Etching and aquatint in orange on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Lobster, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 300 x 215 mm (image); 367 x 279 mm (sheet). Aquatint and sugar lift etching with drypoint on copper in black on off-white laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

The reason's dream produce monsters. El sueno de la razon produce monstruos. Feather sepia. Madrid, Prado museum. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Man sitting at a desk. Rembowski, Jan (1879-1923), graphic artist

Blossoming, plate one from In Dreams. Odilon Redon; French, 1840-1916. Date: 1879. Dimensions: 334 × 259 mm. Lithograph on mounted ivory China paper. Origin: France. Museum: The Chicago Art Institute, USA.

Et là-bas lidole astrale, lapothéose (And Beyond, the Astral Idol, the Apotheosis), from the portfolio Songes (Dreams). Artist: Odilon Redon, French, 1840-1916

Small Standing Nude. Alberto Giacometti; Swiss, 1901-1966. Date: 1959. Dimensions: 155 x 81 mm (image/plate); 247 x 163 mm (sheet). Etching on cream wove paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

The Last Cord. Wojtkiewicz, Witold (1879-1909), draughtsman, cartoonist

Lazio Roma Castel Madama Castello8. Hutzel, Max 1960-1990 Medieval: 14th century architecure, portico, loggia with spolia, inscribed funerary monuments (fragments);. Post-medieval: Furniture, painting (c.17th century), maiolica, silver objects, choir stalls, wooden utensils, painted porcelain Antiquities: Funerary stele, fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study for a Portrait of a Lady Anthony van Dyck Flemish early 17th century The Flemish painter Anthony van Dyck, Rubens's most brilliant pupil, streaked across the history of British art like a shooting star. After working (1620-21) at the court of James I, van Dyck returned to London in 1632 at the invitation of Charles I. There, he portrayed the sophisticated and privileged members of the Caroline court in a suitably glamorous manner. His distinctive lace-and-satin costumes and dazzling brushwork set the standard for later British portrait painters.Here, van Dyck sketched the dress and hands of an unidentified female sitter (the finished portrait is in the Alte Pinakothek, Munich) using characteristically agitated, darting strokes. The woman's Flemish costume suggests a date of 1627-32 or 1634-35, when van Dyck was in Antwerp and Brussels, away from the political and religious agitation of the English court.

Patterns , Patterns Design elements, Sitting. Charles H. Woodbury (1864-1940). Prints

Groote Litho, Eenig copy, Erich Wichmann, 1918 print Netherlands paper

Patterns , Patterns Design elements, Sitting. Charles H. Woodbury (1864-1940). Prints

Etching by Pieter Nolpe from 1630-1652 depicting a battle in August with burning fields and portraits of two generals.

Theatre programme for Au-delà des forces (II) by Bjørnstjerne Bjørnson (Thétre de l'Oeuvre, 26 January 1897). Dimensions: 23.8 cm x 31.9 cm, 23.8 cm x 31.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD VUILLARD.

Vale of tears. Piller-Neumann (Lwów ; drukarnia, zakład litograficzny ; 1893-1939), lithography atelier, Sichulski, Kazimierz (1879-1942), graphic artist

Le fermier et son ne , Farmers, Donkeys, Alphonse Legros (1837-1911)

A drawing by Egon Schiele around 1909 showing a composition with two figures, executed in pencil and ink lavated on drawing paper, focusing on arrangement and interaction.

Cinq études de figures. Bisson Frères (French, active 1840 - 1864)

Emile Bernard (1868-1941). Following original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 6." A feather escaped from the Archangel wing had remained, and pure and pure Blanche, shivered ". Etching and aquatint. 1935. Paris, Maison de Victor Hugo. 101108-18 Wing, angel, year 1930 30, aquatinte, archangel, drawing, etching, illustration, litter work, wing character, feather

Downfall, plate twelve from A Life. Max Klinger; German, 1857-1920. Date: 1883-1884. Dimensions: 276 x 228 mm (plate); 300 x 248 mm (sheet). Etching and drypoint on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Sigismunds Column at night. Wattson, Gwidon (Warszawa ; zakład litograficzny ; fl. post 1840), lithography atelier, Księgarnia Powszechna (Warszawa ; wydawnictwo ; 1904-1913), merchant employer, Prusinowski, Bolesław (fl. 1906), graphic artist, Siedlecki, Franciszek (1867-1934), graphic artist

Scholar in his studies. A niche.

Wiertz, Antoine Joseph, Fierlants, Edmond, Photo reproduction of The Last Gun by Antoine Wiertz, recto - embossed, photograph, photo, reproduction, page, photos, photographically illustrated books, SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE, 69, RUE KEYENVELD, BRUXELLES, height 104 mm, width 175 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, 1806-02-22 - 1865-06-18

Bather Made 1904 France. Etching and drypoint in red-brown on cream Japanese wove paper . Odilon Redon

Seen on the back, Lambertus Hardenberg (1822-1900), c. 1837 - 1900 print The Hague paper. etching saints

And Beyond, the Astral Idol, the Apotheosis, plate 2 of 6 Made 1891 France. Lithograph in black on ivory China paper laid down on off-white wove paper . Odilon Redon

The Flower of Love (Die Blume derLiebe). Artist: Edvard Munch, Norwegian, 1863-1944

Mary was addressed to the grave by an angel. Draughtsman: Jan Toorop. Dating: 1922. Measurements: h 169 mm × w 209 mm. Museum: Rijksmuseum, Amsterdam.

Lazio Viterbo Bagnaia Villa Lante33. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lovers in a chamber, chart. 13, Brahms Fantasy, op. XII, rejected chart. Klinger, Max (1857-1920), graphic artist

Leeuw, Jacques de Gheyn (II), 1580 - c. 1596 print Oval representation of a lion, lying by a skull. To the show a Latin edge. Reconstructed from six fragments. Northern Netherlands paper engraving beasts of prey, predatory animals: lion

Resting girl. Draughtsman: Anton Mauve. Dating: 1848 - 1888. Measurements: h 337 mm × w 248 mm. Museum: Rijksmuseum, Amsterdam.

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Leda, 1925. Paul Nash (British, 1889-1946). Wood engraving;

Study in Orange. Artist: René Le Bègue (French, 1857-1914). Dimensions: 25.7 x 19.7 cm. (10 1/8 x 7 3/4 in.). Date: 1903.In 1888 George Eastman introduced the first Kodak camera, which came with a one-hundred-exposure roll of newly patented flexible film. Once the consumer had used all the exposures, the camera and film were shipped back to the Eastman Dry Plate Company, where the pictures were developed, printed, and returned to the photographer. Marketed with the promise, "You press the button, we do the rest," the camera made photography available to a much wider audience. Serious art photographers, however, believed that photography's unique expression was best represented by "the rest"-that is, by the very processes taken over by Eastman. As a result, they began to explore more complex printing techniques that imitated other graphic arts. Known internationally as the Pictorialists, they formed the first collective and cogent movement to argue aggressively for photography's place a

Conversation; Makowski, Tadeusz (1882-1932); after 1920 (1921-00-00-1925-00-00);

Angled Beauty. Dated: 1918. Dimensions: plate: 20 x 30.48 cm (7 7/8 x 12 in.) sheet: 27.94 x 38.1 cm (11 x 15 in.). Medium: softground etching and aquatint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Arthur B. Davies.

A man and woman in oriental dress on the street. On the left a blind wall. To the right a wall with a balcony. Walls of a harem, print maker: Marius Bauer, (signed by artist), 1889, paper, etching, h 298 mm × w 196 mm

THE INDIAN SECTION OF THE COLONIAL AND INDIAN EXHIBITION, 1886: THE JUNGLE

Death of a Poet I. Antonio Frasconi (Uruguayan, born Argentina, 1919-2013); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1962. Dimensions: 695 x 950 mm (sight). Lithograph on natural nacre. Origin: Uruguay. Museum: The Chicago Art Institute, Chicago, USA.

Roche, Pierre (n.1855-D.1922-01-18), women-cygnes (flying): I. Le Rest (main title), 1916. Gypsography, black draw .. Small palace, Museum of Fine Arts from the city of Paris.

Poppy in a Vase. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Plate: 3 7/8 x 2 9/16 in. (9.8 x 6.5 cm). Date: 1890-95. Museum: Metropolitan Museum of Art, New York, USA.

This etching by Richard Teschner, 'The Brotherhood Demiurg', executed in 1914, depicts figures and compositional elements in monochrome line work.

Ernst Ludwig Kirchner, Street Scene with an Omnibus, 1914 Street Scene with an Omnibus

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 2, Title Page, 1804 to 1820. Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper.

Decorative design. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 268 mm × w 190 mm. Museum: Rijksmuseum, Amsterdam.

Anonymous, painted portrait (dummy title). Houses of Victor Hugo Paris - Guernsey.

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1), Print made by William Blake, 1757-1827, British, ca. 1788, Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm), Plate: 2 1/8 x 1 3/4 inches (5.4 x 4.4 cm), and Spine: 5 1/2 inches (14 cm), beard, hills, literary theme, men, nude, seated, sitting, trees, vine, woman

Design for a print, Le Noyé Drenkeling in a water, by moonlight, draughtsman: Odilon Redon, 1887, paper, h 506 mm × w 360 mm

Berlioz conducts between four trumpet-blowing angels, Henri Fantin-Latour, 1888 print Paris paper horn, trumpet, cornet, trombone, tuba. historical persons. conductor ~ music. musician at work. angels

Catarina Cavalieri, actually Cavalier -, singer, Johann Hieronymus Delete Kohl -, publishing house

Abruzzo L'Aquila Celano Museum49. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Crepuscule Phillippe-Charles Blache (French, 1860-1908). Crepuscule, 1894. Lithograph on wove paper, 14 7/16 x 10 1/16 in. (36.7 x 25.5 cm). European Art 1894

The Snow - Winter prints, lithographs, works on paper

Etching by Richard Teschner titled 'From Books', created in September 1947 using Vernis Mou, from his sketchbook (1915-1947).

Print made by William Blake, 1757-1827, British, Europe. A Prophecy, Plate 1, Frontispiece, 1794. Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper inlaid to size.

Lazio Viterbo Bagnaia Villa Lante125. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pavlusha. Illustration for the Bezhin meadow story by I. S. Turgenev. 1936. by A. F. Pakhomov

Putto with an olive branch and duck. The putto stands in a landscape with a bridge over a river and houses in the background. Drawing in an oval, possibly to a print. Leaf 65 recto from a sketchbook with 91 sheets.

KSI Reichstadtu; Ruszczyc, Ferdynand (1870-1936); around 1913 (1908-00-00-1918-00-00);Bonaparte, Napoléon François Charles Joseph (1811-1832), Partage Plus, stage costumes, projects, theater, purchase (provenance)

Lion. Oval presentation of a lion lying in a skull. To the show a Latin peripheral. Reconstructed from four fragments.

Marches Pesaro e Urbino Cagli Madonna della Misericordia2. Hutzel, Max 1960-1990 Post-medieval: 14th-15th century architecture, fresco, polychrome terracotta of local marchegiana school, paintings on canvas, stucco work German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Demaskiert (Unmasks). Artist: Ernst Oppler (German, Hannover 1867-1929 Berlin). Dimensions: plate: 3 11/16 x 5 11/16 in. (9.3 x 14.5 cm)sheet: 6 x 8 13/16 in. (15.2 x 22.4 cm). Date: 1921. Museum: Metropolitan Museum of Art, New York, USA.

Tuscany Grosseto Seggiano S. Rocco6. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A siren above the sea, Odilon Redon, 1883 print A human figure with a fish street, seen on the back, above the seawater. Fourth print from a series of eight. print maker: Franceprinter: Paris . merman

Mother with child in hug, George Minne, 1876 - 1941 print Japanese paper (handmade paper) etching / drypoint mother and baby or young child

And in the sun's disk the face of Christ seemed; ... et dance le disque même du soleil, rayonne la face de jesus-christ; Tentation de Saint-Antoine (1); Temptation of Saint Antonius. The face of Christ in a ray wreath. Tenth print of ten from the first series of illustrations for Gustave Flauberts The temptation of Saint Antonius.

Two eagles. Artist: Bada Shanren (Zhu Da) (Chinese, 1626-1705). Culture: China. Dimensions: Image: 73 3/4 x 35 1/2 in. (187.3 x 90.2 cm)Overall with mounting: 122 3/4 x 42 1/2 in. (311.8 x 108 cm)Overall with knobs: 122 3/4 x 46 1/2 in. (311.8 x 118.1 cm). Date: dated 1702.After decades spent concealing his identity as a descendant of the Ming royal house, Bada Sharen, at the age of seventy-six, seems in this forceful depiction of eagles to be declaring his proud defiance of Manchu Qing rule. There is no immediate precedent for such imagery; instead, the painting harks back to the powerful representations of eagles and hawks created by the early Ming court artist Lin Liang (ca. 1416-1480). Lin's heroic birds are emblems of strength and courage suitable for presentation to military officials. Bada, a fervent Ming loyalist, has personalized this imagery, transforming the conventional symbolism into an expression of brave confrontation and unfaltering loyalty, his noble birds standing

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